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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 162 12 it is the complementary color RGB 58 93 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 162 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 162 12 shade: RGB 202 162 7, RGB 219 180 26, RGB 236 198 45, RGB 253 216 64 and RGB 255 234 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 162 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 162 12 shade: RGB 197 162 12, RGB 180 144 0, RGB 163 126 0, RGB 146 108 0 and RGB 129 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 162 12 shade: RGB 198 162 12, RGB 198 112 12, RGB 198 62 12 and RGB 198 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 162 12 shade: RGB 198 162 12, RGB 183 198 12, RGB 132 198 12, RGB 82 198 12 and RGB 32 198 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 162 12 shade matches the following richer shades: RGB 198 162 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 162 12 shade: RGB 198 162 12, RGB 181 152 28, RGB 164 141 45, RGB 147 131 62 and RGB 130 120 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 162 12 shade: RGB 198 61 12, RGB 198 111 12, RGB 198 160 12, RGB 185 198 12 and RGB 136 198 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 162 12 shade: RGB 120 98 7, RGB 159 130 9, RGB 198 162 12, RGB 237 194 14 and RGB 243 206 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 162 12 shade: RGB 197 162 12, RGB 12 198 12 and RGB 86 12 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 162 12 shade: RGB 197 162 12, RGB 12 198 160 and RGB 160 12 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 162 12 shade: RGB 197 162 12, RGB 12 198 12, RGB 12 49 198 and RGB 198 12 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 162 12 shade: RGB 197 162 12, RGB 12 198 67, RGB 12 49 198 and RGB 198 12 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 94 / 23

HEX #C5A20C

RGB 197 162 12

HSL 48.65, 0.89%, 0.41%

LAB 67.83, 0.48, 69.56

 

Complementary color

CMYK 76 / 62 / 0 / 5

HEX #3A5DF3

RGB 58 93 243

HSL 228.65, 0.89%, 0.59%

LAB 45.91, 39.4, -78.55

 

CMYK 0 / 20 / 97 / 21

HEX #CAA207

RGB 202 162 7

HSL 47.69, 0.93%, 0.41%

LAB 68.32, 2.65, 70.79

 

CMYK 0 / 18 / 88 / 14

HEX #DBB41A

RGB 219 180 26

HSL 47.88, 0.79%, 0.48%

LAB 74.68, 0.89, 73.33

 

CMYK 0 / 16 / 81 / 7

HEX #ECC62D

RGB 236 198 45

HSL 48.06, 0.83%, 0.55%

LAB 80.97, -0.65, 74.48

 

CMYK 0 / 15 / 75 / 1

HEX #FDD840

RGB 253 216 64

HSL 48.25, 0.98%, 0.62%

LAB 87.18, -1.98, 74.7

 

CMYK 0 / 8 / 67 / 0

HEX #FFEA53

RGB 255 234 83

HSL 52.67, 1%, 0.66%

LAB 92.01, -9.3, 72.61

 

CMYK 0 / 18 / 94 / 23

HEX #C5A20C

RGB 197 162 12

HSL 48.65, 0.89%, 0.41%

LAB 67.83, 0.48, 69.56

 

CMYK 0 / 20 / 100 / 29

HEX #B49000

RGB 180 144 0

HSL 48, 1%, 0.35%

LAB 61.35, 2.41, 65.76

 

CMYK 0 / 23 / 100 / 36

HEX #A37E00

RGB 163 126 0

HSL 46.38, 1%, 0.32%

LAB 54.77, 4.56, 60.34

 

CMYK 0 / 26 / 100 / 43

HEX #926C00

RGB 146 108 0

HSL 44.38, 1%, 0.29%

LAB 48.05, 6.81, 54.81

 

CMYK 0 / 30 / 100 / 49

HEX #815A00

RGB 129 90 0

HSL 41.86, 1%, 0.25%

LAB 41.18, 9.2, 49.18

 

CMYK 0 / 18 / 94 / 22

HEX #C6A20C

RGB 198 162 12

HSL 48.39, 0.89%, 0.41%

LAB 67.93, 0.93, 69.68

 

CMYK 0 / 43 / 94 / 22

HEX #C6700C

RGB 198 112 12

HSL 32.26, 0.89%, 0.41%

LAB 55.71, 28.11, 60.83

 

CMYK 0 / 69 / 94 / 22

HEX #C63E0C

RGB 198 62 12

HSL 16.13, 0.89%, 0.41%

LAB 46.28, 52.24, 54.49

 

CMYK 0 / 94 / 94 / 22

HEX #C60C0C

RGB 198 12 12

HSL 0, 0.89%, 0.41%

LAB 41.68, 65.13, 51.69

 

CMYK 0 / 18 / 94 / 22

HEX #C6A20C

RGB 198 162 12

HSL 48.39, 0.89%, 0.41%

LAB 67.93, 0.93, 69.68

 

CMYK 8 / 0 / 94 / 22

HEX #B7C60C

RGB 183 198 12

HSL 64.84, 0.89%, 0.41%

LAB 76.36, -24.09, 75.5

 

CMYK 33 / 0 / 94 / 22

HEX #84C60C

RGB 132 198 12

HSL 81.29, 0.89%, 0.41%

LAB 73.1, -44.48, 71.55

 

CMYK 59 / 0 / 94 / 22

HEX #52C60C

RGB 82 198 12

HSL 97.42, 0.89%, 0.41%

LAB 71.01, -60.18, 68.99

 

CMYK 84 / 0 / 94 / 22

HEX #20C60C

RGB 32 198 12

HSL 113.55, 0.89%, 0.41%

LAB 69.98, -69.03, 67.71

 

CMYK 0 / 18 / 94 / 22

HEX #C6A20C

RGB 198 162 12

HSL 48.39, 0.89%, 0.41%

LAB 67.93, 0.93, 69.68

 

CMYK 0 / 18 / 94 / 22

HEX #C6A20C

RGB 198 162 12

HSL 48.39, 0.89%, 0.41%

LAB 67.93, 0.93, 69.68

 

CMYK 0 / 16 / 85 / 29

HEX #B5981C

RGB 181 152 28

HSL 48.63, 0.73%, 0.41%

LAB 63.64, -1, 62.33

 

CMYK 0 / 14 / 73 / 36

HEX #A48D2D

RGB 164 141 45

HSL 48.4, 0.57%, 0.41%

LAB 59.1, -2.02, 51.77

 

CMYK 0 / 11 / 58 / 42

HEX #93833E

RGB 147 131 62

HSL 48.71, 0.41%, 0.41%

LAB 54.85, -3.02, 38.92

 

CMYK 0 / 8 / 39 / 49

HEX #82784F

RGB 130 120 79

HSL 48.24, 0.24%, 0.41%

LAB 50.39, -2.6, 23.92

 

CMYK 0 / 69 / 94 / 22

HEX #C63D0C

RGB 198 61 12

HSL 15.81, 0.89%, 0.41%

LAB 46.14, 52.63, 54.4

 

CMYK 0 / 44 / 94 / 22

HEX #C66F0C

RGB 198 111 12

HSL 31.94, 0.89%, 0.41%

LAB 55.48, 28.64, 60.68

 

CMYK 0 / 19 / 94 / 22

HEX #C6A00C

RGB 198 160 12

HSL 47.74, 0.89%, 0.41%

LAB 67.41, 2, 69.3

 

CMYK 7 / 0 / 94 / 22

HEX #B9C60C

RGB 185 198 12

HSL 64.19, 0.89%, 0.41%

LAB 76.51, -23.24, 75.68

 

CMYK 31 / 0 / 94 / 22

HEX #88C60C

RGB 136 198 12

HSL 80, 0.89%, 0.41%

LAB 73.32, -43, 71.81

 

CMYK 0 / 18 / 94 / 53

HEX #786207

RGB 120 98 7

HSL 48.32, 0.89%, 0.25%

LAB 42.37, 0.27, 47.7

 

CMYK 0 / 18 / 94 / 38

HEX #9F8209

RGB 159 130 9

HSL 48.4, 0.89%, 0.33%

LAB 55.44, 0.6, 59.04

 

CMYK 0 / 18 / 94 / 22

HEX #C6A20C

RGB 198 162 12

HSL 48.39, 0.89%, 0.41%

LAB 67.93, 0.93, 69.68

 

CMYK 0 / 18 / 94 / 7

HEX #EDC20E

RGB 237 194 14

HSL 48.43, 0.89%, 0.49%

LAB 79.97, 1.23, 80.04

 

CMYK 0 / 15 / 80 / 5

HEX #F3CE31

RGB 243 206 49

HSL 48.56, 0.89%, 0.57%

LAB 83.66, -1.65, 75.93

 

CMYK 0 / 18 / 94 / 23

HEX #C5A20C

RGB 197 162 12

HSL 48.65, 0.89%, 0.41%

LAB 67.83, 0.48, 69.56

 

CMYK 94 / 0 / 94 / 22

HEX #0CC60C

RGB 12 198 12

HSL 120, 0.89%, 0.41%

LAB 69.82, -70.49, 67.51

 

CMYK 57 / 94 / 0 / 22

HEX #560CC6

RGB 86 12 198

HSL 263.87, 0.89%, 0.41%

LAB 30.2, 65.93, -78.55

 

CMYK 0 / 18 / 94 / 23

HEX #C5A20C

RGB 197 162 12

HSL 48.65, 0.89%, 0.41%

LAB 67.83, 0.48, 69.56

 

CMYK 94 / 0 / 19 / 22

HEX #0CC6A0

RGB 12 198 160

HSL 167.74, 0.89%, 0.41%

LAB 71.56, -49.98, 7.54

 

CMYK 19 / 94 / 0 / 22

HEX #A00CC6

RGB 160 12 198

HSL 287.74, 0.89%, 0.41%

LAB 40.92, 74.26, -60.56

 

CMYK 0 / 18 / 94 / 23

HEX #C5A20C

RGB 197 162 12

HSL 48.65, 0.89%, 0.41%

LAB 67.83, 0.48, 69.56

 

CMYK 94 / 0 / 94 / 22

HEX #0CC60C

RGB 12 198 12

HSL 120, 0.89%, 0.41%

LAB 69.82, -70.49, 67.51

 

CMYK 94 / 75 / 0 / 22

HEX #0C31C6

RGB 12 49 198

HSL 228.06, 0.89%, 0.41%

LAB 30.28, 47.39, -78.56

 

CMYK 0 / 94 / 0 / 22

HEX #C60CC6

RGB 198 12 198

HSL 300, 0.89%, 0.41%

LAB 47.43, 80.2, -49.74

 

CMYK 0 / 18 / 94 / 23

HEX #C5A20C

RGB 197 162 12

HSL 48.65, 0.89%, 0.41%

LAB 67.83, 0.48, 69.56

 

CMYK 94 / 0 / 66 / 22

HEX #0CC643

RGB 12 198 67

HSL 137.74, 0.89%, 0.41%

LAB 70.09, -67.08, 52.34

 

CMYK 94 / 75 / 0 / 22

HEX #0C31C6

RGB 12 49 198

HSL 228.06, 0.89%, 0.41%

LAB 30.28, 47.39, -78.56

 

CMYK 0 / 94 / 28 / 22

HEX #C60C8E

RGB 198 12 142

HSL 318.06, 0.89%, 0.41%

LAB 44.55, 72.9, -21.01

 

Description

Color code: RGB 197 162 12 | qconv.com Color code: RGB 197 162 12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 162 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 162 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 94 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 94% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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