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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195.1 36.8 6 it is the complementary color RGB 59.9 218.2 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195.1 36.8 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195.1 36.8 6 shade: RGB 200.1 36.8 1, RGB 217.1 54.8 20, RGB 234.1 72.8 39, RGB 251.1 90.8 58 and RGB 255 108.8 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195.1 36.8 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195.1 36.8 6 shade: RGB 195.1 36.8 6, RGB 178.1 18.8 0, RGB 161.1 0.8 0, RGB 144.1 0 0 and RGB 127.1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195.1 36.8 6 shade: RGB 193 36 6 and RGB 193 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195.1 36.8 6 shade: RGB 193 36 6, RGB 193 87 6, RGB 193 137 6, RGB 193 188 6 and RGB 148 193 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195.1 36.8 6 shade matches the following richer shades: RGB 193 36 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195.1 36.8 6 shade: RGB 193 36 6, RGB 177 47 22, RGB 161 58 38, RGB 145 69 54 and RGB 129 80 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195.1 36.8 6 shade: RGB 193 6 78, RGB 193 6 28, RGB 193 34 6, RGB 193 84 6 and RGB 193 134 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195.1 36.8 6 shade: RGB 113 21 3, RGB 153 29 5, RGB 193 36 6, RGB 233 44 7 and RGB 248 68 33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195.1 36.8 6 shade: RGB 195.1 36.8 6, RGB 127 193 6 and RGB 6 53 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195.1 36.8 6 shade: RGB 195.1 36.8 6, RGB 6 193 34 and RGB 34 6 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195.1 36.8 6 shade: RGB 195.1 36.8 6, RGB 127 193 6, RGB 6 165 193 and RGB 71 6 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195.1 36.8 6 shade: RGB 195.1 36.8 6, RGB 71 193 6, RGB 6 165 193 and RGB 127 6 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 97 / 23

HEX #C32406

RGB 195.1 36.8 6

HSL 9.77, 0.94%, 0.39%

LAB 42.67, 59.67, 53.8

 

Complementary color

CMYK 76 / 12 / 0 / 2

HEX #3BDAF9

RGB 59.9 218.2 249

HSL 189.77, 0.94%, 0.61%

LAB 80.76, -30.06, -26.6

 

CMYK 0 / 82 / 100 / 22

HEX #C82401

RGB 200.1 36.8 1

HSL 10.79, 0.99%, 0.39%

LAB 43.66, 61.07, 56.43

 

CMYK 0 / 75 / 91 / 15

HEX #D93614

RGB 217.1 54.8 20

HSL 10.59, 0.83%, 0.46%

LAB 48.92, 61.08, 55.41

 

CMYK 0 / 69 / 83 / 8

HEX #EA4827

RGB 234.1 72.8 39

HSL 10.39, 0.82%, 0.54%

LAB 54.44, 60.46, 53.3

 

CMYK 0 / 64 / 77 / 2

HEX #FB5A3A

RGB 251.1 90.8 58

HSL 10.19, 0.96%, 0.61%

LAB 60.14, 59.49, 50.68

 

CMYK 0 / 57 / 70 / 0

HEX #FF6C4D

RGB 255 108.8 77

HSL 10.72, 1%, 0.65%

LAB 63.91, 53.81, 45.2

 

CMYK 0 / 81 / 97 / 23

HEX #C32406

RGB 195.1 36.8 6

HSL 9.77, 0.94%, 0.39%

LAB 42.67, 59.67, 53.8

 

CMYK 0 / 89 / 100 / 30

HEX #B21200

RGB 178.1 18.8 0

HSL 6.33, 1%, 0.35%

LAB 37.73, 58.77, 51.65

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161.1 0.8 0

HSL 0.3, 1%, 0.32%

LAB 33.15, 56.71, 47.25

 

CMYK 0 / 100 / 100 / 43

HEX #900000

RGB 144.1 0 0

HSL 0, 1%, 0.28%

LAB 29.26, 52.37, 42.73

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127.1 0 0

HSL 0, 1%, 0.25%

LAB 25.32, 47.81, 37.79

 

CMYK 0 / 81 / 97 / 24

HEX #C12406

RGB 193 36 6

HSL 9.63, 0.94%, 0.39%

LAB 42.17, 59.27, 53.3

 

CMYK 0 / 97 / 97 / 24

HEX #C10606

RGB 193 6 6

HSL 0, 0.94%, 0.39%

LAB 40.38, 64.4, 52.4

 

CMYK 0 / 81 / 97 / 24

HEX #C12406

RGB 193 36 6

HSL 9.63, 0.94%, 0.39%

LAB 42.17, 59.27, 53.3

 

CMYK 0 / 55 / 97 / 24

HEX #C15706

RGB 193 87 6

HSL 25.99, 0.94%, 0.39%

LAB 49.7, 39.02, 57.68

 

CMYK 0 / 29 / 97 / 24

HEX #C18906

RGB 193 137 6

HSL 42.03, 0.94%, 0.39%

LAB 60.99, 12.19, 65.26

 

CMYK 0 / 3 / 97 / 24

HEX #C1BC06

RGB 193 188 6

HSL 58.4, 0.94%, 0.39%

LAB 74.39, -14.9, 74.98

 

CMYK 23 / 0 / 97 / 24

HEX #94C106

RGB 148 193 6

HSL 74.44, 0.94%, 0.39%

LAB 72.53, -36.25, 72.13

 

CMYK 0 / 81 / 97 / 24

HEX #C12406

RGB 193 36 6

HSL 9.63, 0.94%, 0.39%

LAB 42.17, 59.27, 53.3

 

CMYK 0 / 81 / 97 / 24

HEX #C12406

RGB 193 36 6

HSL 9.63, 0.94%, 0.39%

LAB 42.17, 59.27, 53.3

 

CMYK 0 / 73 / 88 / 31

HEX #B12F16

RGB 177 47 22

HSL 9.68, 0.78%, 0.39%

LAB 40.31, 51.14, 44.76

 

CMYK 0 / 64 / 76 / 37

HEX #A13A26

RGB 161 58 38

HSL 9.76, 0.62%, 0.39%

LAB 39.14, 41.57, 34.44

 

CMYK 0 / 52 / 63 / 43

HEX #914536

RGB 145 69 54

HSL 9.89, 0.46%, 0.39%

LAB 38.8, 30.79, 24.01

 

CMYK 0 / 38 / 46 / 49

HEX #815046

RGB 129 80 70

HSL 10.17, 0.3%, 0.39%

LAB 39.32, 19.34, 14.5

 

CMYK 0 / 97 / 60 / 24

HEX #C1064E

RGB 193 6 78

HSL 336.9, 0.94%, 0.39%

LAB 41.24, 66.78, 13.92

 

CMYK 0 / 97 / 85 / 24

HEX #C1061C

RGB 193 6 28

HSL 352.94, 0.94%, 0.39%

LAB 40.49, 64.72, 43.31

 

CMYK 0 / 82 / 97 / 24

HEX #C12206

RGB 193 34 6

HSL 8.98, 0.94%, 0.39%

LAB 41.99, 59.78, 53.21

 

CMYK 0 / 56 / 97 / 24

HEX #C15406

RGB 193 84 6

HSL 25.03, 0.94%, 0.39%

LAB 49.12, 40.5, 57.32

 

CMYK 0 / 31 / 97 / 24

HEX #C18606

RGB 193 134 6

HSL 41.07, 0.94%, 0.39%

LAB 60.25, 13.84, 64.74

 

CMYK 0 / 81 / 97 / 56

HEX #711503

RGB 113 21 3

HSL 9.82, 0.95%, 0.23%

LAB 23.85, 38.77, 34.04

 

CMYK 0 / 81 / 97 / 40

HEX #991D05

RGB 153 29 5

HSL 9.73, 0.94%, 0.31%

LAB 33.27, 49.18, 44.41

 

CMYK 0 / 81 / 97 / 24

HEX #C12406

RGB 193 36 6

HSL 9.63, 0.94%, 0.39%

LAB 42.17, 59.27, 53.3

 

CMYK 0 / 81 / 97 / 9

HEX #E92C07

RGB 233 44 7

HSL 9.82, 0.94%, 0.47%

LAB 50.85, 68.67, 61.84

 

CMYK 0 / 73 / 87 / 3

HEX #F84421

RGB 248 68 33

HSL 9.77, 0.94%, 0.55%

LAB 56.29, 66.37, 58.45

 

CMYK 0 / 81 / 97 / 23

HEX #C32406

RGB 195.1 36.8 6

HSL 9.77, 0.94%, 0.39%

LAB 42.67, 59.67, 53.8

 

CMYK 34 / 0 / 97 / 24

HEX #7FC106

RGB 127 193 6

HSL 81.18, 0.94%, 0.39%

LAB 71.33, -44.29, 70.68

 

CMYK 97 / 73 / 0 / 24

HEX #0635C1

RGB 6 53 193

HSL 224.92, 0.94%, 0.39%

LAB 30.48, 43.1, -75.29

 

CMYK 0 / 81 / 97 / 23

HEX #C32406

RGB 195.1 36.8 6

HSL 9.77, 0.94%, 0.39%

LAB 42.67, 59.67, 53.8

 

CMYK 97 / 0 / 82 / 24

HEX #06C122

RGB 6 193 34

HSL 128.98, 0.94%, 0.39%

LAB 68.24, -68.53, 61.89

 

CMYK 82 / 97 / 0 / 24

HEX #2206C1

RGB 34 6 193

HSL 248.98, 0.94%, 0.39%

LAB 24.7, 63.32, -84.88

 

CMYK 0 / 81 / 97 / 23

HEX #C32406

RGB 195.1 36.8 6

HSL 9.77, 0.94%, 0.39%

LAB 42.67, 59.67, 53.8

 

CMYK 34 / 0 / 97 / 24

HEX #7FC106

RGB 127 193 6

HSL 81.18, 0.94%, 0.39%

LAB 71.33, -44.29, 70.68

 

CMYK 97 / 15 / 0 / 24

HEX #06A5C1

RGB 6 165 193

HSL 188.98, 0.94%, 0.39%

LAB 62.34, -25.38, -24.39

 

CMYK 63 / 97 / 0 / 24

HEX #4706C1

RGB 71 6 193

HSL 260.86, 0.94%, 0.39%

LAB 27.63, 64.78, -79.93

 

CMYK 0 / 81 / 97 / 23

HEX #C32406

RGB 195.1 36.8 6

HSL 9.77, 0.94%, 0.39%

LAB 42.67, 59.67, 53.8

 

CMYK 63 / 0 / 97 / 24

HEX #47C106

RGB 71 193 6

HSL 99.14, 0.94%, 0.39%

LAB 69.11, -61.24, 67.97

 

CMYK 97 / 15 / 0 / 24

HEX #06A5C1

RGB 6 165 193

HSL 188.98, 0.94%, 0.39%

LAB 62.34, -25.38, -24.39

 

CMYK 34 / 97 / 0 / 24

HEX #7F06C1

RGB 127 6 193

HSL 278.82, 0.94%, 0.39%

LAB 34.99, 69.69, -67.53

 

Description

Color code: RGB 195.1 36.8 6 | qconv.com Color code: RGB 195.1 36.8 6 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195.1 red, 36.8 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195.1 36.8 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 97 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 97% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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