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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 53 136 it is the complementary color RGB 59 202 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 53 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 53 136 shade: RGB 201 53 131, RGB 218 71 150, RGB 235 89 169, RGB 252 107 188 and RGB 255 125 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 53 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 53 136 shade: RGB 196 53 136, RGB 179 35 117, RGB 162 17 98, RGB 145 0 79 and RGB 128 0 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 53 136 shade: RGB 196 54 136, RGB 196 54 98, RGB 196 54 60 and RGB 196 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 53 136 shade: RGB 196 54 136, RGB 196 54 175, RGB 179 54 196, RGB 141 54 196 and RGB 102 54 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 53 136 shade matches the following richer shades: RGB 196 54 136, RGB 216 34 140 and RGB 237 13 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 53 136 shade: RGB 196 54 136, RGB 176 74 133, RGB 156 94 130, RGB 136 114 127 and RGB 115 135 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 53 136 shade: RGB 180 54 196, RGB 196 54 175, RGB 196 54 137, RGB 196 54 99 and RGB 196 54 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 53 136 shade: RGB 131 36 91, RGB 164 45 114, RGB 196 54 136, RGB 208 83 156 and RGB 217 116 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 53 136 shade: RGB 196 53 136, RGB 196 142 54 and RGB 54 194 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 53 136 shade: RGB 196 53 136, RGB 137 196 54 and RGB 54 137 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 53 136 shade: RGB 196 53 136, RGB 196 142 54, RGB 54 196 113 and RGB 54 108 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 53 136 shade: RGB 196 53 136, RGB 196 184 54, RGB 54 196 113 and RGB 54 66 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 31 / 23

HEX #C43588

RGB 196 53 136

HSL 325.17, 0.57%, 0.49%

LAB 47.05, 62.81, -13.58

 

Complementary color

CMYK 71 / 0 / 41 / 21

HEX #3BCA77

RGB 59 202 119

HSL 145.17, 0.57%, 0.51%

LAB 72.56, -56.11, 30.79

 

CMYK 0 / 74 / 35 / 21

HEX #C93583

RGB 201 53 131

HSL 328.38, 0.58%, 0.5%

LAB 47.76, 63.56, -9.4

 

CMYK 0 / 67 / 31 / 15

HEX #DA4796

RGB 218 71 150

HSL 327.76, 0.67%, 0.57%

LAB 53.61, 63.94, -11.68

 

CMYK 0 / 62 / 28 / 8

HEX #EB59A9

RGB 235 89 169

HSL 327.12, 0.78%, 0.64%

LAB 59.59, 63.86, -13.51

 

CMYK 0 / 58 / 25 / 1

HEX #FC6BBC

RGB 252 107 188

HSL 326.48, 0.96%, 0.7%

LAB 65.63, 63.51, -15.02

 

CMYK 0 / 51 / 19 / 0

HEX #FF7DCF

RGB 255 125 207

HSL 322.15, 1%, 0.75%

LAB 69.78, 58.8, -19.37

 

CMYK 0 / 73 / 31 / 23

HEX #C43588

RGB 196 53 136

HSL 325.17, 0.57%, 0.49%

LAB 47.05, 62.81, -13.58

 

CMYK 0 / 80 / 35 / 30

HEX #B32375

RGB 179 35 117

HSL 325.83, 0.67%, 0.42%

LAB 41.33, 61.75, -10.88

 

CMYK 0 / 90 / 40 / 36

HEX #A21162

RGB 162 17 98

HSL 326.48, 0.81%, 0.35%

LAB 35.92, 59.62, -7.37

 

CMYK 0 / 100 / 46 / 43

HEX #91004F

RGB 145 0 79

HSL 327.31, 1%, 0.28%

LAB 30.84, 56.3, -2.93

 

CMYK 0 / 100 / 53 / 50

HEX #80003C

RGB 128 0 60

HSL 331.88, 1%, 0.25%

LAB 26.49, 50.64, 3.05

 

CMYK 0 / 72 / 31 / 23

HEX #C43688

RGB 196 54 136

HSL 325.35, 0.57%, 0.49%

LAB 47.17, 62.47, -13.4

 

CMYK 0 / 72 / 50 / 23

HEX #C43662

RGB 196 54 98

HSL 341.41, 0.57%, 0.49%

LAB 45.98, 58.6, 8.1

 

CMYK 0 / 72 / 69 / 23

HEX #C4363C

RGB 196 54 60

HSL 357.46, 0.57%, 0.49%

LAB 45.22, 56.05, 30.3

 

CMYK 0 / 72 / 72 / 23

HEX #C43636

RGB 196 54 54

HSL 0, 0.57%, 0.49%

LAB 45.14, 55.76, 33.74

 

CMYK 0 / 72 / 31 / 23

HEX #C43688

RGB 196 54 136

HSL 325.35, 0.57%, 0.49%

LAB 47.17, 62.47, -13.4

 

CMYK 0 / 72 / 11 / 23

HEX #C436AF

RGB 196 54 175

HSL 308.87, 0.57%, 0.49%

LAB 48.85, 67.68, -34.08

 

CMYK 9 / 72 / 0 / 23

HEX #B336C4

RGB 179 54 196

HSL 292.82, 0.57%, 0.49%

LAB 47.25, 67.34, -49.05

 

CMYK 28 / 72 / 0 / 23

HEX #8D36C4

RGB 141 54 196

HSL 276.76, 0.57%, 0.49%

LAB 41.67, 59.67, -58.32

 

CMYK 48 / 72 / 0 / 23

HEX #6636C4

RGB 102 54 196

HSL 260.28, 0.57%, 0.49%

LAB 36.83, 52.66, -66.4

 

CMYK 0 / 72 / 31 / 23

HEX #C43688

RGB 196 54 136

HSL 325.35, 0.57%, 0.49%

LAB 47.17, 62.47, -13.4

 

CMYK 0 / 84 / 35 / 15

HEX #D8228C

RGB 216 34 140

HSL 325.05, 0.73%, 0.49%

LAB 49.05, 73.23, -12.62

 

CMYK 0 / 95 / 40 / 7

HEX #ED0D8F

RGB 237 13 143

HSL 325.18, 0.9%, 0.49%

LAB 52.15, 81.04, -9.37

 

CMYK 0 / 72 / 31 / 23

HEX #C43688

RGB 196 54 136

HSL 325.35, 0.57%, 0.49%

LAB 47.17, 62.47, -13.4

 

CMYK 0 / 58 / 24 / 31

HEX #B04A85

RGB 176 74 133

HSL 325.29, 0.41%, 0.49%

LAB 46.74, 48.16, -12.56

 

CMYK 0 / 40 / 17 / 39

HEX #9C5E82

RGB 156 94 130

HSL 325.16, 0.25%, 0.49%

LAB 47.86, 30.53, -9.34

 

CMYK 0 / 16 / 7 / 47

HEX #88727F

RGB 136 114 127

HSL 324.55, 0.09%, 0.49%

LAB 50.45, 10.96, -3.93

 

CMYK 15 / 0 / 9 / 47

HEX #73877B

RGB 115 135 123

HSL 144, 0.08%, 0.49%

LAB 54.45, -9.74, 4.03

 

CMYK 8 / 72 / 0 / 23

HEX #B436C4

RGB 180 54 196

HSL 293.24, 0.57%, 0.49%

LAB 47.4, 67.55, -48.79

 

CMYK 0 / 72 / 11 / 23

HEX #C436AF

RGB 196 54 175

HSL 308.87, 0.57%, 0.49%

LAB 48.85, 67.68, -34.08

 

CMYK 0 / 72 / 30 / 23

HEX #C43689

RGB 196 54 137

HSL 324.93, 0.57%, 0.49%

LAB 47.21, 62.59, -13.95

 

CMYK 0 / 72 / 49 / 23

HEX #C43663

RGB 196 54 99

HSL 340.99, 0.57%, 0.49%

LAB 46.01, 58.69, 7.52

 

CMYK 0 / 72 / 69 / 23

HEX #C4363D

RGB 196 54 61

HSL 357.04, 0.57%, 0.49%

LAB 45.24, 56.1, 29.72

 

CMYK 0 / 73 / 31 / 49

HEX #83245B

RGB 131 36 91

HSL 325.26, 0.57%, 0.33%

LAB 31.45, 45.48, -10.18

 

CMYK 0 / 73 / 30 / 36

HEX #A42D72

RGB 164 45 114

HSL 325.21, 0.57%, 0.41%

LAB 39.55, 54.35, -11.96

 

CMYK 0 / 72 / 31 / 23

HEX #C43688

RGB 196 54 136

HSL 325.35, 0.57%, 0.49%

LAB 47.17, 62.47, -13.4

 

CMYK 0 / 60 / 25 / 18

HEX #D0539C

RGB 208 83 156

HSL 324.96, 0.57%, 0.57%

LAB 54.02, 56.92, -14.75

 

CMYK 0 / 47 / 20 / 15

HEX #D974AE

RGB 217 116 174

HSL 325.54, 0.57%, 0.65%

LAB 61.91, 46.52, -13.14

 

CMYK 0 / 73 / 31 / 23

HEX #C43588

RGB 196 53 136

HSL 325.17, 0.57%, 0.49%

LAB 47.05, 62.81, -13.58

 

CMYK 0 / 28 / 72 / 23

HEX #C48E36

RGB 196 142 54

HSL 37.18, 0.57%, 0.49%

LAB 62.8, 12.13, 52.81

 

CMYK 72 / 1 / 0 / 23

HEX #36C2C4

RGB 54 194 196

HSL 180.85, 0.57%, 0.49%

LAB 71.79, -35.08, -11.66

 

CMYK 0 / 73 / 31 / 23

HEX #C43588

RGB 196 53 136

HSL 325.17, 0.57%, 0.49%

LAB 47.05, 62.81, -13.58

 

CMYK 30 / 0 / 72 / 23

HEX #89C436

RGB 137 196 54

HSL 84.93, 0.57%, 0.49%

LAB 72.93, -40.19, 61.42

 

CMYK 72 / 30 / 0 / 23

HEX #3689C4

RGB 54 137 196

HSL 204.93, 0.57%, 0.49%

LAB 54.72, -5.32, -37.85

 

CMYK 0 / 73 / 31 / 23

HEX #C43588

RGB 196 53 136

HSL 325.17, 0.57%, 0.49%

LAB 47.05, 62.81, -13.58

 

CMYK 0 / 28 / 72 / 23

HEX #C48E36

RGB 196 142 54

HSL 37.18, 0.57%, 0.49%

LAB 62.8, 12.13, 52.81

 

CMYK 72 / 0 / 42 / 23

HEX #36C471

RGB 54 196 113

HSL 144.93, 0.57%, 0.49%

LAB 70.49, -55.73, 31.16

 

CMYK 72 / 45 / 0 / 23

HEX #366CC4

RGB 54 108 196

HSL 217.18, 0.57%, 0.49%

LAB 46.3, 12.31, -51.21

 

CMYK 0 / 73 / 31 / 23

HEX #C43588

RGB 196 53 136

HSL 325.17, 0.57%, 0.49%

LAB 47.05, 62.81, -13.58

 

CMYK 0 / 6 / 72 / 23

HEX #C4B836

RGB 196 184 54

HSL 54.93, 0.57%, 0.49%

LAB 73.73, -10.29, 63.62

 

CMYK 72 / 0 / 42 / 23

HEX #36C471

RGB 54 196 113

HSL 144.93, 0.57%, 0.49%

LAB 70.49, -55.73, 31.16

 

CMYK 72 / 66 / 0 / 23

HEX #3642C4

RGB 54 66 196

HSL 234.93, 0.57%, 0.49%

LAB 35.33, 39.18, -69.01

 

Description

Color code: RGB 196 53 136 | qconv.com Color code: RGB 196 53 136 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 53 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 53 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 31 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 31% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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