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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197.7 56.6 24 it is the complementary color RGB 57.3 198.4 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197.7 56.6 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197.7 56.6 24 shade: RGB 202.7 56.6 19, RGB 219.7 74.6 38, RGB 236.7 92.6 57, RGB 253.7 110.6 76 and RGB 255 128.6 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197.7 56.6 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197.7 56.6 24 shade: RGB 197.7 56.6 24, RGB 180.7 38.6 5, RGB 163.7 20.6 0, RGB 146.7 2.6 0 and RGB 129.7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197.7 56.6 24 shade: RGB 195 56 24 and RGB 195 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197.7 56.6 24 shade: RGB 195 56 24, RGB 195 102 24, RGB 195 148 24, RGB 195 195 24 and RGB 150 195 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197.7 56.6 24 shade matches the following richer shades: RGB 195 56 24 and RGB 213 45 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197.7 56.6 24 shade: RGB 195 56 24, RGB 177 67 42, RGB 160 78 60, RGB 142 89 77 and RGB 124 101 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197.7 56.6 24 shade: RGB 195 24 84, RGB 195 24 38, RGB 195 55 24, RGB 195 101 24 and RGB 195 147 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197.7 56.6 24 shade: RGB 122 35 15, RGB 158 46 20, RGB 195 56 24, RGB 228 70 33 and RGB 232 100 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197.7 56.6 24 shade: RGB 197.7 56.6 24, RGB 130 195 24 and RGB 24 61 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197.7 56.6 24 shade: RGB 197.7 56.6 24, RGB 24 195 55 and RGB 55 24 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197.7 56.6 24 shade: RGB 197.7 56.6 24, RGB 130 195 24, RGB 24 164 195 and RGB 90 24 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197.7 56.6 24 shade: RGB 197.7 56.6 24, RGB 78 195 24, RGB 24 164 195 and RGB 141 24 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 88 / 22

HEX #C53818

RGB 197.7 56.6 24

HSL 11.26, 0.78%, 0.43%

LAB 45.52, 54.4, 49.72

 

Complementary color

CMYK 75 / 14 / 0 / 9

HEX #39C6E7

RGB 57.3 198.4 231

HSL 191.26, 0.78%, 0.57%

LAB 74.33, -26.21, -26.81

 

CMYK 0 / 72 / 91 / 21

HEX #CA3813

RGB 202.7 56.6 19

HSL 12.28, 0.83%, 0.43%

LAB 46.43, 55.93, 52.76

 

CMYK 0 / 66 / 83 / 14

HEX #DB4A26

RGB 219.7 74.6 38

HSL 12.09, 0.72%, 0.51%

LAB 52.16, 54.99, 50.76

 

CMYK 0 / 61 / 76 / 7

HEX #EC5C39

RGB 236.7 92.6 57

HSL 11.89, 0.83%, 0.58%

LAB 58.04, 53.79, 48.27

 

CMYK 0 / 56 / 70 / 1

HEX #FD6E4C

RGB 253.7 110.6 76

HSL 11.68, 0.99%, 0.65%

LAB 64.01, 52.48, 45.78

 

CMYK 0 / 50 / 63 / 0

HEX #FF805F

RGB 255 128.6 95

HSL 12.6, 1%, 0.69%

LAB 67.79, 45.43, 40.24

 

CMYK 0 / 71 / 88 / 22

HEX #C53818

RGB 197.7 56.6 24

HSL 11.26, 0.78%, 0.43%

LAB 45.52, 54.4, 49.72

 

CMYK 0 / 79 / 97 / 29

HEX #B42605

RGB 180.7 38.6 5

HSL 11.47, 0.95%, 0.36%

LAB 39.95, 54.85, 51.11

 

CMYK 0 / 87 / 100 / 36

HEX #A31400

RGB 163.7 20.6 0

HSL 7.55, 1%, 0.32%

LAB 34.77, 54.4, 48.49

 

CMYK 0 / 98 / 100 / 42

HEX #920200

RGB 146.7 2.6 0

HSL 1.06, 1%, 0.29%

LAB 29.99, 52.65, 43.55

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129.7 0 0

HSL 0, 1%, 0.25%

LAB 25.93, 48.51, 38.57

 

CMYK 0 / 71 / 88 / 24

HEX #C33818

RGB 195 56 24

HSL 11.23, 0.78%, 0.43%

LAB 44.94, 53.74, 49.04

 

CMYK 0 / 88 / 88 / 24

HEX #C31818

RGB 195 24 24

HSL 0, 0.78%, 0.43%

LAB 41.72, 62.76, 46.49

 

CMYK 0 / 71 / 88 / 24

HEX #C33818

RGB 195 56 24

HSL 11.23, 0.78%, 0.43%

LAB 44.94, 53.74, 49.04

 

CMYK 0 / 48 / 88 / 24

HEX #C36618

RGB 195 102 24

HSL 27.37, 0.78%, 0.43%

LAB 53.14, 32.39, 55.58

 

CMYK 0 / 24 / 88 / 24

HEX #C39418

RGB 195 148 24

HSL 43.51, 0.78%, 0.43%

LAB 64.04, 7.35, 64.28

 

CMYK 0 / 0 / 88 / 24

HEX #C3C318

RGB 195 195 24

HSL 60, 0.78%, 0.43%

LAB 76.5, -17.29, 74.25

 

CMYK 23 / 0 / 88 / 24

HEX #96C318

RGB 150 195 24

HSL 75.79, 0.78%, 0.43%

LAB 73.27, -36.03, 70.28

 

CMYK 0 / 71 / 88 / 24

HEX #C33818

RGB 195 56 24

HSL 11.23, 0.78%, 0.43%

LAB 44.94, 53.74, 49.04

 

CMYK 0 / 79 / 97 / 16

HEX #D52D06

RGB 213 45 6

HSL 11.3, 0.95%, 0.43%

LAB 47.02, 62.67, 57.99

 

CMYK 0 / 71 / 88 / 24

HEX #C33818

RGB 195 56 24

HSL 11.23, 0.78%, 0.43%

LAB 44.94, 53.74, 49.04

 

CMYK 0 / 62 / 76 / 31

HEX #B1432A

RGB 177 67 42

HSL 11.11, 0.62%, 0.43%

LAB 43.55, 43.45, 37.78

 

CMYK 0 / 51 / 63 / 37

HEX #A04E3C

RGB 160 78 60

HSL 10.8, 0.45%, 0.43%

LAB 43.14, 32.44, 26.35

 

CMYK 0 / 37 / 46 / 44

HEX #8E594D

RGB 142 89 77

HSL 11.08, 0.3%, 0.43%

LAB 43.41, 20.4, 16.06

 

CMYK 0 / 19 / 23 / 51

HEX #7C655F

RGB 124 101 95

HSL 12.41, 0.13%, 0.43%

LAB 44.83, 8.2, 6.86

 

CMYK 0 / 88 / 57 / 24

HEX #C31854

RGB 195 24 84

HSL 338.95, 0.78%, 0.43%

LAB 42.61, 65.31, 12.06

 

CMYK 0 / 88 / 81 / 24

HEX #C31826

RGB 195 24 38

HSL 355.09, 0.78%, 0.43%

LAB 41.84, 63.1, 39.28

 

CMYK 0 / 72 / 88 / 24

HEX #C33718

RGB 195 55 24

HSL 10.88, 0.78%, 0.43%

LAB 44.8, 54.11, 48.94

 

CMYK 0 / 48 / 88 / 24

HEX #C36518

RGB 195 101 24

HSL 27.02, 0.78%, 0.43%

LAB 52.92, 32.91, 55.41

 

CMYK 0 / 25 / 88 / 24

HEX #C39318

RGB 195 147 24

HSL 43.16, 0.78%, 0.43%

LAB 63.78, 7.9, 64.08

 

CMYK 0 / 71 / 88 / 52

HEX #7A230F

RGB 122 35 15

HSL 11.21, 0.78%, 0.27%

LAB 27.78, 36.76, 33.18

 

CMYK 0 / 71 / 87 / 38

HEX #9E2E14

RGB 158 46 20

HSL 11.3, 0.78%, 0.35%

LAB 36.51, 45.1, 41.03

 

CMYK 0 / 71 / 88 / 24

HEX #C33818

RGB 195 56 24

HSL 11.23, 0.78%, 0.43%

LAB 44.94, 53.74, 49.04

 

CMYK 0 / 69 / 86 / 11

HEX #E44621

RGB 228 70 33

HSL 11.38, 0.78%, 0.51%

LAB 52.93, 59.41, 54.23

 

CMYK 0 / 57 / 70 / 9

HEX #E86446

RGB 232 100 70

HSL 11.11, 0.78%, 0.59%

LAB 58.71, 49.35, 42.01

 

CMYK 0 / 71 / 88 / 22

HEX #C53818

RGB 197.7 56.6 24

HSL 11.26, 0.78%, 0.43%

LAB 45.52, 54.4, 49.72

 

CMYK 33 / 0 / 88 / 24

HEX #82C318

RGB 130 195 24

HSL 82.81, 0.78%, 0.43%

LAB 72.12, -43.67, 68.86

 

CMYK 88 / 69 / 0 / 24

HEX #183DC3

RGB 24 61 195

HSL 227.02, 0.78%, 0.43%

LAB 32.86, 39.51, -72.54

 

CMYK 0 / 71 / 88 / 22

HEX #C53818

RGB 197.7 56.6 24

HSL 11.26, 0.78%, 0.43%

LAB 45.52, 54.4, 49.72

 

CMYK 88 / 0 / 72 / 24

HEX #18C337

RGB 24 195 55

HSL 130.88, 0.78%, 0.43%

LAB 69.11, -66.61, 56.05

 

CMYK 72 / 88 / 0 / 24

HEX #3718C3

RGB 55 24 195

HSL 250.88, 0.78%, 0.43%

LAB 27.86, 60.04, -80.76

 

CMYK 0 / 71 / 88 / 22

HEX #C53818

RGB 197.7 56.6 24

HSL 11.26, 0.78%, 0.43%

LAB 45.52, 54.4, 49.72

 

CMYK 33 / 0 / 88 / 24

HEX #82C318

RGB 130 195 24

HSL 82.81, 0.78%, 0.43%

LAB 72.12, -43.67, 68.86

 

CMYK 88 / 16 / 0 / 24

HEX #18A4C3

RGB 24 164 195

HSL 190.88, 0.78%, 0.43%

LAB 62.24, -23.42, -25.64

 

CMYK 54 / 88 / 0 / 24

HEX #5A18C3

RGB 90 24 195

HSL 263.16, 0.78%, 0.43%

LAB 31.27, 62.76, -75.01

 

CMYK 0 / 71 / 88 / 22

HEX #C53818

RGB 197.7 56.6 24

HSL 11.26, 0.78%, 0.43%

LAB 45.52, 54.4, 49.72

 

CMYK 60 / 0 / 88 / 24

HEX #4EC318

RGB 78 195 24

HSL 101.05, 0.78%, 0.43%

LAB 69.98, -59.82, 66.18

 

CMYK 88 / 16 / 0 / 24

HEX #18A4C3

RGB 24 164 195

HSL 190.88, 0.78%, 0.43%

LAB 62.24, -23.42, -25.64

 

CMYK 28 / 88 / 0 / 24

HEX #8D18C3

RGB 141 24 195

HSL 281.05, 0.78%, 0.43%

LAB 38.3, 69, -63.21

 

Description

Color code: RGB 197.7 56.6 24 | qconv.com Color code: RGB 197.7 56.6 24 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197.7 red, 56.6 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197.7 56.6 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 88 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 88% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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