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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 143 61 it is the complementary color RGB 61 112 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 143 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 143 61 shade: RGB 199 143 56, RGB 216 161 75, RGB 233 179 94, RGB 250 197 113 and RGB 255 215 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 143 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 177 125 42, RGB 160 107 23, RGB 143 89 4 and RGB 126 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 194 107 61, RGB 194 71 61 and RGB 194 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 194 179 61, RGB 173 194 61, RGB 137 194 61 and RGB 102 194 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 143 61 shade matches the following richer shades: RGB 194 143 61, RGB 214 148 41 and RGB 235 153 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 173 138 82, RGB 153 133 102, RGB 132 129 123 and RGB 111 124 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 143 61 shade: RGB 194 70 61, RGB 194 105 61, RGB 194 141 61, RGB 194 176 61 and RGB 176 194 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 143 61 shade: RGB 131 97 41, RGB 162 120 51, RGB 194 143 61, RGB 204 161 93 and RGB 214 179 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 88 194 61 and RGB 88 61 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 61 194 141 and RGB 141 61 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 88 194 61, RGB 61 114 194 and RGB 167 61 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 143 61 shade: RGB 194 143 61, RGB 61 194 74, RGB 61 114 194 and RGB 194 61 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

Complementary color

CMYK 69 / 42 / 0 / 24

HEX #3D70C2

RGB 61 112 194

HSL 216.99, 0.52%, 0.5%

LAB 47.59, 10.11, -47.98

 

CMYK 0 / 28 / 72 / 22

HEX #C78F38

RGB 199 143 56

HSL 36.5, 0.56%, 0.5%

LAB 63.4, 12.99, 52.66

 

CMYK 0 / 25 / 65 / 15

HEX #D8A14B

RGB 216 161 75

HSL 36.6, 0.64%, 0.57%

LAB 69.89, 11.62, 51.51

 

CMYK 0 / 23 / 60 / 9

HEX #E9B35E

RGB 233 179 94

HSL 36.69, 0.76%, 0.64%

LAB 76.3, 10.44, 50.22

 

CMYK 0 / 21 / 55 / 2

HEX #FAC571

RGB 250 197 113

HSL 36.79, 0.93%, 0.71%

LAB 82.62, 9.41, 48.89

 

CMYK 0 / 16 / 48 / 0

HEX #FFD784

RGB 255 215 132

HSL 40.49, 1%, 0.76%

LAB 87.74, 3.74, 45.94

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 0 / 29 / 76 / 31

HEX #B17D2A

RGB 177 125 42

HSL 36.89, 0.62%, 0.43%

LAB 56.27, 12.58, 50.7

 

CMYK 0 / 33 / 86 / 37

HEX #A06B17

RGB 160 107 23

HSL 36.79, 0.75%, 0.36%

LAB 49.56, 14.37, 51.02

 

CMYK 0 / 38 / 97 / 44

HEX #8F5904

RGB 143 89 4

HSL 36.69, 0.95%, 0.29%

LAB 42.75, 16.49, 50.01

 

CMYK 0 / 44 / 100 / 51

HEX #7E4700

RGB 126 71 0

HSL 33.81, 1%, 0.25%

LAB 35.87, 19.02, 45.51

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 0 / 45 / 69 / 24

HEX #C26B3D

RGB 194 107 61

HSL 20.75, 0.52%, 0.5%

LAB 54.37, 30.76, 40.34

 

CMYK 0 / 63 / 69 / 24

HEX #C2473D

RGB 194 71 61

HSL 4.51, 0.52%, 0.5%

LAB 47.38, 48.62, 32.22

 

CMYK 0 / 69 / 69 / 24

HEX #C23D3D

RGB 194 61 61

HSL 0, 0.52%, 0.5%

LAB 45.83, 52.82, 30.36

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 0 / 8 / 69 / 24

HEX #C2B33D

RGB 194 179 61

HSL 53.23, 0.52%, 0.5%

LAB 72.26, -8.22, 59.45

 

CMYK 11 / 0 / 69 / 24

HEX #ADC23D

RGB 173 194 61

HSL 69.47, 0.52%, 0.5%

LAB 74.7, -24.67, 61.37

 

CMYK 29 / 0 / 69 / 24

HEX #89C23D

RGB 137 194 61

HSL 85.71, 0.52%, 0.5%

LAB 72.39, -38.85, 58.27

 

CMYK 47 / 0 / 69 / 24

HEX #66C23D

RGB 102 194 61

HSL 101.5, 0.52%, 0.5%

LAB 70.69, -50.73, 55.98

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 0 / 31 / 81 / 16

HEX #D69429

RGB 214 148 41

HSL 37.11, 0.68%, 0.5%

LAB 66.24, 16.17, 61.92

 

CMYK 0 / 35 / 91 / 8

HEX #EB9914

RGB 235 153 20

HSL 37.12, 0.84%, 0.5%

LAB 69.82, 22.02, 71.58

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 0 / 20 / 53 / 32

HEX #AD8A52

RGB 173 138 82

HSL 36.92, 0.36%, 0.5%

LAB 59.59, 6.26, 34.82

 

CMYK 0 / 13 / 33 / 40

HEX #998566

RGB 153 133 102

HSL 36.47, 0.2%, 0.5%

LAB 56.59, 2.8, 19.53

 

CMYK 0 / 2 / 7 / 48

HEX #84817B

RGB 132 129 123

HSL 40, 0.04%, 0.5%

LAB 54.07, -0.02, 3.64

 

CMYK 23 / 14 / 0 / 44

HEX #6F7C90

RGB 111 124 144

HSL 216.36, 0.13%, 0.5%

LAB 51.62, -0.16, -12.42

 

CMYK 0 / 64 / 69 / 24

HEX #C2463D

RGB 194 70 61

HSL 4.06, 0.52%, 0.5%

LAB 47.22, 49.06, 32.03

 

CMYK 0 / 46 / 69 / 24

HEX #C2693D

RGB 194 105 61

HSL 19.85, 0.52%, 0.5%

LAB 53.93, 31.83, 39.84

 

CMYK 0 / 27 / 69 / 24

HEX #C28D3D

RGB 194 141 61

HSL 36.09, 0.52%, 0.5%

LAB 62.39, 12.18, 49.17

 

CMYK 0 / 9 / 69 / 24

HEX #C2B03D

RGB 194 176 61

HSL 51.88, 0.52%, 0.5%

LAB 71.46, -6.65, 58.63

 

CMYK 9 / 0 / 69 / 24

HEX #B0C23D

RGB 176 194 61

HSL 68.12, 0.52%, 0.5%

LAB 74.92, -23.43, 61.66

 

CMYK 0 / 26 / 69 / 49

HEX #836129

RGB 131 97 41

HSL 37.33, 0.52%, 0.34%

LAB 43.56, 7.56, 36.36

 

CMYK 0 / 26 / 69 / 36

HEX #A27833

RGB 162 120 51

HSL 37.3, 0.52%, 0.42%

LAB 53.33, 9.14, 43.09

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 0 / 21 / 54 / 20

HEX #CCA15D

RGB 204 161 93

HSL 36.76, 0.52%, 0.58%

LAB 68.84, 7.84, 41.13

 

CMYK 0 / 16 / 42 / 16

HEX #D6B37C

RGB 214 179 124

HSL 36.67, 0.52%, 0.66%

LAB 74.82, 5.29, 32.78

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 55 / 0 / 69 / 24

HEX #58C23D

RGB 88 194 61

HSL 107.82, 0.52%, 0.5%

LAB 70.17, -54.71, 55.27

 

CMYK 55 / 69 / 0 / 24

HEX #583DC2

RGB 88 61 194

HSL 252.18, 0.52%, 0.5%

LAB 36.57, 46.17, -65.72

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 69 / 0 / 27 / 24

HEX #3DC28D

RGB 61 194 141

HSL 156.09, 0.52%, 0.5%

LAB 70.52, -48.27, 16.43

 

CMYK 27 / 69 / 0 / 24

HEX #8D3DC2

RGB 141 61 194

HSL 276.09, 0.52%, 0.5%

LAB 42.6, 56.19, -55.64

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 55 / 0 / 69 / 24

HEX #58C23D

RGB 88 194 61

HSL 107.82, 0.52%, 0.5%

LAB 70.17, -54.71, 55.27

 

CMYK 69 / 41 / 0 / 24

HEX #3D72C2

RGB 61 114 194

HSL 216.09, 0.52%, 0.5%

LAB 48.16, 8.86, -47.07

 

CMYK 14 / 69 / 0 / 24

HEX #A73DC2

RGB 167 61 194

HSL 287.82, 0.52%, 0.5%

LAB 46.24, 61.78, -49.6

 

CMYK 0 / 26 / 69 / 24

HEX #C28F3D

RGB 194 143 61

HSL 36.99, 0.52%, 0.5%

LAB 62.89, 11.08, 49.7

 

CMYK 69 / 0 / 62 / 24

HEX #3DC24A

RGB 61 194 74

HSL 125.86, 0.52%, 0.5%

LAB 69.52, -59.53, 48.89

 

CMYK 69 / 41 / 0 / 24

HEX #3D72C2

RGB 61 114 194

HSL 216.09, 0.52%, 0.5%

LAB 48.16, 8.86, -47.07

 

CMYK 0 / 69 / 7 / 24

HEX #C23DB5

RGB 194 61 181

HSL 305.86, 0.52%, 0.5%

LAB 49.67, 65.71, -36.32

 

Description

Color code: RGB 194 143 61 | qconv.com Color code: RGB 194 143 61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 143 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 143 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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