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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 177 124 it is the complementary color RGB 61 78 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 177 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 177 124 shade: RGB 199 177 119, RGB 216 195 138, RGB 233 213 157, RGB 250 231 176 and RGB 255 249 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 177 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 177 124 shade: RGB 194 177 124, RGB 177 159 105, RGB 160 141 86, RGB 143 123 67 and RGB 126 105 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 177 124 shade: RGB 193 176 123, RGB 193 157 123, RGB 193 138 123 and RGB 193 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 177 124 shade: RGB 193 176 123, RGB 191 193 123, RGB 172 193 123, RGB 153 193 123 and RGB 135 193 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 177 124 shade matches the following richer shades: RGB 193 176 123, RGB 209 184 108, RGB 224 192 92 and RGB 240 200 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 177 124 shade: RGB 193 176 123, RGB 177 168 139, RGB 162 160 155, RGB 146 152 170 and RGB 130 144 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 177 124 shade: RGB 193 138 123, RGB 193 157 123, RGB 193 176 123, RGB 192 193 123 and RGB 173 193 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 177 124 shade: RGB 159 138 75, RGB 180 159 95, RGB 193 176 123, RGB 206 193 151 and RGB 219 210 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 177 124 shade: RGB 194 177 124, RGB 127 193 123 and RGB 148 123 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 177 124 shade: RGB 194 177 124, RGB 123 193 176 and RGB 176 123 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 177 124 shade: RGB 194 177 124, RGB 127 193 123, RGB 123 141 193 and RGB 189 123 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 177 124 shade: RGB 194 177 124, RGB 123 193 141, RGB 123 141 193 and RGB 193 123 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 36 / 24

HEX #C2B17C

RGB 194 177 124

HSL 45.43, 0.36%, 0.62%

LAB 72.47, -1.7, 29.36

 

Complementary color

CMYK 53 / 40 / 0 / 49

HEX #3D4E83

RGB 61 78 131

HSL 225.43, 0.36%, 0.38%

LAB 34.15, 9.57, -31.9

 

CMYK 0 / 11 / 40 / 22

HEX #C7B177

RGB 199 177 119

HSL 43.5, 0.42%, 0.62%

LAB 72.84, -0.26, 32.56

 

CMYK 0 / 10 / 36 / 15

HEX #D8C38A

RGB 216 195 138

HSL 43.85, 0.5%, 0.69%

LAB 79.31, -0.77, 31.37

 

CMYK 0 / 9 / 33 / 9

HEX #E9D59D

RGB 233 213 157

HSL 44.21, 0.63%, 0.76%

LAB 85.68, -1.2, 30.24

 

CMYK 0 / 8 / 30 / 2

HEX #FAE7B0

RGB 250 231 176

HSL 44.59, 0.88%, 0.84%

LAB 91.96, -1.59, 29.17

 

CMYK 0 / 2 / 24 / 0

HEX #FFF9C3

RGB 255 249 195

HSL 54, 1%, 0.88%

LAB 97.21, -6.31, 26.7

 

CMYK 0 / 9 / 36 / 24

HEX #C2B17C

RGB 194 177 124

HSL 45.43, 0.36%, 0.62%

LAB 72.47, -1.7, 29.36

 

CMYK 0 / 10 / 41 / 31

HEX #B19F69

RGB 177 159 105

HSL 45, 0.32%, 0.55%

LAB 65.88, -1.21, 30.58

 

CMYK 0 / 12 / 46 / 37

HEX #A08D56

RGB 160 141 86

HSL 44.59, 0.3%, 0.48%

LAB 59.15, -0.61, 31.86

 

CMYK 0 / 14 / 53 / 44

HEX #8F7B43

RGB 143 123 67

HSL 44.21, 0.36%, 0.41%

LAB 52.3, 0.12, 33.21

 

CMYK 0 / 17 / 62 / 51

HEX #7E6930

RGB 126 105 48

HSL 43.85, 0.45%, 0.34%

LAB 45.29, 1.05, 34.56

 

CMYK 0 / 9 / 36 / 24

HEX #C1B07B

RGB 193 176 123

HSL 45.43, 0.36%, 0.62%

LAB 72.11, -1.69, 29.39

 

CMYK 0 / 19 / 36 / 24

HEX #C19D7B

RGB 193 157 123

HSL 29.14, 0.36%, 0.62%

LAB 67.19, 8.56, 22.83

 

CMYK 0 / 28 / 36 / 24

HEX #C18A7B

RGB 193 138 123

HSL 12.86, 0.36%, 0.62%

LAB 62.46, 19.01, 16.36

 

CMYK 0 / 36 / 36 / 24

HEX #C17B7B

RGB 193 123 123

HSL 0, 0.36%, 0.62%

LAB 58.91, 27.28, 11.42

 

CMYK 0 / 9 / 36 / 24

HEX #C1B07B

RGB 193 176 123

HSL 45.43, 0.36%, 0.62%

LAB 72.11, -1.69, 29.39

 

CMYK 1 / 0 / 36 / 24

HEX #BFC17B

RGB 191 193 123

HSL 61.71, 0.36%, 0.62%

LAB 76.46, -11.38, 35.04

 

CMYK 11 / 0 / 36 / 24

HEX #ACC17B

RGB 172 193 123

HSL 78, 0.36%, 0.62%

LAB 75.04, -18.79, 32.92

 

CMYK 21 / 0 / 36 / 24

HEX #99C17B

RGB 153 193 123

HSL 94.29, 0.36%, 0.62%

LAB 73.77, -25.9, 31.01

 

CMYK 30 / 0 / 36 / 24

HEX #87C17B

RGB 135 193 123

HSL 109.71, 0.36%, 0.62%

LAB 72.71, -32.23, 29.42

 

CMYK 0 / 9 / 36 / 24

HEX #C1B07B

RGB 193 176 123

HSL 45.43, 0.36%, 0.62%

LAB 72.11, -1.69, 29.39

 

CMYK 0 / 12 / 48 / 18

HEX #D1B86C

RGB 209 184 108

HSL 45.15, 0.52%, 0.62%

LAB 75.4, -1, 41.67

 

CMYK 0 / 14 / 59 / 12

HEX #E0C05C

RGB 224 192 92

HSL 45.45, 0.68%, 0.62%

LAB 78.65, -0.28, 53.63

 

CMYK 0 / 17 / 68 / 6

HEX #F0C84C

RGB 240 200 76

HSL 45.37, 0.85%, 0.62%

LAB 82.03, 1.29, 64.73

 

CMYK 0 / 9 / 36 / 24

HEX #C1B07B

RGB 193 176 123

HSL 45.43, 0.36%, 0.62%

LAB 72.11, -1.69, 29.39

 

CMYK 0 / 5 / 21 / 31

HEX #B1A88B

RGB 177 168 139

HSL 45.79, 0.2%, 0.62%

LAB 68.91, -1.58, 16.17

 

CMYK 0 / 1 / 4 / 36

HEX #A2A09B

RGB 162 160 155

HSL 42.86, 0.04%, 0.62%

LAB 65.9, -0.21, 2.85

 

CMYK 14 / 11 / 0 / 33

HEX #9298AA

RGB 146 152 170

HSL 225, 0.12%, 0.62%

LAB 62.9, 1.61, -10.13

 

CMYK 30 / 23 / 0 / 27

HEX #8290BA

RGB 130 144 186

HSL 225, 0.29%, 0.62%

LAB 60.1, 4.83, -23.53

 

CMYK 0 / 28 / 36 / 24

HEX #C18A7B

RGB 193 138 123

HSL 12.86, 0.36%, 0.62%

LAB 62.46, 19.01, 16.36

 

CMYK 0 / 19 / 36 / 24

HEX #C19D7B

RGB 193 157 123

HSL 29.14, 0.36%, 0.62%

LAB 67.19, 8.56, 22.83

 

CMYK 0 / 9 / 36 / 24

HEX #C1B07B

RGB 193 176 123

HSL 45.43, 0.36%, 0.62%

LAB 72.11, -1.69, 29.39

 

CMYK 1 / 0 / 36 / 24

HEX #C0C17B

RGB 192 193 123

HSL 60.86, 0.36%, 0.62%

LAB 76.54, -10.98, 35.16

 

CMYK 10 / 0 / 36 / 24

HEX #ADC17B

RGB 173 193 123

HSL 77.14, 0.36%, 0.62%

LAB 75.11, -18.4, 33.02

 

CMYK 0 / 13 / 53 / 38

HEX #9F8A4B

RGB 159 138 75

HSL 45, 0.36%, 0.46%

LAB 58.09, -0.47, 36.36

 

CMYK 0 / 12 / 47 / 29

HEX #B49F5F

RGB 180 159 95

HSL 45.18, 0.36%, 0.54%

LAB 66, -1.02, 36.08

 

CMYK 0 / 9 / 36 / 24

HEX #C1B07B

RGB 193 176 123

HSL 45.43, 0.36%, 0.62%

LAB 72.11, -1.69, 29.39

 

CMYK 0 / 6 / 27 / 19

HEX #CEC197

RGB 206 193 151

HSL 45.82, 0.36%, 0.7%

LAB 78.17, -1.97, 22.84

 

CMYK 0 / 4 / 18 / 14

HEX #DBD2B3

RGB 219 210 179

HSL 46.5, 0.36%, 0.78%

LAB 84.18, -1.94, 16.49

 

CMYK 0 / 9 / 36 / 24

HEX #C2B17C

RGB 194 177 124

HSL 45.43, 0.36%, 0.62%

LAB 72.47, -1.7, 29.36

 

CMYK 34 / 0 / 36 / 24

HEX #7FC17B

RGB 127 193 123

HSL 116.57, 0.36%, 0.62%

LAB 72.28, -34.89, 28.78

 

CMYK 23 / 36 / 0 / 24

HEX #947BC1

RGB 148 123 193

HSL 261.43, 0.36%, 0.62%

LAB 56.4, 24.24, -33.11

 

CMYK 0 / 9 / 36 / 24

HEX #C2B17C

RGB 194 177 124

HSL 45.43, 0.36%, 0.62%

LAB 72.47, -1.7, 29.36

 

CMYK 36 / 0 / 9 / 24

HEX #7BC1B0

RGB 123 193 176

HSL 165.43, 0.36%, 0.62%

LAB 73.21, -25.89, 1.59

 

CMYK 9 / 36 / 0 / 24

HEX #B07BC1

RGB 176 123 193

HSL 285.43, 0.36%, 0.62%

LAB 59.2, 32.91, -28.54

 

CMYK 0 / 9 / 36 / 24

HEX #C2B17C

RGB 194 177 124

HSL 45.43, 0.36%, 0.62%

LAB 72.47, -1.7, 29.36

 

CMYK 34 / 0 / 36 / 24

HEX #7FC17B

RGB 127 193 123

HSL 116.57, 0.36%, 0.62%

LAB 72.28, -34.89, 28.78

 

CMYK 36 / 27 / 0 / 24

HEX #7B8DC1

RGB 123 141 193

HSL 224.57, 0.36%, 0.62%

LAB 59.08, 6.37, -29.11

 

CMYK 2 / 36 / 0 / 24

HEX #BD7BC1

RGB 189 123 193

HSL 296.57, 0.36%, 0.62%

LAB 60.64, 37.03, -26.21

 

CMYK 0 / 9 / 36 / 24

HEX #C2B17C

RGB 194 177 124

HSL 45.43, 0.36%, 0.62%

LAB 72.47, -1.7, 29.36

 

CMYK 36 / 0 / 27 / 24

HEX #7BC18D

RGB 123 193 141

HSL 135.43, 0.36%, 0.62%

LAB 72.41, -33.08, 19.38

 

CMYK 36 / 27 / 0 / 24

HEX #7B8DC1

RGB 123 141 193

HSL 224.57, 0.36%, 0.62%

LAB 59.08, 6.37, -29.11

 

CMYK 0 / 36 / 9 / 24

HEX #C17BB0

RGB 193 123 176

HSL 314.57, 0.36%, 0.62%

LAB 60.46, 35.22, -16.77

 

Description

Color code: RGB 194 177 124 | qconv.com Color code: RGB 194 177 124 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 177 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 177 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 36 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 36% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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