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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 240 105 it is the complementary color RGB 58 15 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 240 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 240 105 shade: RGB 202 240 100, RGB 219 255 119, RGB 236 255 138, RGB 253 255 157 and RGB 255 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 240 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 240 105 shade: RGB 197 240 105, RGB 180 222 86, RGB 163 204 67, RGB 146 186 48 and RGB 129 168 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 240 105 shade: RGB 197 240 106, RGB 233 240 106, RGB 240 210 106, RGB 240 174 106 and RGB 240 138 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 240 105 shade: RGB 197 240 106, RGB 161 240 106, RGB 125 240 106, RGB 106 240 123 and RGB 106 240 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 240 105 shade matches the following richer shades: RGB 197 240 106 and RGB 202 253 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 240 105 shade: RGB 197 240 106, RGB 192 227 119, RGB 188 213 132, RGB 183 200 146 and RGB 178 187 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 240 105 shade: RGB 240 211 106, RGB 233 240 106, RGB 197 240 106, RGB 162 240 106 and RGB 126 240 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 240 105 shade: RGB 168 232 31, RGB 183 236 68, RGB 197 240 106, RGB 212 244 144 and RGB 226 247 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 240 105 shade: RGB 197 240 105, RGB 106 240 175 and RGB 229 106 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 240 105 shade: RGB 197 240 105, RGB 106 197 240 and RGB 240 106 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 240 105 shade: RGB 197 240 105, RGB 106 240 175, RGB 148 106 240 and RGB 240 106 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 240 105 shade: RGB 197 240 105, RGB 106 240 215, RGB 148 106 240 and RGB 240 106 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 56 / 6

HEX #C5F069

RGB 197 240 105

HSL 79.11, 0.82%, 0.68%

LAB 89.49, -33.71, 59.59

 

Complementary color

CMYK 61 / 90 / 0 / 41

HEX #3A0F96

RGB 58 15 150

HSL 259.11, 0.82%, 0.32%

LAB 21.74, 51.04, -63.8

 

CMYK 16 / 0 / 58 / 6

HEX #CAF064

RGB 202 240 100

HSL 76.29, 0.82%, 0.67%

LAB 89.76, -32.23, 62.15

 

CMYK 14 / 0 / 53 / 0

HEX #DBFF77

RGB 219 255 119

HSL 75.88, 1%, 0.73%

LAB 95.12, -31.13, 60.27

 

CMYK 7 / 0 / 46 / 0

HEX #ECFF8A

RGB 236 255 138

HSL 69.74, 1%, 0.77%

LAB 96.49, -22.95, 53.51

 

CMYK 1 / 0 / 38 / 0

HEX #FDFF9D

RGB 253 255 157

HSL 61.22, 1%, 0.81%

LAB 97.97, -14.57, 46.58

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 18 / 0 / 56 / 6

HEX #C5F069

RGB 197 240 105

HSL 79.11, 0.82%, 0.68%

LAB 89.49, -33.71, 59.59

 

CMYK 19 / 0 / 61 / 13

HEX #B4DE56

RGB 180 222 86

HSL 78.53, 0.67%, 0.6%

LAB 83.24, -33.43, 60.47

 

CMYK 20 / 0 / 67 / 20

HEX #A3CC43

RGB 163 204 67

HSL 77.96, 0.57%, 0.53%

LAB 76.91, -33.06, 61.1

 

CMYK 22 / 0 / 74 / 27

HEX #92BA30

RGB 146 186 48

HSL 77.39, 0.59%, 0.46%

LAB 70.48, -32.55, 61.3

 

CMYK 23 / 0 / 83 / 34

HEX #81A81D

RGB 129 168 29

HSL 76.83, 0.71%, 0.39%

LAB 63.97, -31.86, 60.69

 

CMYK 18 / 0 / 56 / 6

HEX #C5F06A

RGB 197 240 106

HSL 79.25, 0.82%, 0.68%

LAB 89.5, -33.62, 59.16

 

CMYK 3 / 0 / 56 / 6

HEX #E9F06A

RGB 233 240 106

HSL 63.13, 0.82%, 0.68%

LAB 91.99, -19.68, 62.66

 

CMYK 0 / 13 / 56 / 6

HEX #F0D26A

RGB 240 210 106

HSL 46.57, 0.82%, 0.68%

LAB 84.82, -1.92, 54.61

 

CMYK 0 / 28 / 56 / 6

HEX #F0AE6A

RGB 240 174 106

HSL 30.45, 0.82%, 0.68%

LAB 75.97, 16.86, 44.08

 

CMYK 0 / 43 / 56 / 6

HEX #F08A6A

RGB 240 138 106

HSL 14.33, 0.82%, 0.68%

LAB 67.83, 35.79, 33.94

 

CMYK 18 / 0 / 56 / 6

HEX #C5F06A

RGB 197 240 106

HSL 79.25, 0.82%, 0.68%

LAB 89.5, -33.62, 59.16

 

CMYK 33 / 0 / 56 / 6

HEX #A1F06A

RGB 161 240 106

HSL 95.37, 0.82%, 0.68%

LAB 87.45, -46.49, 56.27

 

CMYK 48 / 0 / 56 / 6

HEX #7DF06A

RGB 125 240 106

HSL 111.49, 0.82%, 0.68%

LAB 85.87, -57.58, 54.02

 

CMYK 56 / 0 / 49 / 6

HEX #6AF07B

RGB 106 240 123

HSL 127.61, 0.82%, 0.68%

LAB 85.41, -60.31, 45.44

 

CMYK 56 / 0 / 34 / 6

HEX #6AF09F

RGB 106 240 159

HSL 143.73, 0.82%, 0.68%

LAB 85.95, -54.53, 28.34

 

CMYK 18 / 0 / 56 / 6

HEX #C5F06A

RGB 197 240 106

HSL 79.25, 0.82%, 0.68%

LAB 89.5, -33.62, 59.16

 

CMYK 20 / 0 / 63 / 1

HEX #CAFD5D

RGB 202 253 93

HSL 79.13, 0.98%, 0.68%

LAB 93.28, -38.65, 68.86

 

CMYK 18 / 0 / 56 / 6

HEX #C5F06A

RGB 197 240 106

HSL 79.25, 0.82%, 0.68%

LAB 89.5, -33.62, 59.16

 

CMYK 15 / 0 / 48 / 11

HEX #C0E377

RGB 192 227 119

HSL 79.44, 0.66%, 0.68%

LAB 85.74, -28.21, 48.68

 

CMYK 12 / 0 / 38 / 16

HEX #BCD584

RGB 188 213 132

HSL 78.52, 0.49%, 0.68%

LAB 81.81, -21.5, 37.3

 

CMYK 9 / 0 / 27 / 22

HEX #B7C892

RGB 183 200 146

HSL 78.89, 0.33%, 0.68%

LAB 78.14, -15.01, 25.15

 

CMYK 5 / 0 / 15 / 27

HEX #B2BB9F

RGB 178 187 159

HSL 79.29, 0.17%, 0.68%

LAB 74.51, -8.14, 13.13

 

CMYK 0 / 12 / 56 / 6

HEX #F0D36A

RGB 240 211 106

HSL 47.01, 0.82%, 0.68%

LAB 85.08, -2.43, 54.9

 

CMYK 3 / 0 / 56 / 6

HEX #E9F06A

RGB 233 240 106

HSL 63.13, 0.82%, 0.68%

LAB 91.99, -19.68, 62.66

 

CMYK 18 / 0 / 56 / 6

HEX #C5F06A

RGB 197 240 106

HSL 79.25, 0.82%, 0.68%

LAB 89.5, -33.62, 59.16

 

CMYK 33 / 0 / 56 / 6

HEX #A2F06A

RGB 162 240 106

HSL 94.93, 0.82%, 0.68%

LAB 87.51, -46.15, 56.34

 

CMYK 48 / 0 / 56 / 6

HEX #7EF06A

RGB 126 240 106

HSL 111.04, 0.82%, 0.68%

LAB 85.9, -57.3, 54.07

 

CMYK 28 / 0 / 87 / 9

HEX #A8E81F

RGB 168 232 31

HSL 79.1, 0.81%, 0.52%

LAB 85.07, -45.21, 79.23

 

CMYK 22 / 0 / 71 / 7

HEX #B7EC44

RGB 183 236 68

HSL 78.93, 0.82%, 0.6%

LAB 87.23, -39.81, 71.56

 

CMYK 18 / 0 / 56 / 6

HEX #C5F06A

RGB 197 240 106

HSL 79.25, 0.82%, 0.68%

LAB 89.5, -33.62, 59.16

 

CMYK 13 / 0 / 41 / 4

HEX #D4F490

RGB 212 244 144

HSL 79.2, 0.82%, 0.76%

LAB 92, -26.07, 44.71

 

CMYK 9 / 0 / 27 / 3

HEX #E2F7B5

RGB 226 247 181

HSL 79.09, 0.8%, 0.84%

LAB 94.32, -17.71, 29.52

 

CMYK 18 / 0 / 56 / 6

HEX #C5F069

RGB 197 240 105

HSL 79.11, 0.82%, 0.68%

LAB 89.49, -33.71, 59.59

 

CMYK 56 / 0 / 27 / 6

HEX #6AF0AF

RGB 106 240 175

HSL 150.9, 0.82%, 0.68%

LAB 86.25, -51.47, 20.55

 

CMYK 5 / 56 / 0 / 6

HEX #E56AF0

RGB 229 106 240

HSL 295.07, 0.82%, 0.68%

LAB 64.37, 65.63, -46.35

 

CMYK 18 / 0 / 56 / 6

HEX #C5F069

RGB 197 240 105

HSL 79.11, 0.82%, 0.68%

LAB 89.49, -33.71, 59.59

 

CMYK 56 / 18 / 0 / 6

HEX #6AC5F0

RGB 106 197 240

HSL 199.25, 0.82%, 0.68%

LAB 75.63, -15.22, -29.55

 

CMYK 0 / 56 / 18 / 6

HEX #F06AC5

RGB 240 106 197

HSL 319.25, 0.82%, 0.68%

LAB 64.05, 61.7, -22.67

 

CMYK 18 / 0 / 56 / 6

HEX #C5F069

RGB 197 240 105

HSL 79.11, 0.82%, 0.68%

LAB 89.49, -33.71, 59.59

 

CMYK 56 / 0 / 27 / 6

HEX #6AF0AF

RGB 106 240 175

HSL 150.9, 0.82%, 0.68%

LAB 86.25, -51.47, 20.55

 

CMYK 38 / 56 / 0 / 6

HEX #946AF0

RGB 148 106 240

HSL 258.81, 0.82%, 0.68%

LAB 54.96, 45.88, -61.88

 

CMYK 0 / 56 / 29 / 6

HEX #F06AAB

RGB 240 106 171

HSL 330.9, 0.82%, 0.68%

LAB 63.16, 58.2, -9.24

 

CMYK 18 / 0 / 56 / 6

HEX #C5F069

RGB 197 240 105

HSL 79.11, 0.82%, 0.68%

LAB 89.49, -33.71, 59.59

 

CMYK 56 / 0 / 10 / 6

HEX #6AF0D7

RGB 106 240 215

HSL 168.81, 0.82%, 0.68%

LAB 87.14, -42.64, 1

 

CMYK 38 / 56 / 0 / 6

HEX #946AF0

RGB 148 106 240

HSL 258.81, 0.82%, 0.68%

LAB 54.96, 45.88, -61.88

 

CMYK 0 / 56 / 45 / 6

HEX #F06A83

RGB 240 106 131

HSL 348.81, 0.82%, 0.68%

LAB 62.06, 53.77, 12.16

 

Description

Color code: RGB 197 240 105 | qconv.com Color code: RGB 197 240 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 240 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 240 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 56 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 56% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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