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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 125 48 it is the complementary color RGB 57 130 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 125 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 125 48: RGB 203 125 43, RGB 220 143 62, RGB 237 161 81, RGB 254 179 100 and RGB 255 197 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 125 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 125 48: RGB 198 125 48, RGB 181 107 29, RGB 164 89 10, RGB 147 71 0 and RGB 130 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

 

Complementary color

CMYK 72 / 37 / 0 / 19

HEX #3982CF

RGB 57 130 207

HSL 210.8, 0.61%, 0.52%

LAB 53.32, 3.15, -46.3

 

CMYK 0 / 38 / 79 / 20

HEX #CB7D2B

RGB 203 125 43

HSL 30.75, 0.65%, 0.48%

LAB 59.47, 23.97, 54.47

 

CMYK 0 / 35 / 72 / 14

HEX #DC8F3E

RGB 220 143 62

HSL 30.76, 0.69%, 0.55%

LAB 65.91, 22.28, 53.35

 

CMYK 0 / 32 / 66 / 7

HEX #EDA151

RGB 237 161 81

HSL 30.77, 0.81%, 0.62%

LAB 72.29, 20.79, 51.99

 

CMYK 0 / 30 / 61 / 0

HEX #FEB364

RGB 254 179 100

HSL 30.78, 0.99%, 0.69%

LAB 78.6, 19.48, 50.56

 

CMYK 0 / 23 / 53 / 0

HEX #FFC577

RGB 255 197 119

HSL 34.41, 1%, 0.73%

LAB 83.19, 11.92, 46.75

 

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

Pantone® 7571 C

CMYK 0 / 41 / 84 / 29

HEX #B56B1D

RGB 181 107 29

HSL 30.79, 0.72%, 0.41%

LAB 52.32, 23.89, 52.36

 

CMYK 0 / 46 / 94 / 36

HEX #A4590A

RGB 164 89 10

HSL 30.78, 0.89%, 0.34%

LAB 45.72, 26.02, 51.97

 

CMYK 0 / 52 / 100 / 42

HEX #934700

RGB 147 71 0

HSL 28.98, 1%, 0.29%

LAB 39.09, 28.4, 49.1

 

CMYK 0 / 59 / 100 / 49

HEX #823500

RGB 130 53 0

HSL 24.46, 1%, 0.25%

LAB 32.46, 30.86, 43.74

 

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

Pantone® 7571 C

CMYK 0 / 25 / 76 / 23

HEX #C5932F

RGB 197 147 47

HSL 40, 0.61%, 0.48%

LAB 64.11, 9.52, 57.04

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC2F

RGB 197 172 47

HSL 50, 0.61%, 0.48%

LAB 70.58, -3.91, 63.14

 

CMYK 0 / 0 / 76 / 23

HEX #C5C52F

RGB 197 197 47

HSL 60, 0.61%, 0.48%

LAB 77.29, -16.76, 69.31

 

CMYK 13 / 0 / 76 / 23

HEX #ACC52F

RGB 172 197 47

HSL 70, 0.61%, 0.48%

LAB 75.39, -27.25, 66.88

 

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

Pantone® 7571 C

CMYK 0 / 37 / 76 / 2

HEX #F99D3C

RGB 249 157 60

HSL 30.79, 0.94%, 0.61%

LAB 72.61, 26.82, 62.12

 

CMYK 0 / 38 / 76 / 82

HEX #2D1C0B

RGB 45 28 11

HSL 30, 0.61%, 0.11%

LAB 12.04, 6.14, 13.51

 

CMYK 0 / 36 / 76 / 62

HEX #603D17

RGB 96 61 23

HSL 31.23, 0.61%, 0.23%

LAB 29.12, 11.5, 28.85

 

CMYK 0 / 37 / 76 / 42

HEX #935D24

RGB 147 93 36

HSL 30.81, 0.61%, 0.36%

LAB 44.46, 16.99, 40.38

 

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

Pantone® 7571 C

CMYK 53 / 0 / 76 / 23

HEX #5CC52F

RGB 92 197 47

HSL 102, 0.61%, 0.48%

LAB 71.15, -55.77, 61.36

 

CMYK 69 / 76 / 0 / 23

HEX #3E2FC5

RGB 62 47 197

HSL 246, 0.61%, 0.48%

LAB 32.01, 51.22, -75.05

 

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

Pantone® 7571 C

CMYK 76 / 0 / 38 / 23

HEX #2FC57A

RGB 47 197 122

HSL 150, 0.61%, 0.48%

LAB 70.83, -55.41, 26.9

 

CMYK 38 / 76 / 0 / 23

HEX #7A2FC5

RGB 122 47 197

HSL 270, 0.61%, 0.48%

LAB 38.2, 59.34, -64.65

 

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

Pantone® 7571 C

CMYK 53 / 0 / 76 / 23

HEX #5CC52F

RGB 92 197 47

HSL 102, 0.61%, 0.48%

LAB 71.15, -55.77, 61.36

 

CMYK 76 / 38 / 0 / 23

HEX #2F7AC5

RGB 47 122 197

HSL 210, 0.61%, 0.48%

LAB 50.16, 3.06, -45.64

 

CMYK 23 / 76 / 0 / 23

HEX #982FC5

RGB 152 47 197

HSL 282, 0.61%, 0.48%

LAB 42.37, 64.63, -57.69

 

CMYK 0 / 37 / 76 / 22

HEX #C67D30

RGB 198 125 48

HSL 30.8, 0.61%, 0.48%

LAB 58.87, 22.04, 51.55

Pantone® 7571 C

CMYK 76 / 0 / 76 / 23

HEX #2FC52F

RGB 47 197 47

HSL 120, 0.61%, 0.48%

LAB 69.99, -65.3, 59.84

 

CMYK 76 / 38 / 0 / 23

HEX #2F7AC5

RGB 47 122 197

HSL 210, 0.61%, 0.48%

LAB 50.16, 3.06, -45.64

 

CMYK 0 / 76 / 0 / 23

HEX #C52FC5

RGB 197 47 197

HSL 300, 0.61%, 0.48%

LAB 49.42, 73.39, -46

 

Description

Color code: RGB 198 125 48 | qconv.com Color code: RGB 198 125 48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 125 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 125 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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