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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 53 215 it is the complementary color RGB 61 202 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 53 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 53 215 shade: RGB 199 53 210, RGB 216 71 229, RGB 233 89 248, RGB 250 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 53 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 53 215 shade: RGB 194 53 215, RGB 177 35 196, RGB 160 17 177, RGB 143 0 158 and RGB 126 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 53 215 shade: RGB 195 55 215, RGB 215 55 193, RGB 215 55 150, RGB 215 55 106 and RGB 215 55 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 53 215 shade: RGB 195 55 215, RGB 151 55 215, RGB 108 55 215, RGB 65 55 215 and RGB 55 55 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 53 215 shade matches the following richer shades: RGB 195 55 215, RGB 209 35 235 and RGB 223 16 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 53 215 shade: RGB 195 55 215, RGB 180 74 196, RGB 166 94 177, RGB 152 113 157 and RGB 137 132 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 53 215 shade: RGB 108 55 215, RGB 151 55 215, RGB 194 55 215, RGB 215 55 194 and RGB 215 55 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 53 215 shade: RGB 140 31 157, RGB 171 38 191, RGB 195 55 215, RGB 205 89 222 and RGB 215 124 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 53 215 shade: RGB 194 53 215, RGB 215 66 55 and RGB 55 215 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 53 215 shade: RGB 194 53 215, RGB 215 194 55 and RGB 55 215 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 53 215 shade: RGB 194 53 215, RGB 215 66 55, RGB 76 215 55 and RGB 55 205 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 53 215 shade: RGB 194 53 215, RGB 215 114 55, RGB 76 215 55 and RGB 55 157 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 75 / 0 / 16

HEX #C235D7

RGB 194 53 215

HSL 292.22, 0.67%, 0.53%

LAB 50.6, 74, -54.49

 

Complementary color

CMYK 70 / 0 / 80 / 21

HEX #3DCA28

RGB 61 202 40

HSL 112.22, 0.67%, 0.47%

LAB 71.82, -65.02, 63.81

 

CMYK 5 / 75 / 0 / 18

HEX #C735D2

RGB 199 53 210

HSL 295.8, 0.64%, 0.52%

LAB 51.08, 74.14, -50.8

 

CMYK 6 / 69 / 0 / 10

HEX #D847E5

RGB 216 71 229

HSL 295.06, 0.75%, 0.59%

LAB 56.84, 74.89, -52.25

 

CMYK 6 / 64 / 0 / 3

HEX #E959F8

RGB 233 89 248

HSL 294.34, 0.92%, 0.66%

LAB 62.71, 75.14, -53.35

 

CMYK 2 / 58 / 0 / 0

HEX #FA6BFF

RGB 250 107 255

HSL 297.97, 1%, 0.71%

LAB 68.06, 72.99, -48.59

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 10 / 75 / 0 / 16

HEX #C235D7

RGB 194 53 215

HSL 292.22, 0.67%, 0.53%

LAB 50.6, 74, -54.49

 

CMYK 10 / 82 / 0 / 23

HEX #B123C4

RGB 177 35 196

HSL 292.92, 0.7%, 0.45%

LAB 44.99, 72.54, -52.68

 

CMYK 10 / 90 / 0 / 31

HEX #A011B1

RGB 160 17 177

HSL 293.63, 0.82%, 0.38%

LAB 39.66, 69.99, -50.23

 

CMYK 9 / 100 / 0 / 38

HEX #8F009E

RGB 143 0 158

HSL 294.3, 1%, 0.31%

LAB 34.62, 66.27, -47.11

 

CMYK 9 / 100 / 0 / 45

HEX #7E008B

RGB 126 0 139

HSL 294.39, 1%, 0.27%

LAB 30.16, 60.4, -42.8

 

CMYK 9 / 74 / 0 / 16

HEX #C337D7

RGB 195 55 215

HSL 292.5, 0.67%, 0.53%

LAB 50.97, 73.57, -53.88

 

CMYK 0 / 74 / 10 / 16

HEX #D737C1

RGB 215 55 193

HSL 308.25, 0.67%, 0.53%

LAB 52.98, 74.26, -37.85

 

CMYK 0 / 74 / 30 / 16

HEX #D73796

RGB 215 55 150

HSL 324.38, 0.67%, 0.53%

LAB 51.13, 68.67, -15.48

 

CMYK 0 / 74 / 51 / 16

HEX #D7376A

RGB 215 55 106

HSL 340.88, 0.67%, 0.53%

LAB 49.76, 64.35, 9.03

 

CMYK 0 / 74 / 71 / 16

HEX #D7373F

RGB 215 55 63

HSL 357, 0.67%, 0.53%

LAB 48.93, 61.64, 33.82

 

CMYK 9 / 74 / 0 / 16

HEX #C337D7

RGB 195 55 215

HSL 292.5, 0.67%, 0.53%

LAB 50.97, 73.57, -53.88

 

CMYK 30 / 74 / 0 / 16

HEX #9737D7

RGB 151 55 215

HSL 276, 0.67%, 0.53%

LAB 44.54, 65.24, -64.57

 

CMYK 50 / 74 / 0 / 16

HEX #6C37D7

RGB 108 55 215

HSL 259.88, 0.67%, 0.53%

LAB 39.29, 58.17, -73.37

 

CMYK 70 / 74 / 0 / 16

HEX #4137D7

RGB 65 55 215

HSL 243.75, 0.67%, 0.53%

LAB 35.52, 52.91, -79.7

 

CMYK 74 / 74 / 0 / 16

HEX #3737D7

RGB 55 55 215

HSL 240, 0.67%, 0.53%

LAB 34.9, 52.02, -80.74

 

CMYK 9 / 74 / 0 / 16

HEX #C337D7

RGB 195 55 215

HSL 292.5, 0.67%, 0.53%

LAB 50.97, 73.57, -53.88

 

CMYK 11 / 85 / 0 / 8

HEX #D123EB

RGB 209 35 235

HSL 292.2, 0.83%, 0.53%

LAB 52.68, 84.47, -62.35

 

CMYK 12 / 94 / 0 / 0

HEX #DF10FE

RGB 223 16 254

HSL 292.18, 0.99%, 0.53%

LAB 55.29, 92.27, -68.65

 

CMYK 9 / 74 / 0 / 16

HEX #C337D7

RGB 195 55 215

HSL 292.5, 0.67%, 0.53%

LAB 50.97, 73.57, -53.88

 

CMYK 8 / 62 / 0 / 23

HEX #B44AC4

RGB 180 74 196

HSL 292.13, 0.51%, 0.53%

LAB 50.2, 59.7, -44.33

 

CMYK 6 / 47 / 0 / 31

HEX #A65EB1

RGB 166 94 177

HSL 292.05, 0.35%, 0.53%

LAB 51.02, 42.47, -32.15

 

CMYK 3 / 28 / 0 / 38

HEX #98719D

RGB 152 113 157

HSL 293.18, 0.18%, 0.53%

LAB 52.86, 23.28, -17.78

 

CMYK 1 / 4 / 0 / 46

HEX #89848A

RGB 137 132 138

HSL 290, 0.02%, 0.53%

LAB 55.74, 3.05, -2.56

 

CMYK 50 / 74 / 0 / 16

HEX #6C37D7

RGB 108 55 215

HSL 259.88, 0.67%, 0.53%

LAB 39.29, 58.17, -73.37

 

CMYK 30 / 74 / 0 / 16

HEX #9737D7

RGB 151 55 215

HSL 276, 0.67%, 0.53%

LAB 44.54, 65.24, -64.57

 

CMYK 10 / 74 / 0 / 16

HEX #C237D7

RGB 194 55 215

HSL 292.13, 0.67%, 0.53%

LAB 50.81, 73.37, -54.14

 

CMYK 0 / 74 / 10 / 16

HEX #D737C2

RGB 215 55 194

HSL 307.88, 0.67%, 0.53%

LAB 53.03, 74.4, -38.35

 

CMYK 0 / 74 / 30 / 16

HEX #D73797

RGB 215 55 151

HSL 324, 0.67%, 0.53%

LAB 51.17, 68.79, -16.02

 

CMYK 11 / 80 / 0 / 38

HEX #8C1F9D

RGB 140 31 157

HSL 291.9, 0.67%, 0.37%

LAB 35.96, 59.87, -44.36

 

CMYK 10 / 80 / 0 / 25

HEX #AB26BF

RGB 171 38 191

HSL 292.16, 0.67%, 0.45%

LAB 43.95, 69.83, -51.48

 

CMYK 9 / 74 / 0 / 16

HEX #C337D7

RGB 195 55 215

HSL 292.5, 0.67%, 0.53%

LAB 50.97, 73.57, -53.88

 

CMYK 8 / 60 / 0 / 13

HEX #CD59DE

RGB 205 89 222

HSL 292.33, 0.67%, 0.61%

LAB 57.46, 64, -47.42

 

CMYK 6 / 46 / 0 / 10

HEX #D77CE5

RGB 215 124 229

HSL 292, 0.67%, 0.69%

LAB 65.37, 51.19, -38.8

 

CMYK 10 / 75 / 0 / 16

HEX #C235D7

RGB 194 53 215

HSL 292.22, 0.67%, 0.53%

LAB 50.6, 74, -54.49

 

CMYK 0 / 69 / 74 / 16

HEX #D74237

RGB 215 66 55

HSL 4.13, 0.67%, 0.53%

LAB 50.24, 57.41, 39.86

 

CMYK 74 / 0 / 40 / 16

HEX #37D782

RGB 55 215 130

HSL 148.13, 0.67%, 0.53%

LAB 76.69, -59.47, 30.56

 

CMYK 10 / 75 / 0 / 16

HEX #C235D7

RGB 194 53 215

HSL 292.22, 0.67%, 0.53%

LAB 50.6, 74, -54.49

 

CMYK 0 / 10 / 74 / 16

HEX #D7C237

RGB 215 194 55

HSL 52.13, 0.67%, 0.53%

LAB 78.06, -7.22, 67.97

 

CMYK 74 / 0 / 10 / 16

HEX #37D7C2

RGB 55 215 194

HSL 172.13, 0.67%, 0.53%

LAB 78.06, -44.95, -1.3

 

CMYK 10 / 75 / 0 / 16

HEX #C235D7

RGB 194 53 215

HSL 292.22, 0.67%, 0.53%

LAB 50.6, 74, -54.49

 

CMYK 0 / 69 / 74 / 16

HEX #D74237

RGB 215 66 55

HSL 4.13, 0.67%, 0.53%

LAB 50.24, 57.41, 39.86

 

CMYK 65 / 0 / 74 / 16

HEX #4CD737

RGB 76 215 55

HSL 112.13, 0.67%, 0.53%

LAB 76.32, -65.36, 63.63

 

CMYK 74 / 5 / 0 / 16

HEX #37CDD7

RGB 55 205 215

HSL 183.75, 0.67%, 0.53%

LAB 75.69, -34.54, -16.11

 

CMYK 10 / 75 / 0 / 16

HEX #C235D7

RGB 194 53 215

HSL 292.22, 0.67%, 0.53%

LAB 50.6, 74, -54.49

 

CMYK 0 / 47 / 74 / 16

HEX #D77237

RGB 215 114 55

HSL 22.13, 0.67%, 0.53%

LAB 58.75, 35.27, 48.95

 

CMYK 65 / 0 / 74 / 16

HEX #4CD737

RGB 76 215 55

HSL 112.13, 0.67%, 0.53%

LAB 76.32, -65.36, 63.63

 

CMYK 74 / 27 / 0 / 16

HEX #379DD7

RGB 55 157 215

HSL 201.75, 0.67%, 0.53%

LAB 61.51, -9.94, -37.89

 

Description

Color code: RGB 194 53 215 | qconv.com Color code: RGB 194 53 215 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 53 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 53 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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