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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 144 163 it is the complementary color RGB 58 111 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 144 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 144 163 shade: RGB 202 144 158, RGB 219 162 177, RGB 236 180 196, RGB 253 198 215 and RGB 255 216 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 144 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 144 163 shade: RGB 197 144 163, RGB 180 126 144, RGB 163 108 125, RGB 146 90 106 and RGB 129 72 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 144 163 shade: RGB 196 144 163, RGB 196 144 149 and RGB 196 144 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 144 163 shade: RGB 196 144 163, RGB 196 144 177, RGB 196 144 191, RGB 188 144 196 and RGB 174 144 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 144 163 shade matches the following richer shades: RGB 196 144 163, RGB 210 131 159, RGB 224 117 155, RGB 237 103 151 and RGB 251 90 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 144 163 shade: RGB 196 144 163, RGB 183 158 167, RGB 169 171 171, RGB 156 185 175 and RGB 142 199 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 144 163 shade: RGB 196 144 191, RGB 196 144 177, RGB 196 144 163, RGB 196 144 149 and RGB 196 153 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 144 163 shade: RGB 168 90 118, RGB 182 117 141, RGB 196 144 163, RGB 211 171 185 and RGB 225 198 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 144 163 shade: RGB 197 144 163, RGB 196 188 144 and RGB 144 184 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 144 163 shade: RGB 197 144 163, RGB 163 196 144 and RGB 144 163 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 144 163 shade: RGB 197 144 163, RGB 196 188 144, RGB 144 196 177 and RGB 144 153 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 144 163 shade: RGB 197 144 163, RGB 189 196 144, RGB 144 196 177 and RGB 151 144 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 17 / 23

HEX #C590A3

RGB 197 144 163

HSL 338.49, 0.31%, 0.67%

LAB 65.33, 22.93, -2.08

 

Complementary color

CMYK 48 / 0 / 17 / 56

HEX #3A6F5C

RGB 58 111 92

HSL 158.49, 0.31%, 0.33%

LAB 42.83, -22.65, 5.14

 

CMYK 0 / 29 / 22 / 21

HEX #CA909E

RGB 202 144 158

HSL 345.52, 0.35%, 0.68%

LAB 65.73, 23.99, 1.39

 

CMYK 0 / 26 / 19 / 14

HEX #DBA2B1

RGB 219 162 177

HSL 344.21, 0.44%, 0.75%

LAB 72.28, 23.3, 0.56

 

CMYK 0 / 24 / 17 / 7

HEX #ECB4C4

RGB 236 180 196

HSL 342.86, 0.6%, 0.82%

LAB 78.73, 22.68, -0.21

 

CMYK 0 / 22 / 15 / 1

HEX #FDC6D7

RGB 253 198 215

HSL 341.45, 0.93%, 0.88%

LAB 85.09, 22.11, -0.93

 

CMYK 0 / 15 / 8 / 0

HEX #FFD8EA

RGB 255 216 234

HSL 332.31, 1%, 0.92%

LAB 90, 16.44, -3.76

 

CMYK 0 / 27 / 17 / 23

HEX #C590A3

RGB 197 144 163

HSL 338.49, 0.31%, 0.67%

LAB 65.33, 22.93, -2.08

 

CMYK 0 / 30 / 20 / 29

HEX #B47E90

RGB 180 126 144

HSL 340, 0.26%, 0.6%

LAB 58.64, 23.63, -1.28

 

CMYK 0 / 34 / 23 / 36

HEX #A36C7D

RGB 163 108 125

HSL 341.45, 0.23%, 0.53%

LAB 51.83, 24.4, -0.39

 

CMYK 0 / 38 / 27 / 43

HEX #925A6A

RGB 146 90 106

HSL 342.86, 0.24%, 0.46%

LAB 44.89, 25.26, 0.62

 

CMYK 0 / 44 / 33 / 49

HEX #814857

RGB 129 72 87

HSL 344.21, 0.28%, 0.39%

LAB 37.82, 26.21, 1.8

 

CMYK 0 / 27 / 17 / 23

HEX #C490A3

RGB 196 144 163

HSL 338.08, 0.31%, 0.67%

LAB 65.22, 22.56, -2.24

 

CMYK 0 / 27 / 24 / 23

HEX #C49095

RGB 196 144 149

HSL 354.23, 0.31%, 0.67%

LAB 64.85, 20.4, 5.1

 

CMYK 0 / 27 / 27 / 23

HEX #C49090

RGB 196 144 144

HSL 0, 0.31%, 0.67%

LAB 64.72, 19.67, 7.74

 

CMYK 0 / 27 / 17 / 23

HEX #C490A3

RGB 196 144 163

HSL 338.08, 0.31%, 0.67%

LAB 65.22, 22.56, -2.24

 

CMYK 0 / 27 / 10 / 23

HEX #C490B1

RGB 196 144 177

HSL 321.92, 0.31%, 0.67%

LAB 65.64, 24.9, -9.51

 

CMYK 0 / 27 / 3 / 23

HEX #C490BF

RGB 196 144 191

HSL 305.77, 0.31%, 0.67%

LAB 66.09, 27.42, -16.68

 

CMYK 4 / 27 / 0 / 23

HEX #BC90C4

RGB 188 144 196

HSL 290.77, 0.31%, 0.67%

LAB 65.45, 25.7, -20.53

 

CMYK 11 / 27 / 0 / 23

HEX #AE90C4

RGB 174 144 196

HSL 274.62, 0.31%, 0.67%

LAB 64.1, 21.09, -22.71

 

CMYK 0 / 27 / 17 / 23

HEX #C490A3

RGB 196 144 163

HSL 338.08, 0.31%, 0.67%

LAB 65.22, 22.56, -2.24

 

CMYK 0 / 38 / 24 / 18

HEX #D2839F

RGB 210 131 159

HSL 338.73, 0.47%, 0.67%

LAB 63.7, 34.1, -2.03

 

CMYK 0 / 48 / 31 / 12

HEX #E0759B

RGB 224 117 155

HSL 338.69, 0.63%, 0.67%

LAB 62.45, 45.73, -1.36

 

CMYK 0 / 57 / 36 / 7

HEX #ED6797

RGB 237 103 151

HSL 338.51, 0.79%, 0.67%

LAB 61.6, 56.25, -0.09

 

CMYK 0 / 64 / 41 / 2

HEX #FB5A94

RGB 251 90 148

HSL 338.39, 0.95%, 0.67%

LAB 61.62, 65.76, 1.93

 

CMYK 0 / 27 / 17 / 23

HEX #C490A3

RGB 196 144 163

HSL 338.08, 0.31%, 0.67%

LAB 65.22, 22.56, -2.24

 

CMYK 0 / 14 / 9 / 28

HEX #B79EA7

RGB 183 158 167

HSL 338.4, 0.15%, 0.67%

LAB 67.51, 10.73, -1.28

 

CMYK 1 / 0 / 0 / 33

HEX #A9ABAB

RGB 169 171 171

HSL 180, 0.01%, 0.67%

LAB 69.82, -0.7, -0.26

 

CMYK 16 / 0 / 5 / 27

HEX #9CB9AF

RGB 156 185 175

HSL 159.31, 0.17%, 0.67%

LAB 72.8, -11.86, 1.77

 

CMYK 29 / 0 / 11 / 22

HEX #8EC7B2

RGB 142 199 178

HSL 157.89, 0.34%, 0.67%

LAB 75.95, -22.86, 4.61

 

CMYK 0 / 27 / 3 / 23

HEX #C490BF

RGB 196 144 191

HSL 305.77, 0.31%, 0.67%

LAB 66.09, 27.42, -16.68

 

CMYK 0 / 27 / 10 / 23

HEX #C490B1

RGB 196 144 177

HSL 321.92, 0.31%, 0.67%

LAB 65.64, 24.9, -9.51

 

CMYK 0 / 27 / 17 / 23

HEX #C490A3

RGB 196 144 163

HSL 338.08, 0.31%, 0.67%

LAB 65.22, 22.56, -2.24

 

CMYK 0 / 27 / 24 / 23

HEX #C49095

RGB 196 144 149

HSL 354.23, 0.31%, 0.67%

LAB 64.85, 20.4, 5.1

 

CMYK 0 / 22 / 27 / 23

HEX #C49990

RGB 196 153 144

HSL 10.38, 0.31%, 0.67%

LAB 66.92, 14.72, 10.88

 

CMYK 0 / 46 / 30 / 34

HEX #A85A76

RGB 168 90 118

HSL 338.46, 0.31%, 0.51%

LAB 48.19, 35.23, -1.47

 

CMYK 0 / 36 / 23 / 29

HEX #B6758D

RGB 182 117 141

HSL 337.85, 0.31%, 0.59%

LAB 56.67, 28.91, -2.4

 

CMYK 0 / 27 / 17 / 23

HEX #C490A3

RGB 196 144 163

HSL 338.08, 0.31%, 0.67%

LAB 65.22, 22.56, -2.24

 

CMYK 0 / 19 / 12 / 17

HEX #D3ABB9

RGB 211 171 185

HSL 339, 0.31%, 0.75%

LAB 73.85, 16.82, -1.63

 

CMYK 0 / 12 / 8 / 12

HEX #E1C6D0

RGB 225 198 208

HSL 337.78, 0.31%, 0.83%

LAB 82.35, 11.17, -1.5

 

CMYK 0 / 27 / 17 / 23

HEX #C590A3

RGB 197 144 163

HSL 338.49, 0.31%, 0.67%

LAB 65.33, 22.93, -2.08

 

CMYK 0 / 4 / 27 / 23

HEX #C4BC90

RGB 196 188 144

HSL 50.77, 0.31%, 0.67%

LAB 75.89, -4.15, 23.33

 

CMYK 27 / 6 / 0 / 23

HEX #90B8C4

RGB 144 184 196

HSL 193.85, 0.31%, 0.67%

LAB 72.36, -10.57, -10.45

 

CMYK 0 / 27 / 17 / 23

HEX #C590A3

RGB 197 144 163

HSL 338.49, 0.31%, 0.67%

LAB 65.33, 22.93, -2.08

 

CMYK 17 / 0 / 27 / 23

HEX #A3C490

RGB 163 196 144

HSL 98.08, 0.31%, 0.67%

LAB 75.63, -20.62, 22.56

 

CMYK 27 / 17 / 0 / 23

HEX #90A3C4

RGB 144 163 196

HSL 218.08, 0.31%, 0.67%

LAB 66.6, 0.83, -19.12

 

CMYK 0 / 27 / 17 / 23

HEX #C590A3

RGB 197 144 163

HSL 338.49, 0.31%, 0.67%

LAB 65.33, 22.93, -2.08

 

CMYK 0 / 4 / 27 / 23

HEX #C4BC90

RGB 196 188 144

HSL 50.77, 0.31%, 0.67%

LAB 75.89, -4.15, 23.33

 

CMYK 27 / 0 / 10 / 23

HEX #90C4B1

RGB 144 196 177

HSL 158.08, 0.31%, 0.67%

LAB 75.19, -20.96, 4.06

 

CMYK 27 / 22 / 0 / 23

HEX #9099C4

RGB 144 153 196

HSL 229.62, 0.31%, 0.67%

LAB 63.92, 6.45, -23.22

 

CMYK 0 / 27 / 17 / 23

HEX #C590A3

RGB 197 144 163

HSL 338.49, 0.31%, 0.67%

LAB 65.33, 22.93, -2.08

 

CMYK 4 / 0 / 27 / 23

HEX #BDC490

RGB 189 196 144

HSL 68.08, 0.31%, 0.67%

LAB 77.47, -11, 25.37

 

CMYK 27 / 0 / 10 / 23

HEX #90C4B1

RGB 144 196 177

HSL 158.08, 0.31%, 0.67%

LAB 75.19, -20.96, 4.06

 

CMYK 23 / 27 / 0 / 23

HEX #9790C4

RGB 151 144 196

HSL 248.08, 0.31%, 0.67%

LAB 62.09, 13.74, -25.97

 

Description

Color code: RGB 197 144 163 | qconv.com Color code: RGB 197 144 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 144 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 144 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 17 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 17% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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