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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 196 129 it is the complementary color RGB 58 59 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 196 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 196 129 shade: RGB 202 196 124, RGB 219 214 143, RGB 236 232 162, RGB 253 250 181 and RGB 255 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 196 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 180 178 110, RGB 163 160 91, RGB 146 142 72 and RGB 129 124 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 197 178 129, RGB 197 160 129, RGB 197 141 129 and RGB 197 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 180 197 129, RGB 162 197 129, RGB 143 197 129 and RGB 129 197 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 196 129 shade matches the following richer shades: RGB 197 196 129, RGB 212 211 114, RGB 227 225 100 and RGB 242 239 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 182 182 144, RGB 167 167 159, RGB 153 153 174 and RGB 138 138 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 196 129 shade: RGB 197 160 129, RGB 197 178 129, RGB 197 196 129, RGB 180 197 129 and RGB 162 197 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 196 129 shade: RGB 167 166 77, RGB 184 183 101, RGB 197 196 129, RGB 210 209 157 and RGB 223 223 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 129 197 142 and RGB 169 129 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 129 197 196 and RGB 196 129 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 129 197 142, RGB 129 130 197 and RGB 197 129 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 196 129 shade: RGB 197 196 129, RGB 129 197 162, RGB 129 130 197 and RGB 197 129 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

Complementary color

CMYK 54 / 53 / 0 / 51

HEX #3A3B7E

RGB 58 59 126

HSL 239.12, 0.37%, 0.36%

LAB 28.2, 19.79, -38.29

 

CMYK 0 / 3 / 39 / 21

HEX #CAC47C

RGB 202 196 124

HSL 55.38, 0.42%, 0.64%

LAB 78.16, -8.44, 36.89

 

CMYK 0 / 2 / 35 / 14

HEX #DBD68F

RGB 219 214 143

HSL 56.05, 0.51%, 0.71%

LAB 84.55, -8.79, 35.73

 

CMYK 0 / 2 / 31 / 7

HEX #ECE8A2

RGB 236 232 162

HSL 56.76, 0.66%, 0.78%

LAB 90.85, -9.09, 34.61

 

CMYK 0 / 1 / 28 / 1

HEX #FDFAB5

RGB 253 250 181

HSL 57.5, 0.95%, 0.85%

LAB 97.06, -9.35, 33.54

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 0 / 1 / 39 / 29

HEX #B4B26E

RGB 180 178 110

HSL 58.29, 0.32%, 0.57%

LAB 71.33, -9.52, 35

 

CMYK 0 / 2 / 44 / 36

HEX #A3A05B

RGB 163 160 91

HSL 57.5, 0.28%, 0.5%

LAB 64.71, -9.12, 36.23

 

CMYK 0 / 3 / 51 / 43

HEX #928E48

RGB 146 142 72

HSL 56.76, 0.34%, 0.43%

LAB 57.97, -8.62, 37.48

 

CMYK 0 / 4 / 59 / 49

HEX #817C35

RGB 129 124 53

HSL 56.05, 0.42%, 0.36%

LAB 51.08, -7.97, 38.67

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 0 / 10 / 35 / 23

HEX #C5B281

RGB 197 178 129

HSL 43.24, 0.37%, 0.64%

LAB 73.09, -0.43, 27.56

 

CMYK 0 / 19 / 35 / 23

HEX #C5A081

RGB 197 160 129

HSL 27.35, 0.37%, 0.64%

LAB 68.46, 9.27, 21.33

 

CMYK 0 / 28 / 35 / 23

HEX #C58D81

RGB 197 141 129

HSL 10.59, 0.37%, 0.64%

LAB 63.76, 19.69, 14.85

 

CMYK 0 / 35 / 35 / 23

HEX #C58181

RGB 197 129 129

HSL 0, 0.37%, 0.64%

LAB 60.92, 26.28, 10.87

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 9 / 0 / 35 / 23

HEX #B4C581

RGB 180 197 129

HSL 75, 0.37%, 0.64%

LAB 76.81, -16.96, 32.23

 

CMYK 18 / 0 / 35 / 23

HEX #A2C581

RGB 162 197 129

HSL 90.88, 0.37%, 0.64%

LAB 75.57, -23.72, 30.37

 

CMYK 27 / 0 / 35 / 23

HEX #8FC581

RGB 143 197 129

HSL 107.65, 0.37%, 0.64%

LAB 74.42, -30.48, 28.63

 

CMYK 35 / 0 / 32 / 23

HEX #81C586

RGB 129 197 134

HSL 124.41, 0.37%, 0.64%

LAB 73.75, -34.3, 24.98

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 0 / 0 / 46 / 17

HEX #D4D372

RGB 212 211 114

HSL 59.39, 0.53%, 0.64%

LAB 82.81, -13.1, 47.84

 

CMYK 0 / 1 / 56 / 11

HEX #E3E164

RGB 227 225 100

HSL 59.06, 0.69%, 0.64%

LAB 87.53, -15.21, 60.14

 

CMYK 0 / 1 / 65 / 5

HEX #F2EF55

RGB 242 239 85

HSL 58.85, 0.86%, 0.64%

LAB 92.25, -16.95, 71.75

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 0 / 0 / 21 / 29

HEX #B6B690

RGB 182 182 144

HSL 60, 0.21%, 0.64%

LAB 73.16, -6.37, 19.4

 

CMYK 0 / 0 / 5 / 35

HEX #A7A79F

RGB 167 167 159

HSL 60, 0.04%, 0.64%

LAB 68.28, -1.48, 4.13

 

CMYK 12 / 12 / 0 / 32

HEX #9999AE

RGB 153 153 174

HSL 240, 0.11%, 0.64%

LAB 63.84, 4.29, -10.92

 

CMYK 27 / 27 / 0 / 26

HEX #8A8ABD

RGB 138 138 189

HSL 240, 0.28%, 0.64%

LAB 59.21, 11.48, -26.55

 

CMYK 0 / 19 / 35 / 23

HEX #C5A081

RGB 197 160 129

HSL 27.35, 0.37%, 0.64%

LAB 68.46, 9.27, 21.33

 

CMYK 0 / 10 / 35 / 23

HEX #C5B281

RGB 197 178 129

HSL 43.24, 0.37%, 0.64%

LAB 73.09, -0.43, 27.56

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 9 / 0 / 35 / 23

HEX #B4C581

RGB 180 197 129

HSL 75, 0.37%, 0.64%

LAB 76.81, -16.96, 32.23

 

CMYK 18 / 0 / 35 / 23

HEX #A2C581

RGB 162 197 129

HSL 90.88, 0.37%, 0.64%

LAB 75.57, -23.72, 30.37

 

CMYK 0 / 1 / 54 / 35

HEX #A7A64D

RGB 167 166 77

HSL 59.33, 0.37%, 0.48%

LAB 66.54, -11.92, 45.51

 

CMYK 0 / 1 / 45 / 28

HEX #B8B765

RGB 184 183 101

HSL 59.28, 0.37%, 0.56%

LAB 72.89, -11.44, 41.62

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 0 / 0 / 25 / 18

HEX #D2D19D

RGB 210 209 157

HSL 58.87, 0.37%, 0.72%

LAB 82.77, -7.92, 26

 

CMYK 0 / 0 / 17 / 13

HEX #DFDFBA

RGB 223 223 186

HSL 60, 0.37%, 0.8%

LAB 87.97, -6.11, 18.18

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 35 / 0 / 28 / 23

HEX #81C58E

RGB 129 197 142

HSL 131.47, 0.37%, 0.64%

LAB 73.9, -32.92, 20.95

 

CMYK 14 / 35 / 0 / 23

HEX #A981C5

RGB 169 129 197

HSL 275.29, 0.37%, 0.64%

LAB 60.04, 28.19, -29.57

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 35 / 0 / 1 / 23

HEX #81C5C4

RGB 129 197 196

HSL 179.12, 0.37%, 0.64%

LAB 75.19, -21.58, -6.33

 

CMYK 1 / 35 / 0 / 23

HEX #C481C5

RGB 196 129 197

HSL 299.12, 0.37%, 0.64%

LAB 62.9, 36.76, -24.92

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 35 / 0 / 28 / 23

HEX #81C58E

RGB 129 197 142

HSL 131.47, 0.37%, 0.64%

LAB 73.9, -32.92, 20.95

 

CMYK 35 / 34 / 0 / 23

HEX #8182C5

RGB 129 130 197

HSL 239.12, 0.37%, 0.64%

LAB 56.75, 15.58, -34.96

 

CMYK 0 / 35 / 6 / 23

HEX #C581B9

RGB 197 129 185

HSL 310.59, 0.37%, 0.64%

LAB 62.57, 34.88, -18.64

 

CMYK 0 / 1 / 35 / 23

HEX #C5C481

RGB 197 196 129

HSL 59.12, 0.37%, 0.64%

LAB 77.84, -9.84, 33.82

 

CMYK 35 / 0 / 18 / 23

HEX #81C5A2

RGB 129 197 162

HSL 149.12, 0.37%, 0.64%

LAB 74.32, -29.1, 10.81

 

CMYK 35 / 34 / 0 / 23

HEX #8182C5

RGB 129 130 197

HSL 239.12, 0.37%, 0.64%

LAB 56.75, 15.58, -34.96

 

CMYK 0 / 35 / 17 / 23

HEX #C581A4

RGB 197 129 164

HSL 329.12, 0.37%, 0.64%

LAB 61.87, 31.32, -7.75

 

Description

Color code: RGB 197 196 129 | qconv.com Color code: RGB 197 196 129 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 196 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 196 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 35 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 35% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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