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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 8 169 it is the complementary color RGB 59 247 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 8 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 8 169 shade: RGB 201 8 164, RGB 218 26 183, RGB 235 44 202, RGB 252 62 221 and RGB 255 80 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 8 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 8 169 shade: RGB 196 8 169, RGB 179 0 150, RGB 162 0 131, RGB 145 0 112 and RGB 128 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 8 169 shade: RGB 195 8 168, RGB 195 8 118, RGB 195 8 67, RGB 195 8 17 and RGB 195 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 8 169 shade: RGB 195 8 168, RGB 172 8 195, RGB 121 8 195, RGB 70 8 195 and RGB 20 8 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 8 169 shade matches the following richer shades: RGB 195 8 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 8 169 shade: RGB 195 8 168, RGB 179 24 157, RGB 162 41 145, RGB 146 57 133 and RGB 129 74 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 8 169 shade: RGB 120 8 195, RGB 170 8 195, RGB 195 8 170, RGB 195 8 120 and RGB 195 8 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 8 169 shade: RGB 116 4 100, RGB 156 6 134, RGB 195 8 168, RGB 235 9 203 and RGB 246 40 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 8 169 shade: RGB 196 8 169, RGB 195 70 8 and RGB 8 195 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 8 169 shade: RGB 196 8 169, RGB 170 195 8 and RGB 8 170 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 8 169 shade: RGB 196 8 169, RGB 195 70 8, RGB 8 195 33 and RGB 8 133 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 8 169 shade: RGB 196 8 169, RGB 195 127 8, RGB 8 195 33 and RGB 8 76 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 14 / 23

HEX #C408A9

RGB 196 8 169

HSL 308.62, 0.92%, 0.4%

LAB 45.32, 76.16, -36.07

 

Complementary color

CMYK 76 / 0 / 65 / 3

HEX #3BF756

RGB 59 247 86

HSL 128.62, 0.92%, 0.6%

LAB 86.07, -75.71, 62.26

 

CMYK 0 / 96 / 18 / 21

HEX #C908A4

RGB 201 8 164

HSL 311.5, 0.92%, 0.41%

LAB 46, 76.45, -31.96

 

CMYK 0 / 88 / 16 / 15

HEX #DA1AB7

RGB 218 26 183

HSL 310.94, 0.79%, 0.48%

LAB 50.76, 80.03, -35.49

 

CMYK 0 / 81 / 14 / 8

HEX #EB2CCA

RGB 235 44 202

HSL 310.37, 0.83%, 0.55%

LAB 55.81, 82.51, -38.35

 

CMYK 0 / 75 / 12 / 1

HEX #FC3EDD

RGB 252 62 221

HSL 309.79, 0.97%, 0.62%

LAB 61.1, 84.13, -40.65

 

CMYK 0 / 69 / 6 / 0

HEX #FF50F0

RGB 255 80 240

HSL 305.14, 1%, 0.66%

LAB 64.39, 82, -46.06

 

CMYK 0 / 96 / 14 / 23

HEX #C408A9

RGB 196 8 169

HSL 308.62, 0.92%, 0.4%

LAB 45.32, 76.16, -36.07

 

CMYK 0 / 100 / 16 / 30

HEX #B30096

RGB 179 0 150

HSL 309.72, 1%, 0.35%

LAB 40.87, 71.3, -31.88

 

CMYK 0 / 100 / 19 / 36

HEX #A20083

RGB 162 0 131

HSL 311.48, 1%, 0.32%

LAB 36.59, 65.64, -27.16

 

CMYK 0 / 100 / 23 / 43

HEX #910070

RGB 145 0 112

HSL 313.66, 1%, 0.28%

LAB 32.23, 59.88, -22.26

 

CMYK 0 / 100 / 27 / 50

HEX #80005D

RGB 128 0 93

HSL 316.41, 1%, 0.25%

LAB 27.79, 54.01, -17.14

 

CMYK 0 / 96 / 14 / 24

HEX #C308A8

RGB 195 8 168

HSL 308.66, 0.92%, 0.4%

LAB 45.09, 75.84, -35.86

 

CMYK 0 / 96 / 39 / 24

HEX #C30876

RGB 195 8 118

HSL 324.71, 0.92%, 0.4%

LAB 42.89, 70.17, -8.84

 

CMYK 0 / 96 / 66 / 24

HEX #C30843

RGB 195 8 67

HSL 341.07, 0.92%, 0.4%

LAB 41.5, 66.43, 21.31

 

CMYK 0 / 96 / 91 / 24

HEX #C30811

RGB 195 8 17

HSL 357.11, 0.92%, 0.4%

LAB 40.92, 64.83, 49

 

CMYK 0 / 96 / 96 / 24

HEX #C30808

RGB 195 8 8

HSL 0, 0.92%, 0.4%

LAB 40.89, 64.73, 52.22

 

CMYK 0 / 96 / 14 / 24

HEX #C308A8

RGB 195 8 168

HSL 308.66, 0.92%, 0.4%

LAB 45.09, 75.84, -35.86

 

CMYK 12 / 96 / 0 / 24

HEX #AC08C3

RGB 172 8 195

HSL 292.62, 0.92%, 0.4%

LAB 42.59, 75.95, -56.01

 

CMYK 38 / 96 / 0 / 24

HEX #7908C3

RGB 121 8 195

HSL 276.26, 0.92%, 0.4%

LAB 34.35, 69.15, -69.79

 

CMYK 64 / 96 / 0 / 24

HEX #4608C3

RGB 70 8 195

HSL 259.89, 0.92%, 0.4%

LAB 27.89, 64.84, -80.68

 

CMYK 90 / 96 / 0 / 24

HEX #1408C3

RGB 20 8 195

HSL 243.85, 0.92%, 0.4%

LAB 24.52, 63.15, -86.38

 

CMYK 0 / 96 / 14 / 24

HEX #C308A8

RGB 195 8 168

HSL 308.66, 0.92%, 0.4%

LAB 45.09, 75.84, -35.86

 

CMYK 0 / 96 / 14 / 24

HEX #C308A8

RGB 195 8 168

HSL 308.66, 0.92%, 0.4%

LAB 45.09, 75.84, -35.86

 

CMYK 0 / 87 / 12 / 30

HEX #B3189D

RGB 179 24 157

HSL 308.52, 0.76%, 0.4%

LAB 42.26, 69.23, -33.92

 

CMYK 0 / 75 / 10 / 36

HEX #A22991

RGB 162 41 145

HSL 308.43, 0.6%, 0.4%

LAB 40.1, 59.52, -30.27

 

CMYK 0 / 61 / 9 / 43

HEX #923985

RGB 146 57 133

HSL 308.76, 0.44%, 0.4%

LAB 39.12, 47.12, -24.65

 

CMYK 0 / 43 / 6 / 49

HEX #814A79

RGB 129 74 121

HSL 308.73, 0.27%, 0.4%

LAB 39.49, 30.75, -16.9

 

CMYK 38 / 96 / 0 / 24

HEX #7808C3

RGB 120 8 195

HSL 275.94, 0.92%, 0.4%

LAB 34.2, 69.04, -70.03

 

CMYK 13 / 96 / 0 / 24

HEX #AA08C3

RGB 170 8 195

HSL 291.98, 0.92%, 0.4%

LAB 42.25, 75.64, -56.58

 

CMYK 0 / 96 / 13 / 24

HEX #C308AA

RGB 195 8 170

HSL 308.02, 0.92%, 0.4%

LAB 45.19, 76.11, -36.89

 

CMYK 0 / 96 / 38 / 24

HEX #C30878

RGB 195 8 120

HSL 324.06, 0.92%, 0.4%

LAB 42.96, 70.36, -9.98

 

CMYK 0 / 96 / 64 / 24

HEX #C30846

RGB 195 8 70

HSL 340.11, 0.92%, 0.4%

LAB 41.56, 66.59, 19.49

 

CMYK 0 / 97 / 14 / 55

HEX #740464

RGB 116 4 100

HSL 308.57, 0.93%, 0.24%

LAB 25.92, 51.72, -24.83

 

CMYK 0 / 96 / 14 / 39

HEX #9C0686

RGB 156 6 134

HSL 308.8, 0.93%, 0.32%

LAB 35.83, 64.15, -30.31

 

CMYK 0 / 96 / 14 / 24

HEX #C308A8

RGB 195 8 168

HSL 308.66, 0.92%, 0.4%

LAB 45.09, 75.84, -35.86

 

CMYK 0 / 96 / 14 / 8

HEX #EB09CB

RGB 235 9 203

HSL 308.5, 0.93%, 0.48%

LAB 54.21, 87.48, -41.45

 

CMYK 0 / 84 / 12 / 4

HEX #F628D8

RGB 246 40 216

HSL 308.74, 0.92%, 0.56%

LAB 58.1, 87.32, -42.6

 

CMYK 0 / 96 / 14 / 23

HEX #C408A9

RGB 196 8 169

HSL 308.62, 0.92%, 0.4%

LAB 45.32, 76.16, -36.07

 

CMYK 0 / 64 / 96 / 24

HEX #C34608

RGB 195 70 8

HSL 19.89, 0.92%, 0.4%

LAB 46.97, 47.8, 55.68

 

CMYK 96 / 0 / 26 / 24

HEX #08C391

RGB 8 195 145

HSL 163.96, 0.92%, 0.4%

LAB 70.26, -52.64, 13.82

 

CMYK 0 / 96 / 14 / 23

HEX #C408A9

RGB 196 8 169

HSL 308.62, 0.92%, 0.4%

LAB 45.32, 76.16, -36.07

 

CMYK 13 / 0 / 96 / 24

HEX #AAC308

RGB 170 195 8

HSL 68.02, 0.92%, 0.4%

LAB 74.57, -28.16, 74.13

 

CMYK 96 / 13 / 0 / 24

HEX #08AAC3

RGB 8 170 195

HSL 188.02, 0.92%, 0.4%

LAB 63.95, -27.17, -23.03

 

CMYK 0 / 96 / 14 / 23

HEX #C408A9

RGB 196 8 169

HSL 308.62, 0.92%, 0.4%

LAB 45.32, 76.16, -36.07

 

CMYK 0 / 64 / 96 / 24

HEX #C34608

RGB 195 70 8

HSL 19.89, 0.92%, 0.4%

LAB 46.97, 47.8, 55.68

 

CMYK 96 / 0 / 83 / 24

HEX #08C321

RGB 8 195 33

HSL 128.02, 0.92%, 0.4%

LAB 68.89, -69.06, 62.75

 

CMYK 96 / 32 / 0 / 24

HEX #0885C3

RGB 8 133 195

HSL 199.89, 0.92%, 0.4%

LAB 52.69, -7.17, -40.53

 

CMYK 0 / 96 / 14 / 23

HEX #C408A9

RGB 196 8 169

HSL 308.62, 0.92%, 0.4%

LAB 45.32, 76.16, -36.07

 

CMYK 0 / 35 / 96 / 24

HEX #C37F08

RGB 195 127 8

HSL 38.18, 0.92%, 0.4%

LAB 58.79, 18.6, 63.51

 

CMYK 96 / 0 / 83 / 24

HEX #08C321

RGB 8 195 33

HSL 128.02, 0.92%, 0.4%

LAB 68.89, -69.06, 62.75

 

CMYK 96 / 61 / 0 / 24

HEX #084CC3

RGB 8 76 195

HSL 218.18, 0.92%, 0.4%

LAB 36.29, 29.11, -66.91

 

Description

Color code: RGB 196 8 169 | qconv.com Color code: RGB 196 8 169 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 8 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 8 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 14 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 14% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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