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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 103 181 it is the complementary color RGB 59 152 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 103 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 103 181 shade: RGB 201 103 176, RGB 218 121 195, RGB 235 139 214, RGB 252 157 233 and RGB 255 175 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 103 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 103 181 shade: RGB 196 103 181, RGB 179 85 162, RGB 162 67 143, RGB 145 49 124 and RGB 128 31 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 103 181 shade: RGB 196 104 182, RGB 196 104 157, RGB 196 104 132, RGB 196 104 107 and RGB 196 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 103 181 shade: RGB 196 104 182, RGB 186 104 196, RGB 162 104 196, RGB 137 104 196 and RGB 112 104 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 103 181 shade matches the following richer shades: RGB 196 104 182, RGB 213 88 193, RGB 230 71 205 and RGB 247 54 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 103 181 shade: RGB 196 104 182, RGB 180 121 170, RGB 163 138 159, RGB 146 155 147 and RGB 129 172 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 103 181 shade: RGB 161 104 196, RGB 186 104 196, RGB 196 104 183, RGB 196 104 158 and RGB 196 104 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 103 181 shade: RGB 157 61 142, RGB 185 75 167, RGB 196 104 182, RGB 208 134 196 and RGB 220 164 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 103 181 shade: RGB 196 103 181, RGB 196 137 104 and RGB 104 196 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 103 181 shade: RGB 196 103 181, RGB 183 196 104 and RGB 104 183 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 103 181 shade: RGB 196 103 181, RGB 196 137 104, RGB 104 196 118 and RGB 104 164 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 103 181 shade: RGB 196 103 181, RGB 196 164 104, RGB 104 196 118 and RGB 104 137 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 8 / 23

HEX #C467B5

RGB 196 103 181

HSL 309.68, 0.44%, 0.59%

LAB 56.85, 47.59, -25.11

 

Complementary color

CMYK 61 / 0 / 51 / 40

HEX #3B984A

RGB 59 152 74

HSL 129.68, 0.44%, 0.41%

LAB 55.97, -44.48, 32.85

 

CMYK 0 / 49 / 12 / 21

HEX #C967B0

RGB 201 103 176

HSL 315.31, 0.48%, 0.6%

LAB 57.32, 48.3, -21.46

 

CMYK 0 / 44 / 11 / 15

HEX #DA79C3

RGB 218 121 195

HSL 314.23, 0.57%, 0.66%

LAB 63.77, 47.59, -22.23

 

CMYK 0 / 41 / 9 / 8

HEX #EB8BD6

RGB 235 139 214

HSL 313.13, 0.71%, 0.73%

LAB 70.16, 46.85, -22.89

 

CMYK 0 / 38 / 8 / 1

HEX #FC9DE9

RGB 252 157 233

HSL 312, 0.94%, 0.8%

LAB 76.49, 46.11, -23.48

 

CMYK 0 / 31 / 1 / 0

HEX #FFAFFC

RGB 255 175 252

HSL 302.25, 1%, 0.84%

LAB 81.26, 41.03, -26.43

 

CMYK 0 / 47 / 8 / 23

HEX #C467B5

RGB 196 103 181

HSL 309.68, 0.44%, 0.59%

LAB 56.85, 47.59, -25.11

 

CMYK 0 / 53 / 9 / 30

HEX #B355A2

RGB 179 85 162

HSL 310.85, 0.38%, 0.52%

LAB 50.32, 48.24, -24.33

 

CMYK 0 / 59 / 12 / 36

HEX #A2438F

RGB 162 67 143

HSL 312, 0.41%, 0.45%

LAB 43.77, 48.74, -23.33

 

CMYK 0 / 66 / 14 / 43

HEX #91317C

RGB 145 49 124

HSL 313.13, 0.49%, 0.38%

LAB 37.25, 48.92, -22.02

 

CMYK 0 / 76 / 18 / 50

HEX #801F69

RGB 128 31 105

HSL 314.23, 0.61%, 0.31%

LAB 30.85, 48.48, -20.18

 

CMYK 0 / 47 / 7 / 23

HEX #C468B6

RGB 196 104 182

HSL 309.13, 0.44%, 0.59%

LAB 57.09, 47.26, -25.33

 

CMYK 0 / 47 / 20 / 23

HEX #C4689D

RGB 196 104 157

HSL 325.43, 0.44%, 0.59%

LAB 56.16, 43.21, -12.28

 

CMYK 0 / 47 / 33 / 23

HEX #C46884

RGB 196 104 132

HSL 341.74, 0.44%, 0.59%

LAB 55.38, 39.72, 1.18

 

CMYK 0 / 47 / 45 / 23

HEX #C4686B

RGB 196 104 107

HSL 358.04, 0.44%, 0.59%

LAB 54.76, 36.82, 14.96

 

CMYK 0 / 47 / 47 / 23

HEX #C46868

RGB 196 104 104

HSL 0, 0.44%, 0.59%

LAB 54.7, 36.52, 16.63

 

CMYK 0 / 47 / 7 / 23

HEX #C468B6

RGB 196 104 182

HSL 309.13, 0.44%, 0.59%

LAB 57.09, 47.26, -25.33

 

CMYK 5 / 47 / 0 / 23

HEX #BA68C4

RGB 186 104 196

HSL 293.48, 0.44%, 0.59%

LAB 56.41, 46.82, -34.5

 

CMYK 17 / 47 / 0 / 23

HEX #A268C4

RGB 162 104 196

HSL 277.83, 0.44%, 0.59%

LAB 53.57, 39.88, -39.16

 

CMYK 30 / 47 / 0 / 23

HEX #8968C4

RGB 137 104 196

HSL 261.52, 0.44%, 0.59%

LAB 50.93, 32.87, -43.51

 

CMYK 43 / 47 / 0 / 23

HEX #7068C4

RGB 112 104 196

HSL 245.22, 0.44%, 0.59%

LAB 48.67, 26.34, -47.22

 

CMYK 0 / 47 / 7 / 23

HEX #C468B6

RGB 196 104 182

HSL 309.13, 0.44%, 0.59%

LAB 57.09, 47.26, -25.33

 

CMYK 0 / 59 / 9 / 16

HEX #D558C1

RGB 213 88 193

HSL 309.6, 0.6%, 0.59%

LAB 57.05, 61.54, -31.51

 

CMYK 0 / 69 / 11 / 10

HEX #E647CD

RGB 230 71 205

HSL 309.43, 0.76%, 0.59%

LAB 57.79, 74.25, -37.03

 

CMYK 0 / 78 / 13 / 3

HEX #F736D8

RGB 247 54 216

HSL 309.64, 0.92%, 0.59%

LAB 59.32, 84.49, -40.68

 

CMYK 0 / 47 / 7 / 23

HEX #C468B6

RGB 196 104 182

HSL 309.13, 0.44%, 0.59%

LAB 57.09, 47.26, -25.33

 

CMYK 0 / 33 / 6 / 29

HEX #B479AA

RGB 180 121 170

HSL 310.17, 0.28%, 0.59%

LAB 58.3, 30.85, -16.75

 

CMYK 0 / 15 / 2 / 36

HEX #A38A9F

RGB 163 138 159

HSL 309.6, 0.12%, 0.59%

LAB 60.31, 13.21, -7.61

 

CMYK 6 / 0 / 5 / 39

HEX #929B93

RGB 146 155 147

HSL 126.67, 0.04%, 0.59%

LAB 63.06, -4.79, 3.07

 

CMYK 25 / 0 / 21 / 33

HEX #81AC88

RGB 129 172 136

HSL 129.77, 0.21%, 0.59%

LAB 66.48, -21.84, 13.91

 

CMYK 18 / 47 / 0 / 23

HEX #A168C4

RGB 161 104 196

HSL 277.17, 0.44%, 0.59%

LAB 53.45, 39.59, -39.35

 

CMYK 5 / 47 / 0 / 23

HEX #BA68C4

RGB 186 104 196

HSL 293.48, 0.44%, 0.59%

LAB 56.41, 46.82, -34.5

 

CMYK 0 / 47 / 7 / 23

HEX #C468B7

RGB 196 104 183

HSL 308.48, 0.44%, 0.59%

LAB 57.13, 47.43, -25.84

 

CMYK 0 / 47 / 19 / 23

HEX #C4689E

RGB 196 104 158

HSL 324.78, 0.44%, 0.59%

LAB 56.19, 43.37, -12.81

 

CMYK 0 / 47 / 32 / 23

HEX #C46886

RGB 196 104 134

HSL 340.43, 0.44%, 0.59%

LAB 55.44, 39.98, 0.09

 

CMYK 0 / 61 / 10 / 38

HEX #9D3D8E

RGB 157 61 142

HSL 309.38, 0.44%, 0.43%

LAB 41.94, 49.91, -25.63

 

CMYK 0 / 59 / 10 / 27

HEX #B94BA7

RGB 185 75 167

HSL 309.82, 0.44%, 0.51%

LAB 49.66, 55.5, -28.22

 

CMYK 0 / 47 / 7 / 23

HEX #C468B6

RGB 196 104 182

HSL 309.13, 0.44%, 0.59%

LAB 57.09, 47.26, -25.33

 

CMYK 0 / 36 / 6 / 18

HEX #D086C4

RGB 208 134 196

HSL 309.73, 0.44%, 0.67%

LAB 65.31, 37.76, -20.54

 

CMYK 0 / 25 / 4 / 14

HEX #DCA4D3

RGB 220 164 211

HSL 309.64, 0.44%, 0.75%

LAB 73.85, 28.23, -15.81

 

CMYK 0 / 47 / 8 / 23

HEX #C467B5

RGB 196 103 181

HSL 309.68, 0.44%, 0.59%

LAB 56.85, 47.59, -25.11

 

CMYK 0 / 30 / 47 / 23

HEX #C48968

RGB 196 137 104

HSL 21.52, 0.44%, 0.59%

LAB 62.19, 18.63, 26.69

 

CMYK 47 / 0 / 12 / 23

HEX #68C4AD

RGB 104 196 173

HSL 165, 0.44%, 0.59%

LAB 73.18, -33.01, 3.07

 

CMYK 0 / 47 / 8 / 23

HEX #C467B5

RGB 196 103 181

HSL 309.68, 0.44%, 0.59%

LAB 56.85, 47.59, -25.11

 

CMYK 7 / 0 / 47 / 23

HEX #B7C468

RGB 183 196 104

HSL 68.48, 0.44%, 0.59%

LAB 76.4, -18.16, 44.41

 

CMYK 47 / 7 / 0 / 23

HEX #68B7C4

RGB 104 183 196

HSL 188.48, 0.44%, 0.59%

LAB 70.03, -20.81, -14.15

 

CMYK 0 / 47 / 8 / 23

HEX #C467B5

RGB 196 103 181

HSL 309.68, 0.44%, 0.59%

LAB 56.85, 47.59, -25.11

 

CMYK 0 / 30 / 47 / 23

HEX #C48968

RGB 196 137 104

HSL 21.52, 0.44%, 0.59%

LAB 62.19, 18.63, 26.69

 

CMYK 47 / 0 / 40 / 23

HEX #68C476

RGB 104 196 118

HSL 129.13, 0.44%, 0.59%

LAB 72.05, -44, 30.88

 

CMYK 47 / 16 / 0 / 23

HEX #68A4C4

RGB 104 164 196

HSL 200.87, 0.44%, 0.59%

LAB 64.55, -10.78, -22.47

 

CMYK 0 / 47 / 8 / 23

HEX #C467B5

RGB 196 103 181

HSL 309.68, 0.44%, 0.59%

LAB 56.85, 47.59, -25.11

 

CMYK 0 / 16 / 47 / 23

HEX #C4A468

RGB 196 164 104

HSL 39.13, 0.44%, 0.59%

LAB 68.96, 3.88, 35.41

 

CMYK 47 / 0 / 40 / 23

HEX #68C476

RGB 104 196 118

HSL 129.13, 0.44%, 0.59%

LAB 72.05, -44, 30.88

 

CMYK 47 / 30 / 0 / 23

HEX #6889C4

RGB 104 137 196

HSL 218.48, 0.44%, 0.59%

LAB 56.9, 4.5, -34.28

 

Description

Color code: RGB 196 103 181 | qconv.com Color code: RGB 196 103 181 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 103 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 103 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 8 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 8% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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