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Color name
RGB 194 103 71

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 103 71 it is the complementary color RGB 61 152 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 103 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 103 71 shade: RGB 199 103 66, RGB 216 121 85, RGB 233 139 104, RGB 250 157 123 and RGB 255 175 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 103 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 103 71 shade: RGB 194 103 71, RGB 177 85 52, RGB 160 67 33, RGB 143 49 14 and RGB 126 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 103 71 shade: RGB 193 103 71 and RGB 193 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 103 71 shade: RGB 193 103 71, RGB 193 136 71, RGB 193 169 71, RGB 185 193 71 and RGB 152 193 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 103 71 shade matches the following richer shades: RGB 193 103 71, RGB 213 93 51, RGB 233 84 31 and RGB 253 74 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 103 71 shade: RGB 193 103 71, RGB 173 112 91, RGB 154 122 111, RGB 134 131 130 and RGB 114 141 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 103 71 shade: RGB 193 71 106, RGB 193 71 73, RGB 193 102 71, RGB 193 134 71 and RGB 193 167 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 103 71 shade: RGB 137 69 45, RGB 167 85 55, RGB 193 103 71, RGB 204 128 102 and RGB 214 154 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 103 71 shade: RGB 194 103 71, RGB 138 193 71 and RGB 71 89 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 103 71 shade: RGB 194 103 71, RGB 71 193 102 and RGB 102 71 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 103 71 shade: RGB 194 103 71, RGB 138 193 71, RGB 71 163 193 and RGB 126 71 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 103 71 shade: RGB 194 103 71, RGB 102 193 71, RGB 71 163 193 and RGB 163 71 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 63 / 24

HEX #C26747

RGB 194 103 71

HSL 15.61, 0.5%, 0.52%

LAB 53.63, 33.51, 34.08

 

Complementary color

CMYK 67 / 17 / 0 / 28

HEX #3D98B8

RGB 61 152 184

HSL 195.61, 0.5%, 0.48%

LAB 58.89, -16.72, -24.55

 

CMYK 0 / 48 / 67 / 22

HEX #C76742

RGB 199 103 66

HSL 16.69, 0.54%, 0.52%

LAB 54.28, 35.18, 37.76

 

CMYK 0 / 44 / 61 / 15

HEX #D87955

RGB 216 121 85

HSL 16.49, 0.63%, 0.59%

LAB 60.72, 33.72, 35.75

 

CMYK 0 / 40 / 55 / 9

HEX #E98B68

RGB 233 139 104

HSL 16.28, 0.75%, 0.66%

LAB 67.12, 32.4, 33.93

 

CMYK 0 / 37 / 51 / 2

HEX #FA9D7B

RGB 250 157 123

HSL 16.06, 0.93%, 0.73%

LAB 73.46, 31.2, 32.28

 

CMYK 0 / 31 / 44 / 0

HEX #FFAF8E

RGB 255 175 142

HSL 17.52, 1%, 0.78%

LAB 78.39, 25.51, 28.73

 

CMYK 0 / 47 / 63 / 24

HEX #C26747

RGB 194 103 71

HSL 15.61, 0.5%, 0.52%

LAB 53.63, 33.51, 34.08

 

CMYK 0 / 52 / 71 / 31

HEX #B15534

RGB 177 85 52

HSL 15.84, 0.55%, 0.45%

LAB 47.1, 35.03, 36.24

 

CMYK 0 / 58 / 79 / 37

HEX #A04321

RGB 160 67 33

HSL 16.06, 0.66%, 0.38%

LAB 40.57, 36.65, 38.55

 

CMYK 0 / 66 / 90 / 44

HEX #8F310E

RGB 143 49 14

HSL 16.28, 0.82%, 0.31%

LAB 34.12, 38.25, 40.55

 

CMYK 0 / 75 / 100 / 51

HEX #7E1F00

RGB 126 31 0

HSL 14.76, 1%, 0.25%

LAB 27.89, 39.52, 39.99

 

CMYK 0 / 47 / 63 / 24

HEX #C16747

RGB 193 103 71

HSL 15.74, 0.5%, 0.52%

LAB 53.48, 33.11, 33.87

 

CMYK 0 / 63 / 63 / 24

HEX #C14747

RGB 193 71 71

HSL 0, 0.5%, 0.52%

LAB 47.36, 48.86, 26.29

 

CMYK 0 / 47 / 63 / 24

HEX #C16747

RGB 193 103 71

HSL 15.74, 0.5%, 0.52%

LAB 53.48, 33.11, 33.87

 

CMYK 0 / 30 / 63 / 24

HEX #C18847

RGB 193 136 71

HSL 31.97, 0.5%, 0.52%

LAB 61.13, 15.12, 42.9

 

CMYK 0 / 12 / 63 / 24

HEX #C1A947

RGB 193 169 71

HSL 48.2, 0.5%, 0.52%

LAB 69.59, -2.79, 52.36

 

CMYK 4 / 0 / 63 / 24

HEX #B9C147

RGB 185 193 71

HSL 63.93, 0.5%, 0.52%

LAB 75.39, -18.58, 58.39

 

CMYK 21 / 0 / 63 / 24

HEX #98C147

RGB 152 193 71

HSL 80.16, 0.5%, 0.52%

LAB 73.07, -31.95, 55.21

 

CMYK 0 / 47 / 63 / 24

HEX #C16747

RGB 193 103 71

HSL 15.74, 0.5%, 0.52%

LAB 53.48, 33.11, 33.87

 

CMYK 0 / 56 / 76 / 16

HEX #D55D33

RGB 213 93 51

HSL 15.56, 0.66%, 0.52%

LAB 54.25, 44.85, 46.15

 

CMYK 0 / 64 / 87 / 9

HEX #E9541F

RGB 233 84 31

HSL 15.74, 0.82%, 0.52%

LAB 55.85, 55.46, 57.77

 

CMYK 0 / 71 / 96 / 1

HEX #FD4A0B

RGB 253 74 11

HSL 15.62, 0.98%, 0.52%

LAB 57.85, 65.57, 66.72

 

CMYK 0 / 47 / 63 / 24

HEX #C16747

RGB 193 103 71

HSL 15.74, 0.5%, 0.52%

LAB 53.48, 33.11, 33.87

 

CMYK 0 / 35 / 47 / 32

HEX #AD705B

RGB 173 112 91

HSL 15.37, 0.33%, 0.52%

LAB 53.2, 21.73, 21.64

 

CMYK 0 / 21 / 28 / 40

HEX #9A7A6F

RGB 154 122 111

HSL 15.35, 0.18%, 0.52%

LAB 53.96, 10.73, 10.75

 

CMYK 0 / 2 / 3 / 47

HEX #868382

RGB 134 131 130

HSL 15, 0.02%, 0.52%

LAB 54.98, 0.93, 0.93

 

CMYK 24 / 6 / 0 / 41

HEX #728D96

RGB 114 141 150

HSL 195, 0.15%, 0.52%

LAB 56.91, -7.41, -7.94

 

CMYK 0 / 63 / 45 / 24

HEX #C1476A

RGB 193 71 106

HSL 342.79, 0.5%, 0.52%

LAB 48.11, 51.71, 6.16

 

CMYK 0 / 63 / 62 / 24

HEX #C14749

RGB 193 71 73

HSL 359.02, 0.5%, 0.52%

LAB 47.4, 48.99, 25.15

 

CMYK 0 / 47 / 63 / 24

HEX #C16647

RGB 193 102 71

HSL 15.25, 0.5%, 0.52%

LAB 53.27, 33.64, 33.61

 

CMYK 0 / 31 / 63 / 24

HEX #C18647

RGB 193 134 71

HSL 30.98, 0.5%, 0.52%

LAB 60.64, 16.22, 42.33

 

CMYK 0 / 13 / 63 / 24

HEX #C1A747

RGB 193 167 71

HSL 47.21, 0.5%, 0.52%

LAB 69.06, -1.73, 51.78

 

CMYK 0 / 50 / 67 / 46

HEX #89452D

RGB 137 69 45

HSL 15.65, 0.51%, 0.36%

LAB 37.42, 26.83, 27.39

 

CMYK 0 / 49 / 67 / 35

HEX #A75537

RGB 167 85 55

HSL 16.07, 0.5%, 0.44%

LAB 45.62, 31.18, 32.49

 

CMYK 0 / 47 / 63 / 24

HEX #C16747

RGB 193 103 71

HSL 15.74, 0.5%, 0.52%

LAB 53.48, 33.11, 33.87

 

CMYK 0 / 37 / 50 / 20

HEX #CC8066

RGB 204 128 102

HSL 15.29, 0.5%, 0.6%

LAB 60.99, 26.6, 26.4

 

CMYK 0 / 28 / 38 / 16

HEX #D69A85

RGB 214 154 133

HSL 15.56, 0.5%, 0.68%

LAB 68.82, 19.76, 19.91

 

CMYK 0 / 47 / 63 / 24

HEX #C26747

RGB 194 103 71

HSL 15.61, 0.5%, 0.52%

LAB 53.63, 33.51, 34.08

 

CMYK 28 / 0 / 63 / 24

HEX #8AC147

RGB 138 193 71

HSL 87.05, 0.5%, 0.52%

LAB 72.23, -37.27, 54.05

 

CMYK 63 / 54 / 0 / 24

HEX #4759C1

RGB 71 89 193

HSL 231.15, 0.5%, 0.52%

LAB 41.74, 26.01, -56.77

 

CMYK 0 / 47 / 63 / 24

HEX #C26747

RGB 194 103 71

HSL 15.61, 0.5%, 0.52%

LAB 53.63, 33.51, 34.08

 

CMYK 63 / 0 / 47 / 24

HEX #47C166

RGB 71 193 102

HSL 135.25, 0.5%, 0.52%

LAB 69.78, -53.42, 35.93

 

CMYK 47 / 63 / 0 / 24

HEX #6647C1

RGB 102 71 193

HSL 255.25, 0.5%, 0.52%

LAB 39.88, 42.8, -59.67

 

CMYK 0 / 47 / 63 / 24

HEX #C26747

RGB 194 103 71

HSL 15.61, 0.5%, 0.52%

LAB 53.63, 33.51, 34.08

 

CMYK 28 / 0 / 63 / 24

HEX #8AC147

RGB 138 193 71

HSL 87.05, 0.5%, 0.52%

LAB 72.23, -37.27, 54.05

 

CMYK 63 / 16 / 0 / 24

HEX #47A3C1

RGB 71 163 193

HSL 194.75, 0.5%, 0.52%

LAB 62.83, -18.06, -23.54

 

CMYK 35 / 63 / 0 / 24

HEX #7E47C1

RGB 126 71 193

HSL 267.05, 0.5%, 0.52%

LAB 42.45, 47.84, -55.4

 

CMYK 0 / 47 / 63 / 24

HEX #C26747

RGB 194 103 71

HSL 15.61, 0.5%, 0.52%

LAB 53.63, 33.51, 34.08

 

CMYK 47 / 0 / 63 / 24

HEX #66C147

RGB 102 193 71

HSL 104.75, 0.5%, 0.52%

LAB 70.47, -49.44, 51.62

 

CMYK 63 / 16 / 0 / 24

HEX #47A3C1

RGB 71 163 193

HSL 194.75, 0.5%, 0.52%

LAB 62.83, -18.06, -23.54

 

CMYK 16 / 63 / 0 / 24

HEX #A347C1

RGB 163 71 193

HSL 285.25, 0.5%, 0.52%

LAB 47.16, 56.37, -47.58

 

Description

Color code: RGB 194 103 71 | qconv.com Color code: RGB 194 103 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 103 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 103 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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