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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196.1 90.8 105 it is the complementary color RGB 58.9 164.2 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196.1 90.8 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196.1 90.8 105 shade: RGB 201.1 90.8 100, RGB 218.1 108.8 119, RGB 235.1 126.8 138, RGB 252.1 144.8 157 and RGB 255 162.8 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196.1 90.8 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196.1 90.8 105 shade: RGB 196.1 90.8 105, RGB 179.1 72.8 86, RGB 162.1 54.8 67, RGB 145.1 36.8 48 and RGB 128.1 18.8 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196.1 90.8 105 shade: RGB 195 90 104 and RGB 195 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196.1 90.8 105 shade: RGB 195 90 104, RGB 195 90 132, RGB 195 90 161, RGB 195 90 189 and RGB 173 90 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196.1 90.8 105 shade matches the following richer shades: RGB 195 90 104, RGB 213 71 91, RGB 231 53 77 and RGB 249 35 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196.1 90.8 105 shade: RGB 195 90 104, RGB 177 108 117, RGB 159 126 130, RGB 141 144 144 and RGB 122 162 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196.1 90.8 105 shade: RGB 195 90 162, RGB 195 90 134, RGB 195 90 105, RGB 195 102 90 and RGB 195 130 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196.1 90.8 105 shade: RGB 149 53 66, RGB 179 64 80, RGB 195 90 104, RGB 206 120 131 and RGB 217 150 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196.1 90.8 105 shade: RGB 196.1 90.8 105, RGB 190 195 90 and RGB 90 148 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196.1 90.8 105 shade: RGB 196.1 90.8 105, RGB 105 195 90 and RGB 90 105 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196.1 90.8 105 shade: RGB 196.1 90.8 105, RGB 190 195 90, RGB 90 195 179 and RGB 95 90 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196.1 90.8 105 shade: RGB 196.1 90.8 105, RGB 158 195 90, RGB 90 195 179 and RGB 126 90 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 46 / 23

HEX #C45A69

RGB 196.1 90.8 105

HSL 351.91, 0.47%, 0.56%

LAB 52.08, 43.4, 12.43

 

Complementary color

CMYK 64 / 0 / 9 / 36

HEX #3AA496

RGB 58.9 164.2 150

HSL 171.91, 0.47%, 0.44%

LAB 61.44, -33.38, -1.52

 

CMYK 0 / 55 / 50 / 21

HEX #C95A64

RGB 201.1 90.8 100

HSL 355, 0.51%, 0.57%

LAB 52.73, 44.71, 16.41

 

CMYK 0 / 50 / 45 / 14

HEX #DA6C77

RGB 218.1 108.8 119

HSL 354.4, 0.6%, 0.64%

LAB 59.11, 43.68, 14.49

 

CMYK 0 / 46 / 41 / 8

HEX #EB7E8A

RGB 235.1 126.8 138

HSL 353.8, 0.73%, 0.71%

LAB 65.47, 42.67, 12.85

 

CMYK 0 / 43 / 38 / 1

HEX #FC909D

RGB 252.1 144.8 157

HSL 353.18, 0.95%, 0.78%

LAB 71.78, 41.69, 11.42

 

CMYK 0 / 36 / 31 / 0

HEX #FFA2B0

RGB 255 162.8 176

HSL 351.41, 1%, 0.82%

LAB 76.39, 35.74, 7.55

 

CMYK 0 / 54 / 46 / 23

HEX #C45A69

RGB 196.1 90.8 105

HSL 351.91, 0.47%, 0.56%

LAB 52.08, 43.4, 12.43

 

CMYK 0 / 59 / 52 / 30

HEX #B34856

RGB 179.1 72.8 86

HSL 352.55, 0.42%, 0.49%

LAB 45.64, 44.34, 14.55

 

CMYK 0 / 66 / 59 / 36

HEX #A23643

RGB 162.1 54.8 67

HSL 353.18, 0.49%, 0.43%

LAB 39.26, 45.12, 17.17

 

CMYK 0 / 75 / 67 / 43

HEX #912430

RGB 145.1 36.8 48

HSL 353.8, 0.6%, 0.36%

LAB 33.03, 45.49, 20.5

 

CMYK 0 / 85 / 77 / 50

HEX #80121D

RGB 128.1 18.8 29

HSL 354.4, 0.74%, 0.29%

LAB 27.14, 45, 24.78

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 54 / 32 / 24

HEX #C35A84

RGB 195 90 132

HSL 336, 0.47%, 0.56%

LAB 52.49, 46.46, -3.07

 

CMYK 0 / 54 / 17 / 24

HEX #C35AA1

RGB 195 90 161

HSL 319.43, 0.47%, 0.56%

LAB 53.48, 50.5, -18.69

 

CMYK 0 / 54 / 3 / 24

HEX #C35ABD

RGB 195 90 189

HSL 303.43, 0.47%, 0.56%

LAB 54.65, 55.05, -33.15

 

CMYK 11 / 54 / 0 / 24

HEX #AD5AC3

RGB 173 90 195

HSL 287.43, 0.47%, 0.56%

LAB 51.99, 50.14, -40.98

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 67 / 57 / 16

HEX #D5475B

RGB 213 71 91

HSL 351.55, 0.63%, 0.56%

LAB 51.16, 56.83, 19.96

 

CMYK 0 / 77 / 67 / 9

HEX #E7354D

RGB 231 53 77

HSL 351.91, 0.79%, 0.56%

LAB 51.92, 67.56, 29.91

 

CMYK 0 / 86 / 74 / 2

HEX #F92340

RGB 249 35 64

HSL 351.87, 0.95%, 0.56%

LAB 53.72, 76.02, 40.46

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 39 / 34 / 31

HEX #B16C75

RGB 177 108 117

HSL 352.17, 0.31%, 0.56%

LAB 53.34, 28.61, 6.73

 

CMYK 0 / 21 / 18 / 38

HEX #9F7E82

RGB 159 126 130

HSL 352.73, 0.15%, 0.56%

LAB 55.99, 13.38, 2.69

 

CMYK 2 / 0 / 0 / 44

HEX #8D9090

RGB 141 144 144

HSL 180, 0.01%, 0.56%

LAB 59.55, -1.09, -0.39

 

CMYK 25 / 0 / 3 / 36

HEX #7AA29D

RGB 122 162 157

HSL 172.5, 0.18%, 0.56%

LAB 63.68, -14.64, -1.84

 

CMYK 0 / 54 / 17 / 24

HEX #C35AA2

RGB 195 90 162

HSL 318.86, 0.47%, 0.56%

LAB 53.52, 50.65, -19.22

 

CMYK 0 / 54 / 31 / 24

HEX #C35A86

RGB 195 90 134

HSL 334.86, 0.47%, 0.56%

LAB 52.55, 46.71, -4.17

 

CMYK 0 / 54 / 46 / 24

HEX #C35A69

RGB 195 90 105

HSL 351.43, 0.47%, 0.56%

LAB 51.76, 43.41, 11.96

 

CMYK 0 / 48 / 54 / 24

HEX #C3665A

RGB 195 102 90

HSL 6.86, 0.47%, 0.56%

LAB 53.86, 35.88, 23.62

 

CMYK 0 / 33 / 54 / 24

HEX #C3825A

RGB 195 130 90

HSL 22.86, 0.47%, 0.56%

LAB 60.16, 20.75, 31.76

 

CMYK 0 / 64 / 56 / 42

HEX #953542

RGB 149 53 66

HSL 351.88, 0.48%, 0.4%

LAB 36.61, 41.32, 13.84

 

CMYK 0 / 64 / 55 / 30

HEX #B34050

RGB 179 64 80

HSL 351.65, 0.47%, 0.48%

LAB 43.99, 47.83, 15.96

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 42 / 36 / 19

HEX #CE7883

RGB 206 120 131

HSL 352.33, 0.47%, 0.64%

LAB 60.06, 34.8, 8.67

 

CMYK 0 / 31 / 27 / 15

HEX #D9969F

RGB 217 150 159

HSL 351.94, 0.47%, 0.72%

LAB 68.8, 26.42, 5.48

 

CMYK 0 / 54 / 46 / 23

HEX #C45A69

RGB 196.1 90.8 105

HSL 351.91, 0.47%, 0.56%

LAB 52.08, 43.4, 12.43

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 54 / 24 / 0 / 24

HEX #5A94C3

RGB 90 148 195

HSL 206.86, 0.47%, 0.56%

LAB 59.25, -5.45, -30.12

 

CMYK 0 / 54 / 46 / 23

HEX #C45A69

RGB 196.1 90.8 105

HSL 351.91, 0.47%, 0.56%

LAB 52.08, 43.4, 12.43

 

CMYK 46 / 0 / 54 / 24

HEX #69C35A

RGB 105 195 90

HSL 111.43, 0.47%, 0.56%

LAB 71.4, -47.28, 44.07

 

CMYK 54 / 46 / 0 / 24

HEX #5A69C3

RGB 90 105 195

HSL 231.43, 0.47%, 0.56%

LAB 47.26, 20.3, -49

 

CMYK 0 / 54 / 46 / 23

HEX #C45A69

RGB 196.1 90.8 105

HSL 351.91, 0.47%, 0.56%

LAB 52.08, 43.4, 12.43

 

CMYK 3 / 0 / 54 / 24

HEX #BEC35A

RGB 190 195 90

HSL 62.86, 0.47%, 0.56%

LAB 76.51, -16.1, 51.34

 

CMYK 54 / 0 / 8 / 24

HEX #5AC3B3

RGB 90 195 179

HSL 170.86, 0.47%, 0.56%

LAB 72.53, -34.25, -1.19

 

CMYK 51 / 54 / 0 / 24

HEX #5F5AC3

RGB 95 90 195

HSL 242.86, 0.47%, 0.56%

LAB 43.78, 30.66, -54.57

 

CMYK 0 / 54 / 46 / 23

HEX #C45A69

RGB 196.1 90.8 105

HSL 351.91, 0.47%, 0.56%

LAB 52.08, 43.4, 12.43

 

CMYK 19 / 0 / 54 / 24

HEX #9EC35A

RGB 158 195 90

HSL 81.14, 0.47%, 0.56%

LAB 74.21, -28.9, 48.09

 

CMYK 54 / 0 / 8 / 24

HEX #5AC3B3

RGB 90 195 179

HSL 170.86, 0.47%, 0.56%

LAB 72.53, -34.25, -1.19

 

CMYK 35 / 54 / 0 / 24

HEX #7E5AC3

RGB 126 90 195

HSL 260.57, 0.47%, 0.56%

LAB 46.56, 37.84, -49.95

 

Description

Color code: RGB 196.1 90.8 105 | qconv.com Color code: RGB 196.1 90.8 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196.1 red, 90.8 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196.1 90.8 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 46 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 46% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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