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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 20 103 it is the complementary color RGB 61 235 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 20 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 20 103 shade: RGB 199 20 98, RGB 216 38 117, RGB 233 56 136, RGB 250 74 155 and RGB 255 92 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 20 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 177 2 84, RGB 160 0 65, RGB 143 0 46 and RGB 126 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 194 20 56 and RGB 194 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 194 20 150, RGB 191 20 194, RGB 144 20 194 and RGB 97 20 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 20 103 shade matches the following richer shades: RGB 194 20 103 and RGB 211 3 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 177 38 104, RGB 159 55 105, RGB 142 72 106 and RGB 125 90 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 20 103 shade: RGB 191 20 194, RGB 194 20 150, RGB 194 20 104, RGB 194 20 58 and RGB 194 29 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 20 103 shade: RGB 119 13 63, RGB 157 16 83, RGB 194 20 103, RGB 231 25 123 and RGB 235 62 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 194 145 20 and RGB 20 174 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 104 194 20 and RGB 20 104 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 194 145 20, RGB 20 194 110 and RGB 20 70 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 20 103 shade: RGB 194 20 103, RGB 191 194 20, RGB 20 194 110 and RGB 23 20 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

Complementary color

CMYK 74 / 0 / 35 / 8

HEX #3DEB98

RGB 61 235 152

HSL 151.38, 0.81%, 0.58%

LAB 83.27, -61.83, 28.11

 

CMYK 0 / 90 / 51 / 22

HEX #C71462

RGB 199 20 98

HSL 333.85, 0.82%, 0.43%

LAB 43.54, 67.96, 4.7

 

CMYK 0 / 82 / 46 / 15

HEX #D82675

RGB 216 38 117

HSL 333.37, 0.7%, 0.5%

LAB 48.6, 70.2, 0.67

 

CMYK 0 / 76 / 42 / 9

HEX #E93888

RGB 233 56 136

HSL 332.88, 0.8%, 0.57%

LAB 53.95, 71.49, -2.58

 

CMYK 0 / 70 / 38 / 2

HEX #FA4A9B

RGB 250 74 155

HSL 332.39, 0.95%, 0.64%

LAB 59.51, 72.09, -5.24

 

CMYK 0 / 64 / 32 / 0

HEX #FF5CAE

RGB 255 92 174

HSL 329.82, 1%, 0.68%

LAB 63.32, 68.89, -10.47

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 99 / 53 / 31

HEX #B10254

RGB 177 2 84

HSL 331.89, 0.98%, 0.35%

LAB 37.9, 63.85, 4.9

 

CMYK 0 / 100 / 59 / 37

HEX #A00041

RGB 160 0 65

HSL 335.63, 1%, 0.31%

LAB 33.68, 58.75, 10.82

 

CMYK 0 / 100 / 68 / 44

HEX #8F002E

RGB 143 0 46

HSL 340.7, 1%, 0.28%

LAB 29.51, 53.43, 17.21

 

CMYK 0 / 100 / 79 / 51

HEX #7E001B

RGB 126 0 27

HSL 347.14, 1%, 0.25%

LAB 25.3, 48.17, 23.87

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 90 / 71 / 24

HEX #C21438

RGB 194 20 56

HSL 347.59, 0.81%, 0.42%

LAB 41.62, 64.18, 28.28

 

CMYK 0 / 90 / 90 / 24

HEX #C21414

RGB 194 20 20

HSL 0, 0.81%, 0.42%

LAB 41.25, 63.11, 47.85

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 90 / 23 / 24

HEX #C21496

RGB 194 20 150

HSL 315.17, 0.81%, 0.42%

LAB 44.48, 72.02, -26.03

 

CMYK 2 / 90 / 0 / 24

HEX #BF14C2

RGB 191 20 194

HSL 298.97, 0.81%, 0.42%

LAB 46.27, 77.5, -49.33

 

CMYK 26 / 90 / 0 / 24

HEX #9014C2

RGB 144 20 194

HSL 282.76, 0.81%, 0.42%

LAB 38.42, 70.04, -62.4

 

CMYK 50 / 90 / 0 / 24

HEX #6114C2

RGB 97 20 194

HSL 266.55, 0.81%, 0.42%

LAB 31.66, 64.26, -73.74

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 99 / 52 / 17

HEX #D30366

RGB 211 3 102

HSL 331.44, 0.97%, 0.42%

LAB 45.46, 72.83, 5.27

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 79 / 41 / 31

HEX #B12668

RGB 177 38 104

HSL 331.51, 0.65%, 0.42%

LAB 40.79, 59.04, -3.6

 

CMYK 0 / 65 / 34 / 38

HEX #9F3769

RGB 159 55 105

HSL 331.15, 0.49%, 0.42%

LAB 39.79, 47.8, -6.07

 

CMYK 0 / 49 / 25 / 44

HEX #8E486A

RGB 142 72 106

HSL 330.86, 0.33%, 0.42%

LAB 40.29, 33.88, -6.23

 

CMYK 0 / 28 / 15 / 51

HEX #7D5A6A

RGB 125 90 106

HSL 332.57, 0.16%, 0.42%

LAB 42.33, 17.07, -3.44

 

CMYK 2 / 90 / 0 / 24

HEX #BF14C2

RGB 191 20 194

HSL 298.97, 0.81%, 0.42%

LAB 46.27, 77.5, -49.33

 

CMYK 0 / 90 / 23 / 24

HEX #C21496

RGB 194 20 150

HSL 315.17, 0.81%, 0.42%

LAB 44.48, 72.02, -26.03

 

CMYK 0 / 90 / 46 / 24

HEX #C21468

RGB 194 20 104

HSL 331.03, 0.81%, 0.42%

LAB 42.72, 67.26, -0.38

 

CMYK 0 / 90 / 70 / 24

HEX #C2143A

RGB 194 20 58

HSL 346.9, 0.81%, 0.42%

LAB 41.65, 64.26, 27.09

 

CMYK 0 / 85 / 90 / 24

HEX #C21D14

RGB 194 29 20

HSL 3.1, 0.81%, 0.42%

LAB 41.84, 61.41, 48.29

 

CMYK 0 / 89 / 47 / 53

HEX #770D3F

RGB 119 13 63

HSL 331.7, 0.8%, 0.26%

LAB 25.47, 46.15, -0.73

 

CMYK 0 / 90 / 47 / 38

HEX #9D1053

RGB 157 16 83

HSL 331.49, 0.82%, 0.34%

LAB 34.32, 57.16, -0.15

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 89 / 47 / 9

HEX #E7197B

RGB 231 25 123

HSL 331.46, 0.81%, 0.5%

LAB 50.82, 76.66, 0.61

 

CMYK 0 / 74 / 39 / 8

HEX #EB3E90

RGB 235 62 144

HSL 331.56, 0.81%, 0.58%

LAB 55.2, 70.96, -5.46

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 25 / 90 / 24

HEX #C29114

RGB 194 145 20

HSL 43.1, 0.81%, 0.42%

LAB 63.15, 8.46, 64.46

 

CMYK 90 / 10 / 0 / 24

HEX #14AEC2

RGB 20 174 194

HSL 186.9, 0.81%, 0.42%

LAB 65.21, -29, -20.54

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 46 / 0 / 90 / 24

HEX #68C214

RGB 104 194 20

HSL 91.03, 0.81%, 0.42%

LAB 70.58, -52.28, 67.79

 

CMYK 90 / 46 / 0 / 24

HEX #1468C2

RGB 20 104 194

HSL 211.03, 0.81%, 0.42%

LAB 44.15, 10.78, -53.56

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 0 / 25 / 90 / 24

HEX #C29114

RGB 194 145 20

HSL 43.1, 0.81%, 0.42%

LAB 63.15, 8.46, 64.46

 

CMYK 90 / 0 / 43 / 24

HEX #14C26E

RGB 20 194 110

HSL 151.03, 0.81%, 0.42%

LAB 69.37, -59.15, 31.15

 

CMYK 90 / 64 / 0 / 24

HEX #1446C2

RGB 20 70 194

HSL 222.76, 0.81%, 0.42%

LAB 34.85, 33.15, -68.68

 

CMYK 0 / 90 / 47 / 24

HEX #C21467

RGB 194 20 103

HSL 331.38, 0.81%, 0.42%

LAB 42.69, 67.17, 0.2

 

CMYK 2 / 0 / 90 / 24

HEX #BFC214

RGB 191 194 20

HSL 61.03, 0.81%, 0.42%

LAB 75.89, -18.59, 74.31

 

CMYK 90 / 0 / 43 / 24

HEX #14C26E

RGB 20 194 110

HSL 151.03, 0.81%, 0.42%

LAB 69.37, -59.15, 31.15

 

CMYK 88 / 90 / 0 / 24

HEX #1714C2

RGB 23 20 194

HSL 241.03, 0.81%, 0.42%

LAB 25.5, 59.84, -84.16

 

Description

Color code: RGB 194 20 103 | qconv.com Color code: RGB 194 20 103 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 20 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 20 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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