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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 181 189 it is the complementary color RGB 61 74 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 181 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 181 189 shade: RGB 199 181 184, RGB 216 199 203, RGB 233 217 222, RGB 250 235 241 and RGB 255 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 181 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 181 189 shade: RGB 194 181 189, RGB 177 163 170, RGB 160 145 151, RGB 143 127 132 and RGB 126 109 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 181 189 shade: RGB 195 182 190, RGB 195 182 187, RGB 195 182 183 and RGB 195 182 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 181 189 shade: RGB 195 182 190, RGB 195 182 194, RGB 193 182 195, RGB 190 182 195 and RGB 186 182 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 181 189 shade matches the following richer shades: RGB 195 182 190, RGB 206 171 193, RGB 217 161 195, RGB 228 150 198 and RGB 238 139 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 181 189 shade: RGB 195 182 190, RGB 185 193 188, RGB 174 204 185, RGB 163 214 183 and RGB 152 225 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 181 189 shade: RGB 193 182 195, RGB 195 182 194, RGB 195 182 190, RGB 195 182 187 and RGB 195 182 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 181 189 shade: RGB 158 137 150, RGB 177 159 170, RGB 195 182 190, RGB 214 205 210 and RGB 232 227 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 181 189 shade: RGB 194 181 189, RGB 195 190 182 and RGB 182 195 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 181 189 shade: RGB 194 181 189, RGB 190 195 182 and RGB 182 190 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 181 189 shade: RGB 194 181 189, RGB 195 190 182, RGB 182 195 187 and RGB 182 188 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 181 189 shade: RGB 194 181 189, RGB 195 194 182, RGB 182 195 187 and RGB 182 184 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 3 / 24

HEX #C2B5BD

RGB 194 181 189

HSL 323.08, 0.1%, 0.74%

LAB 74.95, 6.05, -2.4

 

Complementary color

CMYK 18 / 0 / 11 / 71

HEX #3D4A42

RGB 61 74 66

HSL 143.08, 0.1%, 0.26%

LAB 30.12, -7.07, 3.05

 

CMYK 0 / 9 / 8 / 22

HEX #C7B5B8

RGB 199 181 184

HSL 350, 0.14%, 0.75%

LAB 75.23, 6.93, 0.8

 

CMYK 0 / 8 / 6 / 15

HEX #D8C7CB

RGB 216 199 203

HSL 345.88, 0.18%, 0.81%

LAB 81.71, 6.63, 0.15

 

CMYK 0 / 7 / 5 / 9

HEX #E9D9DE

RGB 233 217 222

HSL 341.25, 0.27%, 0.88%

LAB 88.08, 6.35, -0.48

 

CMYK 0 / 6 / 4 / 2

HEX #FAEBF1

RGB 250 235 241

HSL 336, 0.6%, 0.95%

LAB 94.35, 6.09, -1.09

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 7 / 3 / 24

HEX #C2B5BD

RGB 194 181 189

HSL 323.08, 0.1%, 0.74%

LAB 74.95, 6.05, -2.4

 

CMYK 0 / 8 / 4 / 31

HEX #B1A3AA

RGB 177 163 170

HSL 330, 0.08%, 0.67%

LAB 68.35, 6.34, -1.79

 

CMYK 0 / 9 / 6 / 37

HEX #A09197

RGB 160 145 151

HSL 336, 0.07%, 0.6%

LAB 61.62, 6.66, -1.15

 

CMYK 0 / 11 / 8 / 44

HEX #8F7F84

RGB 143 127 132

HSL 341.25, 0.07%, 0.53%

LAB 54.75, 7.01, -0.48

 

CMYK 0 / 13 / 10 / 51

HEX #7E6D71

RGB 126 109 113

HSL 345.88, 0.07%, 0.46%

LAB 47.71, 7.41, 0.23

 

CMYK 0 / 7 / 3 / 24

HEX #C3B6BE

RGB 195 182 190

HSL 323.08, 0.1%, 0.74%

LAB 75.31, 6.04, -2.4

 

CMYK 0 / 7 / 4 / 24

HEX #C3B6BB

RGB 195 182 187

HSL 336.92, 0.1%, 0.74%

LAB 75.23, 5.5, -0.88

 

CMYK 0 / 7 / 6 / 24

HEX #C3B6B7

RGB 195 182 183

HSL 355.38, 0.1%, 0.74%

LAB 75.12, 4.79, 1.14

 

CMYK 0 / 7 / 7 / 24

HEX #C3B6B6

RGB 195 182 182

HSL 0, 0.1%, 0.74%

LAB 75.1, 4.61, 1.65

 

CMYK 0 / 7 / 3 / 24

HEX #C3B6BE

RGB 195 182 190

HSL 323.08, 0.1%, 0.74%

LAB 75.31, 6.04, -2.4

 

CMYK 0 / 7 / 1 / 24

HEX #C3B6C2

RGB 195 182 194

HSL 304.62, 0.1%, 0.74%

LAB 75.42, 6.78, -4.41

 

CMYK 1 / 7 / 0 / 24

HEX #C1B6C3

RGB 193 182 195

HSL 290.77, 0.1%, 0.74%

LAB 75.29, 6.27, -5.18

 

CMYK 3 / 7 / 0 / 24

HEX #BEB6C3

RGB 190 182 195

HSL 276.92, 0.1%, 0.74%

LAB 75.04, 5.24, -5.57

 

CMYK 5 / 7 / 0 / 24

HEX #BAB6C3

RGB 186 182 195

HSL 258.46, 0.1%, 0.74%

LAB 74.72, 3.87, -6.08

 

CMYK 0 / 7 / 3 / 24

HEX #C3B6BE

RGB 195 182 190

HSL 323.08, 0.1%, 0.74%

LAB 75.31, 6.04, -2.4

 

CMYK 0 / 17 / 6 / 19

HEX #CEABC1

RGB 206 171 193

HSL 322.29, 0.26%, 0.74%

LAB 73.61, 16.42, -6.44

 

CMYK 0 / 26 / 10 / 15

HEX #D9A1C3

RGB 217 161 195

HSL 323.57, 0.42%, 0.74%

LAB 72.35, 26.04, -9.29

 

CMYK 0 / 34 / 13 / 11

HEX #E496C6

RGB 228 150 198

HSL 323.08, 0.59%, 0.74%

LAB 71.13, 36.21, -12.64

 

CMYK 0 / 42 / 16 / 7

HEX #EE8BC8

RGB 238 139 200

HSL 323.03, 0.74%, 0.74%

LAB 70.04, 45.57, -15.28

 

CMYK 0 / 7 / 3 / 24

HEX #C3B6BE

RGB 195 182 190

HSL 323.08, 0.1%, 0.74%

LAB 75.31, 6.04, -2.4

 

CMYK 4 / 0 / 3 / 24

HEX #B9C1BC

RGB 185 193 188

HSL 142.5, 0.06%, 0.74%

LAB 77.33, -3.69, 1.55

 

CMYK 15 / 0 / 9 / 20

HEX #AECCB9

RGB 174 204 185

HSL 142, 0.23%, 0.74%

LAB 79.44, -13.73, 6.11

 

CMYK 24 / 0 / 14 / 16

HEX #A3D6B7

RGB 163 214 183

HSL 143.53, 0.38%, 0.74%

LAB 81.46, -22.73, 9.98

 

CMYK 32 / 0 / 20 / 12

HEX #98E1B4

RGB 152 225 180

HSL 143.01, 0.55%, 0.74%

LAB 83.87, -32, 14.9

 

CMYK 1 / 7 / 0 / 24

HEX #C1B6C3

RGB 193 182 195

HSL 290.77, 0.1%, 0.74%

LAB 75.29, 6.27, -5.18

 

CMYK 0 / 7 / 1 / 24

HEX #C3B6C2

RGB 195 182 194

HSL 304.62, 0.1%, 0.74%

LAB 75.42, 6.78, -4.41

 

CMYK 0 / 7 / 3 / 24

HEX #C3B6BE

RGB 195 182 190

HSL 323.08, 0.1%, 0.74%

LAB 75.31, 6.04, -2.4

 

CMYK 0 / 7 / 4 / 24

HEX #C3B6BB

RGB 195 182 187

HSL 336.92, 0.1%, 0.74%

LAB 75.23, 5.5, -0.88

 

CMYK 0 / 7 / 6 / 24

HEX #C3B6B7

RGB 195 182 183

HSL 355.38, 0.1%, 0.74%

LAB 75.12, 4.79, 1.14

 

CMYK 0 / 13 / 5 / 38

HEX #9E8996

RGB 158 137 150

HSL 322.86, 0.1%, 0.58%

LAB 59.31, 10.26, -4

 

CMYK 0 / 10 / 4 / 31

HEX #B19FAA

RGB 177 159 170

HSL 323.33, 0.1%, 0.66%

LAB 67.31, 8.55, -3.31

 

CMYK 0 / 7 / 3 / 24

HEX #C3B6BE

RGB 195 182 190

HSL 323.08, 0.1%, 0.74%

LAB 75.31, 6.04, -2.4

 

CMYK 0 / 4 / 2 / 16

HEX #D6CDD2

RGB 214 205 210

HSL 326.67, 0.1%, 0.82%

LAB 83.24, 4, -1.38

 

CMYK 0 / 2 / 0 / 9

HEX #E8E3E7

RGB 232 227 231

HSL 312, 0.1%, 0.9%

LAB 90.72, 2.4, -1.36

 

CMYK 0 / 7 / 3 / 24

HEX #C2B5BD

RGB 194 181 189

HSL 323.08, 0.1%, 0.74%

LAB 74.95, 6.05, -2.4

 

CMYK 0 / 3 / 7 / 24

HEX #C3BEB6

RGB 195 190 182

HSL 36.92, 0.1%, 0.74%

LAB 77.16, 0.33, 4.65

 

CMYK 7 / 0 / 0 / 24

HEX #B6C3C3

RGB 182 195 195

HSL 180, 0.1%, 0.74%

LAB 77.83, -4.44, -1.54

 

CMYK 0 / 7 / 3 / 24

HEX #C2B5BD

RGB 194 181 189

HSL 323.08, 0.1%, 0.74%

LAB 74.95, 6.05, -2.4

 

CMYK 3 / 0 / 7 / 24

HEX #BEC3B6

RGB 190 195 182

HSL 83.08, 0.1%, 0.74%

LAB 78.08, -4.09, 5.92

 

CMYK 7 / 3 / 0 / 24

HEX #B6BEC3

RGB 182 190 195

HSL 203.08, 0.1%, 0.74%

LAB 76.5, -1.79, -3.48

 

CMYK 0 / 7 / 3 / 24

HEX #C2B5BD

RGB 194 181 189

HSL 323.08, 0.1%, 0.74%

LAB 74.95, 6.05, -2.4

 

CMYK 0 / 3 / 7 / 24

HEX #C3BEB6

RGB 195 190 182

HSL 36.92, 0.1%, 0.74%

LAB 77.16, 0.33, 4.65

 

CMYK 7 / 0 / 4 / 24

HEX #B6C3BB

RGB 182 195 187

HSL 143.08, 0.1%, 0.74%

LAB 77.62, -5.97, 2.47

 

CMYK 7 / 4 / 0 / 24

HEX #B6BCC3

RGB 182 188 195

HSL 212.31, 0.1%, 0.74%

LAB 75.98, -0.72, -4.26

 

CMYK 0 / 7 / 3 / 24

HEX #C2B5BD

RGB 194 181 189

HSL 323.08, 0.1%, 0.74%

LAB 74.95, 6.05, -2.4

 

CMYK 0 / 1 / 7 / 24

HEX #C3C2B6

RGB 195 194 182

HSL 55.38, 0.1%, 0.74%

LAB 78.21, -1.79, 6.15

 

CMYK 7 / 0 / 4 / 24

HEX #B6C3BB

RGB 182 195 187

HSL 143.08, 0.1%, 0.74%

LAB 77.62, -5.97, 2.47

 

CMYK 7 / 6 / 0 / 24

HEX #B6B8C3

RGB 182 184 195

HSL 230.77, 0.1%, 0.74%

LAB 74.93, 1.43, -5.8

 

Description

Color code: RGB 194 181 189 | qconv.com Color code: RGB 194 181 189 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 181 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 181 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 3 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 3% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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