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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 103 142 it is the complementary color RGB 61 152 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 103 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 103 142 shade: RGB 199 103 137, RGB 216 121 156, RGB 233 139 175, RGB 250 157 194 and RGB 255 175 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 103 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 103 142 shade: RGB 194 103 142, RGB 177 85 123, RGB 160 67 104, RGB 143 49 85 and RGB 126 31 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 103 142 shade: RGB 194 102 141, RGB 194 102 116 and RGB 194 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 103 142 shade: RGB 194 102 141, RGB 194 102 166, RGB 194 102 191, RGB 172 102 194 and RGB 147 102 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 103 142 shade matches the following richer shades: RGB 194 102 141, RGB 211 85 139, RGB 229 67 136 and RGB 246 50 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 103 142 shade: RGB 194 102 141, RGB 177 119 144, RGB 159 137 146, RGB 142 154 149 and RGB 125 171 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 103 142 shade: RGB 194 102 191, RGB 194 102 166, RGB 194 102 142, RGB 194 102 117 and RGB 194 111 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 103 142 shade: RGB 152 61 100, RGB 182 73 119, RGB 194 102 141, RGB 206 131 163 and RGB 217 161 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 103 142 shade: RGB 194 103 142, RGB 194 172 102 and RGB 102 179 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 103 142 shade: RGB 194 103 142, RGB 142 194 102 and RGB 102 142 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 103 142 shade: RGB 194 103 142, RGB 194 172 102, RGB 102 194 154 and RGB 102 123 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 103 142 shade: RGB 194 103 142, RGB 188 194 102, RGB 102 194 154 and RGB 108 102 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 27 / 24

HEX #C2678E

RGB 194 103 142

HSL 334.29, 0.43%, 0.58%

LAB 55.2, 40.88, -4.98

 

Complementary color

CMYK 60 / 0 / 26 / 40

HEX #3D9871

RGB 61 152 113

HSL 154.29, 0.43%, 0.42%

LAB 56.72, -36.62, 12.6

 

CMYK 0 / 48 / 31 / 22

HEX #C76789

RGB 199 103 137

HSL 338.75, 0.46%, 0.59%

LAB 55.73, 41.93, -1.18

 

CMYK 0 / 44 / 28 / 15

HEX #D8799C

RGB 216 121 156

HSL 337.89, 0.55%, 0.66%

LAB 62.23, 41.07, -2.39

 

CMYK 0 / 40 / 25 / 9

HEX #E98BAF

RGB 233 139 175

HSL 337.02, 0.68%, 0.73%

LAB 68.67, 40.22, -3.43

 

CMYK 0 / 37 / 22 / 2

HEX #FA9DC2

RGB 250 157 194

HSL 336.13, 0.9%, 0.8%

LAB 75.03, 39.41, -4.37

 

CMYK 0 / 31 / 16 / 0

HEX #FFAFD5

RGB 255 175 213

HSL 331.5, 1%, 0.84%

LAB 80.02, 34.56, -7.29

 

CMYK 0 / 47 / 27 / 24

HEX #C2678E

RGB 194 103 142

HSL 334.29, 0.43%, 0.58%

LAB 55.2, 40.88, -4.98

 

CMYK 0 / 52 / 31 / 31

HEX #B1557B

RGB 177 85 123

HSL 335.22, 0.37%, 0.51%

LAB 48.6, 41.7, -3.72

 

CMYK 0 / 58 / 35 / 37

HEX #A04368

RGB 160 67 104

HSL 336.13, 0.41%, 0.45%

LAB 41.98, 42.45, -2.18

 

CMYK 0 / 66 / 41 / 44

HEX #8F3155

RGB 143 49 85

HSL 337.02, 0.49%, 0.38%

LAB 35.38, 42.99, -0.21

 

CMYK 0 / 75 / 48 / 51

HEX #7E1F42

RGB 126 31 66

HSL 337.89, 0.61%, 0.31%

LAB 28.93, 43.01, 2.45

 

CMYK 0 / 47 / 27 / 24

HEX #C2668D

RGB 194 102 141

HSL 334.57, 0.43%, 0.58%

LAB 54.96, 41.26, -4.74

 

CMYK 0 / 47 / 40 / 24

HEX #C26674

RGB 194 102 116

HSL 350.87, 0.43%, 0.58%

LAB 54.27, 38.1, 8.96

 

CMYK 0 / 47 / 47 / 24

HEX #C26666

RGB 194 102 102

HSL 0, 0.43%, 0.58%

LAB 53.95, 36.61, 16.74

 

CMYK 0 / 47 / 27 / 24

HEX #C2668D

RGB 194 102 141

HSL 334.57, 0.43%, 0.58%

LAB 54.96, 41.26, -4.74

 

CMYK 0 / 47 / 14 / 24

HEX #C266A6

RGB 194 102 166

HSL 318.26, 0.43%, 0.58%

LAB 55.81, 44.99, -18.06

 

CMYK 0 / 47 / 2 / 24

HEX #C266BF

RGB 194 102 191

HSL 301.96, 0.43%, 0.58%

LAB 56.81, 49.25, -30.93

 

CMYK 11 / 47 / 0 / 24

HEX #AC66C2

RGB 172 102 194

HSL 285.65, 0.43%, 0.58%

LAB 54.21, 43.41, -36.93

 

CMYK 24 / 47 / 0 / 24

HEX #9366C2

RGB 147 102 194

HSL 269.35, 0.43%, 0.58%

LAB 51.38, 36.29, -41.57

 

CMYK 0 / 47 / 27 / 24

HEX #C2668D

RGB 194 102 141

HSL 334.57, 0.43%, 0.58%

LAB 54.96, 41.26, -4.74

 

CMYK 0 / 60 / 34 / 17

HEX #D3558B

RGB 211 85 139

HSL 334.29, 0.59%, 0.58%

LAB 54.25, 54.81, -4.35

 

CMYK 0 / 71 / 41 / 10

HEX #E54388

RGB 229 67 136

HSL 334.44, 0.76%, 0.58%

LAB 54.5, 66.91, -1.86

 

CMYK 0 / 80 / 46 / 4

HEX #F63286

RGB 246 50 134

HSL 334.29, 0.92%, 0.58%

LAB 55.68, 76.2, 1.42

 

CMYK 0 / 47 / 27 / 24

HEX #C2668D

RGB 194 102 141

HSL 334.57, 0.43%, 0.58%

LAB 54.96, 41.26, -4.74

 

CMYK 0 / 33 / 19 / 31

HEX #B17790

RGB 177 119 144

HSL 334.14, 0.27%, 0.58%

LAB 56.64, 26.43, -4.26

 

CMYK 0 / 14 / 8 / 38

HEX #9F8992

RGB 159 137 146

HSL 335.45, 0.1%, 0.58%

LAB 59.29, 9.89, -1.73

 

CMYK 8 / 0 / 3 / 40

HEX #8E9A95

RGB 142 154 149

HSL 155, 0.06%, 0.58%

LAB 62.53, -5.28, 1.14

 

CMYK 27 / 0 / 12 / 33

HEX #7DAB97

RGB 125 171 151

HSL 153.91, 0.21%, 0.58%

LAB 66.31, -19.69, 5.34

 

CMYK 0 / 47 / 2 / 24

HEX #C266BF

RGB 194 102 191

HSL 301.96, 0.43%, 0.58%

LAB 56.81, 49.25, -30.93

 

CMYK 0 / 47 / 14 / 24

HEX #C266A6

RGB 194 102 166

HSL 318.26, 0.43%, 0.58%

LAB 55.81, 44.99, -18.06

 

CMYK 0 / 47 / 27 / 24

HEX #C2668E

RGB 194 102 142

HSL 333.91, 0.43%, 0.58%

LAB 55, 41.39, -5.28

 

CMYK 0 / 47 / 40 / 24

HEX #C26675

RGB 194 102 117

HSL 350.22, 0.43%, 0.58%

LAB 54.3, 38.22, 8.41

 

CMYK 0 / 43 / 47 / 24

HEX #C26F66

RGB 194 111 102

HSL 5.87, 0.43%, 0.58%

LAB 55.88, 31.83, 19.36

 

CMYK 0 / 60 / 34 / 40

HEX #983D64

RGB 152 61 100

HSL 334.29, 0.43%, 0.42%

LAB 39.47, 42.18, -3.54

 

CMYK 0 / 60 / 35 / 29

HEX #B64977

RGB 182 73 119

HSL 334.68, 0.43%, 0.5%

LAB 47.03, 48.7, -3.54

 

CMYK 0 / 47 / 27 / 24

HEX #C2668D

RGB 194 102 141

HSL 334.57, 0.43%, 0.58%

LAB 54.96, 41.26, -4.74

 

CMYK 0 / 36 / 21 / 19

HEX #CE83A3

RGB 206 131 163

HSL 334.4, 0.43%, 0.66%

LAB 63.34, 33.27, -4.89

 

CMYK 0 / 26 / 15 / 15

HEX #D9A1B9

RGB 217 161 185

HSL 334.29, 0.42%, 0.74%

LAB 72.06, 24.39, -4.21

 

CMYK 0 / 47 / 27 / 24

HEX #C2678E

RGB 194 103 142

HSL 334.29, 0.43%, 0.58%

LAB 55.2, 40.88, -4.98

 

CMYK 0 / 11 / 47 / 24

HEX #C2AC66

RGB 194 172 102

HSL 45.65, 0.43%, 0.58%

LAB 70.83, -1.44, 38.75

 

CMYK 47 / 8 / 0 / 24

HEX #66B3C2

RGB 102 179 194

HSL 189.78, 0.43%, 0.58%

LAB 68.72, -19.77, -15.03

 

CMYK 0 / 47 / 27 / 24

HEX #C2678E

RGB 194 103 142

HSL 334.29, 0.43%, 0.58%

LAB 55.2, 40.88, -4.98

 

CMYK 27 / 0 / 47 / 24

HEX #8EC266

RGB 142 194 102

HSL 93.91, 0.43%, 0.58%

LAB 73.08, -33.11, 40.7

 

CMYK 47 / 27 / 0 / 24

HEX #668EC2

RGB 102 142 194

HSL 213.91, 0.43%, 0.58%

LAB 58.1, 0.49, -31.29

 

CMYK 0 / 47 / 27 / 24

HEX #C2678E

RGB 194 103 142

HSL 334.29, 0.43%, 0.58%

LAB 55.2, 40.88, -4.98

 

CMYK 0 / 11 / 47 / 24

HEX #C2AC66

RGB 194 172 102

HSL 45.65, 0.43%, 0.58%

LAB 70.83, -1.44, 38.75

 

CMYK 47 / 0 / 21 / 24

HEX #66C29A

RGB 102 194 154

HSL 153.91, 0.43%, 0.58%

LAB 72.06, -36.85, 11.75

 

CMYK 47 / 37 / 0 / 24

HEX #667BC2

RGB 102 123 194

HSL 226.3, 0.43%, 0.58%

LAB 52.82, 11.73, -39.54

 

CMYK 0 / 47 / 27 / 24

HEX #C2678E

RGB 194 103 142

HSL 334.29, 0.43%, 0.58%

LAB 55.2, 40.88, -4.98

 

CMYK 3 / 0 / 47 / 24

HEX #BCC266

RGB 188 194 102

HSL 63.91, 0.43%, 0.58%

LAB 76.21, -15.34, 45.24

 

CMYK 47 / 0 / 21 / 24

HEX #66C29A

RGB 102 194 154

HSL 153.91, 0.43%, 0.58%

LAB 72.06, -36.85, 11.75

 

CMYK 44 / 47 / 0 / 24

HEX #6C66C2

RGB 108 102 194

HSL 243.91, 0.43%, 0.58%

LAB 47.73, 25.98, -47.59

 

Description

Color code: RGB 194 103 142 | qconv.com Color code: RGB 194 103 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 103 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 103 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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