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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 208 159 it is the complementary color RGB 58 47 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 208 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 208 159: RGB 202 208 154, RGB 219 226 173, RGB 236 244 192, RGB 253 255 211 and RGB 255 255 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 208 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 208 159: RGB 197 208 159, RGB 180 190 140, RGB 163 172 121, RGB 146 154 102 and RGB 129 136 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

Complementary color

CMYK 40 / 51 / 0 / 62

HEX #3A2F60

RGB 58 47 96

HSL 253.47, 0.34%, 0.28%

LAB 22.92, 17.98, -27.54

 

CMYK 3 / 0 / 26 / 18

HEX #CAD09A

RGB 202 208 154

HSL 66.67, 0.36%, 0.71%

LAB 81.84, -10.84, 26.2

 

CMYK 3 / 0 / 23 / 11

HEX #DBE2AD

RGB 219 226 173

HSL 67.92, 0.48%, 0.78%

LAB 88.19, -10.98, 25.19

 

CMYK 3 / 0 / 21 / 4

HEX #ECF4C0

RGB 236 244 192

HSL 69.23, 0.7%, 0.85%

LAB 94.46, -11.1, 24.22

 

CMYK 1 / 0 / 17 / 0

HEX #FDFFD3

RGB 253 255 211

HSL 62.73, 1%, 0.91%

LAB 98.87, -7.76, 20.85

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

CMYK 5 / 0 / 26 / 25

HEX #B4BE8C

RGB 180 190 140

HSL 72, 0.28%, 0.65%

LAB 75.09, -11.89, 24.16

 

CMYK 5 / 0 / 30 / 33

HEX #A3AC79

RGB 163 172 121

HSL 70.59, 0.24%, 0.57%

LAB 68.51, -11.77, 25.24

 

CMYK 5 / 0 / 34 / 40

HEX #929A66

RGB 146 154 102

HSL 69.23, 0.2%, 0.5%

LAB 61.81, -11.62, 26.39

 

CMYK 5 / 0 / 39 / 47

HEX #818853

RGB 129 136 83

HSL 67.92, 0.24%, 0.43%

LAB 54.97, -11.42, 27.6

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

CMYK 9 / 0 / 23 / 19

HEX #BDCF9F

RGB 189 207 159

HSL 82.5, 0.33%, 0.72%

LAB 80.71, -14.42, 21.88

 

CMYK 13 / 0 / 23 / 19

HEX #B5CF9F

RGB 181 207 159

HSL 92.5, 0.33%, 0.72%

LAB 80.15, -17.31, 21.03

 

CMYK 16 / 0 / 23 / 19

HEX #ADCF9F

RGB 173 207 159

HSL 102.5, 0.33%, 0.72%

LAB 79.62, -20.15, 20.21

 

CMYK 21 / 0 / 23 / 19

HEX #A4CF9F

RGB 164 207 159

HSL 113.75, 0.33%, 0.72%

LAB 79.05, -23.27, 19.33

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

CMYK 0 / 0 / 25 / 98

HEX #040403

RGB 4 4 3

HSL 60, 0.14%, 0.01%

LAB 1.08, -0.14, 0.38

 

CMYK 5 / 0 / 24 / 78

HEX #34372A

RGB 52 55 42

HSL 73.85, 0.13%, 0.19%

LAB 22.41, -4.09, 7.74

 

CMYK 6 / 0 / 24 / 58

HEX #646A51

RGB 100 106 81

HSL 74.4, 0.13%, 0.37%

LAB 43.67, -7.1, 13.3

 

CMYK 5 / 0 / 24 / 38

HEX #959D78

RGB 149 157 120

HSL 72.97, 0.16%, 0.54%

LAB 63.23, -9.43, 18.44

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

CMYK 23 / 0 / 14 / 19

HEX #9FCFB3

RGB 159 207 179

HSL 145, 0.33%, 0.72%

LAB 79.19, -21.32, 8.84

 

CMYK 4 / 23 / 0 / 19

HEX #C69FCF

RGB 198 159 207

HSL 288.75, 0.33%, 0.72%

LAB 70.39, 22.87, -19.05

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

CMYK 23 / 5 / 0 / 19

HEX #9FC5CF

RGB 159 197 207

HSL 192.5, 0.33%, 0.72%

LAB 77.17, -10.37, -9.17

 

CMYK 0 / 23 / 5 / 19

HEX #CF9FC5

RGB 207 159 197

HSL 312.5, 0.33%, 0.72%

LAB 70.93, 24.03, -12.62

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

CMYK 23 / 0 / 14 / 19

HEX #9FCFB3

RGB 159 207 179

HSL 145, 0.33%, 0.72%

LAB 79.19, -21.32, 8.84

 

CMYK 18 / 23 / 0 / 19

HEX #A99FCF

RGB 169 159 207

HSL 252.5, 0.33%, 0.72%

LAB 67.83, 13.45, -23.19

 

CMYK 0 / 23 / 10 / 19

HEX #CF9FBB

RGB 207 159 187

HSL 325, 0.33%, 0.72%

LAB 70.63, 22.27, -7.54

 

CMYK 5 / 0 / 24 / 18

HEX #C5D09F

RGB 197 208 159

HSL 73.47, 0.34%, 0.72%

LAB 81.56, -11.99, 23.14

 

CMYK 23 / 0 / 6 / 19

HEX #9FCFC2

RGB 159 207 194

HSL 163.75, 0.33%, 0.72%

LAB 79.55, -18.31, 1.34

 

CMYK 18 / 23 / 0 / 19

HEX #A99FCF

RGB 169 159 207

HSL 252.5, 0.33%, 0.72%

LAB 67.83, 13.45, -23.19

 

CMYK 0 / 23 / 16 / 19

HEX #CF9FAD

RGB 207 159 173

HSL 342.5, 0.33%, 0.72%

LAB 70.23, 19.95, -0.36

 

Description

Color code: RGB 197 208 159 | qconv.com Color code: RGB 197 208 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 208 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 208 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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