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Color name
RGB 194 90.8 125.4

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 90.8 125.4 it is the complementary color RGB 61 164.2 129.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 90.8 125.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 90.8 125.4 shade: RGB 199 90.8 120.4, RGB 216 108.8 139.4, RGB 233 126.8 158.4, RGB 250 144.8 177.4 and RGB 255 162.8 196.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 90.8 125.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 90.8 125.4 shade: RGB 194 90.8 125.4, RGB 177 72.8 106.4, RGB 160 54.8 87.4, RGB 143 36.8 68.4 and RGB 126 18.8 49.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 90.8 125.4 shade: RGB 194 91 126, RGB 194 91 98 and RGB 194 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 90.8 125.4 shade: RGB 194 91 126, RGB 194 91 154, RGB 194 91 181, RGB 180 91 194 and RGB 152 91 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 90.8 125.4 shade matches the following richer shades: RGB 194 91 126, RGB 213 73 120, RGB 231 55 114 and RGB 249 37 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 90.8 125.4 shade: RGB 194 91 126, RGB 176 109 132, RGB 158 127 138, RGB 140 146 144 and RGB 122 164 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 90.8 125.4 shade: RGB 194 91 182, RGB 194 91 155, RGB 194 91 127, RGB 194 91 100 and RGB 194 110 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 90.8 125.4 shade: RGB 148 55 86, RGB 178 66 104, RGB 194 91 126, RGB 206 121 150 and RGB 217 151 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 90.8 125.4 shade: RGB 194 90.8 125.4, RGB 194 179 91 and RGB 91 169 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 90.8 125.4 shade: RGB 194 90.8 125.4, RGB 127 194 91 and RGB 91 127 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 90.8 125.4 shade: RGB 194 90.8 125.4, RGB 194 179 91, RGB 91 194 158 and RGB 91 107 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 90.8 125.4 shade: RGB 194 90.8 125.4, RGB 179 194 91, RGB 91 194 158 and RGB 107 91 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 35 / 24

HEX #C25A7D

RGB 194 90.8 125.4

HSL 339.88, 0.46%, 0.56%

LAB 52.3, 44.91, 0.55

 

Complementary color

CMYK 63 / 0 / 21 / 36

HEX #3DA481

RGB 61 164.2 129.6

HSL 159.88, 0.46%, 0.44%

LAB 60.97, -38.2, 9.26

 

CMYK 0 / 54 / 39 / 22

HEX #C75A78

RGB 199 90.8 120.4

HSL 343.59, 0.49%, 0.57%

LAB 52.9, 46.04, 4.49

 

CMYK 0 / 50 / 35 / 15

HEX #D86C8B

RGB 216 108.8 139.4

HSL 342.87, 0.58%, 0.64%

LAB 59.31, 45.18, 2.92

 

CMYK 0 / 46 / 32 / 9

HEX #E97E9E

RGB 233 126.8 158.4

HSL 342.15, 0.71%, 0.71%

LAB 65.7, 44.29, 1.58

 

CMYK 0 / 42 / 29 / 2

HEX #FA90B1

RGB 250 144.8 177.4

HSL 341.41, 0.91%, 0.77%

LAB 72.03, 43.42, 0.4

 

CMYK 0 / 36 / 23 / 0

HEX #FFA2C4

RGB 255 162.8 196.4

HSL 338.13, 1%, 0.82%

LAB 76.91, 38.47, -2.85

 

CMYK 0 / 53 / 35 / 24

HEX #C25A7D

RGB 194 90.8 125.4

HSL 339.88, 0.46%, 0.56%

LAB 52.3, 44.91, 0.55

 

CMYK 0 / 59 / 40 / 31

HEX #B1486A

RGB 177 72.8 106.4

HSL 340.65, 0.42%, 0.49%

LAB 45.82, 45.67, 2.27

 

CMYK 0 / 66 / 45 / 37

HEX #A03657

RGB 160 54.8 87.4

HSL 341.41, 0.49%, 0.42%

LAB 39.38, 46.23, 4.43

 

CMYK 0 / 74 / 52 / 44

HEX #8F2444

RGB 143 36.8 68.4

HSL 342.15, 0.59%, 0.35%

LAB 33.08, 46.33, 7.23

 

CMYK 0 / 85 / 61 / 51

HEX #7E1231

RGB 126 18.8 49.4

HSL 342.87, 0.74%, 0.28%

LAB 27.07, 45.54, 11.02

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 53 / 49 / 24

HEX #C25B62

RGB 194 91 98

HSL 355.92, 0.46%, 0.56%

LAB 51.65, 41.87, 15.94

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5B

RGB 194 91 91

HSL 0, 0.46%, 0.56%

LAB 51.5, 41.24, 19.88

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 53 / 21 / 24

HEX #C25B9A

RGB 194 91 154

HSL 323.3, 0.46%, 0.56%

LAB 53.26, 48.66, -14.93

 

CMYK 0 / 53 / 7 / 24

HEX #C25BB5

RGB 194 91 181

HSL 307.57, 0.46%, 0.56%

LAB 54.33, 52.93, -29.04

 

CMYK 7 / 53 / 0 / 24

HEX #B45BC2

RGB 180 91 194

HSL 291.84, 0.46%, 0.56%

LAB 53.04, 51.35, -38.7

 

CMYK 22 / 53 / 0 / 24

HEX #985BC2

RGB 152 91 194

HSL 275.53, 0.46%, 0.56%

LAB 49.56, 43.76, -44.42

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 66 / 44 / 16

HEX #D54978

RGB 213 73 120

HSL 339.86, 0.63%, 0.56%

LAB 52.14, 58.48, 3.92

 

CMYK 0 / 76 / 51 / 9

HEX #E73772

RGB 231 55 114

HSL 339.89, 0.79%, 0.56%

LAB 52.88, 69.36, 9.01

 

CMYK 0 / 85 / 57 / 2

HEX #F9256C

RGB 249 37 108

HSL 339.91, 0.95%, 0.56%

LAB 54.6, 77.83, 15.53

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 38 / 25 / 31

HEX #B06D84

RGB 176 109 132

HSL 339.4, 0.3%, 0.56%

LAB 53.85, 29.78, -1.37

 

CMYK 0 / 20 / 13 / 38

HEX #9E7F8A

RGB 158 127 138

HSL 338.71, 0.14%, 0.56%

LAB 56.37, 13.79, -1.41

 

CMYK 4 / 0 / 1 / 43

HEX #8C9290

RGB 140 146 144

HSL 160, 0.03%, 0.56%

LAB 60.02, -2.57, 0.29

RGB 140 146 144

CMYK 26 / 0 / 9 / 36

HEX #7AA496

RGB 122 164 150

HSL 160, 0.19%, 0.56%

LAB 64.07, -17.24, 2.65

RGB 122 164 150

CMYK 0 / 53 / 6 / 24

HEX #C25BB6

RGB 194 91 182

HSL 306.99, 0.46%, 0.56%

LAB 54.37, 53.1, -29.55

 

CMYK 0 / 53 / 20 / 24

HEX #C25B9B

RGB 194 91 155

HSL 322.72, 0.46%, 0.56%

LAB 53.3, 48.8, -15.47

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7F

RGB 194 91 127

HSL 339.03, 0.46%, 0.56%

LAB 52.38, 45.01, -0.28

 

CMYK 0 / 53 / 48 / 24

HEX #C25B64

RGB 194 91 100

HSL 354.76, 0.46%, 0.56%

LAB 51.69, 42.06, 14.81

 

CMYK 0 / 43 / 53 / 24

HEX #C26E5B

RGB 194 110 91

HSL 11.07, 0.46%, 0.56%

LAB 55.46, 31.33, 25.12

 

CMYK 0 / 63 / 42 / 42

HEX #943756

RGB 148 55 86

HSL 340, 0.46%, 0.4%

LAB 37.3, 42.01, 2.05

 

CMYK 0 / 63 / 42 / 30

HEX #B24268

RGB 178 66 104

HSL 339.64, 0.46%, 0.48%

LAB 44.75, 48.87, 2.21

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 41 / 27 / 19

HEX #CE7996

RGB 206 121 150

HSL 339.53, 0.46%, 0.64%

LAB 60.78, 36.73, -1.23

 

CMYK 0 / 30 / 20 / 15

HEX #D997AD

RGB 217 151 173

HSL 340, 0.46%, 0.72%

LAB 69.4, 27.91, -1.46

 

CMYK 0 / 53 / 35 / 24

HEX #C25A7D

RGB 194 90.8 125.4

HSL 339.88, 0.46%, 0.56%

LAB 52.3, 44.91, 0.55

 

CMYK 0 / 8 / 53 / 24

HEX #C2B35B

RGB 194 179 91

HSL 51.26, 0.46%, 0.56%

LAB 72.54, -6.14, 46.33

 

CMYK 53 / 13 / 0 / 24

HEX #5BA9C2

RGB 91 169 194

HSL 194.56, 0.46%, 0.56%

LAB 65.35, -17.02, -20.17

 

CMYK 0 / 53 / 35 / 24

HEX #C25A7D

RGB 194 90.8 125.4

HSL 339.88, 0.46%, 0.56%

LAB 52.3, 44.91, 0.55

 

CMYK 35 / 0 / 53 / 24

HEX #7FC25B

RGB 127 194 91

HSL 99.03, 0.46%, 0.56%

LAB 72.13, -39.69, 44.71

 

CMYK 53 / 35 / 0 / 24

HEX #5B7FC2

RGB 91 127 194

HSL 219.03, 0.46%, 0.56%

LAB 53.27, 6.72, -38.88

 

CMYK 0 / 53 / 35 / 24

HEX #C25A7D

RGB 194 90.8 125.4

HSL 339.88, 0.46%, 0.56%

LAB 52.3, 44.91, 0.55

 

CMYK 0 / 8 / 53 / 24

HEX #C2B35B

RGB 194 179 91

HSL 51.26, 0.46%, 0.56%

LAB 72.54, -6.14, 46.33

 

CMYK 53 / 0 / 19 / 24

HEX #5BC29E

RGB 91 194 158

HSL 159.03, 0.46%, 0.56%

LAB 71.74, -38.61, 9.08

 

CMYK 53 / 45 / 0 / 24

HEX #5B6BC2

RGB 91 107 194

HSL 230.68, 0.46%, 0.56%

LAB 47.8, 18.95, -47.56

 

CMYK 0 / 53 / 35 / 24

HEX #C25A7D

RGB 194 90.8 125.4

HSL 339.88, 0.46%, 0.56%

LAB 52.3, 44.91, 0.55

 

CMYK 8 / 0 / 53 / 24

HEX #B3C25B

RGB 179 194 91

HSL 68.74, 0.46%, 0.56%

LAB 75.4, -20, 49.38

 

CMYK 53 / 0 / 19 / 24

HEX #5BC29E

RGB 91 194 158

HSL 159.03, 0.46%, 0.56%

LAB 71.74, -38.61, 9.08

 

CMYK 45 / 53 / 0 / 24

HEX #6B5BC2

RGB 107 91 194

HSL 249.32, 0.46%, 0.56%

LAB 44.95, 32.41, -52.06

 

Description

Color code: RGB 194 90.8 125.4 | qconv.com Color code: RGB 194 90.8 125.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 90.8 green and 125.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 90.8 125.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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