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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 142 127 it is the complementary color RGB 59 113 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 142 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 142 127 shade: RGB 201 142 122, RGB 218 160 141, RGB 235 178 160, RGB 252 196 179 and RGB 255 214 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 142 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 142 127 shade: RGB 196 142 127, RGB 179 124 108, RGB 162 106 89, RGB 145 88 70 and RGB 128 70 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 142 127 shade: RGB 196 141 126 and RGB 196 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 142 127 shade: RGB 196 141 126, RGB 196 160 126, RGB 196 179 126, RGB 194 196 126 and RGB 175 196 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 142 127 shade matches the following richer shades: RGB 196 141 126, RGB 211 132 110, RGB 226 124 95 and RGB 241 115 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 142 127 shade: RGB 196 141 126, RGB 180 150 141, RGB 165 158 156, RGB 150 167 172 and RGB 134 175 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 142 127 shade: RGB 196 126 148, RGB 196 126 129, RGB 196 141 126, RGB 196 159 126 and RGB 196 178 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 142 127 shade: RGB 164 94 75, RGB 183 116 97, RGB 196 141 126, RGB 209 166 154 and RGB 222 191 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 142 127 shade: RGB 196 142 127, RGB 166 196 126 and RGB 126 139 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 142 127 shade: RGB 196 142 127, RGB 126 196 141 and RGB 141 126 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 142 127 shade: RGB 196 142 127, RGB 166 196 126, RGB 126 180 196 and RGB 155 126 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 142 127 shade: RGB 196 142 127, RGB 146 196 126, RGB 126 180 196 and RGB 176 126 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 35 / 23

HEX #C48E7F

RGB 196 142 127

HSL 13.04, 0.37%, 0.63%

LAB 63.85, 18.49, 16.08

 

Complementary color

CMYK 54 / 12 / 0 / 50

HEX #3B7180

RGB 59 113 128

HSL 193.04, 0.37%, 0.37%

LAB 44.66, -13.41, -13.78

 

CMYK 0 / 29 / 39 / 21

HEX #C98E7A

RGB 201 142 122

HSL 15.19, 0.42%, 0.63%

LAB 64.3, 19.87, 19.59

 

CMYK 0 / 27 / 35 / 15

HEX #DAA08D

RGB 218 160 141

HSL 14.81, 0.51%, 0.7%

LAB 70.85, 19.04, 18.37

 

CMYK 0 / 24 / 32 / 8

HEX #EBB2A0

RGB 235 178 160

HSL 14.4, 0.65%, 0.77%

LAB 77.31, 18.3, 17.25

 

CMYK 0 / 22 / 29 / 1

HEX #FCC4B3

RGB 252 196 179

HSL 13.97, 0.92%, 0.85%

LAB 83.67, 17.63, 16.21

 

CMYK 0 / 16 / 22 / 0

HEX #FFD6C6

RGB 255 214 198

HSL 16.84, 1%, 0.89%

LAB 88.65, 11.93, 13.23

 

CMYK 0 / 28 / 35 / 23

HEX #C48E7F

RGB 196 142 127

HSL 13.04, 0.37%, 0.63%

LAB 63.85, 18.49, 16.08

 

CMYK 0 / 31 / 40 / 30

HEX #B37C6C

RGB 179 124 108

HSL 13.52, 0.32%, 0.56%

LAB 57.15, 19.36, 17.33

 

CMYK 0 / 35 / 45 / 36

HEX #A26A59

RGB 162 106 89

HSL 13.97, 0.29%, 0.49%

LAB 50.35, 20.35, 18.74

 

CMYK 0 / 39 / 52 / 43

HEX #915846

RGB 145 88 70

HSL 14.4, 0.35%, 0.42%

LAB 43.42, 21.51, 20.35

 

CMYK 0 / 45 / 60 / 50

HEX #804633

RGB 128 70 51

HSL 14.81, 0.43%, 0.35%

LAB 36.38, 22.86, 22.24

 

CMYK 0 / 28 / 36 / 23

HEX #C48D7E

RGB 196 141 126

HSL 12.86, 0.37%, 0.63%

LAB 63.58, 18.92, 16.28

 

CMYK 0 / 36 / 36 / 23

HEX #C47E7E

RGB 196 126 126

HSL 0, 0.37%, 0.63%

LAB 60.04, 27.16, 11.33

 

CMYK 0 / 28 / 36 / 23

HEX #C48D7E

RGB 196 141 126

HSL 12.86, 0.37%, 0.63%

LAB 63.58, 18.92, 16.28

 

CMYK 0 / 18 / 36 / 23

HEX #C4A07E

RGB 196 160 126

HSL 29.14, 0.37%, 0.63%

LAB 68.3, 8.5, 22.74

 

CMYK 0 / 9 / 36 / 23

HEX #C4B37E

RGB 196 179 126

HSL 45.43, 0.37%, 0.63%

LAB 73.21, -1.72, 29.3

 

CMYK 1 / 0 / 36 / 23

HEX #C2C47E

RGB 194 196 126

HSL 61.71, 0.37%, 0.63%

LAB 77.55, -11.38, 34.95

 

CMYK 11 / 0 / 36 / 23

HEX #AFC47E

RGB 175 196 126

HSL 78, 0.37%, 0.63%

LAB 76.13, -18.76, 32.83

 

CMYK 0 / 28 / 36 / 23

HEX #C48D7E

RGB 196 141 126

HSL 12.86, 0.37%, 0.63%

LAB 63.58, 18.92, 16.28

 

CMYK 0 / 37 / 48 / 17

HEX #D3846E

RGB 211 132 110

HSL 13.07, 0.53%, 0.63%

LAB 62.91, 27.99, 24.62

 

CMYK 0 / 45 / 58 / 11

HEX #E27C5F

RGB 226 124 95

HSL 13.28, 0.69%, 0.63%

LAB 62.85, 36.79, 33.24

 

CMYK 0 / 52 / 67 / 5

HEX #F17350

RGB 241 115 80

HSL 13.04, 0.85%, 0.63%

LAB 62.96, 46.01, 41.97

 

CMYK 0 / 28 / 36 / 23

HEX #C48D7E

RGB 196 141 126

HSL 12.86, 0.37%, 0.63%

LAB 63.58, 18.92, 16.28

 

CMYK 0 / 17 / 22 / 29

HEX #B4968D

RGB 180 150 141

HSL 13.85, 0.21%, 0.63%

LAB 64.51, 9.75, 8.92

 

CMYK 0 / 4 / 5 / 35

HEX #A59E9C

RGB 165 158 156

HSL 13.33, 0.05%, 0.63%

LAB 65.63, 2.17, 1.94

 

CMYK 13 / 3 / 0 / 33

HEX #96A7AC

RGB 150 167 172

HSL 193.64, 0.12%, 0.63%

LAB 67.35, -4.89, -4.61

 

CMYK 28 / 6 / 0 / 27

HEX #86AFBB

RGB 134 175 187

HSL 193.58, 0.28%, 0.63%

LAB 68.98, -10.9, -10.62

 

CMYK 0 / 36 / 24 / 23

HEX #C47E94

RGB 196 126 148

HSL 341.14, 0.37%, 0.63%

LAB 60.6, 30.15, -0.49

 

CMYK 0 / 36 / 34 / 23

HEX #C47E81

RGB 196 126 129

HSL 357.43, 0.37%, 0.63%

LAB 60.11, 27.54, 9.71

 

CMYK 0 / 28 / 36 / 23

HEX #C48D7E

RGB 196 141 126

HSL 12.86, 0.37%, 0.63%

LAB 63.58, 18.92, 16.28

 

CMYK 0 / 19 / 36 / 23

HEX #C49F7E

RGB 196 159 126

HSL 28.29, 0.37%, 0.63%

LAB 68.05, 9.04, 22.4

 

CMYK 0 / 9 / 36 / 23

HEX #C4B27E

RGB 196 178 126

HSL 44.57, 0.37%, 0.63%

LAB 72.95, -1.19, 28.95

 

CMYK 0 / 43 / 54 / 36

HEX #A45E4B

RGB 164 94 75

HSL 12.81, 0.37%, 0.47%

LAB 47.5, 26.54, 23.22

 

CMYK 0 / 37 / 47 / 28

HEX #B77461

RGB 183 116 97

HSL 13.26, 0.37%, 0.55%

LAB 55.5, 24.22, 21.48

 

CMYK 0 / 28 / 36 / 23

HEX #C48D7E

RGB 196 141 126

HSL 12.86, 0.37%, 0.63%

LAB 63.58, 18.92, 16.28

 

CMYK 0 / 21 / 26 / 18

HEX #D1A69A

RGB 209 166 154

HSL 13.09, 0.37%, 0.71%

LAB 71.66, 14.03, 12.22

 

CMYK 0 / 14 / 18 / 13

HEX #DEBFB6

RGB 222 191 182

HSL 13.5, 0.38%, 0.79%

LAB 79.71, 9.59, 8.6

 

CMYK 0 / 28 / 35 / 23

HEX #C48E7F

RGB 196 142 127

HSL 13.04, 0.37%, 0.63%

LAB 63.85, 18.49, 16.08

 

CMYK 15 / 0 / 36 / 23

HEX #A6C47E

RGB 166 196 126

HSL 85.71, 0.37%, 0.63%

LAB 75.51, -22.16, 31.9

 

CMYK 36 / 29 / 0 / 23

HEX #7E8BC4

RGB 126 139 196

HSL 228.86, 0.37%, 0.63%

LAB 58.87, 9.19, -31.11

 

CMYK 0 / 28 / 35 / 23

HEX #C48E7F

RGB 196 142 127

HSL 13.04, 0.37%, 0.63%

LAB 63.85, 18.49, 16.08

 

CMYK 36 / 0 / 28 / 23

HEX #7EC48D

RGB 126 196 141

HSL 132.86, 0.37%, 0.63%

LAB 73.44, -33.56, 20.82

 

CMYK 28 / 36 / 0 / 23

HEX #8D7EC4

RGB 141 126 196

HSL 252.86, 0.37%, 0.63%

LAB 56.65, 21.14, -34.47

 

CMYK 0 / 28 / 35 / 23

HEX #C48E7F

RGB 196 142 127

HSL 13.04, 0.37%, 0.63%

LAB 63.85, 18.49, 16.08

 

CMYK 15 / 0 / 36 / 23

HEX #A6C47E

RGB 166 196 126

HSL 85.71, 0.37%, 0.63%

LAB 75.51, -22.16, 31.9

 

CMYK 36 / 8 / 0 / 23

HEX #7EB4C4

RGB 126 180 196

HSL 193.71, 0.37%, 0.63%

LAB 70.22, -13.64, -13.76

 

CMYK 21 / 36 / 0 / 23

HEX #9B7EC4

RGB 155 126 196

HSL 264.86, 0.37%, 0.63%

LAB 57.92, 25.34, -32.4

 

CMYK 0 / 28 / 35 / 23

HEX #C48E7F

RGB 196 142 127

HSL 13.04, 0.37%, 0.63%

LAB 63.85, 18.49, 16.08

 

CMYK 26 / 0 / 36 / 23

HEX #92C47E

RGB 146 196 126

HSL 102.86, 0.37%, 0.63%

LAB 74.25, -29.41, 30.01

 

CMYK 36 / 8 / 0 / 23

HEX #7EB4C4

RGB 126 180 196

HSL 193.71, 0.37%, 0.63%

LAB 70.22, -13.64, -13.76

 

CMYK 10 / 36 / 0 / 23

HEX #B07EC4

RGB 176 126 196

HSL 282.86, 0.37%, 0.63%

LAB 60.01, 31.86, -28.99

 

Description

Color code: RGB 196 142 127 | qconv.com Color code: RGB 196 142 127 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 142 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 142 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 35 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 35% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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