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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 195 212 it is the complementary color RGB 61 60 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 195 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 195 212 shade: RGB 199 195 207, RGB 216 213 226, RGB 233 231 245 and RGB 250 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 195 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 195 212 shade: RGB 194 195 212, RGB 177 177 193, RGB 160 159 174, RGB 143 141 155 and RGB 126 123 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 195 212 shade: RGB 195 196 213, RGB 199 195 213, RGB 204 195 213, RGB 208 195 213 and RGB 213 195 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 195 212 shade: RGB 195 196 213 and RGB 195 195 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 195 212 shade matches the following richer shades: RGB 195 196 213, RGB 187 189 221, RGB 179 182 229, RGB 171 174 237 and RGB 162 167 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 195 212 shade: RGB 195 196 213, RGB 204 204 204, RGB 212 211 196, RGB 220 218 188 and RGB 228 226 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 195 212 shade: RGB 195 206 213, RGB 195 201 213, RGB 195 196 213, RGB 199 195 213 and RGB 203 195 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 195 212 shade: RGB 147 149 178, RGB 171 173 196, RGB 195 196 213, RGB 219 220 230 and RGB 244 244 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 195 212 shade: RGB 194 195 212, RGB 213 195 210 and RGB 203 213 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 195 212 shade: RGB 194 195 212, RGB 213 195 196 and RGB 196 213 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 195 212 shade: RGB 194 195 212, RGB 213 195 210, RGB 213 212 195 and RGB 195 213 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 195 212 shade: RGB 194 195 212, RGB 213 195 205, RGB 213 212 195 and RGB 195 213 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 8 / 0 / 17

HEX #C2C3D4

RGB 194 195 212

HSL 236.67, 0.17%, 0.8%

LAB 79.19, 2.92, -8.6

 

Complementary color

CMYK 0 / 2 / 30 / 76

HEX #3D3C2B

RGB 61 60 43

HSL 56.67, 0.17%, 0.2%

LAB 24.95, -2.92, 10.7

 

CMYK 4 / 6 / 0 / 19

HEX #C7C3CF

RGB 199 195 207

HSL 260, 0.11%, 0.79%

LAB 79.43, 3.62, -5.51

 

CMYK 4 / 6 / 0 / 11

HEX #D8D5E2

RGB 216 213 226

HSL 253.85, 0.18%, 0.86%

LAB 85.85, 3.42, -6.03

 

CMYK 5 / 6 / 0 / 4

HEX #E9E7F5

RGB 233 231 245

HSL 248.57, 0.41%, 0.93%

LAB 92.16, 3.22, -6.54

 

CMYK 2 / 2 / 0 / 0

HEX #FAF9FF

RGB 250 249 255

HSL 250, 1%, 0.99%

LAB 98.15, 1.4, -2.76

 

CMYK 8 / 8 / 0 / 17

HEX #C2C3D4

RGB 194 195 212

HSL 236.67, 0.17%, 0.8%

LAB 79.19, 2.92, -8.6

 

CMYK 8 / 8 / 0 / 24

HEX #B1B1C1

RGB 177 177 193

HSL 240, 0.11%, 0.73%

LAB 72.66, 3.12, -8.12

 

CMYK 8 / 9 / 0 / 32

HEX #A09FAE

RGB 160 159 174

HSL 244, 0.08%, 0.65%

LAB 66, 3.33, -7.64

 

CMYK 8 / 9 / 0 / 39

HEX #8F8D9B

RGB 143 141 155

HSL 248.57, 0.07%, 0.58%

LAB 59.21, 3.56, -7.15

 

CMYK 7 / 10 / 0 / 47

HEX #7E7B88

RGB 126 123 136

HSL 253.85, 0.05%, 0.51%

LAB 52.26, 3.81, -6.65

 

CMYK 8 / 8 / 0 / 16

HEX #C3C4D5

RGB 195 196 213

HSL 236.67, 0.18%, 0.8%

LAB 79.55, 2.92, -8.59

 

CMYK 7 / 8 / 0 / 16

HEX #C7C3D5

RGB 199 195 213

HSL 253.33, 0.18%, 0.8%

LAB 79.6, 4.78, -8.48

 

CMYK 4 / 8 / 0 / 16

HEX #CCC3D5

RGB 204 195 213

HSL 270, 0.18%, 0.8%

LAB 79.99, 6.46, -7.86

 

CMYK 2 / 8 / 0 / 16

HEX #D0C3D5

RGB 208 195 213

HSL 283.33, 0.18%, 0.8%

LAB 80.32, 7.81, -7.34

 

CMYK 0 / 8 / 0 / 16

HEX #D5C3D4

RGB 213 195 212

HSL 303.33, 0.18%, 0.8%

LAB 80.7, 9.33, -6.19

 

CMYK 8 / 8 / 0 / 16

HEX #C3C4D5

RGB 195 196 213

HSL 236.67, 0.18%, 0.8%

LAB 79.55, 2.92, -8.59

 

CMYK 8 / 8 / 0 / 16

HEX #C3C3D5

RGB 195 195 213

HSL 240, 0.18%, 0.8%

LAB 79.29, 3.45, -8.98

 

CMYK 8 / 8 / 0 / 16

HEX #C3C4D5

RGB 195 196 213

HSL 236.67, 0.18%, 0.8%

LAB 79.55, 2.92, -8.59

 

CMYK 15 / 14 / 0 / 13

HEX #BBBDDD

RGB 187 189 221

HSL 236.47, 0.33%, 0.8%

LAB 77.39, 5.72, -16.2

 

CMYK 22 / 21 / 0 / 10

HEX #B3B6E5

RGB 179 182 229

HSL 236.4, 0.49%, 0.8%

LAB 75.26, 8.8, -23.81

 

CMYK 28 / 27 / 0 / 7

HEX #ABAEED

RGB 171 174 237

HSL 237.27, 0.65%, 0.8%

LAB 72.92, 12.71, -31.8

 

CMYK 34 / 32 / 0 / 4

HEX #A2A7F6

RGB 162 167 246

HSL 236.43, 0.82%, 0.8%

LAB 70.85, 16.35, -39.95

 

CMYK 8 / 8 / 0 / 16

HEX #C3C4D5

RGB 195 196 213

HSL 236.67, 0.18%, 0.8%

LAB 79.55, 2.92, -8.59

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCC

RGB 204 204 204

HSL 0, 0%, 0.8%

LAB 82.05, 0, -0.01

 

CMYK 0 / 0 / 8 / 17

HEX #D4D3C4

RGB 212 211 196

HSL 56.25, 0.16%, 0.8%

LAB 84.26, -2.27, 7.54

 

CMYK 0 / 1 / 15 / 14

HEX #DCDABC

RGB 220 218 188

HSL 56.25, 0.31%, 0.8%

LAB 86.5, -4.33, 15.03

 

CMYK 0 / 1 / 21 / 11

HEX #E4E2B4

RGB 228 226 180

HSL 57.5, 0.47%, 0.8%

LAB 89.01, -6.69, 22.79

 

CMYK 8 / 3 / 0 / 16

HEX #C3CED5

RGB 195 206 213

HSL 203.33, 0.18%, 0.8%

LAB 82.14, -2.37, -4.76

 

CMYK 8 / 6 / 0 / 16

HEX #C3C9D5

RGB 195 201 213

HSL 220, 0.18%, 0.8%

LAB 80.84, 0.26, -6.68

 

CMYK 8 / 8 / 0 / 16

HEX #C3C4D5

RGB 195 196 213

HSL 236.67, 0.18%, 0.8%

LAB 79.55, 2.92, -8.59

 

CMYK 7 / 8 / 0 / 16

HEX #C7C3D5

RGB 199 195 213

HSL 253.33, 0.18%, 0.8%

LAB 79.6, 4.78, -8.48

 

CMYK 5 / 8 / 0 / 16

HEX #CBC3D5

RGB 203 195 213

HSL 266.67, 0.18%, 0.8%

LAB 79.91, 6.12, -7.98

 

CMYK 17 / 16 / 0 / 30

HEX #9395B2

RGB 147 149 178

HSL 236.13, 0.17%, 0.64%

LAB 62.43, 5.42, -15.34

 

CMYK 13 / 12 / 0 / 23

HEX #ABADC4

RGB 171 173 196

HSL 235.2, 0.17%, 0.72%

LAB 71.24, 3.92, -11.94

 

CMYK 8 / 8 / 0 / 16

HEX #C3C4D5

RGB 195 196 213

HSL 236.67, 0.18%, 0.8%

LAB 79.55, 2.92, -8.59

 

CMYK 5 / 4 / 0 / 10

HEX #DBDCE6

RGB 219 220 230

HSL 234.55, 0.18%, 0.88%

LAB 87.95, 1.51, -5.01

 

CMYK 1 / 1 / 0 / 3

HEX #F4F4F7

RGB 244 244 247

HSL 240, 0.16%, 0.96%

LAB 96.27, 0.54, -1.45

 

CMYK 8 / 8 / 0 / 17

HEX #C2C3D4

RGB 194 195 212

HSL 236.67, 0.17%, 0.8%

LAB 79.19, 2.92, -8.6

 

CMYK 0 / 8 / 1 / 16

HEX #D5C3D2

RGB 213 195 210

HSL 310, 0.18%, 0.8%

LAB 80.64, 8.96, -5.2

 

CMYK 5 / 0 / 8 / 16

HEX #CBD5C3

RGB 203 213 195

HSL 93.33, 0.18%, 0.8%

LAB 84.08, -6.63, 7.72

 

CMYK 8 / 8 / 0 / 17

HEX #C2C3D4

RGB 194 195 212

HSL 236.67, 0.17%, 0.8%

LAB 79.19, 2.92, -8.6

 

CMYK 0 / 8 / 8 / 16

HEX #D5C3C4

RGB 213 195 196

HSL 356.67, 0.18%, 0.8%

LAB 80.27, 6.49, 1.78

 

CMYK 8 / 0 / 8 / 16

HEX #C4D5C3

RGB 196 213 195

HSL 116.67, 0.18%, 0.8%

LAB 83.58, -9.04, 6.94

 

CMYK 8 / 8 / 0 / 17

HEX #C2C3D4

RGB 194 195 212

HSL 236.67, 0.17%, 0.8%

LAB 79.19, 2.92, -8.6

 

CMYK 0 / 8 / 1 / 16

HEX #D5C3D2

RGB 213 195 210

HSL 310, 0.18%, 0.8%

LAB 80.64, 8.96, -5.2

 

CMYK 0 / 0 / 8 / 16

HEX #D5D4C3

RGB 213 212 195

HSL 56.67, 0.18%, 0.8%

LAB 84.57, -2.61, 8.52

 

CMYK 8 / 0 / 7 / 16

HEX #C3D5C6

RGB 195 213 198

HSL 130, 0.18%, 0.8%

LAB 83.58, -8.84, 5.34

 

CMYK 8 / 8 / 0 / 17

HEX #C2C3D4

RGB 194 195 212

HSL 236.67, 0.17%, 0.8%

LAB 79.19, 2.92, -8.6

 

CMYK 0 / 8 / 4 / 16

HEX #D5C3CD

RGB 213 195 205

HSL 326.67, 0.18%, 0.8%

LAB 80.51, 8.06, -2.71

 

CMYK 0 / 0 / 8 / 16

HEX #D5D4C3

RGB 213 212 195

HSL 56.67, 0.18%, 0.8%

LAB 84.57, -2.61, 8.52

 

CMYK 8 / 0 / 5 / 16

HEX #C3D5CB

RGB 195 213 203

HSL 146.67, 0.18%, 0.8%

LAB 83.71, -7.92, 2.86

 

Description

Color code: RGB 194 195 212 | qconv.com Color code: RGB 194 195 212 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 195 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 195 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 8 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 8% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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