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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 180.8 10.4 it is the complementary color RGB 58 74.2 244.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 180.8 10.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 180.8 10.4 shade: RGB 202 180.8 5.4, RGB 219 198.8 24.4, RGB 236 216.8 43.4, RGB 253 234.8 62.4 and RGB 255 252.8 81.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 180.8 10.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 180.8 10.4 shade: RGB 197 180.8 10.4, RGB 180 162.8 0, RGB 163 144.8 0, RGB 146 126.8 0 and RGB 129 108.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 180.8 10.4 shade: RGB 199 182 10, RGB 199 132 10, RGB 199 81 10, RGB 199 30 10 and RGB 199 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 180.8 10.4 shade: RGB 199 182 10, RGB 164 199 10, RGB 113 199 10, RGB 63 199 10 and RGB 12 199 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 180.8 10.4 shade matches the following richer shades: RGB 199 182 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 180.8 10.4 shade: RGB 199 182 10, RGB 182 168 27, RGB 165 154 44, RGB 148 140 61 and RGB 131 126 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 180.8 10.4 shade: RGB 199 79 10, RGB 199 130 10, RGB 199 180 10, RGB 167 199 10 and RGB 117 199 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 180.8 10.4 shade: RGB 120 110 6, RGB 159 146 8, RGB 199 182 10, RGB 238 218 13 and RGB 244 227 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 180.8 10.4 shade: RGB 197 180.8 10.4, RGB 10 199 29 and RGB 105 10 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 180.8 10.4 shade: RGB 197 180.8 10.4, RGB 10 199 180 and RGB 180 10 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 180.8 10.4 shade: RGB 197 180.8 10.4, RGB 10 199 29, RGB 10 29 199 and RGB 199 10 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 180.8 10.4 shade: RGB 197 180.8 10.4, RGB 10 199 86, RGB 10 29 199 and RGB 199 10 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 95 / 23

HEX #C5B40A

RGB 197 180.8 10.4

HSL 54.79, 0.9%, 0.41%

LAB 72.8, -9.42, 73.47

 

Complementary color

CMYK 76 / 70 / 0 / 4

HEX #3A4AF4

RGB 58 74.2 244.6

HSL 234.79, 0.9%, 0.59%

LAB 41.83, 51.2, -86.14

 

CMYK 0 / 10 / 97 / 21

HEX #CAB405

RGB 202 180.8 5.4

HSL 53.53, 0.95%, 0.41%

LAB 73.24, -7.28, 74.56

 

CMYK 0 / 9 / 89 / 14

HEX #DBC618

RGB 219 198.8 24.4

HSL 53.77, 0.8%, 0.48%

LAB 79.55, -8.86, 77.45

 

CMYK 0 / 8 / 82 / 7

HEX #ECD82B

RGB 236 216.8 43.4

HSL 54.02, 0.84%, 0.55%

LAB 85.77, -10.24, 79.03

 

CMYK 0 / 7 / 75 / 1

HEX #FDEA3E

RGB 253 234.8 62.4

HSL 54.27, 0.98%, 0.62%

LAB 91.93, -11.44, 79.63

 

CMYK 0 / 1 / 68 / 0

HEX #FFFC51

RGB 255 252.8 81.4

HSL 59.24, 1%, 0.66%

LAB 96.81, -18.54, 78.01

 

CMYK 0 / 8 / 95 / 23

HEX #C5B40A

RGB 197 180.8 10.4

HSL 54.79, 0.9%, 0.41%

LAB 72.8, -9.42, 73.47

 

CMYK 0 / 10 / 100 / 29

HEX #B4A200

RGB 180 162.8 0

HSL 54.27, 1%, 0.35%

LAB 66.39, -7.7, 69.32

 

CMYK 0 / 11 / 100 / 36

HEX #A39000

RGB 163 144.8 0

HSL 53.3, 1%, 0.32%

LAB 59.87, -5.81, 63.92

 

CMYK 0 / 13 / 100 / 43

HEX #927E00

RGB 146 126.8 0

HSL 52.11, 1%, 0.29%

LAB 53.21, -3.84, 58.41

 

CMYK 0 / 16 / 100 / 49

HEX #816C00

RGB 129 108.8 0

HSL 50.6, 1%, 0.25%

LAB 46.39, -1.77, 52.78

 

CMYK 0 / 9 / 95 / 22

HEX #C7B60A

RGB 199 182 10

HSL 54.6, 0.9%, 0.41%

LAB 73.3, -9.17, 73.97

 

CMYK 0 / 34 / 95 / 22

HEX #C7840A

RGB 199 132 10

HSL 38.73, 0.9%, 0.41%

LAB 60.49, 17.64, 64.61

 

CMYK 0 / 59 / 95 / 22

HEX #C7510A

RGB 199 81 10

HSL 22.54, 0.9%, 0.41%

LAB 49.56, 44.28, 57.17

 

CMYK 0 / 85 / 95 / 22

HEX #C71E0A

RGB 199 30 10

HSL 6.35, 0.9%, 0.41%

LAB 42.9, 62.46, 53.13

 

CMYK 0 / 95 / 95 / 22

HEX #C70A0A

RGB 199 10 10

HSL 0, 0.9%, 0.41%

LAB 41.82, 65.58, 52.53

 

CMYK 0 / 9 / 95 / 22

HEX #C7B60A

RGB 199 182 10

HSL 54.6, 0.9%, 0.41%

LAB 73.3, -9.17, 73.97

 

CMYK 18 / 0 / 95 / 22

HEX #A4C70A

RGB 164 199 10

HSL 71.11, 0.9%, 0.41%

LAB 75.3, -32.49, 74.31

 

CMYK 43 / 0 / 95 / 22

HEX #71C70A

RGB 113 199 10

HSL 87.3, 0.9%, 0.41%

LAB 72.48, -51.54, 70.88

 

CMYK 68 / 0 / 95 / 22

HEX #3FC70A

RGB 63 199 10

HSL 103.17, 0.9%, 0.41%

LAB 70.82, -64.79, 68.84

 

CMYK 94 / 0 / 95 / 22

HEX #0CC70A

RGB 12 199 10

HSL 119.37, 0.9%, 0.41%

LAB 70.14, -70.8, 68

 

CMYK 0 / 9 / 95 / 22

HEX #C7B60A

RGB 199 182 10

HSL 54.6, 0.9%, 0.41%

LAB 73.3, -9.17, 73.97

 

CMYK 0 / 9 / 95 / 22

HEX #C7B60A

RGB 199 182 10

HSL 54.6, 0.9%, 0.41%

LAB 73.3, -9.17, 73.97

 

CMYK 0 / 8 / 85 / 29

HEX #B6A81B

RGB 182 168 27

HSL 54.58, 0.74%, 0.41%

LAB 68.04, -9.09, 66.29

 

CMYK 0 / 7 / 73 / 35

HEX #A59A2C

RGB 165 154 44

HSL 54.55, 0.58%, 0.41%

LAB 62.75, -8.65, 55.77

 

CMYK 0 / 5 / 59 / 42

HEX #948C3D

RGB 148 140 61

HSL 54.48, 0.42%, 0.41%

LAB 57.45, -7.61, 42.41

 

CMYK 0 / 4 / 40 / 49

HEX #837E4E

RGB 131 126 78

HSL 54.34, 0.25%, 0.41%

LAB 52.17, -5.67, 26.8

 

CMYK 0 / 60 / 95 / 22

HEX #C74F0A

RGB 199 79 10

HSL 21.9, 0.9%, 0.41%

LAB 49.2, 45.22, 56.94

 

CMYK 0 / 35 / 95 / 22

HEX #C7820A

RGB 199 130 10

HSL 38.1, 0.9%, 0.41%

LAB 60.01, 18.74, 64.27

 

CMYK 0 / 10 / 95 / 22

HEX #C7B40A

RGB 199 180 10

HSL 53.97, 0.9%, 0.41%

LAB 72.76, -8.13, 73.57

 

CMYK 16 / 0 / 95 / 22

HEX #A7C70A

RGB 167 199 10

HSL 70.16, 0.9%, 0.41%

LAB 75.5, -31.27, 74.55

 

CMYK 41 / 0 / 95 / 22

HEX #75C70A

RGB 117 199 10

HSL 86.03, 0.9%, 0.41%

LAB 72.66, -50.21, 71.1

 

CMYK 0 / 8 / 95 / 53

HEX #786E06

RGB 120 110 6

HSL 54.74, 0.9%, 0.25%

LAB 45.85, -6.66, 50.61

 

CMYK 0 / 8 / 95 / 38

HEX #9F9208

RGB 159 146 8

HSL 54.83, 0.9%, 0.33%

LAB 59.84, -8.17, 62.51

 

CMYK 0 / 9 / 95 / 22

HEX #C7B60A

RGB 199 182 10

HSL 54.6, 0.9%, 0.41%

LAB 73.3, -9.17, 73.97

 

CMYK 0 / 8 / 95 / 7

HEX #EEDA0D

RGB 238 218 13

HSL 54.67, 0.9%, 0.49%

LAB 86.18, -10.56, 84.78

 

CMYK 0 / 7 / 80 / 4

HEX #F4E330

RGB 244 227 48

HSL 54.8, 0.9%, 0.57%

LAB 89.1, -11.82, 80.97

 

CMYK 0 / 8 / 95 / 23

HEX #C5B40A

RGB 197 180.8 10.4

HSL 54.79, 0.9%, 0.41%

LAB 72.8, -9.42, 73.47

 

CMYK 95 / 0 / 85 / 22

HEX #0AC71D

RGB 10 199 29

HSL 126.03, 0.9%, 0.41%

LAB 70.18, -70.28, 64.88

 

CMYK 47 / 95 / 0 / 22

HEX #690AC7

RGB 105 10 199

HSL 270.16, 0.9%, 0.41%

LAB 32.58, 68.08, -75.13

 

CMYK 0 / 8 / 95 / 23

HEX #C5B40A

RGB 197 180.8 10.4

HSL 54.79, 0.9%, 0.41%

LAB 72.8, -9.42, 73.47

 

CMYK 95 / 0 / 10 / 22

HEX #0AC7B4

RGB 10 199 180

HSL 173.97, 0.9%, 0.41%

LAB 72.37, -45.11, -2.15

 

CMYK 10 / 95 / 0 / 22

HEX #B40AC7

RGB 180 10 199

HSL 293.97, 0.9%, 0.41%

LAB 44.3, 77.64, -55.52

 

CMYK 0 / 8 / 95 / 23

HEX #C5B40A

RGB 197 180.8 10.4

HSL 54.79, 0.9%, 0.41%

LAB 72.8, -9.42, 73.47

 

CMYK 95 / 0 / 85 / 22

HEX #0AC71D

RGB 10 199 29

HSL 126.03, 0.9%, 0.41%

LAB 70.18, -70.28, 64.88

 

CMYK 95 / 85 / 0 / 22

HEX #0A1DC7

RGB 10 29 199

HSL 233.97, 0.9%, 0.41%

LAB 26.92, 57.71, -84.73

 

CMYK 0 / 95 / 10 / 22

HEX #C70AB4

RGB 199 10 180

HSL 306.03, 0.9%, 0.41%

LAB 46.52, 78, -40.65

 

CMYK 0 / 8 / 95 / 23

HEX #C5B40A

RGB 197 180.8 10.4

HSL 54.79, 0.9%, 0.41%

LAB 72.8, -9.42, 73.47

 

CMYK 95 / 0 / 57 / 22

HEX #0AC756

RGB 10 199 86

HSL 144.13, 0.9%, 0.41%

LAB 70.58, -65.15, 44.5

 

CMYK 95 / 85 / 0 / 22

HEX #0A1DC7

RGB 10 29 199

HSL 233.97, 0.9%, 0.41%

LAB 26.92, 57.71, -84.73

 

CMYK 0 / 95 / 38 / 22

HEX #C70A7B

RGB 199 10 123

HSL 324.13, 0.9%, 0.41%

LAB 43.93, 71.33, -10.3

 

Description

Color code: RGB 197 180.8 10.4 | qconv.com Color code: RGB 197 180.8 10.4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 180.8 green and 10.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 180.8 10.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 95 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 95% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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