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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 10 207 it is the complementary color RGB 58 245 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 10 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 10 207 shade: RGB 202 10 202, RGB 219 28 221, RGB 236 46 240, RGB 253 64 255 and RGB 255 82 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 10 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 10 207 shade: RGB 197 10 207, RGB 180 0 188, RGB 163 0 169, RGB 146 0 150 and RGB 129 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 10 207 shade: RGB 199 9 209, RGB 209 9 165, RGB 209 9 111, RGB 209 9 58 and RGB 209 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 10 207 shade: RGB 199 9 209, RGB 145 9 209, RGB 91 9 209, RGB 37 9 209 and RGB 9 9 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 10 207 shade matches the following richer shades: RGB 199 9 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 10 207 shade: RGB 199 9 209, RGB 183 27 191, RGB 167 45 173, RGB 151 63 156 and RGB 135 80 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 10 207 shade: RGB 89 9 209, RGB 142 9 209, RGB 196 9 209, RGB 209 9 169 and RGB 209 9 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 10 207 shade: RGB 124 6 130, RGB 161 8 170, RGB 199 9 209, RGB 232 16 243 and RGB 236 56 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 10 207 shade: RGB 197 10 207, RGB 209 36 9 and RGB 9 209 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 10 207 shade: RGB 197 10 207, RGB 209 196 9 and RGB 9 209 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 10 207 shade: RGB 197 10 207, RGB 209 36 9, RGB 23 209 9 and RGB 9 182 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 10 207 shade: RGB 197 10 207, RGB 209 96 9, RGB 23 209 9 and RGB 9 122 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 95 / 0 / 19

HEX #C50ACF

RGB 197 10 207

HSL 296.95, 0.91%, 0.43%

LAB 47.74, 81.56, -54.45

 

Complementary color

CMYK 76 / 0 / 80 / 4

HEX #3AF530

RGB 58 245 48

HSL 116.95, 0.91%, 0.57%

LAB 85.21, -78.1, 74.1

 

CMYK 0 / 95 / 0 / 21

HEX #CA0ACA

RGB 202 10 202

HSL 300, 0.91%, 0.42%

LAB 48.31, 81.62, -50.61

 

CMYK 1 / 87 / 0 / 13

HEX #DB1CDD

RGB 219 28 221

HSL 299.38, 0.78%, 0.49%

LAB 53.07, 85.16, -53.72

 

CMYK 2 / 81 / 0 / 6

HEX #EC2EF0

RGB 236 46 240

HSL 298.76, 0.87%, 0.56%

LAB 58.11, 87.64, -56.21

 

CMYK 1 / 75 / 0 / 0

HEX #FD40FF

RGB 253 64 255

HSL 299.37, 1%, 0.63%

LAB 63.15, 88.68, -56.34

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 5 / 95 / 0 / 19

HEX #C50ACF

RGB 197 10 207

HSL 296.95, 0.91%, 0.43%

LAB 47.74, 81.56, -54.45

 

CMYK 4 / 100 / 0 / 26

HEX #B400BC

RGB 180 0 188

HSL 297.45, 1%, 0.37%

LAB 43.26, 76.85, -50.75

 

CMYK 4 / 100 / 0 / 34

HEX #A300A9

RGB 163 0 169

HSL 297.87, 1%, 0.33%

LAB 38.99, 71.22, -46.52

 

CMYK 3 / 100 / 0 / 41

HEX #920096

RGB 146 0 150

HSL 298.4, 1%, 0.29%

LAB 34.63, 65.47, -42.19

 

CMYK 2 / 100 / 0 / 49

HEX #810083

RGB 129 0 131

HSL 299.08, 1%, 0.26%

LAB 30.17, 59.59, -37.75

 

CMYK 5 / 96 / 0 / 18

HEX #C709D1

RGB 199 9 209

HSL 297, 0.92%, 0.43%

LAB 48.19, 82.26, -54.87

 

CMYK 0 / 96 / 21 / 18

HEX #D109A5

RGB 209 9 165

HSL 313.2, 0.92%, 0.43%

LAB 47.58, 78.01, -29.98

 

CMYK 0 / 96 / 47 / 18

HEX #D1096F

RGB 209 9 111

HSL 329.4, 0.92%, 0.43%

LAB 45.49, 72.55, -0.33

 

CMYK 0 / 96 / 72 / 18

HEX #D1093A

RGB 209 9 58

HSL 345.3, 0.92%, 0.43%

LAB 44.31, 69.34, 31.03

 

CMYK 0 / 96 / 96 / 18

HEX #D10909

RGB 209 9 9

HSL 0, 0.92%, 0.43%

LAB 43.9, 68.2, 55.09

 

CMYK 5 / 96 / 0 / 18

HEX #C709D1

RGB 199 9 209

HSL 297, 0.92%, 0.43%

LAB 48.19, 82.26, -54.87

 

CMYK 31 / 96 / 0 / 18

HEX #9109D1

RGB 145 9 209

HSL 280.8, 0.92%, 0.43%

LAB 39.27, 74.61, -69.74

 

CMYK 56 / 96 / 0 / 18

HEX #5B09D1

RGB 91 9 209

HSL 264.6, 0.92%, 0.43%

LAB 31.86, 69.33, -82.21

 

CMYK 82 / 96 / 0 / 18

HEX #2509D1

RGB 37 9 209

HSL 248.4, 0.92%, 0.43%

LAB 27.28, 66.85, -89.97

 

CMYK 96 / 96 / 0 / 18

HEX #0909D1

RGB 9 9 209

HSL 240, 0.92%, 0.43%

LAB 26.32, 66.43, -91.58

 

CMYK 5 / 96 / 0 / 18

HEX #C709D1

RGB 199 9 209

HSL 297, 0.92%, 0.43%

LAB 48.19, 82.26, -54.87

 

CMYK 5 / 96 / 0 / 18

HEX #C709D1

RGB 199 9 209

HSL 297, 0.92%, 0.43%

LAB 48.19, 82.26, -54.87

 

CMYK 4 / 86 / 0 / 25

HEX #B71BBF

RGB 183 27 191

HSL 297.07, 0.75%, 0.43%

LAB 45.1, 74.5, -49.54

 

CMYK 3 / 74 / 0 / 32

HEX #A72DAD

RGB 167 45 173

HSL 297.19, 0.59%, 0.43%

LAB 42.93, 63.85, -42.56

 

CMYK 3 / 60 / 0 / 39

HEX #973F9C

RGB 151 63 156

HSL 296.77, 0.42%, 0.43%

LAB 42.05, 49.82, -33.96

 

CMYK 2 / 42 / 0 / 46

HEX #87508A

RGB 135 80 138

HSL 296.9, 0.27%, 0.43%

LAB 42.34, 32.69, -22.82

 

CMYK 57 / 96 / 0 / 18

HEX #5909D1

RGB 89 9 209

HSL 264, 0.92%, 0.43%

LAB 31.63, 69.19, -82.6

 

CMYK 32 / 96 / 0 / 18

HEX #8E09D1

RGB 142 9 209

HSL 279.9, 0.92%, 0.43%

LAB 38.81, 74.24, -70.51

 

CMYK 6 / 96 / 0 / 18

HEX #C409D1

RGB 196 9 209

HSL 296.1, 0.92%, 0.43%

LAB 47.67, 81.79, -55.73

 

CMYK 0 / 96 / 19 / 18

HEX #D109A9

RGB 209 9 169

HSL 312, 0.92%, 0.43%

LAB 47.77, 78.5, -32.05

 

CMYK 0 / 96 / 44 / 18

HEX #D10974

RGB 209 9 116

HSL 327.9, 0.92%, 0.43%

LAB 45.65, 72.97, -3.19

 

CMYK 5 / 95 / 0 / 49

HEX #7C0682

RGB 124 6 130

HSL 297.1, 0.91%, 0.27%

LAB 29.48, 57.6, -38.28

 

CMYK 5 / 95 / 0 / 33

HEX #A108AA

RGB 161 8 170

HSL 296.67, 0.91%, 0.35%

LAB 38.99, 70.16, -47.13

 

CMYK 5 / 96 / 0 / 18

HEX #C709D1

RGB 199 9 209

HSL 297, 0.92%, 0.43%

LAB 48.19, 82.26, -54.87

 

CMYK 5 / 93 / 0 / 5

HEX #E810F3

RGB 232 16 243

HSL 297.09, 0.9%, 0.51%

LAB 56.09, 91.95, -61.17

 

CMYK 4 / 77 / 0 / 4

HEX #EC38F5

RGB 236 56 245

HSL 297.14, 0.9%, 0.59%

LAB 59.21, 86.04, -57.25

 

CMYK 5 / 95 / 0 / 19

HEX #C50ACF

RGB 197 10 207

HSL 296.95, 0.91%, 0.43%

LAB 47.74, 81.56, -54.45

 

CMYK 0 / 83 / 96 / 18

HEX #D12409

RGB 209 36 9

HSL 8.1, 0.92%, 0.43%

LAB 45.41, 63.88, 55.89

 

CMYK 96 / 0 / 44 / 18

HEX #09D174

RGB 9 209 116

HSL 152.1, 0.92%, 0.43%

LAB 74.14, -63.68, 34.25

 

CMYK 5 / 95 / 0 / 19

HEX #C50ACF

RGB 197 10 207

HSL 296.95, 0.91%, 0.43%

LAB 47.74, 81.56, -54.45

 

CMYK 0 / 6 / 96 / 18

HEX #D1C409

RGB 209 196 9

HSL 56.1, 0.92%, 0.43%

LAB 77.91, -11.97, 77.9

 

CMYK 96 / 0 / 6 / 18

HEX #09D1C4

RGB 9 209 196

HSL 176.1, 0.92%, 0.43%

LAB 75.85, -44.92, -5.67

 

CMYK 5 / 95 / 0 / 19

HEX #C50ACF

RGB 197 10 207

HSL 296.95, 0.91%, 0.43%

LAB 47.74, 81.56, -54.45

 

CMYK 0 / 83 / 96 / 18

HEX #D12409

RGB 209 36 9

HSL 8.1, 0.92%, 0.43%

LAB 45.41, 63.88, 55.89

 

CMYK 89 / 0 / 96 / 18

HEX #17D109

RGB 23 209 9

HSL 115.8, 0.92%, 0.43%

LAB 73.42, -72.93, 70.83

 

CMYK 96 / 13 / 0 / 18

HEX #09B6D1

RGB 9 182 209

HSL 188.1, 0.92%, 0.43%

LAB 68.11, -28.46, -24.41

 

CMYK 5 / 95 / 0 / 19

HEX #C50ACF

RGB 197 10 207

HSL 296.95, 0.91%, 0.43%

LAB 47.74, 81.56, -54.45

 

CMYK 0 / 54 / 96 / 18

HEX #D16009

RGB 209 96 9

HSL 26.1, 0.92%, 0.43%

LAB 53.96, 40.84, 61.01

 

CMYK 89 / 0 / 96 / 18

HEX #17D109

RGB 23 209 9

HSL 115.8, 0.92%, 0.43%

LAB 73.42, -72.93, 70.83

 

CMYK 96 / 42 / 0 / 18

HEX #097AD1

RGB 9 122 209

HSL 206.1, 0.92%, 0.43%

LAB 50.19, 4.87, -52.47

 

Description

Color code: RGB 197 10 207 | qconv.com Color code: RGB 197 10 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 10 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 10 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 95 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 95% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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