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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 122 185 it is the complementary color RGB 57 133 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 122 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 122 185 shade: RGB 203 122 180, RGB 220 140 199, RGB 237 158 218, RGB 254 176 237 and RGB 255 194 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 122 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 122 185 shade: RGB 198 122 185, RGB 181 104 166, RGB 164 86 147, RGB 147 68 128 and RGB 130 50 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 122 185 shade: RGB 198 123 185, RGB 198 123 165, RGB 198 123 145, RGB 198 123 124 and RGB 198 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 122 185 shade: RGB 198 123 185, RGB 191 123 198, RGB 171 123 198, RGB 150 123 198 and RGB 130 123 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 122 185 shade matches the following richer shades: RGB 198 123 185, RGB 214 108 196, RGB 229 92 206 and RGB 244 77 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 122 185 shade: RGB 198 123 185, RGB 183 138 175, RGB 168 153 165, RGB 153 169 155 and RGB 137 184 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 122 185 shade: RGB 171 123 198, RGB 191 123 198, RGB 198 123 186, RGB 198 123 166 and RGB 198 123 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 122 185 shade: RGB 167 72 151, RGB 186 94 170, RGB 198 123 185, RGB 211 152 201 and RGB 223 181 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 122 185 shade: RGB 198 122 185, RGB 198 151 123 and RGB 123 198 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 122 185 shade: RGB 198 122 185, RGB 186 198 123 and RGB 123 186 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 122 185 shade: RGB 198 122 185, RGB 198 151 123, RGB 123 198 135 and RGB 123 171 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 122 185 shade: RGB 198 122 185, RGB 198 173 123, RGB 123 198 135 and RGB 123 148 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 7 / 22

HEX #C67AB9

RGB 198 122 185

HSL 310.26, 0.4%, 0.63%

LAB 61.16, 38.99, -20.78

 

Complementary color

CMYK 57 / 0 / 47 / 48

HEX #398546

RGB 57 133 70

HSL 130.26, 0.4%, 0.37%

LAB 49.6, -37.78, 26.98

 

CMYK 0 / 40 / 11 / 20

HEX #CB7AB4

RGB 203 122 180

HSL 317.04, 0.44%, 0.64%

LAB 61.58, 39.77, -17.24

 

CMYK 0 / 36 / 10 / 14

HEX #DC8CC7

RGB 220 140 199

HSL 315.75, 0.53%, 0.71%

LAB 68.09, 39.01, -17.88

 

CMYK 0 / 33 / 8 / 7

HEX #ED9EDA

RGB 237 158 218

HSL 314.43, 0.69%, 0.77%

LAB 74.52, 38.28, -18.45

 

CMYK 0 / 31 / 7 / 0

HEX #FEB0ED

RGB 254 176 237

HSL 313.08, 0.98%, 0.84%

LAB 80.87, 37.58, -18.98

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 38 / 7 / 22

HEX #C67AB9

RGB 198 122 185

HSL 310.26, 0.4%, 0.63%

LAB 61.16, 38.99, -20.78

 

CMYK 0 / 43 / 8 / 29

HEX #B568A6

RGB 181 104 166

HSL 311.69, 0.34%, 0.56%

LAB 54.53, 39.75, -20.17

 

CMYK 0 / 48 / 10 / 36

HEX #A45693

RGB 164 86 147

HSL 313.08, 0.31%, 0.49%

LAB 47.82, 40.51, -19.46

 

CMYK 0 / 54 / 13 / 42

HEX #934480

RGB 147 68 128

HSL 314.43, 0.37%, 0.42%

LAB 41.05, 41.21, -18.59

 

CMYK 0 / 62 / 16 / 49

HEX #82326D

RGB 130 50 109

HSL 315.75, 0.44%, 0.35%

LAB 34.25, 41.7, -17.44

 

CMYK 0 / 38 / 7 / 22

HEX #C67BB9

RGB 198 123 185

HSL 310.4, 0.4%, 0.63%

LAB 61.37, 38.45, -20.45

 

CMYK 0 / 38 / 17 / 22

HEX #C67BA5

RGB 198 123 165

HSL 326.4, 0.4%, 0.63%

LAB 60.68, 35.09, -10.08

 

CMYK 0 / 38 / 27 / 22

HEX #C67B91

RGB 198 123 145

HSL 342.4, 0.4%, 0.63%

LAB 60.08, 32.08, 0.51

 

CMYK 0 / 38 / 37 / 22

HEX #C67B7C

RGB 198 123 124

HSL 359.2, 0.4%, 0.63%

LAB 59.55, 29.32, 11.83

 

CMYK 0 / 38 / 38 / 22

HEX #C67B7B

RGB 198 123 123

HSL 0, 0.4%, 0.63%

LAB 59.53, 29.2, 12.37

 

CMYK 0 / 38 / 7 / 22

HEX #C67BB9

RGB 198 123 185

HSL 310.4, 0.4%, 0.63%

LAB 61.37, 38.45, -20.45

 

CMYK 4 / 38 / 0 / 22

HEX #BF7BC6

RGB 191 123 198

HSL 294.4, 0.4%, 0.63%

LAB 61.06, 38.62, -28.36

 

CMYK 14 / 38 / 0 / 22

HEX #AB7BC6

RGB 171 123 198

HSL 278.4, 0.4%, 0.63%

LAB 58.88, 32.41, -31.91

 

CMYK 24 / 38 / 0 / 22

HEX #967BC6

RGB 150 123 198

HSL 261.6, 0.4%, 0.63%

LAB 56.81, 26.05, -35.3

 

CMYK 34 / 38 / 0 / 22

HEX #827BC6

RGB 130 123 198

HSL 245.6, 0.4%, 0.63%

LAB 55.06, 20.27, -38.17

 

CMYK 0 / 38 / 7 / 22

HEX #C67BB9

RGB 198 123 185

HSL 310.4, 0.4%, 0.63%

LAB 61.37, 38.45, -20.45

 

CMYK 0 / 50 / 8 / 16

HEX #D66CC4

RGB 214 108 196

HSL 310.19, 0.56%, 0.63%

LAB 60.79, 53.03, -27.42

 

CMYK 0 / 60 / 10 / 10

HEX #E55CCE

RGB 229 92 206

HSL 310.07, 0.72%, 0.63%

LAB 60.58, 66.1, -33.25

 

CMYK 0 / 68 / 11 / 4

HEX #F44DD8

RGB 244 77 216

HSL 310.06, 0.88%, 0.63%

LAB 61.22, 77.03, -37.73

 

CMYK 0 / 38 / 7 / 22

HEX #C67BB9

RGB 198 123 185

HSL 310.4, 0.4%, 0.63%

LAB 61.37, 38.45, -20.45

 

CMYK 0 / 25 / 4 / 28

HEX #B78AAF

RGB 183 138 175

HSL 310.67, 0.24%, 0.63%

LAB 62.79, 23.32, -12.78

 

CMYK 0 / 9 / 2 / 34

HEX #A899A5

RGB 168 153 165

HSL 312, 0.08%, 0.63%

LAB 64.82, 7.71, -4.27

 

CMYK 9 / 0 / 8 / 34

HEX #99A99B

RGB 153 169 155

HSL 127.5, 0.09%, 0.63%

LAB 67.66, -8.33, 5.31

 

CMYK 26 / 0 / 21 / 28

HEX #89B891

RGB 137 184 145

HSL 130.21, 0.25%, 0.63%

LAB 70.62, -23.5, 14.86

 

CMYK 14 / 38 / 0 / 22

HEX #AB7BC6

RGB 171 123 198

HSL 278.4, 0.4%, 0.63%

LAB 58.88, 32.41, -31.91

 

CMYK 4 / 38 / 0 / 22

HEX #BF7BC6

RGB 191 123 198

HSL 294.4, 0.4%, 0.63%

LAB 61.06, 38.62, -28.36

 

CMYK 0 / 38 / 6 / 22

HEX #C67BBA

RGB 198 123 186

HSL 309.6, 0.4%, 0.63%

LAB 61.41, 38.63, -20.96

 

CMYK 0 / 38 / 16 / 22

HEX #C67BA6

RGB 198 123 166

HSL 325.6, 0.4%, 0.63%

LAB 60.72, 35.25, -10.61

 

CMYK 0 / 38 / 26 / 22

HEX #C67B92

RGB 198 123 146

HSL 341.6, 0.4%, 0.63%

LAB 60.11, 32.22, -0.02

 

CMYK 0 / 57 / 10 / 35

HEX #A74897

RGB 167 72 151

HSL 310.11, 0.4%, 0.47%

LAB 45.75, 49.16, -25.01

 

CMYK 0 / 49 / 9 / 27

HEX #BA5EAA

RGB 186 94 170

HSL 310.43, 0.4%, 0.55%

LAB 53.33, 47.22, -24.29

 

CMYK 0 / 38 / 7 / 22

HEX #C67BB9

RGB 198 123 185

HSL 310.4, 0.4%, 0.63%

LAB 61.37, 38.45, -20.45

 

CMYK 0 / 28 / 5 / 17

HEX #D398C9

RGB 211 152 201

HSL 310.17, 0.4%, 0.71%

LAB 69.84, 29.92, -16.44

 

CMYK 0 / 19 / 3 / 13

HEX #DFB5D8

RGB 223 181 216

HSL 310, 0.4%, 0.79%

LAB 78.28, 20.97, -11.85

 

CMYK 0 / 38 / 7 / 22

HEX #C67AB9

RGB 198 122 185

HSL 310.26, 0.4%, 0.63%

LAB 61.16, 38.99, -20.78

 

CMYK 0 / 24 / 38 / 22

HEX #C6977B

RGB 198 151 123

HSL 22.4, 0.4%, 0.63%

LAB 66.19, 13.85, 21.56

 

CMYK 38 / 0 / 9 / 22

HEX #7BC6B5

RGB 123 198 181

HSL 166.4, 0.4%, 0.63%

LAB 74.78, -27.21, 1.17

 

CMYK 0 / 38 / 7 / 22

HEX #C67AB9

RGB 198 122 185

HSL 310.26, 0.4%, 0.63%

LAB 61.16, 38.99, -20.78

 

CMYK 6 / 0 / 38 / 22

HEX #BAC67B

RGB 186 198 123

HSL 69.6, 0.4%, 0.63%

LAB 77.43, -15.89, 36.22

 

CMYK 38 / 6 / 0 / 22

HEX #7BBAC6

RGB 123 186 198

HSL 189.6, 0.4%, 0.63%

LAB 71.83, -17.08, -12.46

 

CMYK 0 / 38 / 7 / 22

HEX #C67AB9

RGB 198 122 185

HSL 310.26, 0.4%, 0.63%

LAB 61.16, 38.99, -20.78

 

CMYK 0 / 24 / 38 / 22

HEX #C6977B

RGB 198 151 123

HSL 22.4, 0.4%, 0.63%

LAB 66.19, 13.85, 21.56

 

CMYK 38 / 0 / 32 / 22

HEX #7BC687

RGB 123 198 135

HSL 129.6, 0.4%, 0.63%

LAB 73.77, -36.46, 24.43

 

CMYK 38 / 14 / 0 / 22

HEX #7BABC6

RGB 123 171 198

HSL 201.6, 0.4%, 0.63%

LAB 67.59, -9.13, -18.86

 

CMYK 0 / 38 / 7 / 22

HEX #C67AB9

RGB 198 122 185

HSL 310.26, 0.4%, 0.63%

LAB 61.16, 38.99, -20.78

 

CMYK 0 / 13 / 38 / 22

HEX #C6AD7B

RGB 198 173 123

HSL 40, 0.4%, 0.63%

LAB 71.77, 1.92, 29.03

 

CMYK 38 / 0 / 32 / 22

HEX #7BC687

RGB 123 198 135

HSL 129.6, 0.4%, 0.63%

LAB 73.77, -36.46, 24.43

 

CMYK 38 / 25 / 0 / 22

HEX #7B94C6

RGB 123 148 198

HSL 220, 0.4%, 0.63%

LAB 61.19, 3.69, -28.65

 

Description

Color code: RGB 198 122 185 | qconv.com Color code: RGB 198 122 185 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 122 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 122 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 7 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 7% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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