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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 170 175 it is the complementary color RGB 60 85 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 170 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 195 170 175: RGB 200 170 170, RGB 217 188 189, RGB 234 206 208, RGB 251 224 227 and RGB 255 242 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 170 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 195 170 175: RGB 195 170 175, RGB 178 152 156, RGB 161 134 137, RGB 144 116 118 and RGB 127 98 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

Complementary color

CMYK 29 / 0 / 6 / 67

HEX #3C5550

RGB 60 85 80

HSL 168, 0.17%, 0.28%

LAB 34.06, -10.68, -0.15

 

CMYK 0 / 15 / 15 / 22

HEX #C8AAAA

RGB 200 170 170

HSL 0, 0.21%, 0.73%

LAB 72.18, 10.9, 4.05

 

CMYK 0 / 13 / 13 / 15

HEX #D9BCBD

RGB 217 188 189

HSL 357.93, 0.28%, 0.79%

LAB 78.69, 10.48, 3.3

 

CMYK 0 / 12 / 11 / 8

HEX #EACED0

RGB 234 206 208

HSL 355.71, 0.4%, 0.86%

LAB 85.09, 10.1, 2.59

 

CMYK 0 / 11 / 10 / 2

HEX #FBE0E3

RGB 251 224 227

HSL 353.33, 0.77%, 0.93%

LAB 91.4, 9.75, 1.92

 

CMYK 0 / 5 / 4 / 0

HEX #FFF2F6

RGB 255 242 246

HSL 341.54, 1%, 0.97%

LAB 96.58, 5.04, -0.37

 

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

CMYK 0 / 15 / 12 / 30

HEX #B2989C

RGB 178 152 156

HSL 350.77, 0.14%, 0.65%

LAB 65.22, 10.31, 1.48

 

CMYK 0 / 17 / 15 / 37

HEX #A18689

RGB 161 134 137

HSL 353.33, 0.13%, 0.58%

LAB 58.45, 10.76, 2.23

 

CMYK 0 / 19 / 18 / 44

HEX #907476

RGB 144 116 118

HSL 355.71, 0.11%, 0.51%

LAB 51.53, 11.28, 3.04

 

CMYK 0 / 23 / 22 / 50

HEX #7F6263

RGB 127 98 99

HSL 357.93, 0.13%, 0.44%

LAB 44.44, 11.88, 3.94

 

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

CMYK 0 / 12 / 12 / 24

HEX #C3ABAC

RGB 195 171 172

HSL 357.5, 0.17%, 0.72%

LAB 72.03, 8.85, 2.67

 

CMYK 0 / 11 / 12 / 24

HEX #C3AEAB

RGB 195 174 171

HSL 7.5, 0.17%, 0.72%

LAB 72.77, 7.05, 4.29

 

CMYK 0 / 9 / 12 / 24

HEX #C3B2AB

RGB 195 178 171

HSL 17.5, 0.17%, 0.72%

LAB 73.79, 4.89, 5.77

 

CMYK 0 / 7 / 12 / 24

HEX #C3B6AB

RGB 195 182 171

HSL 27.5, 0.17%, 0.72%

LAB 74.82, 2.74, 7.25

 

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

CMYK 0 / 13 / 10 / 4

HEX #F6D6DD

RGB 246 214 221

HSL 346.88, 0.64%, 0.9%

LAB 88.4, 12.24, 0.65

 

CMYK 0 / 12 / 10 / 84

HEX #2A2526

RGB 42 37 38

HSL 348, 0.06%, 0.15%

LAB 15.25, 2.56, 0.18

 

CMYK 0 / 13 / 11 / 64

HEX #5D5153

RGB 93 81 83

HSL 350, 0.07%, 0.34%

LAB 35.67, 5.34, 0.65

 

CMYK 0 / 13 / 10 / 44

HEX #907E81

RGB 144 126 129

HSL 350, 0.08%, 0.53%

LAB 54.49, 7.42, 0.9

 

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

CMYK 0 / 0 / 12 / 24

HEX #C3C3AB

RGB 195 195 171

HSL 60, 0.17%, 0.72%

LAB 78.21, -4.16, 12.07

 

CMYK 12 / 5 / 0 / 24

HEX #ABBAC3

RGB 171 186 195

HSL 202.5, 0.17%, 0.72%

LAB 74.65, -3.33, -6.31

 

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

CMYK 10 / 0 / 12 / 24

HEX #B0C3AB

RGB 176 195 171

HSL 107.5, 0.17%, 0.72%

LAB 76.8, -10.97, 9.87

 

CMYK 12 / 10 / 0 / 24

HEX #ABB0C3

RGB 171 176 195

HSL 227.5, 0.17%, 0.72%

LAB 71.99, 2.07, -10.26

 

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

CMYK 0 / 0 / 12 / 24

HEX #C3C3AB

RGB 195 195 171

HSL 60, 0.17%, 0.72%

LAB 78.21, -4.16, 12.07

 

CMYK 12 / 0 / 3 / 24

HEX #ABC3BE

RGB 171 195 190

HSL 167.5, 0.17%, 0.72%

LAB 76.92, -9.1, -0.25

 

CMYK 12 / 12 / 0 / 24

HEX #ABABC3

RGB 171 171 195

HSL 240, 0.17%, 0.72%

LAB 70.68, 4.81, -12.22

 

CMYK 0 / 13 / 10 / 24

HEX #C3AAAF

RGB 195 170 175

HSL 348, 0.17%, 0.72%

LAB 71.86, 9.9, 0.77

 

CMYK 4 / 0 / 12 / 24

HEX #BCC3AB

RGB 188 195 171

HSL 77.5, 0.17%, 0.72%

LAB 77.67, -6.69, 11.24

 

CMYK 12 / 0 / 3 / 24

HEX #ABC3BE

RGB 171 195 190

HSL 167.5, 0.17%, 0.72%

LAB 76.92, -9.1, -0.25

 

CMYK 9 / 12 / 0 / 24

HEX #B2ABC3

RGB 178 171 195

HSL 257.5, 0.17%, 0.72%

LAB 71.24, 7.15, -11.33

 

Description

Color code: RGB 195 170 175 | qconv.com Color code: RGB 195 170 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 170 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 170 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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