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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 136 4 it is the complementary color RGB 61 119 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 136 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 136 4 shade: RGB 199 136 0, RGB 216 154 18, RGB 233 172 37, RGB 250 190 56 and RGB 255 208 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 136 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 136 4 shade: RGB 194 136 4, RGB 177 118 0, RGB 160 100 0, RGB 143 82 0 and RGB 126 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 136 4 shade: RGB 195 137 4, RGB 195 85 4, RGB 195 34 4 and RGB 195 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 136 4 shade: RGB 195 137 4, RGB 195 188 4, RGB 150 195 4, RGB 99 195 4 and RGB 47 195 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 136 4 shade matches the following richer shades: RGB 195 137 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 136 4 shade: RGB 195 137 4, RGB 179 130 20, RGB 163 124 36, RGB 147 118 52 and RGB 131 112 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 136 4 shade: RGB 195 33 4, RGB 195 84 4, RGB 195 134 4, RGB 195 185 4 and RGB 154 195 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 136 4 shade: RGB 114 80 2, RGB 154 108 3, RGB 195 137 4, RGB 235 165 5 and RGB 250 183 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 136 4 shade: RGB 194 136 4, RGB 26 195 4 and RGB 58 4 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 136 4 shade: RGB 194 136 4, RGB 4 195 134 and RGB 134 4 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 136 4 shade: RGB 194 136 4, RGB 26 195 4, RGB 4 64 195 and RGB 173 4 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 136 4 shade: RGB 194 136 4, RGB 4 195 39, RGB 4 64 195 and RGB 195 4 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 98 / 24

HEX #C28804

RGB 194 136 4

HSL 41.68, 0.96%, 0.39%

LAB 60.86, 13.16, 65.53

Complementary color

CMYK 76 / 53 / 0 / 2

HEX #3D77FB

RGB 61 119 251

HSL 221.68, 0.96%, 0.61%

LAB 53.11, 26.39, -71.26

 

CMYK 0 / 32 / 100 / 22

HEX #C78800

RGB 199 136 0

HSL 41.01, 1%, 0.39%

LAB 61.44, 15.34, 66.82

 

CMYK 0 / 29 / 92 / 15

HEX #D89A12

RGB 216 154 18

HSL 41.21, 0.85%, 0.46%

LAB 67.84, 13.27, 69.51

 

CMYK 0 / 26 / 84 / 9

HEX #E9AC25

RGB 233 172 37

HSL 41.33, 0.82%, 0.53%

LAB 74.17, 11.43, 70.83

 

CMYK 0 / 24 / 78 / 2

HEX #FABE38

RGB 250 190 56

HSL 41.44, 0.95%, 0.6%

LAB 80.42, 9.82, 71.05

 

CMYK 0 / 18 / 71 / 0

HEX #FFD04B

RGB 255 208 75

HSL 44.33, 1%, 0.65%

LAB 85.44, 3.41, 69.06

 

CMYK 0 / 30 / 98 / 24

HEX #C28804

RGB 194 136 4

HSL 41.68, 0.96%, 0.39%

LAB 60.86, 13.16, 65.53

 

CMYK 0 / 33 / 100 / 31

HEX #B17600

RGB 177 118 0

HSL 40, 1%, 0.35%

LAB 54.35, 15.46, 60.83

 

CMYK 0 / 38 / 100 / 37

HEX #A06400

RGB 160 100 0

HSL 37.5, 1%, 0.31%

LAB 47.74, 17.91, 55.44

 

CMYK 0 / 43 / 100 / 44

HEX #8F5200

RGB 143 82 0

HSL 34.41, 1%, 0.28%

LAB 41.02, 20.45, 49.98

 

CMYK 0 / 49 / 100 / 51

HEX #7E4000

RGB 126 64 0

HSL 30.48, 1%, 0.25%

LAB 34.2, 23.08, 44.47

 

CMYK 0 / 30 / 98 / 24

HEX #C38904

RGB 195 137 4

HSL 41.78, 0.96%, 0.39%

LAB 61.22, 13.06, 65.83

 

CMYK 0 / 56 / 98 / 24

HEX #C35504

RGB 195 85 4

HSL 25.45, 0.96%, 0.39%

LAB 49.63, 40.77, 58.25

 

CMYK 0 / 83 / 98 / 24

HEX #C32204

RGB 195 34 4

HSL 9.42, 0.96%, 0.39%

LAB 42.39, 60.34, 54.28

 

CMYK 0 / 98 / 98 / 24

HEX #C30404

RGB 195 4 4

HSL 0, 0.96%, 0.39%

LAB 40.73, 65.1, 53.51

 

CMYK 0 / 30 / 98 / 24

HEX #C38904

RGB 195 137 4

HSL 41.78, 0.96%, 0.39%

LAB 61.22, 13.06, 65.83

 

CMYK 0 / 4 / 98 / 24

HEX #C3BC04

RGB 195 188 4

HSL 57.8, 0.96%, 0.39%

LAB 74.56, -14.05, 75.4

 

CMYK 23 / 0 / 98 / 24

HEX #96C304

RGB 150 195 4

HSL 74.14, 0.96%, 0.39%

LAB 73.23, -36.38, 72.94

 

CMYK 49 / 0 / 98 / 24

HEX #63C304

RGB 99 195 4

HSL 90.16, 0.96%, 0.39%

LAB 70.66, -54.53, 69.82

 

CMYK 76 / 0 / 98 / 24

HEX #2FC304

RGB 47 195 4

HSL 106.49, 0.96%, 0.39%

LAB 69.21, -66.43, 68.06

 

CMYK 0 / 30 / 98 / 24

HEX #C38904

RGB 195 137 4

HSL 41.78, 0.96%, 0.39%

LAB 61.22, 13.06, 65.83

 

CMYK 0 / 30 / 98 / 24

HEX #C38904

RGB 195 137 4

HSL 41.78, 0.96%, 0.39%

LAB 61.22, 13.06, 65.83

 

CMYK 0 / 27 / 89 / 30

HEX #B38214

RGB 179 130 20

HSL 41.51, 0.8%, 0.39%

LAB 57.65, 9.98, 59.44

 

CMYK 0 / 24 / 78 / 36

HEX #A37C24

RGB 163 124 36

HSL 41.57, 0.64%, 0.39%

LAB 54.37, 6.56, 50.75

 

CMYK 0 / 20 / 65 / 42

HEX #937634

RGB 147 118 52

HSL 41.68, 0.48%, 0.39%

LAB 51.16, 3.54, 39.74

 

CMYK 0 / 15 / 48 / 49

HEX #837044

RGB 131 112 68

HSL 41.9, 0.32%, 0.39%

LAB 48.05, 1.15, 27.14

 

CMYK 0 / 83 / 98 / 24

HEX #C32104

RGB 195 33 4

HSL 9.11, 0.96%, 0.39%

LAB 42.31, 60.58, 54.24

 

CMYK 0 / 57 / 98 / 24

HEX #C35404

RGB 195 84 4

HSL 25.13, 0.96%, 0.39%

LAB 49.44, 41.26, 58.14

 

CMYK 0 / 31 / 98 / 24

HEX #C38604

RGB 195 134 4

HSL 40.84, 0.96%, 0.39%

LAB 60.48, 14.71, 65.32

 

CMYK 0 / 5 / 98 / 24

HEX #C3B904

RGB 195 185 4

HSL 56.86, 0.96%, 0.39%

LAB 73.75, -12.53, 74.8

 

CMYK 21 / 0 / 98 / 24

HEX #9AC304

RGB 154 195 4

HSL 72.88, 0.96%, 0.39%

LAB 73.49, -34.78, 73.25

 

CMYK 0 / 30 / 98 / 55

HEX #725002

RGB 114 80 2

HSL 41.79, 0.97%, 0.23%

LAB 36.59, 7.92, 44.51

 

CMYK 0 / 30 / 98 / 40

HEX #9A6C03

RGB 154 108 3

HSL 41.72, 0.96%, 0.31%

LAB 49.01, 10.62, 55.26

 

CMYK 0 / 30 / 98 / 24

HEX #C38904

RGB 195 137 4

HSL 41.78, 0.96%, 0.39%

LAB 61.22, 13.06, 65.83

 

CMYK 0 / 30 / 98 / 8

HEX #EBA505

RGB 235 165 5

HSL 41.74, 0.96%, 0.47%

LAB 72.62, 15.49, 75.71

 

CMYK 0 / 27 / 88 / 2

HEX #FAB71F

RGB 250 183 31

HSL 41.64, 0.96%, 0.55%

LAB 78.63, 12.78, 76.71

 

CMYK 0 / 30 / 98 / 24

HEX #C28804

RGB 194 136 4

HSL 41.68, 0.96%, 0.39%

LAB 60.86, 13.16, 65.53

 

CMYK 87 / 0 / 98 / 24

HEX #1AC304

RGB 26 195 4

HSL 113.09, 0.96%, 0.39%

LAB 68.94, -68.9, 67.72

 

CMYK 70 / 98 / 0 / 24

HEX #3A04C3

RGB 58 4 195

HSL 256.96, 0.96%, 0.39%

LAB 26.52, 64.99, -82.98

 

CMYK 0 / 30 / 98 / 24

HEX #C28804

RGB 194 136 4

HSL 41.68, 0.96%, 0.39%

LAB 60.86, 13.16, 65.53

 

CMYK 98 / 0 / 31 / 24

HEX #04C386

RGB 4 195 134

HSL 160.84, 0.96%, 0.39%

LAB 70.02, -55.32, 19.38

 

CMYK 31 / 98 / 0 / 24

HEX #8604C3

RGB 134 4 195

HSL 280.84, 0.96%, 0.39%

LAB 36.17, 71.17, -66.73

 

CMYK 0 / 30 / 98 / 24

HEX #C28804

RGB 194 136 4

HSL 41.68, 0.96%, 0.39%

LAB 60.86, 13.16, 65.53

 

CMYK 87 / 0 / 98 / 24

HEX #1AC304

RGB 26 195 4

HSL 113.09, 0.96%, 0.39%

LAB 68.94, -68.9, 67.72

 

CMYK 98 / 67 / 0 / 24

HEX #0440C3

RGB 4 64 195

HSL 221.15, 0.96%, 0.39%

LAB 33.21, 36.87, -71.98

 

CMYK 11 / 98 / 0 / 24

HEX #AD04C3

RGB 173 4 195

HSL 293.09, 0.96%, 0.39%

LAB 42.63, 76.49, -55.94

 

CMYK 0 / 30 / 98 / 24

HEX #C28804

RGB 194 136 4

HSL 41.68, 0.96%, 0.39%

LAB 60.86, 13.16, 65.53

 

CMYK 98 / 0 / 80 / 24

HEX #04C327

RGB 4 195 39

HSL 130.99, 0.96%, 0.39%

LAB 68.9, -68.88, 61.11

 

CMYK 98 / 67 / 0 / 24

HEX #0440C3

RGB 4 64 195

HSL 221.15, 0.96%, 0.39%

LAB 33.21, 36.87, -71.98

 

CMYK 0 / 98 / 18 / 24

HEX #C304A0

RGB 195 4 160

HSL 310.99, 0.96%, 0.39%

LAB 44.56, 75.18, -31.91

 

Description

Color code: RGB 194 136 4 | qconv.com Color code: RGB 194 136 4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 136 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 136 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 98 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 98% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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