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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 37 103 it is the complementary color RGB 58 218 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 37 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 37 103 shade: RGB 202 37 98, RGB 219 55 117, RGB 236 73 136, RGB 253 91 155 and RGB 255 109 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 37 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 37 103 shade: RGB 197 37 103, RGB 180 19 84, RGB 163 1 65, RGB 146 0 46 and RGB 129 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 37 103 shade: RGB 197 38 103, RGB 197 38 60 and RGB 197 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 37 103 shade: RGB 197 38 103, RGB 197 38 146, RGB 197 38 189, RGB 162 38 197 and RGB 119 38 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 37 103 shade matches the following richer shades: RGB 197 38 103 and RGB 216 19 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 37 103 shade: RGB 197 38 103, RGB 178 57 107, RGB 159 75 110, RGB 140 94 113 and RGB 121 113 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 37 103 shade: RGB 197 38 189, RGB 197 38 147, RGB 197 38 104, RGB 197 38 61 and RGB 197 56 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 37 103 shade: RGB 128 24 67, RGB 162 31 85, RGB 197 38 103, RGB 218 58 124 and RGB 224 93 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 37 103 shade: RGB 197 37 103, RGB 197 162 38 and RGB 38 168 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 37 103 shade: RGB 197 37 103, RGB 104 197 38 and RGB 38 104 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 37 103 shade: RGB 197 37 103, RGB 197 162 38, RGB 38 197 131 and RGB 38 72 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 37 103 shade: RGB 197 37 103, RGB 184 197 38, RGB 38 197 131 and RGB 51 38 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 48 / 23

HEX #C52567

RGB 197 37 103

HSL 335.25, 0.68%, 0.46%

LAB 44.48, 64.45, 2.88

 

Complementary color

CMYK 73 / 0 / 30 / 15

HEX #3ADA98

RGB 58 218 152

HSL 155.25, 0.68%, 0.54%

LAB 78.06, -55.84, 21.01

 

CMYK 0 / 82 / 51 / 21

HEX #CA2562

RGB 202 37 98

HSL 337.82, 0.69%, 0.47%

LAB 45.31, 65.34, 7.29

 

CMYK 0 / 75 / 47 / 14

HEX #DB3775

RGB 219 55 117

HSL 337.32, 0.69%, 0.54%

LAB 50.78, 66.37, 3.9

 

CMYK 0 / 69 / 42 / 7

HEX #EC4988

RGB 236 73 136

HSL 336.81, 0.81%, 0.61%

LAB 56.46, 66.74, 1.15

 

CMYK 0 / 64 / 39 / 1

HEX #FD5B9B

RGB 253 91 155

HSL 336.3, 0.98%, 0.67%

LAB 62.28, 66.66, -1.12

 

CMYK 0 / 57 / 32 / 0

HEX #FF6DAE

RGB 255 109 174

HSL 333.29, 1%, 0.71%

LAB 65.95, 61.79, -6.56

 

CMYK 0 / 81 / 48 / 23

HEX #C52567

RGB 197 37 103

HSL 335.25, 0.68%, 0.46%

LAB 44.48, 64.45, 2.88

 

CMYK 0 / 89 / 53 / 29

HEX #B41354

RGB 180 19 84

HSL 335.78, 0.81%, 0.39%

LAB 39.26, 62.43, 6.92

 

CMYK 0 / 99 / 60 / 36

HEX #A30141

RGB 163 1 65

HSL 336.3, 0.99%, 0.32%

LAB 34.38, 59.34, 11.88

 

CMYK 0 / 100 / 68 / 43

HEX #92002E

RGB 146 0 46

HSL 341.1, 1%, 0.29%

LAB 30.18, 54.19, 18.21

 

CMYK 0 / 100 / 79 / 49

HEX #81001B

RGB 129 0 27

HSL 347.44, 1%, 0.25%

LAB 26, 48.97, 24.84

 

CMYK 0 / 81 / 48 / 23

HEX #C52667

RGB 197 38 103

HSL 335.47, 0.68%, 0.46%

LAB 44.57, 64.2, 3

 

CMYK 0 / 81 / 70 / 23

HEX #C5263C

RGB 197 38 60

HSL 351.7, 0.68%, 0.46%

LAB 43.63, 61.34, 28.41

 

CMYK 0 / 81 / 81 / 23

HEX #C52626

RGB 197 38 38

HSL 0, 0.68%, 0.46%

LAB 43.35, 60.49, 40.93

 

CMYK 0 / 81 / 48 / 23

HEX #C52667

RGB 197 38 103

HSL 335.47, 0.68%, 0.46%

LAB 44.57, 64.2, 3

 

CMYK 0 / 81 / 26 / 23

HEX #C52692

RGB 197 38 146

HSL 319.25, 0.68%, 0.46%

LAB 46.09, 68.64, -21.09

 

CMYK 0 / 81 / 4 / 23

HEX #C526BD

RGB 197 38 189

HSL 303.02, 0.68%, 0.46%

LAB 48.17, 74.48, -43.33

 

CMYK 18 / 81 / 0 / 23

HEX #A226C5

RGB 162 38 197

HSL 286.79, 0.68%, 0.46%

LAB 42.91, 69.27, -56.74

 

CMYK 40 / 81 / 0 / 23

HEX #7726C5

RGB 119 38 197

HSL 270.57, 0.68%, 0.46%

LAB 36.63, 62.28, -67.23

 

CMYK 0 / 81 / 48 / 23

HEX #C52667

RGB 197 38 103

HSL 335.47, 0.68%, 0.46%

LAB 44.57, 64.2, 3

 

CMYK 0 / 91 / 54 / 15

HEX #D81364

RGB 216 19 100

HSL 335.33, 0.84%, 0.46%

LAB 46.95, 72.27, 8.77

 

CMYK 0 / 81 / 48 / 23

HEX #C52667

RGB 197 38 103

HSL 335.47, 0.68%, 0.46%

LAB 44.57, 64.2, 3

 

CMYK 0 / 68 / 40 / 30

HEX #B2396B

RGB 178 57 107

HSL 335.21, 0.51%, 0.46%

LAB 43.44, 53, -1.55

 

CMYK 0 / 53 / 31 / 38

HEX #9F4B6E

RGB 159 75 110

HSL 335, 0.36%, 0.46%

LAB 43.55, 38.86, -3.59

 

CMYK 0 / 33 / 19 / 45

HEX #8C5E71

RGB 140 94 113

HSL 335.22, 0.2%, 0.46%

LAB 45.32, 21.74, -3.09

 

CMYK 0 / 7 / 3 / 53

HEX #797175

RGB 121 113 117

HSL 330, 0.03%, 0.46%

LAB 48.46, 3.87, -1.1

 

CMYK 0 / 81 / 4 / 23

HEX #C526BD

RGB 197 38 189

HSL 303.02, 0.68%, 0.46%

LAB 48.17, 74.48, -43.33

 

CMYK 0 / 81 / 25 / 23

HEX #C52693

RGB 197 38 147

HSL 318.87, 0.68%, 0.46%

LAB 46.13, 68.76, -21.62

 

CMYK 0 / 81 / 47 / 23

HEX #C52668

RGB 197 38 104

HSL 335.09, 0.68%, 0.46%

LAB 44.6, 64.28, 2.42

 

CMYK 0 / 81 / 69 / 23

HEX #C5263D

RGB 197 38 61

HSL 351.32, 0.68%, 0.46%

LAB 43.64, 61.39, 27.82

 

CMYK 0 / 72 / 81 / 23

HEX #C53826

RGB 197 56 38

HSL 6.79, 0.68%, 0.46%

LAB 45.41, 54.75, 42.96

 

CMYK 0 / 81 / 48 / 50

HEX #801843

RGB 128 24 67

HSL 335.19, 0.68%, 0.3%

LAB 28.51, 46.1, 1.22

 

CMYK 0 / 81 / 48 / 36

HEX #A21F55

RGB 162 31 85

HSL 335.27, 0.68%, 0.38%

LAB 36.59, 55.21, 1.98

 

CMYK 0 / 81 / 48 / 23

HEX #C52667

RGB 197 38 103

HSL 335.47, 0.68%, 0.46%

LAB 44.57, 64.2, 3

 

CMYK 0 / 73 / 43 / 15

HEX #DA3A7C

RGB 218 58 124

HSL 335.25, 0.68%, 0.54%

LAB 51.14, 65.78, 0.17

 

CMYK 0 / 58 / 34 / 12

HEX #E05D93

RGB 224 93 147

HSL 335.27, 0.68%, 0.62%

LAB 57.83, 56.22, -3.53

 

CMYK 0 / 81 / 48 / 23

HEX #C52567

RGB 197 37 103

HSL 335.25, 0.68%, 0.46%

LAB 44.48, 64.45, 2.88

 

CMYK 0 / 18 / 81 / 23

HEX #C5A226

RGB 197 162 38

HSL 46.79, 0.68%, 0.46%

LAB 67.91, 1.07, 63.7

 

CMYK 81 / 15 / 0 / 23

HEX #26A8C5

RGB 38 168 197

HSL 190.94, 0.68%, 0.46%

LAB 63.71, -23.74, -24.48

 

CMYK 0 / 81 / 48 / 23

HEX #C52567

RGB 197 37 103

HSL 335.25, 0.68%, 0.46%

LAB 44.48, 64.45, 2.88

 

CMYK 47 / 0 / 81 / 23

HEX #68C526

RGB 104 197 38

HSL 95.09, 0.68%, 0.46%

LAB 71.57, -52.76, 64.62

 

CMYK 81 / 47 / 0 / 23

HEX #2668C5

RGB 38 104 197

HSL 215.09, 0.68%, 0.46%

LAB 44.72, 13.35, -54.35

 

CMYK 0 / 81 / 48 / 23

HEX #C52567

RGB 197 37 103

HSL 335.25, 0.68%, 0.46%

LAB 44.48, 64.45, 2.88

 

CMYK 0 / 18 / 81 / 23

HEX #C5A226

RGB 197 162 38

HSL 46.79, 0.68%, 0.46%

LAB 67.91, 1.07, 63.7

 

CMYK 81 / 0 / 34 / 23

HEX #26C583

RGB 38 197 131

HSL 155.09, 0.68%, 0.46%

LAB 70.86, -54.62, 22.17

 

CMYK 81 / 63 / 0 / 23

HEX #2648C5

RGB 38 72 197

HSL 227.17, 0.68%, 0.46%

LAB 36.13, 34.18, -68.31

 

CMYK 0 / 81 / 48 / 23

HEX #C52567

RGB 197 37 103

HSL 335.25, 0.68%, 0.46%

LAB 44.48, 64.45, 2.88

 

CMYK 7 / 0 / 81 / 23

HEX #B8C526

RGB 184 197 38

HSL 64.91, 0.68%, 0.46%

LAB 76.23, -22.59, 70.55

 

CMYK 81 / 0 / 34 / 23

HEX #26C583

RGB 38 197 131

HSL 155.09, 0.68%, 0.46%

LAB 70.86, -54.62, 22.17

 

CMYK 74 / 81 / 0 / 23

HEX #3326C5

RGB 51 38 197

HSL 244.91, 0.68%, 0.46%

LAB 29.72, 54.73, -78.87

 

Description

Color code: RGB 197 37 103 | qconv.com Color code: RGB 197 37 103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 37 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 37 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 48 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 48% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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