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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196.1 219 177 it is the complementary color RGB 58.9 36 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196.1 219 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196.1 219 177 shade: RGB 201.1 219 172, RGB 218.1 237 191, RGB 235.1 255 210, RGB 252.1 255 229 and RGB 255 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196.1 219 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196.1 219 177 shade: RGB 196.1 219 177, RGB 179.1 201 158, RGB 162.1 183 139, RGB 145.1 165 120 and RGB 128.1 147 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196.1 219 177 shade: RGB 197 219 178, RGB 208 219 178, RGB 219 219 178, RGB 219 208 178 and RGB 219 197 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196.1 219 177 shade: RGB 197 219 178, RGB 185 219 178, RGB 178 219 181, RGB 178 219 192 and RGB 178 219 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196.1 219 177 shade matches the following richer shades: RGB 197 219 178, RGB 196 228 169, RGB 195 237 159 and RGB 194 246 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196.1 219 177 shade: RGB 197 219 178, RGB 197 210 187, RGB 198 201 196, RGB 199 192 205 and RGB 200 183 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196.1 219 177 shade: RGB 219 219 178, RGB 208 219 178, RGB 197 219 178, RGB 186 219 178 and RGB 178 219 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196.1 219 177 shade: RGB 154 193 121, RGB 175 206 149, RGB 197 219 178, RGB 218 232 206 and RGB 239 245 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196.1 219 177 shade: RGB 196.1 219 177, RGB 178 219 208 and RGB 219 178 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196.1 219 177 shade: RGB 196.1 219 177, RGB 178 197 219 and RGB 219 178 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196.1 219 177 shade: RGB 196.1 219 177, RGB 178 219 208, RGB 200 178 219 and RGB 219 178 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196.1 219 177 shade: RGB 196.1 219 177, RGB 178 218 219, RGB 200 178 219 and RGB 219 179 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 19 / 14

HEX #C4DBB1

RGB 196.1 219 177

HSL 92.71, 0.37%, 0.78%

LAB 84.79, -15.11, 18.14

 

Complementary color

CMYK 24 / 54 / 0 / 69

HEX #3A244E

RGB 58.9 36 78

HSL 272.71, 0.37%, 0.22%

LAB 18.96, 20.31, -21.83

 

CMYK 8 / 0 / 21 / 14

HEX #C9DBAC

RGB 201.1 219 172

HSL 82.85, 0.39%, 0.77%

LAB 85.03, -14.11, 21.16

 

CMYK 8 / 0 / 19 / 7

HEX #DAEDBF

RGB 218.1 237 191

HSL 84.65, 0.56%, 0.84%

LAB 91.35, -14.13, 20.23

 

CMYK 8 / 0 / 18 / 0

HEX #EBFFD2

RGB 235.1 255 210

HSL 86.53, 1%, 0.91%

LAB 97.57, -14.16, 19.36

 

CMYK 1 / 0 / 10 / 0

HEX #FCFFE5

RGB 252.1 255 229

HSL 66.69, 1%, 0.95%

LAB 99.18, -5.32, 12.09

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 10 / 0 / 19 / 14

HEX #C4DBB1

RGB 196.1 219 177

HSL 92.71, 0.37%, 0.78%

LAB 84.79, -15.11, 18.14

 

CMYK 11 / 0 / 21 / 21

HEX #B3C99E

RGB 179.1 201 158

HSL 90.56, 0.28%, 0.7%

LAB 78.37, -15.13, 19.07

 

CMYK 11 / 0 / 24 / 28

HEX #A2B78B

RGB 162.1 183 139

HSL 88.5, 0.23%, 0.63%

LAB 71.84, -15.15, 20.04

 

CMYK 12 / 0 / 27 / 35

HEX #91A578

RGB 145.1 165 120

HSL 86.53, 0.2%, 0.56%

LAB 65.2, -15.17, 21.08

 

CMYK 13 / 0 / 31 / 42

HEX #809365

RGB 128.1 147 101

HSL 84.65, 0.19%, 0.49%

LAB 58.42, -15.18, 22.19

 

CMYK 10 / 0 / 19 / 14

HEX #C5DBB2

RGB 197 219 178

HSL 92.2, 0.36%, 0.78%

LAB 84.87, -14.63, 17.74

 

CMYK 5 / 0 / 19 / 14

HEX #D0DBB2

RGB 208 219 178

HSL 76.1, 0.36%, 0.78%

LAB 85.65, -10.71, 18.95

 

CMYK 0 / 0 / 19 / 14

HEX #DBDBB2

RGB 219 219 178

HSL 60, 0.36%, 0.78%

LAB 86.47, -6.71, 20.22

 

CMYK 0 / 5 / 19 / 14

HEX #DBD0B2

RGB 219 208 178

HSL 43.9, 0.36%, 0.78%

LAB 83.65, -1.05, 16.27

 

CMYK 0 / 10 / 19 / 14

HEX #DBC5B2

RGB 219 197 178

HSL 27.8, 0.36%, 0.78%

LAB 80.85, 4.7, 12.34

 

CMYK 10 / 0 / 19 / 14

HEX #C5DBB2

RGB 197 219 178

HSL 92.2, 0.36%, 0.78%

LAB 84.87, -14.63, 17.74

 

CMYK 16 / 0 / 19 / 14

HEX #B9DBB2

RGB 185 219 178

HSL 109.76, 0.36%, 0.78%

LAB 84.07, -18.8, 16.5

 

CMYK 19 / 0 / 17 / 14

HEX #B2DBB5

RGB 178 219 181

HSL 124.39, 0.36%, 0.78%

LAB 83.69, -20.66, 14.33

 

CMYK 19 / 0 / 12 / 14

HEX #B2DBC0

RGB 178 219 192

HSL 140.49, 0.36%, 0.78%

LAB 83.93, -18.66, 8.87

 

CMYK 19 / 0 / 7 / 14

HEX #B2DBCC

RGB 178 219 204

HSL 158.05, 0.36%, 0.78%

LAB 84.22, -16.36, 2.94

 

CMYK 10 / 0 / 19 / 14

HEX #C5DBB2

RGB 197 219 178

HSL 92.2, 0.36%, 0.78%

LAB 84.87, -14.63, 17.74

 

CMYK 14 / 0 / 26 / 11

HEX #C4E4A9

RGB 196 228 169

HSL 92.54, 0.52%, 0.78%

LAB 87.04, -20.84, 25.41

 

CMYK 18 / 0 / 33 / 7

HEX #C3ED9F

RGB 195 237 159

HSL 92.31, 0.68%, 0.78%

LAB 89.24, -26.98, 33.47

 

CMYK 21 / 0 / 39 / 4

HEX #C2F696

RGB 194 246 150

HSL 92.5, 0.84%, 0.78%

LAB 91.5, -32.75, 40.9

 

CMYK 10 / 0 / 19 / 14

HEX #C5DBB2

RGB 197 219 178

HSL 92.2, 0.36%, 0.78%

LAB 84.87, -14.63, 17.74

 

CMYK 6 / 0 / 11 / 18

HEX #C5D2BB

RGB 197 210 187

HSL 93.91, 0.2%, 0.78%

LAB 82.67, -8.56, 9.89

 

CMYK 1 / 0 / 2 / 21

HEX #C6C9C4

RGB 198 201 196

HSL 96, 0.04%, 0.78%

LAB 80.61, -1.94, 2.12

 

CMYK 3 / 6 / 0 / 20

HEX #C7C0CD

RGB 199 192 205

HSL 272.31, 0.12%, 0.78%

LAB 78.61, 4.85, -5.64

 

CMYK 7 / 14 / 0 / 16

HEX #C8B7D6

RGB 200 183 214

HSL 272.9, 0.27%, 0.78%

LAB 76.68, 11.78, -13.37

 

CMYK 0 / 0 / 19 / 14

HEX #DBDBB2

RGB 219 219 178

HSL 60, 0.36%, 0.78%

LAB 86.47, -6.71, 20.22

 

CMYK 5 / 0 / 19 / 14

HEX #D0DBB2

RGB 208 219 178

HSL 76.1, 0.36%, 0.78%

LAB 85.65, -10.71, 18.95

 

CMYK 10 / 0 / 19 / 14

HEX #C5DBB2

RGB 197 219 178

HSL 92.2, 0.36%, 0.78%

LAB 84.87, -14.63, 17.74

 

CMYK 15 / 0 / 19 / 14

HEX #BADBB2

RGB 186 219 178

HSL 108.29, 0.36%, 0.78%

LAB 84.13, -18.46, 16.6

 

CMYK 19 / 0 / 18 / 14

HEX #B2DBB4

RGB 178 219 180

HSL 122.93, 0.36%, 0.78%

LAB 83.66, -20.83, 14.82

 

CMYK 20 / 0 / 37 / 24

HEX #9AC179

RGB 154 193 121

HSL 92.5, 0.37%, 0.62%

LAB 73.8, -25.81, 32.11

 

CMYK 15 / 0 / 28 / 19

HEX #AFCE95

RGB 175 206 149

HSL 92.63, 0.37%, 0.7%

LAB 79.29, -20.51, 25.04

 

CMYK 10 / 0 / 19 / 14

HEX #C5DBB2

RGB 197 219 178

HSL 92.2, 0.36%, 0.78%

LAB 84.87, -14.63, 17.74

 

CMYK 6 / 0 / 11 / 9

HEX #DAE8CE

RGB 218 232 206

HSL 92.31, 0.36%, 0.86%

LAB 90.36, -9.25, 11.06

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EA

RGB 239 245 234

HSL 92.73, 0.35%, 0.94%

LAB 95.83, -3.91, 4.59

 

CMYK 10 / 0 / 19 / 14

HEX #C4DBB1

RGB 196.1 219 177

HSL 92.71, 0.37%, 0.78%

LAB 84.79, -15.11, 18.14

 

CMYK 19 / 0 / 5 / 14

HEX #B2DBD0

RGB 178 219 208

HSL 163.9, 0.36%, 0.78%

LAB 84.32, -15.56, 0.96

 

CMYK 0 / 19 / 2 / 14

HEX #DBB2D6

RGB 219 178 214

HSL 307.32, 0.36%, 0.78%

LAB 77.13, 20.87, -12.52

 

CMYK 10 / 0 / 19 / 14

HEX #C4DBB1

RGB 196.1 219 177

HSL 92.71, 0.37%, 0.78%

LAB 84.79, -15.11, 18.14

 

CMYK 19 / 10 / 0 / 14

HEX #B2C5DB

RGB 178 197 219

HSL 212.2, 0.36%, 0.78%

LAB 78.76, -1.85, -13.13

 

CMYK 0 / 19 / 10 / 14

HEX #DBB2C5

RGB 219 178 197

HSL 332.2, 0.36%, 0.78%

LAB 76.64, 17.89, -4.01

 

CMYK 10 / 0 / 19 / 14

HEX #C4DBB1

RGB 196.1 219 177

HSL 92.71, 0.37%, 0.78%

LAB 84.79, -15.11, 18.14

 

CMYK 19 / 0 / 5 / 14

HEX #B2DBD0

RGB 178 219 208

HSL 163.9, 0.36%, 0.78%

LAB 84.32, -15.56, 0.96

 

CMYK 9 / 19 / 0 / 14

HEX #C8B2DB

RGB 200 178 219

HSL 272.2, 0.36%, 0.78%

LAB 75.6, 15.5, -17.72

 

CMYK 0 / 19 / 14 / 14

HEX #DBB2BD

RGB 219 178 189

HSL 343.9, 0.36%, 0.78%

LAB 76.42, 16.56, 0.02

 

CMYK 10 / 0 / 19 / 14

HEX #C4DBB1

RGB 196.1 219 177

HSL 92.71, 0.37%, 0.78%

LAB 84.79, -15.11, 18.14

 

CMYK 19 / 0 / 0 / 14

HEX #B2DADB

RGB 178 218 219

HSL 181.46, 0.36%, 0.78%

LAB 84.34, -12.79, -4.84

 

CMYK 9 / 19 / 0 / 14

HEX #C8B2DB

RGB 200 178 219

HSL 272.2, 0.36%, 0.78%

LAB 75.6, 15.5, -17.72

 

CMYK 0 / 18 / 19 / 14

HEX #DBB3B2

RGB 219 179 178

HSL 1.46, 0.36%, 0.78%

LAB 76.38, 14.29, 5.96

 

Description

Color code: RGB 196.1 219 177 | qconv.com Color code: RGB 196.1 219 177 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196.1 red, 219 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196.1 219 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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