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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 177 142 it is the complementary color RGB 58 78 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 177 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 177 142 shade: RGB 202 177 137, RGB 219 195 156, RGB 236 213 175, RGB 253 231 194 and RGB 255 249 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 177 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 177 142 shade: RGB 197 177 142, RGB 180 159 123, RGB 163 141 104, RGB 146 123 85 and RGB 129 105 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 177 142 shade: RGB 196 176 141, RGB 196 161 141, RGB 196 146 141 and RGB 196 141 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 177 142 shade: RGB 196 176 141, RGB 196 191 141, RGB 186 196 141, RGB 171 196 141 and RGB 156 196 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 177 142 shade matches the following richer shades: RGB 196 176 141, RGB 210 180 127, RGB 224 184 112, RGB 238 187 98 and RGB 252 191 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 177 142 shade: RGB 196 176 141, RGB 182 172 155, RGB 168 168 169, RGB 154 164 183 and RGB 140 161 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 177 142 shade: RGB 196 146 141, RGB 196 161 141, RGB 196 176 141, RGB 196 190 141 and RGB 187 196 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 177 142 shade: RGB 168 138 86, RGB 182 157 113, RGB 196 176 141, RGB 210 195 168 and RGB 224 214 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 177 142 shade: RGB 197 177 142, RGB 150 196 141 and RGB 154 141 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 177 142 shade: RGB 197 177 142, RGB 141 196 176 and RGB 176 141 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 177 142 shade: RGB 197 177 142, RGB 150 196 141, RGB 141 161 196 and RGB 187 141 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 177 142 shade: RGB 197 177 142, RGB 141 196 148, RGB 141 161 196 and RGB 196 141 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 28 / 23

HEX #C5B18E

RGB 197 177 142

HSL 38.18, 0.32%, 0.66%

LAB 73.07, 1.79, 20.55

 

Complementary color

CMYK 49 / 31 / 0 / 56

HEX #3A4E71

RGB 58 78 113

HSL 218.18, 0.32%, 0.34%

LAB 33.01, 2.74, -22.53

 

CMYK 0 / 12 / 32 / 21

HEX #CAB189

RGB 202 177 137

HSL 36.92, 0.38%, 0.66%

LAB 73.42, 3.09, 23.8

 

CMYK 0 / 11 / 29 / 14

HEX #DBC39C

RGB 219 195 156

HSL 37.14, 0.47%, 0.74%

LAB 79.89, 2.64, 22.73

 

CMYK 0 / 10 / 26 / 7

HEX #ECD5AF

RGB 236 213 175

HSL 37.38, 0.62%, 0.81%

LAB 86.26, 2.25, 21.71

 

CMYK 0 / 9 / 23 / 1

HEX #FDE7C2

RGB 253 231 194

HSL 37.63, 0.94%, 0.88%

LAB 92.54, 1.89, 20.75

 

CMYK 0 / 2 / 16 / 0

HEX #FFF9D5

RGB 255 249 213

HSL 51.43, 1%, 0.92%

LAB 97.56, -3.77, 18.02

 

CMYK 0 / 10 / 28 / 23

HEX #C5B18E

RGB 197 177 142

HSL 38.18, 0.32%, 0.66%

LAB 73.07, 1.79, 20.55

 

CMYK 0 / 12 / 32 / 29

HEX #B49F7B

RGB 180 159 123

HSL 37.89, 0.28%, 0.59%

LAB 66.47, 2.23, 21.64

 

CMYK 0 / 13 / 36 / 36

HEX #A38D68

RGB 163 141 104

HSL 37.63, 0.24%, 0.52%

LAB 59.74, 2.74, 22.81

 

CMYK 0 / 16 / 42 / 43

HEX #927B55

RGB 146 123 85

HSL 37.38, 0.26%, 0.45%

LAB 52.88, 3.35, 24.08

 

CMYK 0 / 19 / 49 / 49

HEX #816942

RGB 129 105 66

HSL 37.14, 0.32%, 0.38%

LAB 45.86, 4.1, 25.45

 

CMYK 0 / 10 / 28 / 23

HEX #C4B08D

RGB 196 176 141

HSL 38.18, 0.32%, 0.66%

LAB 72.7, 1.8, 20.58

 

CMYK 0 / 18 / 28 / 23

HEX #C4A18D

RGB 196 161 141

HSL 21.82, 0.32%, 0.66%

LAB 68.86, 9.91, 15.26

 

CMYK 0 / 26 / 28 / 23

HEX #C4928D

RGB 196 146 141

HSL 5.45, 0.32%, 0.66%

LAB 65.13, 18.15, 10.02

 

CMYK 0 / 28 / 28 / 23

HEX #C48D8D

RGB 196 141 141

HSL 0, 0.32%, 0.66%

LAB 63.92, 20.9, 8.3

 

CMYK 0 / 10 / 28 / 23

HEX #C4B08D

RGB 196 176 141

HSL 38.18, 0.32%, 0.66%

LAB 72.7, 1.8, 20.58

 

CMYK 0 / 3 / 28 / 23

HEX #C4BF8D

RGB 196 191 141

HSL 54.55, 0.32%, 0.66%

LAB 76.63, -6.13, 25.92

 

CMYK 5 / 0 / 28 / 23

HEX #BAC48D

RGB 186 196 141

HSL 70.91, 0.32%, 0.66%

LAB 77.19, -12.55, 26.53

 

CMYK 13 / 0 / 28 / 23

HEX #ABC48D

RGB 171 196 141

HSL 87.27, 0.32%, 0.66%

LAB 76.11, -18.17, 24.89

 

CMYK 20 / 0 / 28 / 23

HEX #9CC48D

RGB 156 196 141

HSL 103.64, 0.32%, 0.66%

LAB 75.12, -23.59, 23.39

 

CMYK 0 / 10 / 28 / 23

HEX #C4B08D

RGB 196 176 141

HSL 38.18, 0.32%, 0.66%

LAB 72.7, 1.8, 20.58

 

CMYK 0 / 14 / 40 / 18

HEX #D2B47F

RGB 210 180 127

HSL 38.31, 0.48%, 0.66%

LAB 74.75, 3.48, 31.03

 

CMYK 0 / 18 / 50 / 12

HEX #E0B870

RGB 224 184 112

HSL 38.57, 0.64%, 0.66%

LAB 76.86, 5.53, 41.77

 

CMYK 0 / 21 / 59 / 7

HEX #EEBB62

RGB 238 187 98

HSL 38.14, 0.8%, 0.66%

LAB 78.81, 8.58, 51.35

 

CMYK 0 / 24 / 67 / 1

HEX #FCBF54

RGB 252 191 84

HSL 38.21, 0.97%, 0.66%

LAB 81.07, 11.41, 60.7

 

CMYK 0 / 10 / 28 / 23

HEX #C4B08D

RGB 196 176 141

HSL 38.18, 0.32%, 0.66%

LAB 72.7, 1.8, 20.58

 

CMYK 0 / 5 / 15 / 29

HEX #B6AC9B

RGB 182 172 155

HSL 37.78, 0.16%, 0.66%

LAB 70.74, 0.67, 10.02

 

CMYK 1 / 1 / 0 / 34

HEX #A8A8A9

RGB 168 168 169

HSL 240, 0.01%, 0.66%

LAB 68.89, 0.19, -0.52

 

CMYK 16 / 10 / 0 / 28

HEX #9AA4B7

RGB 154 164 183

HSL 219.31, 0.17%, 0.66%

LAB 67.16, 0.46, -10.99

 

CMYK 29 / 18 / 0 / 23

HEX #8CA1C5

RGB 140 161 197

HSL 217.89, 0.33%, 0.66%

LAB 65.82, 0.98, -20.89

 

CMYK 0 / 26 / 28 / 23

HEX #C4928D

RGB 196 146 141

HSL 5.45, 0.32%, 0.66%

LAB 65.13, 18.15, 10.02

 

CMYK 0 / 18 / 28 / 23

HEX #C4A18D

RGB 196 161 141

HSL 21.82, 0.32%, 0.66%

LAB 68.86, 9.91, 15.26

 

CMYK 0 / 10 / 28 / 23

HEX #C4B08D

RGB 196 176 141

HSL 38.18, 0.32%, 0.66%

LAB 72.7, 1.8, 20.58

 

CMYK 0 / 3 / 28 / 23

HEX #C4BE8D

RGB 196 190 141

HSL 53.45, 0.32%, 0.66%

LAB 76.37, -5.61, 25.56

 

CMYK 5 / 0 / 28 / 23

HEX #BBC48D

RGB 187 196 141

HSL 69.82, 0.32%, 0.66%

LAB 77.26, -12.17, 26.65

 

CMYK 0 / 18 / 49 / 34

HEX #A88A56

RGB 168 138 86

HSL 38.05, 0.32%, 0.5%

LAB 59.13, 4.49, 32

 

CMYK 0 / 14 / 38 / 29

HEX #B69D71

RGB 182 157 113

HSL 38.26, 0.32%, 0.58%

LAB 65.94, 2.87, 26.43

 

CMYK 0 / 10 / 28 / 23

HEX #C4B08D

RGB 196 176 141

HSL 38.18, 0.32%, 0.66%

LAB 72.7, 1.8, 20.58

 

CMYK 0 / 7 / 20 / 18

HEX #D2C3A8

RGB 210 195 168

HSL 38.57, 0.32%, 0.74%

LAB 79.36, 0.92, 15.48

 

CMYK 0 / 4 / 13 / 12

HEX #E0D6C3

RGB 224 214 195

HSL 39.31, 0.32%, 0.82%

LAB 85.95, 0.27, 10.6

 

CMYK 0 / 10 / 28 / 23

HEX #C5B18E

RGB 197 177 142

HSL 38.18, 0.32%, 0.66%

LAB 73.07, 1.79, 20.55

 

CMYK 23 / 0 / 28 / 23

HEX #96C48D

RGB 150 196 141

HSL 110.18, 0.32%, 0.66%

LAB 74.75, -25.68, 22.83

 

CMYK 21 / 28 / 0 / 23

HEX #9A8DC4

RGB 154 141 196

HSL 254.18, 0.32%, 0.66%

LAB 61.57, 16.4, -26.75

 

CMYK 0 / 10 / 28 / 23

HEX #C5B18E

RGB 197 177 142

HSL 38.18, 0.32%, 0.66%

LAB 73.07, 1.79, 20.55

 

CMYK 28 / 0 / 10 / 23

HEX #8DC4B0

RGB 141 196 176

HSL 158.18, 0.32%, 0.66%

LAB 75, -22.09, 4.3

 

CMYK 10 / 28 / 0 / 23

HEX #B08DC4

RGB 176 141 196

HSL 278.18, 0.32%, 0.66%

LAB 63.56, 23.43, -23.52

 

CMYK 0 / 10 / 28 / 23

HEX #C5B18E

RGB 197 177 142

HSL 38.18, 0.32%, 0.66%

LAB 73.07, 1.79, 20.55

 

CMYK 23 / 0 / 28 / 23

HEX #96C48D

RGB 150 196 141

HSL 110.18, 0.32%, 0.66%

LAB 74.75, -25.68, 22.83

 

CMYK 28 / 18 / 0 / 23

HEX #8DA1C4

RGB 141 161 196

HSL 218.18, 0.32%, 0.66%

LAB 65.86, 1.04, -20.28

 

CMYK 5 / 28 / 0 / 23

HEX #BB8DC4

RGB 187 141 196

HSL 290.18, 0.32%, 0.66%

LAB 64.64, 27.04, -21.77

 

CMYK 0 / 10 / 28 / 23

HEX #C5B18E

RGB 197 177 142

HSL 38.18, 0.32%, 0.66%

LAB 73.07, 1.79, 20.55

 

CMYK 28 / 0 / 24 / 23

HEX #8DC494

RGB 141 196 148

HSL 127.64, 0.32%, 0.66%

LAB 74.37, -27.52, 18.49

 

CMYK 28 / 18 / 0 / 23

HEX #8DA1C4

RGB 141 161 196

HSL 218.18, 0.32%, 0.66%

LAB 65.86, 1.04, -20.28

 

CMYK 0 / 28 / 4 / 23

HEX #C48DBD

RGB 196 141 189

HSL 307.64, 0.32%, 0.66%

LAB 65.33, 28.7, -16.72

 

Description

Color code: RGB 197 177 142 | qconv.com Color code: RGB 197 177 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 177 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 177 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 28 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 28% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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