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Color name
RGB 196 130 70

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 130 70 it is the complementary color RGB 59 125 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 130 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 130 70 shade: RGB 201 130 65, RGB 218 148 84, RGB 235 166 103, RGB 252 184 122 and RGB 255 202 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 130 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 130 70 shade: RGB 196 130 70, RGB 179 112 51, RGB 162 94 32, RGB 145 76 13 and RGB 128 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 130 70 shade: RGB 196 130 69, RGB 196 95 69 and RGB 196 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 130 70 shade: RGB 196 130 69, RGB 196 164 69, RGB 194 196 69, RGB 160 196 69 and RGB 126 196 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 130 70 shade matches the following richer shades: RGB 196 130 69, RGB 216 129 49 and RGB 236 128 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 130 70 shade: RGB 196 130 69, RGB 176 131 89, RGB 157 131 109, RGB 137 132 128 and RGB 117 133 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 130 70 shade: RGB 196 69 77, RGB 196 94 69, RGB 196 128 69, RGB 196 162 69 and RGB 196 196 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 130 70 shade: RGB 139 89 44, RGB 170 109 54, RGB 196 130 69, RGB 206 151 100 and RGB 216 172 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 130 70 shade: RGB 196 130 70, RGB 111 196 69 and RGB 77 69 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 130 70 shade: RGB 196 130 70, RGB 69 196 128 and RGB 128 69 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 130 70 shade: RGB 196 130 70, RGB 111 196 69, RGB 69 137 196 and RGB 154 69 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 130 70 shade: RGB 196 130 70, RGB 73 196 69, RGB 69 137 196 and RGB 192 69 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 64 / 23

HEX #C48246

RGB 196 130 70

HSL 28.57, 0.52%, 0.52%

LAB 60.02, 19.64, 42.21

 

Complementary color

CMYK 68 / 32 / 0 / 27

HEX #3B7DB9

RGB 59 125 185

HSL 208.57, 0.52%, 0.48%

LAB 50.8, -1.38, -37.71

 

CMYK 0 / 35 / 68 / 21

HEX #C98241

RGB 201 130 65

HSL 28.68, 0.56%, 0.52%

LAB 60.57, 21.45, 45.51

 

CMYK 0 / 32 / 61 / 15

HEX #DA9454

RGB 218 148 84

HSL 28.66, 0.64%, 0.59%

LAB 67.07, 20.05, 43.97

 

CMYK 0 / 29 / 56 / 8

HEX #EBA667

RGB 235 166 103

HSL 28.64, 0.77%, 0.66%

LAB 73.49, 18.82, 42.45

 

CMYK 0 / 27 / 52 / 1

HEX #FCB87A

RGB 252 184 122

HSL 28.62, 0.96%, 0.73%

LAB 79.83, 17.75, 41

 

CMYK 0 / 21 / 45 / 0

HEX #FFCA8D

RGB 255 202 141

HSL 32.11, 1%, 0.78%

LAB 84.7, 11.3, 37.56

 

CMYK 0 / 34 / 64 / 23

HEX #C48246

RGB 196 130 70

HSL 28.57, 0.52%, 0.52%

LAB 60.02, 19.64, 42.21

 

CMYK 0 / 37 / 72 / 30

HEX #B37033

RGB 179 112 51

HSL 28.59, 0.56%, 0.45%

LAB 53.4, 21.16, 43.76

 

CMYK 0 / 42 / 80 / 36

HEX #A25E20

RGB 162 94 32

HSL 28.62, 0.67%, 0.38%

LAB 46.7, 22.94, 45.09

 

CMYK 0 / 48 / 91 / 43

HEX #914C0D

RGB 145 76 13

HSL 28.64, 0.84%, 0.31%

LAB 39.94, 25, 45.6

 

CMYK 0 / 55 / 100 / 50

HEX #803A00

RGB 128 58 0

HSL 27.19, 1%, 0.25%

LAB 33.17, 27.33, 44.01

 

CMYK 0 / 34 / 65 / 23

HEX #C48245

RGB 196 130 69

HSL 28.82, 0.52%, 0.52%

LAB 60.01, 19.57, 42.71

 

CMYK 0 / 52 / 65 / 23

HEX #C45F45

RGB 196 95 69

HSL 12.28, 0.52%, 0.52%

LAB 52.23, 38.32, 33.57

 

CMYK 0 / 65 / 65 / 23

HEX #C44545

RGB 196 69 69

HSL 0, 0.52%, 0.52%

LAB 47.52, 50.63, 27.79

 

CMYK 0 / 34 / 65 / 23

HEX #C48245

RGB 196 130 69

HSL 28.82, 0.52%, 0.52%

LAB 60.01, 19.57, 42.71

 

CMYK 0 / 16 / 65 / 23

HEX #C4A445

RGB 196 164 69

HSL 44.88, 0.52%, 0.52%

LAB 68.55, 1.04, 52.21

 

CMYK 1 / 0 / 65 / 23

HEX #C2C445

RGB 194 196 69

HSL 60.94, 0.52%, 0.52%

LAB 76.91, -16.44, 61.01

 

CMYK 18 / 0 / 65 / 23

HEX #A0C445

RGB 160 196 69

HSL 77.01, 0.52%, 0.52%

LAB 74.43, -30.36, 57.65

 

CMYK 36 / 0 / 65 / 23

HEX #7EC445

RGB 126 196 69

HSL 93.07, 0.52%, 0.52%

LAB 72.46, -43.07, 54.95

 

CMYK 0 / 34 / 65 / 23

HEX #C48245

RGB 196 130 69

HSL 28.82, 0.52%, 0.52%

LAB 60.01, 19.57, 42.71

 

CMYK 0 / 40 / 77 / 15

HEX #D88131

RGB 216 129 49

HSL 28.74, 0.68%, 0.52%

LAB 62.1, 27.53, 55.07

 

CMYK 0 / 46 / 88 / 7

HEX #EC801D

RGB 236 128 29

HSL 28.7, 0.84%, 0.52%

LAB 64.45, 35.67, 65.41

 

CMYK 0 / 34 / 65 / 23

HEX #C48245

RGB 196 130 69

HSL 28.82, 0.52%, 0.52%

LAB 60.01, 19.57, 42.71

 

CMYK 0 / 26 / 49 / 31

HEX #B08359

RGB 176 131 89

HSL 28.97, 0.36%, 0.52%

LAB 58.21, 12.12, 29.37

 

CMYK 0 / 17 / 31 / 38

HEX #9D836D

RGB 157 131 109

HSL 27.5, 0.2%, 0.52%

LAB 56.59, 6.54, 15.61

 

CMYK 0 / 4 / 7 / 46

HEX #898480

RGB 137 132 128

HSL 26.67, 0.04%, 0.52%

LAB 55.46, 1.12, 2.82

 

CMYK 21 / 10 / 0 / 42

HEX #758594

RGB 117 133 148

HSL 209.03, 0.13%, 0.52%

LAB 54.76, -2.38, -9.98

 

CMYK 0 / 65 / 61 / 23

HEX #C4454D

RGB 196 69 77

HSL 356.22, 0.52%, 0.52%

LAB 47.66, 51.15, 23.19

 

CMYK 0 / 52 / 65 / 23

HEX #C45E45

RGB 196 94 69

HSL 11.81, 0.52%, 0.52%

LAB 52.03, 38.83, 33.33

 

CMYK 0 / 35 / 65 / 23

HEX #C48045

RGB 196 128 69

HSL 27.87, 0.52%, 0.52%

LAB 59.53, 20.67, 42.16

 

CMYK 0 / 17 / 65 / 23

HEX #C4A245

RGB 196 162 69

HSL 43.94, 0.52%, 0.52%

LAB 68.03, 2.11, 51.64

 

CMYK 0 / 0 / 65 / 23

HEX #C4C445

RGB 196 196 69

HSL 60, 0.52%, 0.52%

LAB 77.07, -15.6, 61.22

 

CMYK 0 / 36 / 68 / 45

HEX #8B592C

RGB 139 89 44

HSL 28.42, 0.52%, 0.36%

LAB 42.48, 16.15, 33.89

 

CMYK 0 / 36 / 68 / 33

HEX #AA6D36

RGB 170 109 54

HSL 28.45, 0.52%, 0.44%

LAB 51.55, 19.1, 39.92

 

CMYK 0 / 34 / 65 / 23

HEX #C48245

RGB 196 130 69

HSL 28.82, 0.52%, 0.52%

LAB 60.01, 19.57, 42.71

 

CMYK 0 / 27 / 51 / 19

HEX #CE9764

RGB 206 151 100

HSL 28.87, 0.52%, 0.6%

LAB 66.65, 14.71, 34.83

 

CMYK 0 / 20 / 39 / 15

HEX #D8AC84

RGB 216 172 132

HSL 28.57, 0.52%, 0.68%

LAB 73.4, 10.72, 26.68

 

CMYK 0 / 34 / 64 / 23

HEX #C48246

RGB 196 130 70

HSL 28.57, 0.52%, 0.52%

LAB 60.02, 19.64, 42.21

 

CMYK 43 / 0 / 65 / 23

HEX #6FC445

RGB 111 196 69

HSL 100.16, 0.52%, 0.52%

LAB 71.75, -48.06, 53.98

 

CMYK 61 / 65 / 0 / 23

HEX #4D45C4

RGB 77 69 196

HSL 243.78, 0.52%, 0.52%

LAB 37.52, 40.44, -65.37

 

CMYK 0 / 34 / 64 / 23

HEX #C48246

RGB 196 130 70

HSL 28.57, 0.52%, 0.52%

LAB 60.02, 19.64, 42.21

 

CMYK 65 / 0 / 35 / 23

HEX #45C480

RGB 69 196 128

HSL 147.87, 0.52%, 0.52%

LAB 71.08, -50.39, 24.16

 

CMYK 35 / 65 / 0 / 23

HEX #8045C4

RGB 128 69 196

HSL 267.87, 0.52%, 0.52%

LAB 42.51, 50.06, -57.04

 

CMYK 0 / 34 / 64 / 23

HEX #C48246

RGB 196 130 70

HSL 28.57, 0.52%, 0.52%

LAB 60.02, 19.64, 42.21

 

CMYK 43 / 0 / 65 / 23

HEX #6FC445

RGB 111 196 69

HSL 100.16, 0.52%, 0.52%

LAB 71.75, -48.06, 53.98

 

CMYK 65 / 30 / 0 / 23

HEX #4589C4

RGB 69 137 196

HSL 207.87, 0.52%, 0.52%

LAB 55.22, -2.97, -37.03

 

CMYK 21 / 65 / 0 / 23

HEX #9A45C4

RGB 154 69 196

HSL 280.16, 0.52%, 0.52%

LAB 45.79, 55.81, -51.59

 

CMYK 0 / 34 / 64 / 23

HEX #C48246

RGB 196 130 70

HSL 28.57, 0.52%, 0.52%

LAB 60.02, 19.64, 42.21

 

CMYK 63 / 0 / 65 / 23

HEX #49C445

RGB 73 196 69

HSL 118.11, 0.52%, 0.52%

LAB 70.4, -58.34, 52.12

 

CMYK 65 / 30 / 0 / 23

HEX #4589C4

RGB 69 137 196

HSL 207.87, 0.52%, 0.52%

LAB 55.22, -2.97, -37.03

 

CMYK 2 / 65 / 0 / 23

HEX #C045C4

RGB 192 69 196

HSL 298.11, 0.52%, 0.52%

LAB 51.21, 64.66, -42.63

 

Description

Color code: RGB 196 130 70 | qconv.com Color code: RGB 196 130 70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 130 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 130 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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