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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 183 214 it is the complementary color RGB 57 72 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 183 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 183 214 shade: RGB 203 183 209, RGB 220 201 228, RGB 237 219 247, RGB 254 237 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 183 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 183 214 shade: RGB 198 183 214, RGB 181 165 195, RGB 164 147 176, RGB 147 129 157 and RGB 130 111 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 183 214 shade: RGB 198 184 214, RGB 207 184 214, RGB 214 184 213, RGB 214 184 205 and RGB 214 184 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 183 214 shade: RGB 198 184 214, RGB 190 184 214 and RGB 184 184 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 183 214 shade matches the following richer shades: RGB 198 184 214, RGB 198 175 223, RGB 198 166 232, RGB 198 157 241 and RGB 197 147 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 183 214 shade: RGB 198 184 214, RGB 199 193 205, RGB 199 202 196, RGB 199 211 187 and RGB 200 220 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 183 214 shade: RGB 184 185 214, RGB 190 184 214, RGB 198 184 214, RGB 206 184 214 and RGB 214 184 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 183 214 shade: RGB 157 131 184, RGB 178 158 199, RGB 198 184 214, RGB 219 210 229 and RGB 240 236 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 183 214 shade: RGB 198 183 214, RGB 214 184 193 and RGB 184 214 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 183 214 shade: RGB 198 183 214, RGB 214 198 184 and RGB 184 214 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 183 214 shade: RGB 198 183 214, RGB 214 184 193, RGB 199 214 184 and RGB 184 214 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 183 214 shade: RGB 198 183 214, RGB 214 184 184, RGB 199 214 184 and RGB 184 214 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 14 / 0 / 16

HEX #C6B7D6

RGB 198 183 214

HSL 269.03, 0.27%, 0.78%

LAB 76.51, 11.11, -13.64

 

Complementary color

CMYK 21 / 0 / 43 / 72

HEX #394829

RGB 57 72 41

HSL 89.03, 0.27%, 0.22%

LAB 28.55, -12.43, 16.68

 

CMYK 3 / 12 / 0 / 18

HEX #CBB7D1

RGB 203 183 209

HSL 286.15, 0.22%, 0.77%

LAB 76.78, 11.81, -10.48

 

CMYK 4 / 12 / 0 / 11

HEX #DCC9E4

RGB 220 201 228

HSL 282.22, 0.33%, 0.84%

LAB 83.23, 11.47, -10.95

 

CMYK 4 / 11 / 0 / 3

HEX #EDDBF7

RGB 237 219 247

HSL 278.57, 0.64%, 0.91%

LAB 89.57, 11.15, -11.4

 

CMYK 0 / 7 / 0 / 0

HEX #FEEDFF

RGB 254 237 255

HSL 296.67, 1%, 0.96%

LAB 95.52, 8.85, -6.6

 

CMYK 7 / 14 / 0 / 16

HEX #C6B7D6

RGB 198 183 214

HSL 269.03, 0.27%, 0.78%

LAB 76.51, 11.11, -13.64

 

CMYK 7 / 15 / 0 / 24

HEX #B5A5C3

RGB 181 165 195

HSL 272, 0.2%, 0.71%

LAB 69.95, 11.47, -13.24

 

CMYK 7 / 16 / 0 / 31

HEX #A493B0

RGB 164 147 176

HSL 275.17, 0.16%, 0.63%

LAB 63.26, 11.85, -12.83

 

CMYK 6 / 18 / 0 / 38

HEX #93819D

RGB 147 129 157

HSL 278.57, 0.13%, 0.56%

LAB 56.42, 12.27, -12.43

 

CMYK 6 / 20 / 0 / 46

HEX #826F8A

RGB 130 111 138

HSL 282.22, 0.11%, 0.49%

LAB 49.44, 12.74, -12.02

 

CMYK 7 / 14 / 0 / 16

HEX #C6B8D6

RGB 198 184 214

HSL 268, 0.27%, 0.78%

LAB 76.76, 10.57, -13.26

 

CMYK 3 / 14 / 0 / 16

HEX #CFB8D6

RGB 207 184 214

HSL 286, 0.27%, 0.78%

LAB 77.52, 13.58, -12.05

 

CMYK 0 / 14 / 0 / 16

HEX #D6B8D5

RGB 214 184 213

HSL 302, 0.27%, 0.78%

LAB 78.1, 15.75, -10.58

 

CMYK 0 / 14 / 4 / 16

HEX #D6B8CD

RGB 214 184 205

HSL 318, 0.27%, 0.78%

LAB 77.87, 14.3, -6.6

 

CMYK 0 / 14 / 8 / 16

HEX #D6B8C5

RGB 214 184 197

HSL 334, 0.27%, 0.78%

LAB 77.64, 12.9, -2.59

 

CMYK 7 / 14 / 0 / 16

HEX #C6B8D6

RGB 198 184 214

HSL 268, 0.27%, 0.78%

LAB 76.76, 10.57, -13.26

 

CMYK 11 / 14 / 0 / 16

HEX #BEB8D6

RGB 190 184 214

HSL 252, 0.27%, 0.78%

LAB 76.12, 7.93, -14.3

 

CMYK 14 / 14 / 0 / 16

HEX #B8B8D6

RGB 184 184 214

HSL 240, 0.27%, 0.78%

LAB 75.65, 5.98, -15.04

 

CMYK 7 / 14 / 0 / 16

HEX #C6B8D6

RGB 198 184 214

HSL 268, 0.27%, 0.78%

LAB 76.76, 10.57, -13.26

 

CMYK 11 / 22 / 0 / 13

HEX #C6AFDF

RGB 198 175 223

HSL 268.75, 0.43%, 0.78%

LAB 74.82, 17.31, -21.09

 

CMYK 15 / 28 / 0 / 9

HEX #C6A6E8

RGB 198 166 232

HSL 269.09, 0.59%, 0.78%

LAB 72.96, 24.15, -28.83

 

CMYK 18 / 35 / 0 / 5

HEX #C69DF1

RGB 198 157 241

HSL 269.29, 0.75%, 0.78%

LAB 71.19, 31.05, -36.47

 

CMYK 21 / 41 / 0 / 2

HEX #C593FA

RGB 197 147 250

HSL 269.13, 0.91%, 0.78%

LAB 69.21, 38.25, -44.47

 

CMYK 7 / 14 / 0 / 16

HEX #C6B8D6

RGB 198 184 214

HSL 268, 0.27%, 0.78%

LAB 76.76, 10.57, -13.26

 

CMYK 3 / 6 / 0 / 20

HEX #C7C1CD

RGB 199 193 205

HSL 270, 0.11%, 0.78%

LAB 78.86, 4.31, -5.27

 

CMYK 1 / 0 / 3 / 21

HEX #C7CAC4

RGB 199 202 196

HSL 90, 0.05%, 0.78%

LAB 80.94, -2.12, 2.62

 

CMYK 6 / 0 / 11 / 17

HEX #C7D3BB

RGB 199 211 187

HSL 90, 0.21%, 0.78%

LAB 83.08, -8.37, 10.5

 

CMYK 9 / 0 / 19 / 14

HEX #C8DCB2

RGB 200 220 178

HSL 88.57, 0.38%, 0.78%

LAB 85.34, -14.07, 18.44

 

CMYK 14 / 14 / 0 / 16

HEX #B8B9D6

RGB 184 185 214

HSL 238, 0.27%, 0.78%

LAB 75.91, 5.44, -14.66

 

CMYK 11 / 14 / 0 / 16

HEX #BEB8D6

RGB 190 184 214

HSL 252, 0.27%, 0.78%

LAB 76.12, 7.93, -14.3

 

CMYK 7 / 14 / 0 / 16

HEX #C6B8D6

RGB 198 184 214

HSL 268, 0.27%, 0.78%

LAB 76.76, 10.57, -13.26

 

CMYK 4 / 14 / 0 / 16

HEX #CEB8D6

RGB 206 184 214

HSL 284, 0.27%, 0.78%

LAB 77.43, 13.24, -12.19

 

CMYK 0 / 14 / 0 / 16

HEX #D6B8D6

RGB 214 184 214

HSL 300, 0.27%, 0.78%

LAB 78.13, 15.94, -11.08

 

CMYK 15 / 29 / 0 / 28

HEX #9D83B8

RGB 157 131 184

HSL 269.43, 0.27%, 0.62%

LAB 58.85, 20.35, -24.13

 

CMYK 11 / 21 / 0 / 22

HEX #B29EC7

RGB 178 158 199

HSL 269.27, 0.27%, 0.7%

LAB 68.05, 15.18, -18.34

 

CMYK 7 / 14 / 0 / 16

HEX #C6B8D6

RGB 198 184 214

HSL 268, 0.27%, 0.78%

LAB 76.76, 10.57, -13.26

 

CMYK 4 / 8 / 0 / 10

HEX #DBD2E5

RGB 219 210 229

HSL 268.42, 0.27%, 0.86%

LAB 85.41, 6.56, -8.24

 

CMYK 2 / 3 / 0 / 4

HEX #F0ECF4

RGB 240 236 244

HSL 270, 0.27%, 0.94%

LAB 93.9, 2.77, -3.39

 

CMYK 7 / 14 / 0 / 16

HEX #C6B7D6

RGB 198 183 214

HSL 269.03, 0.27%, 0.78%

LAB 76.51, 11.11, -13.64

 

CMYK 0 / 14 / 10 / 16

HEX #D6B8C1

RGB 214 184 193

HSL 342, 0.27%, 0.78%

LAB 77.54, 12.21, -0.58

 

CMYK 14 / 0 / 13 / 16

HEX #B8D6BA

RGB 184 214 186

HSL 124, 0.27%, 0.78%

LAB 82.82, -15.25, 10.51

 

CMYK 7 / 14 / 0 / 16

HEX #C6B7D6

RGB 198 183 214

HSL 269.03, 0.27%, 0.78%

LAB 76.51, 11.11, -13.64

 

CMYK 0 / 7 / 14 / 16

HEX #D6C6B8

RGB 214 198 184

HSL 28, 0.27%, 0.78%

LAB 80.82, 3.28, 9.02

 

CMYK 14 / 0 / 7 / 16

HEX #B8D6C6

RGB 184 214 198

HSL 148, 0.27%, 0.78%

LAB 83.1, -13.04, 4.55

 

CMYK 7 / 14 / 0 / 16

HEX #C6B7D6

RGB 198 183 214

HSL 269.03, 0.27%, 0.78%

LAB 76.51, 11.11, -13.64

 

CMYK 0 / 14 / 10 / 16

HEX #D6B8C1

RGB 214 184 193

HSL 342, 0.27%, 0.78%

LAB 77.54, 12.21, -0.58

 

CMYK 7 / 0 / 14 / 16

HEX #C7D6B8

RGB 199 214 184

HSL 90, 0.27%, 0.78%

LAB 83.81, -10.41, 13.11

 

CMYK 14 / 0 / 5 / 16

HEX #B8D6CC

RGB 184 214 204

HSL 160, 0.27%, 0.78%

LAB 83.25, -11.89, 1.58

 

CMYK 7 / 14 / 0 / 16

HEX #C6B7D6

RGB 198 183 214

HSL 269.03, 0.27%, 0.78%

LAB 76.51, 11.11, -13.64

 

CMYK 0 / 14 / 14 / 16

HEX #D6B8B8

RGB 214 184 184

HSL 0, 0.27%, 0.78%

LAB 77.3, 10.72, 3.97

 

CMYK 7 / 0 / 14 / 16

HEX #C7D6B8

RGB 199 214 184

HSL 90, 0.27%, 0.78%

LAB 83.81, -10.41, 13.11

 

CMYK 14 / 0 / 0 / 16

HEX #B8D6D6

RGB 184 214 214

HSL 180, 0.27%, 0.78%

LAB 83.52, -9.9, -3.35

 

Description

Color code: RGB 198 183 214 | qconv.com Color code: RGB 198 183 214 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 183 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 183 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 14 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 14% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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