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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 136 97 it is the complementary color RGB 57 119 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 136 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 136 97 shade: RGB 203 136 92, RGB 220 154 111, RGB 237 172 130, RGB 254 190 149 and RGB 255 208 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 136 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 181 118 78, RGB 164 100 59, RGB 147 82 40 and RGB 130 64 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 198 109 97 and RGB 198 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 198 163 97, RGB 198 190 97, RGB 178 198 97 and RGB 151 198 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 136 97 shade matches the following richer shades: RGB 198 136 97, RGB 215 132 80, RGB 232 128 62 and RGB 250 124 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 180 140 114, RGB 163 144 132, RGB 146 148 149 and RGB 128 152 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 136 97 shade: RGB 198 97 112, RGB 198 109 97, RGB 198 136 97, RGB 198 163 97 and RGB 198 189 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 136 97 shade: RGB 156 95 56, RGB 187 113 67, RGB 198 136 97, RGB 209 159 127 and RGB 220 182 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 139 198 97 and RGB 97 99 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 97 198 136 and RGB 136 97 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 139 198 97, RGB 97 159 198 and RGB 156 97 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 136 97 shade: RGB 198 136 97, RGB 109 198 97, RGB 97 159 198 and RGB 186 97 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

Complementary color

CMYK 64 / 25 / 0 / 38

HEX #39779E

RGB 57 119 158

HSL 203.17, 0.47%, 0.42%

LAB 47.67, -7.53, -26.94

 

CMYK 0 / 33 / 55 / 20

HEX #CB885C

RGB 203 136 92

HSL 23.78, 0.52%, 0.58%

LAB 62.57, 20.95, 33.9

 

CMYK 0 / 30 / 50 / 14

HEX #DC9A6F

RGB 220 154 111

HSL 23.67, 0.61%, 0.65%

LAB 69.09, 19.83, 32.38

 

CMYK 0 / 27 / 45 / 7

HEX #EDAC82

RGB 237 172 130

HSL 23.55, 0.75%, 0.72%

LAB 75.53, 18.85, 30.97

 

CMYK 0 / 25 / 41 / 0

HEX #FEBE95

RGB 254 190 149

HSL 23.43, 0.98%, 0.79%

LAB 81.87, 17.99, 29.67

 

CMYK 0 / 18 / 34 / 0

HEX #FFD0A8

RGB 255 208 168

HSL 27.59, 1%, 0.83%

LAB 86.6, 11.13, 26.11

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 35 / 57 / 29

HEX #B5764E

RGB 181 118 78

HSL 23.3, 0.41%, 0.51%

LAB 55.41, 20.51, 32.02

 

CMYK 0 / 39 / 64 / 36

HEX #A4643B

RGB 164 100 59

HSL 23.43, 0.47%, 0.44%

LAB 48.66, 21.89, 33.76

 

CMYK 0 / 44 / 73 / 42

HEX #935228

RGB 147 82 40

HSL 23.55, 0.57%, 0.37%

LAB 41.83, 23.51, 35.6

 

CMYK 0 / 51 / 84 / 49

HEX #824015

RGB 130 64 21

HSL 23.67, 0.72%, 0.3%

LAB 34.94, 25.39, 37.3

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 45 / 51 / 22

HEX #C66D61

RGB 198 109 97

HSL 7.13, 0.47%, 0.58%

LAB 55.89, 33.97, 22.35

 

CMYK 0 / 51 / 51 / 22

HEX #C66161

RGB 198 97 97

HSL 0, 0.47%, 0.58%

LAB 53.4, 40.22, 19.01

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 4 / 51 / 22

HEX #C6BE61

RGB 198 190 97

HSL 55.25, 0.47%, 0.58%

LAB 75.88, -9.67, 47.47

 

CMYK 10 / 0 / 51 / 22

HEX #B2C661

RGB 178 198 97

HSL 71.88, 0.47%, 0.58%

LAB 76.51, -21.83, 47.83

 

CMYK 24 / 0 / 51 / 22

HEX #97C661

RGB 151 198 97

HSL 87.92, 0.47%, 0.58%

LAB 74.72, -32.25, 45.26

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 39 / 63 / 16

HEX #D78450

RGB 215 132 80

HSL 23.11, 0.63%, 0.58%

LAB 62.95, 27.14, 41.08

 

CMYK 0 / 45 / 73 / 9

HEX #E8803E

RGB 232 128 62

HSL 23.29, 0.79%, 0.58%

LAB 64.11, 35.12, 51.95

 

CMYK 0 / 50 / 82 / 2

HEX #FA7C2D

RGB 250 124 45

HSL 23.12, 0.95%, 0.58%

LAB 65.69, 43.56, 61.73

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 22 / 37 / 29

HEX #B48C72

RGB 180 140 114

HSL 23.64, 0.31%, 0.58%

LAB 61.37, 11.55, 19.71

 

CMYK 0 / 12 / 19 / 36

HEX #A39084

RGB 163 144 132

HSL 23.23, 0.14%, 0.58%

LAB 61.13, 5.08, 8.97

 

CMYK 2 / 1 / 0 / 42

HEX #929495

RGB 146 148 149

HSL 200, 0.01%, 0.58%

LAB 61.19, -0.53, -0.79

 

CMYK 23 / 8 / 0 / 35

HEX #8098A6

RGB 128 152 166

HSL 202.11, 0.18%, 0.58%

LAB 61.48, -5.23, -10.13

 

CMYK 0 / 51 / 43 / 22

HEX #C66170

RGB 198 97 112

HSL 351.09, 0.47%, 0.58%

LAB 53.73, 41.69, 10.64

 

CMYK 0 / 45 / 51 / 22

HEX #C66D61

RGB 198 109 97

HSL 7.13, 0.47%, 0.58%

LAB 55.89, 33.97, 22.35

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 5 / 51 / 22

HEX #C6BD61

RGB 198 189 97

HSL 54.65, 0.47%, 0.58%

LAB 75.62, -9.15, 47.15

 

CMYK 0 / 39 / 64 / 39

HEX #9C5F38

RGB 156 95 56

HSL 23.4, 0.47%, 0.42%

LAB 46.36, 21.05, 32.42

 

CMYK 0 / 40 / 64 / 27

HEX #BB7143

RGB 187 113 67

HSL 23, 0.47%, 0.5%

LAB 54.85, 24.98, 37.47

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 24 / 39 / 18

HEX #D19F7F

RGB 209 159 127

HSL 23.41, 0.47%, 0.66%

LAB 69.39, 14.37, 23.88

 

CMYK 0 / 17 / 28 / 14

HEX #DCB69E

RGB 220 182 158

HSL 23.23, 0.47%, 0.74%

LAB 76.76, 10.18, 17.35

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 30 / 0 / 51 / 22

HEX #8BC661

RGB 139 198 97

HSL 95.05, 0.47%, 0.58%

LAB 74.02, -36.61, 44.26

 

CMYK 51 / 50 / 0 / 22

HEX #6163C6

RGB 97 99 198

HSL 238.81, 0.47%, 0.58%

LAB 46.37, 26.49, -52.13

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 51 / 0 / 31 / 22

HEX #61C688

RGB 97 198 136

HSL 143.17, 0.47%, 0.58%

LAB 72.7, -43.53, 22.26

 

CMYK 31 / 51 / 0 / 22

HEX #8861C6

RGB 136 97 198

HSL 263.17, 0.47%, 0.58%

LAB 49.33, 37.15, -47.2

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 30 / 0 / 51 / 22

HEX #8BC661

RGB 139 198 97

HSL 95.05, 0.47%, 0.58%

LAB 74.02, -36.61, 44.26

 

CMYK 51 / 20 / 0 / 22

HEX #619FC6

RGB 97 159 198

HSL 203.17, 0.47%, 0.58%

LAB 62.86, -9.11, -26.2

 

CMYK 21 / 51 / 0 / 22

HEX #9C61C6

RGB 156 97 198

HSL 275.05, 0.47%, 0.58%

LAB 51.49, 42.49, -43.63

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 45 / 0 / 51 / 22

HEX #6DC661

RGB 109 198 97

HSL 112.87, 0.47%, 0.58%

LAB 72.56, -46.46, 42.14

 

CMYK 51 / 20 / 0 / 22

HEX #619FC6

RGB 97 159 198

HSL 203.17, 0.47%, 0.58%

LAB 62.86, -9.11, -26.2

 

CMYK 6 / 51 / 0 / 22

HEX #BA61C6

RGB 186 97 198

HSL 292.87, 0.47%, 0.58%

LAB 55.14, 50.78, -37.63

 

Description

Color code: RGB 198 136 97 | qconv.com Color code: RGB 198 136 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 136 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 136 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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