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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 200.6 207.6 it is the complementary color RGB 58 54.4 47.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 200.6 207.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 200.6 207.6 shade: RGB 202 200.6 202.6, RGB 219 218.6 221.6, RGB 236 236.6 240.6, RGB 253 254.6 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 200.6 207.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 200.6 207.6 shade: RGB 197 200.6 207.6, RGB 180 182.6 188.6, RGB 163 164.6 169.6, RGB 146 146.6 150.6 and RGB 129 128.6 131.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 200.6 207.6 shade: RGB 196 200 207, RGB 196 197 207, RGB 198 196 207, RGB 201 196 207 and RGB 204 196 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 200.6 207.6 shade: RGB 196 200 207, RGB 196 197 207 and RGB 196 196 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 200.6 207.6 shade matches the following richer shades: RGB 196 200 207, RGB 187 197 215, RGB 179 194 224, RGB 170 191 233 and RGB 161 189 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 200.6 207.6 shade: RGB 196 200 207, RGB 205 203 198, RGB 213 205 189, RGB 222 208 181 and RGB 231 211 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 200.6 207.6 shade: RGB 196 206 207, RGB 196 203 207, RGB 196 200 207, RGB 196 197 207 and RGB 198 196 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 200.6 207.6 shade: RGB 151 157 170, RGB 173 178 188, RGB 196 200 207, RGB 219 221 225 and RGB 241 242 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 200.6 207.6 shade: RGB 197 200.6 207.6, RGB 205 196 207 and RGB 204 207 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 200.6 207.6 shade: RGB 197 200.6 207.6, RGB 207 196 200 and RGB 200 207 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 200.6 207.6 shade: RGB 197 200.6 207.6, RGB 205 196 207, RGB 207 203 196 and RGB 198 207 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 200.6 207.6 shade: RGB 197 200.6 207.6, RGB 207 196 205, RGB 207 203 196 and RGB 196 207 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 3 / 0 / 19

HEX #C5C8CF

RGB 197 200.6 207.6

HSL 219.62, 0.1%, 0.79%

LAB 80.73, 0.09, -3.92

 

Complementary color

CMYK 0 / 6 / 18 / 77

HEX #3A362F

RGB 58 54.4 47.4

HSL 39.62, 0.1%, 0.21%

LAB 22.94, 0.12, 4.96

 

CMYK 0 / 1 / 0 / 21

HEX #CAC8CA

RGB 202 200.6 202.6

HSL 282, 0.02%, 0.79%

LAB 80.98, 0.85, -0.83

 

CMYK 1 / 1 / 0 / 13

HEX #DBDADD

RGB 219 218.6 221.6

HSL 248, 0.04%, 0.86%

LAB 87.37, 0.68, -1.43

 

CMYK 2 / 2 / 0 / 6

HEX #ECECF0

RGB 236 236.6 240.6

HSL 232.17, 0.14%, 0.93%

LAB 93.67, 0.52, -2.01

 

CMYK 1 / 0 / 0 / 0

HEX #FDFEFF

RGB 253 254.6 255

HSL 192, 1%, 1%

LAB 99.75, -0.45, -0.39

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 5 / 3 / 0 / 19

HEX #C5C8CF

RGB 197 200.6 207.6

HSL 219.62, 0.1%, 0.79%

LAB 80.73, 0.09, -3.92

 

CMYK 5 / 3 / 0 / 26

HEX #B4B6BC

RGB 180 182.6 188.6

HSL 221.86, 0.06%, 0.72%

LAB 74.23, 0.24, -3.36

 

CMYK 4 / 3 / 0 / 33

HEX #A3A4A9

RGB 163 164.6 169.6

HSL 225.45, 0.04%, 0.65%

LAB 67.61, 0.4, -2.79

 

CMYK 3 / 3 / 0 / 41

HEX #929296

RGB 146 146.6 150.6

HSL 232.17, 0.02%, 0.58%

LAB 60.85, 0.57, -2.19

 

CMYK 2 / 2 / 0 / 48

HEX #818083

RGB 129 128.6 131.6

HSL 248, 0.01%, 0.51%

LAB 53.94, 0.75, -1.57

 

CMYK 5 / 3 / 0 / 19

HEX #C4C8CF

RGB 196 200 207

HSL 218.18, 0.1%, 0.79%

LAB 80.49, -0.04, -3.97

RGB 196 200 207

CMYK 5 / 5 / 0 / 19

HEX #C4C5CF

RGB 196 197 207

HSL 234.55, 0.1%, 0.79%

LAB 79.71, 1.55, -5.11

RGB 196 197 207

CMYK 4 / 5 / 0 / 19

HEX #C6C4CF

RGB 198 196 207

HSL 250.91, 0.1%, 0.79%

LAB 79.61, 2.75, -5.25

RGB 198 196 207

CMYK 3 / 5 / 0 / 19

HEX #C9C4CF

RGB 201 196 207

HSL 267.27, 0.1%, 0.79%

LAB 79.84, 3.77, -4.88

RGB 201 196 207

CMYK 1 / 5 / 0 / 19

HEX #CCC4CF

RGB 204 196 207

HSL 283.64, 0.1%, 0.79%

LAB 80.08, 4.79, -4.5

RGB 204 196 207

CMYK 5 / 3 / 0 / 19

HEX #C4C8CF

RGB 196 200 207

HSL 218.18, 0.1%, 0.79%

LAB 80.49, -0.04, -3.97

RGB 196 200 207

CMYK 5 / 5 / 0 / 19

HEX #C4C5CF

RGB 196 197 207

HSL 234.55, 0.1%, 0.79%

LAB 79.71, 1.55, -5.11

RGB 196 197 207

CMYK 5 / 5 / 0 / 19

HEX #C4C4CF

RGB 196 196 207

HSL 240, 0.1%, 0.79%

LAB 79.45, 2.08, -5.5

RGB 196 196 207

CMYK 5 / 3 / 0 / 19

HEX #C4C8CF

RGB 196 200 207

HSL 218.18, 0.1%, 0.79%

LAB 80.49, -0.04, -3.97

RGB 196 200 207

CMYK 13 / 8 / 0 / 16

HEX #BBC5D7

RGB 187 197 215

HSL 218.57, 0.26%, 0.79%

LAB 79.27, 0.17, -10.14

RGB 187 197 215

CMYK 20 / 13 / 0 / 12

HEX #B3C2E0

RGB 179 194 224

HSL 220, 0.42%, 0.79%

LAB 78.2, 1.17, -16.66

RGB 179 194 224

CMYK 27 / 18 / 0 / 9

HEX #AABFE9

RGB 170 191 233

HSL 220, 0.59%, 0.79%

LAB 77.1, 2.13, -23.24

RGB 170 191 233

CMYK 33 / 22 / 0 / 5

HEX #A1BDF1

RGB 161 189 241

HSL 219, 0.74%, 0.79%

LAB 76.27, 2.59, -28.87

RGB 161 189 241

CMYK 5 / 3 / 0 / 19

HEX #C4C8CF

RGB 196 200 207

HSL 218.18, 0.1%, 0.79%

LAB 80.49, -0.04, -3.97

RGB 196 200 207

CMYK 0 / 1 / 3 / 20

HEX #CDCBC6

RGB 205 203 198

HSL 42.86, 0.07%, 0.79%

LAB 81.71, -0.2, 2.72

RGB 205 203 198

CMYK 0 / 4 / 11 / 16

HEX #D5CDBD

RGB 213 205 189

HSL 40, 0.22%, 0.79%

LAB 82.64, 0.05, 8.94

RGB 213 205 189

CMYK 0 / 6 / 18 / 13

HEX #DED0B5

RGB 222 208 181

HSL 39.51, 0.38%, 0.79%

LAB 83.95, 0.5, 15.16

RGB 222 208 181

CMYK 0 / 9 / 26 / 9

HEX #E7D3AC

RGB 231 211 172

HSL 39.66, 0.55%, 0.79%

LAB 85.28, 1, 21.86

RGB 231 211 172

CMYK 5 / 0 / 0 / 19

HEX #C4CECF

RGB 196 206 207

HSL 185.45, 0.1%, 0.79%

LAB 82.05, -3.2, -1.68

 

CMYK 5 / 2 / 0 / 19

HEX #C4CBCF

RGB 196 203 207

HSL 201.82, 0.1%, 0.79%

LAB 81.27, -1.63, -2.83

 

CMYK 5 / 3 / 0 / 19

HEX #C4C8CF

RGB 196 200 207

HSL 218.18, 0.1%, 0.79%

LAB 80.49, -0.04, -3.97

RGB 196 200 207

CMYK 5 / 5 / 0 / 19

HEX #C4C5CF

RGB 196 197 207

HSL 234.55, 0.1%, 0.79%

LAB 79.71, 1.55, -5.11

RGB 196 197 207

CMYK 4 / 5 / 0 / 19

HEX #C6C4CF

RGB 198 196 207

HSL 250.91, 0.1%, 0.79%

LAB 79.61, 2.75, -5.25

RGB 198 196 207

CMYK 11 / 8 / 0 / 33

HEX #979DAA

RGB 151 157 170

HSL 221.05, 0.1%, 0.63%

LAB 64.64, 0.52, -7.5

 

CMYK 8 / 5 / 0 / 26

HEX #ADB2BC

RGB 173 178 188

HSL 220, 0.1%, 0.71%

LAB 72.47, 0.22, -5.7

 

CMYK 5 / 3 / 0 / 19

HEX #C4C8CF

RGB 196 200 207

HSL 218.18, 0.1%, 0.79%

LAB 80.49, -0.04, -3.97

RGB 196 200 207

CMYK 3 / 2 / 0 / 12

HEX #DBDDE1

RGB 219 221 225

HSL 220, 0.09%, 0.87%

LAB 88.07, 0.06, -2.2

RGB 219 221 225

CMYK 1 / 1 / 0 / 4

HEX #F1F2F4

RGB 241 242 244

HSL 220, 0.12%, 0.95%

LAB 95.47, 0.03, -1.09

RGB 241 242 244

CMYK 5 / 3 / 0 / 19

HEX #C5C8CF

RGB 197 200.6 207.6

HSL 219.62, 0.1%, 0.79%

LAB 80.73, 0.09, -3.92

 

CMYK 1 / 5 / 0 / 19

HEX #CDC4CF

RGB 205 196 207

HSL 289.09, 0.1%, 0.79%

LAB 80.16, 5.13, -4.38

 

CMYK 1 / 0 / 5 / 19

HEX #CCCFC4

RGB 204 207 196

HSL 76.36, 0.1%, 0.79%

LAB 82.62, -3, 5.09

 

CMYK 5 / 3 / 0 / 19

HEX #C5C8CF

RGB 197 200.6 207.6

HSL 219.62, 0.1%, 0.79%

LAB 80.73, 0.09, -3.92

 

CMYK 0 / 5 / 3 / 19

HEX #CFC4C8

RGB 207 196 200

HSL 338.18, 0.1%, 0.79%

LAB 80.13, 4.55, -0.63

 

CMYK 3 / 0 / 5 / 19

HEX #C8CFC4

RGB 200 207 196

HSL 98.18, 0.1%, 0.79%

LAB 82.32, -4.39, 4.62

 

CMYK 5 / 3 / 0 / 19

HEX #C5C8CF

RGB 197 200.6 207.6

HSL 219.62, 0.1%, 0.79%

LAB 80.73, 0.09, -3.92

 

CMYK 1 / 5 / 0 / 19

HEX #CDC4CF

RGB 205 196 207

HSL 289.09, 0.1%, 0.79%

LAB 80.16, 5.13, -4.38

 

CMYK 0 / 2 / 5 / 19

HEX #CFCBC4

RGB 207 203 196

HSL 38.18, 0.1%, 0.79%

LAB 81.82, 0.15, 3.97

 

CMYK 4 / 0 / 5 / 19

HEX #C6CFC4

RGB 198 207 196

HSL 109.09, 0.1%, 0.79%

LAB 82.17, -5.08, 4.39

 

CMYK 5 / 3 / 0 / 19

HEX #C5C8CF

RGB 197 200.6 207.6

HSL 219.62, 0.1%, 0.79%

LAB 80.73, 0.09, -3.92

 

CMYK 0 / 5 / 1 / 19

HEX #CFC4CD

RGB 207 196 205

HSL 310.91, 0.1%, 0.79%

LAB 80.27, 5.45, -3.13

 

CMYK 0 / 2 / 5 / 19

HEX #CFCBC4

RGB 207 203 196

HSL 38.18, 0.1%, 0.79%

LAB 81.82, 0.15, 3.97

 

CMYK 5 / 0 / 4 / 19

HEX #C4CFC6

RGB 196 207 198

HSL 130.91, 0.1%, 0.79%

LAB 82.08, -5.4, 3.17

 

Description

Color code: RGB 197 200.6 207.6 | qconv.com Color code: RGB 197 200.6 207.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 200.6 green and 207.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 200.6 207.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 3 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 3% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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