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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 113 93 it is the complementary color RGB 58 142 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 113 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 113 93 shade: RGB 202 113 88, RGB 219 131 107, RGB 236 149 126, RGB 253 167 145 and RGB 255 185 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 113 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 113 93 shade: RGB 197 113 93, RGB 180 95 74, RGB 163 77 55, RGB 146 59 36 and RGB 129 41 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 113 93 shade: RGB 197 114 94 and RGB 197 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 113 93 shade: RGB 197 114 94, RGB 197 141 94, RGB 197 169 94, RGB 197 197 94 and RGB 169 197 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 113 93 shade matches the following richer shades: RGB 197 114 94, RGB 215 103 76, RGB 232 92 58 and RGB 250 81 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 113 93 shade: RGB 197 114 94, RGB 179 125 112, RGB 161 135 129, RGB 144 146 147 and RGB 126 157 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 113 93 shade: RGB 197 94 130, RGB 197 94 102, RGB 197 113 94, RGB 197 140 94 and RGB 197 168 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 113 93 shade: RGB 153 74 55, RGB 183 89 66, RGB 197 114 94, RGB 208 140 124 and RGB 219 167 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 113 93 shade: RGB 197 113 93, RGB 157 197 94 and RGB 94 116 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 113 93 shade: RGB 197 113 93, RGB 94 197 113 and RGB 113 94 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 113 93 shade: RGB 197 113 93, RGB 157 197 94, RGB 94 178 197 and RGB 133 94 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 113 93 shade: RGB 197 113 93, RGB 126 197 94, RGB 94 178 197 and RGB 164 94 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 53 / 23

HEX #C5715D

RGB 197 113 93

HSL 11.54, 0.47%, 0.57%

LAB 56.56, 31.09, 25.49

 

Complementary color

CMYK 64 / 12 / 0 / 36

HEX #3A8EA2

RGB 58 142 162

HSL 191.54, 0.47%, 0.43%

LAB 54.92, -18.89, -18.1

 

CMYK 0 / 44 / 56 / 21

HEX #CA7158

RGB 202 113 88

HSL 13.16, 0.52%, 0.57%

LAB 57.14, 32.64, 29.21

 

CMYK 0 / 40 / 51 / 14

HEX #DB836B

RGB 219 131 107

HSL 12.86, 0.61%, 0.64%

LAB 63.63, 31.39, 27.44

 

CMYK 0 / 37 / 47 / 7

HEX #EC957E

RGB 236 149 126

HSL 12.55, 0.74%, 0.71%

LAB 70.06, 30.26, 25.86

 

CMYK 0 / 34 / 43 / 1

HEX #FDA791

RGB 253 167 145

HSL 12.22, 0.96%, 0.78%

LAB 76.41, 29.24, 24.43

 

CMYK 0 / 27 / 36 / 0

HEX #FFB9A4

RGB 255 185 164

HSL 13.85, 1%, 0.82%

LAB 81.09, 22.67, 20.67

 

CMYK 0 / 43 / 53 / 23

HEX #C5715D

RGB 197 113 93

HSL 11.54, 0.47%, 0.57%

LAB 56.56, 31.09, 25.49

 

CMYK 0 / 47 / 59 / 29

HEX #B45F4A

RGB 180 95 74

HSL 11.89, 0.42%, 0.5%

LAB 49.96, 32.39, 27.4

 

CMYK 0 / 53 / 66 / 36

HEX #A34D37

RGB 163 77 55

HSL 12.22, 0.5%, 0.43%

LAB 43.32, 33.82, 29.6

 

CMYK 0 / 60 / 75 / 43

HEX #923B24

RGB 146 59 36

HSL 12.55, 0.6%, 0.36%

LAB 36.68, 35.32, 32.13

 

CMYK 0 / 68 / 87 / 49

HEX #812911

RGB 129 41 17

HSL 12.86, 0.77%, 0.29%

LAB 30.14, 36.74, 34.79

 

CMYK 0 / 42 / 52 / 23

HEX #C5725E

RGB 197 114 94

HSL 11.65, 0.47%, 0.57%

LAB 56.79, 30.64, 25.23

 

CMYK 0 / 52 / 52 / 23

HEX #C55E5E

RGB 197 94 94

HSL 0, 0.47%, 0.57%

LAB 52.6, 41.1, 19.67

 

CMYK 0 / 42 / 52 / 23

HEX #C5725E

RGB 197 114 94

HSL 11.65, 0.47%, 0.57%

LAB 56.79, 30.64, 25.23

 

CMYK 0 / 28 / 52 / 23

HEX #C58D5E

RGB 197 141 94

HSL 27.38, 0.47%, 0.57%

LAB 63.12, 15.89, 33.37

 

CMYK 0 / 14 / 52 / 23

HEX #C5A95E

RGB 197 169 94

HSL 43.69, 0.47%, 0.57%

LAB 70.21, 0.68, 42.13

 

CMYK 0 / 0 / 52 / 23

HEX #C5C55E

RGB 197 197 94

HSL 60, 0.47%, 0.57%

LAB 77.64, -13.91, 50.94

 

CMYK 14 / 0 / 52 / 23

HEX #A9C55E

RGB 169 197 94

HSL 76.31, 0.47%, 0.57%

LAB 75.56, -25.19, 47.97

 

CMYK 0 / 42 / 52 / 23

HEX #C5725E

RGB 197 114 94

HSL 11.65, 0.47%, 0.57%

LAB 56.79, 30.64, 25.23

 

CMYK 0 / 52 / 65 / 16

HEX #D7674C

RGB 215 103 76

HSL 11.65, 0.63%, 0.57%

LAB 56.75, 41.97, 35.81

 

CMYK 0 / 60 / 75 / 9

HEX #E85C3A

RGB 232 92 58

HSL 11.72, 0.79%, 0.57%

LAB 57.19, 52.46, 46.62

 

CMYK 0 / 68 / 84 / 2

HEX #FA5129

RGB 250 81 41

HSL 11.48, 0.95%, 0.57%

LAB 58.39, 62.51, 56.95

 

CMYK 0 / 42 / 52 / 23

HEX #C5725E

RGB 197 114 94

HSL 11.65, 0.47%, 0.57%

LAB 56.79, 30.64, 25.23

 

CMYK 0 / 30 / 37 / 30

HEX #B37D70

RGB 179 125 112

HSL 11.64, 0.31%, 0.57%

LAB 57.48, 19.28, 15.49

 

CMYK 0 / 16 / 20 / 37

HEX #A18781

RGB 161 135 129

HSL 11.25, 0.15%, 0.57%

LAB 58.5, 8.88, 6.9

 

CMYK 2 / 1 / 0 / 42

HEX #909293

RGB 144 146 147

HSL 200, 0.01%, 0.57%

LAB 60.42, -0.53, -0.79

 

CMYK 24 / 5 / 0 / 35

HEX #7E9DA5

RGB 126 157 165

HSL 192.31, 0.18%, 0.57%

LAB 62.73, -8.85, -7.72

 

CMYK 0 / 52 / 34 / 23

HEX #C55E82

RGB 197 94 130

HSL 339.03, 0.47%, 0.57%

LAB 53.48, 44.91, -0.4

 

CMYK 0 / 52 / 48 / 23

HEX #C55E66

RGB 197 94 102

HSL 355.34, 0.47%, 0.57%

LAB 52.77, 41.83, 15.18

 

CMYK 0 / 43 / 52 / 23

HEX #C5715E

RGB 197 113 94

HSL 11.07, 0.47%, 0.57%

LAB 56.57, 31.18, 24.94

 

CMYK 0 / 29 / 52 / 23

HEX #C58C5E

RGB 197 140 94

HSL 26.8, 0.47%, 0.57%

LAB 62.87, 16.44, 33.06

 

CMYK 0 / 15 / 52 / 23

HEX #C5A85E

RGB 197 168 94

HSL 43.11, 0.47%, 0.57%

LAB 69.95, 1.21, 41.82

 

CMYK 0 / 52 / 64 / 40

HEX #994A37

RGB 153 74 55

HSL 11.63, 0.47%, 0.41%

LAB 41.13, 31.4, 26.58

 

CMYK 0 / 51 / 64 / 28

HEX #B75942

RGB 183 89 66

HSL 11.79, 0.47%, 0.49%

LAB 49.01, 36.17, 30.91

 

CMYK 0 / 42 / 52 / 23

HEX #C5725E

RGB 197 114 94

HSL 11.65, 0.47%, 0.57%

LAB 56.79, 30.64, 25.23

 

CMYK 0 / 33 / 40 / 18

HEX #D08C7C

RGB 208 140 124

HSL 11.43, 0.47%, 0.65%

LAB 64.66, 23.96, 19.1

 

CMYK 0 / 24 / 30 / 14

HEX #DBA79A

RGB 219 167 154

HSL 12, 0.47%, 0.73%

LAB 72.91, 17.31, 14.12

 

CMYK 0 / 43 / 53 / 23

HEX #C5715D

RGB 197 113 93

HSL 11.54, 0.47%, 0.57%

LAB 56.56, 31.09, 25.49

 

CMYK 20 / 0 / 52 / 23

HEX #9DC55E

RGB 157 197 94

HSL 83.3, 0.47%, 0.57%

LAB 74.77, -29.84, 46.84

 

CMYK 52 / 41 / 0 / 23

HEX #5E74C5

RGB 94 116 197

HSL 227.18, 0.47%, 0.57%

LAB 50.57, 15.03, -44.86

 

CMYK 0 / 43 / 53 / 23

HEX #C5715D

RGB 197 113 93

HSL 11.54, 0.47%, 0.57%

LAB 56.56, 31.09, 25.49

 

CMYK 52 / 0 / 43 / 23

HEX #5EC571

RGB 94 197 113

HSL 131.07, 0.47%, 0.57%

LAB 71.9, -47.91, 33.19

 

CMYK 43 / 52 / 0 / 23

HEX #715EC5

RGB 113 94 197

HSL 251.07, 0.47%, 0.57%

LAB 46.37, 32.89, -51.47

 

CMYK 0 / 43 / 53 / 23

HEX #C5715D

RGB 197 113 93

HSL 11.54, 0.47%, 0.57%

LAB 56.56, 31.09, 25.49

 

CMYK 20 / 0 / 52 / 23

HEX #9DC55E

RGB 157 197 94

HSL 83.3, 0.47%, 0.57%

LAB 74.77, -29.84, 46.84

 

CMYK 52 / 10 / 0 / 23

HEX #5EB2C5

RGB 94 178 197

HSL 191.07, 0.47%, 0.57%

LAB 68.21, -20.21, -17.49

 

CMYK 32 / 52 / 0 / 23

HEX #855EC5

RGB 133 94 197

HSL 262.72, 0.47%, 0.57%

LAB 48.29, 37.84, -48.3

 

CMYK 0 / 43 / 53 / 23

HEX #C5715D

RGB 197 113 93

HSL 11.54, 0.47%, 0.57%

LAB 56.56, 31.09, 25.49

 

CMYK 36 / 0 / 52 / 23

HEX #7EC55E

RGB 126 197 94

HSL 101.36, 0.47%, 0.57%

LAB 73.01, -41, 44.31

 

CMYK 52 / 10 / 0 / 23

HEX #5EB2C5

RGB 94 178 197

HSL 191.07, 0.47%, 0.57%

LAB 68.21, -20.21, -17.49

 

CMYK 17 / 52 / 0 / 23

HEX #A45EC5

RGB 164 94 197

HSL 280.78, 0.47%, 0.57%

LAB 51.76, 46.06, -42.58

 

Description

Color code: RGB 197 113 93 | qconv.com Color code: RGB 197 113 93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 113 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 113 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 53 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 53% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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