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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194.9 218.2 253 it is the complementary color RGB 60.1 36.8 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194.9 218.2 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194.9 218.2 253 shade: RGB 199.9 218.2 248, RGB 216.9 236.2 255, RGB 233.9 254.2 255 and RGB 250.9 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194.9 218.2 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194.9 218.2 253 shade: RGB 194.9 218.2 253, RGB 177.9 200.2 234, RGB 160.9 182.2 215, RGB 143.9 164.2 196 and RGB 126.9 146.2 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194.9 218.2 253 shade: RGB 195 218 253, RGB 195 203 253, RGB 203 195 253, RGB 219 195 253 and RGB 234 195 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194.9 218.2 253 shade: RGB 195 218 253, RGB 195 203 253 and RGB 195 195 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194.9 218.2 253 shade matches the following richer shades: RGB 195 218 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194.9 218.2 253 shade: RGB 195 218 253, RGB 200 219 248, RGB 205 220 243, RGB 210 221 238 and RGB 215 222 233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194.9 218.2 253 shade: RGB 195 250 253, RGB 195 234 253, RGB 195 219 253, RGB 195 204 253 and RGB 202 195 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194.9 218.2 253 shade: RGB 115 169 250, RGB 155 194 251, RGB 195 218 253 and RGB 235 243 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194.9 218.2 253 shade: RGB 194.9 218.2 253, RGB 240 195 253 and RGB 242 253 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194.9 218.2 253 shade: RGB 194.9 218.2 253, RGB 253 195 219 and RGB 219 253 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194.9 218.2 253 shade: RGB 194.9 218.2 253, RGB 240 195 253, RGB 253 229 195 and RGB 208 253 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194.9 218.2 253 shade: RGB 194.9 218.2 253, RGB 253 195 248, RGB 253 229 195 and RGB 195 253 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 14 / 0 / 1

HEX #C2DAFD

RGB 194.9 218.2 253

HSL 215.94, 0.94%, 0.88%

LAB 86.47, -0.41, -19.53

 

Complementary color

CMYK 0 / 39 / 97 / 76

HEX #3C2402

RGB 60.1 36.8 2

HSL 35.94, 0.94%, 0.12%

LAB 16.89, 7.65, 23.92

 

CMYK 19 / 12 / 0 / 3

HEX #C7DAF8

RGB 199.9 218.2 248

HSL 217.17, 0.77%, 0.88%

LAB 86.65, 0, -16.59

 

CMYK 15 / 7 / 0 / 0

HEX #D8ECFF

RGB 216.9 236.2 255

HSL 209.61, 1%, 0.93%

LAB 92.6, -2.63, -11.23

 

CMYK 8 / 0 / 0 / 0

HEX #E9FEFF

RGB 233.9 254.2 255

HSL 182.27, 1%, 0.96%

LAB 98.32, -6.42, -2.65

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250.9 255 255

HSL 180, 1%, 0.99%

LAB 99.7, -1.34, -0.48

 

CMYK 23 / 14 / 0 / 1

HEX #C2DAFD

RGB 194.9 218.2 253

HSL 215.94, 0.94%, 0.88%

LAB 86.47, -0.41, -19.53

 

CMYK 24 / 14 / 0 / 8

HEX #B1C8EA

RGB 177.9 200.2 234

HSL 216.15, 0.57%, 0.81%

LAB 80.06, -0.24, -19.22

 

CMYK 25 / 15 / 0 / 16

HEX #A0B6D7

RGB 160.9 182.2 215

HSL 216.38, 0.4%, 0.74%

LAB 73.55, -0.06, -18.92

 

CMYK 27 / 16 / 0 / 23

HEX #8FA4C4

RGB 143.9 164.2 196

HSL 216.62, 0.31%, 0.67%

LAB 66.92, 0.14, -18.64

 

CMYK 28 / 17 / 0 / 31

HEX #7E92B1

RGB 126.9 146.2 177

HSL 216.89, 0.24%, 0.6%

LAB 60.16, 0.35, -18.37

 

CMYK 23 / 14 / 0 / 1

HEX #C3DAFD

RGB 195 218 253

HSL 216.21, 0.94%, 0.88%

LAB 86.42, -0.27, -19.6

 

CMYK 23 / 20 / 0 / 1

HEX #C3CBFD

RGB 195 203 253

HSL 231.72, 0.94%, 0.88%

LAB 82.6, 7.69, -25.4

 

CMYK 20 / 23 / 0 / 1

HEX #CBC3FD

RGB 203 195 253

HSL 248.28, 0.94%, 0.88%

LAB 81.19, 14.41, -27.49

 

CMYK 13 / 23 / 0 / 1

HEX #DBC3FD

RGB 219 195 253

HSL 264.83, 0.94%, 0.88%

LAB 82.48, 19.32, -25.42

 

CMYK 8 / 23 / 0 / 1

HEX #EAC3FD

RGB 234 195 253

HSL 280.34, 0.94%, 0.88%

LAB 83.76, 24.03, -23.34

 

CMYK 23 / 14 / 0 / 1

HEX #C3DAFD

RGB 195 218 253

HSL 216.21, 0.94%, 0.88%

LAB 86.42, -0.27, -19.6

 

CMYK 23 / 20 / 0 / 1

HEX #C3CBFD

RGB 195 203 253

HSL 231.72, 0.94%, 0.88%

LAB 82.6, 7.69, -25.4

 

CMYK 23 / 23 / 0 / 1

HEX #C3C3FD

RGB 195 195 253

HSL 240, 0.94%, 0.88%

LAB 80.59, 12.01, -28.48

 

CMYK 23 / 14 / 0 / 1

HEX #C3DAFD

RGB 195 218 253

HSL 216.21, 0.94%, 0.88%

LAB 86.42, -0.27, -19.6

 

CMYK 23 / 14 / 0 / 1

HEX #C3DAFD

RGB 195 218 253

HSL 216.21, 0.94%, 0.88%

LAB 86.42, -0.27, -19.6

 

CMYK 19 / 12 / 0 / 3

HEX #C8DBF8

RGB 200 219 248

HSL 216.25, 0.77%, 0.88%

LAB 86.86, -0.38, -16.27

 

CMYK 16 / 9 / 0 / 5

HEX #CDDCF3

RGB 205 220 243

HSL 216.32, 0.61%, 0.88%

LAB 87.31, -0.42, -12.93

 

CMYK 12 / 7 / 0 / 7

HEX #D2DDEE

RGB 210 221 238

HSL 216.43, 0.45%, 0.88%

LAB 87.77, -0.38, -9.57

 

CMYK 8 / 5 / 0 / 9

HEX #D7DEE9

RGB 215 222 233

HSL 216.67, 0.29%, 0.88%

LAB 88.24, -0.27, -6.19

 

CMYK 23 / 1 / 0 / 1

HEX #C3FAFD

RGB 195 250 253

HSL 183.1, 0.94%, 0.88%

LAB 94.77, -16.59, -7.13

 

CMYK 23 / 8 / 0 / 1

HEX #C3EAFD

RGB 195 234 253

HSL 199.66, 0.94%, 0.88%

LAB 90.57, -8.55, -13.37

 

CMYK 23 / 13 / 0 / 1

HEX #C3DBFD

RGB 195 219 253

HSL 215.17, 0.94%, 0.88%

LAB 86.68, -0.8, -19.21

 

CMYK 23 / 19 / 0 / 1

HEX #C3CCFD

RGB 195 204 253

HSL 230.69, 0.94%, 0.88%

LAB 82.85, 7.16, -25.02

 

CMYK 20 / 23 / 0 / 1

HEX #CAC3FD

RGB 202 195 253

HSL 247.24, 0.94%, 0.88%

LAB 81.11, 14.1, -27.62

 

CMYK 54 / 32 / 0 / 2

HEX #73A9FA

RGB 115 169 250

HSL 216, 0.93%, 0.72%

LAB 68.7, 4.93, -45.7

 

CMYK 38 / 23 / 0 / 2

HEX #9BC2FB

RGB 155 194 251

HSL 215.63, 0.92%, 0.8%

LAB 77.59, 0.82, -32.24

 

CMYK 23 / 14 / 0 / 1

HEX #C3DAFD

RGB 195 218 253

HSL 216.21, 0.94%, 0.88%

LAB 86.42, -0.27, -19.6

 

CMYK 7 / 4 / 0 / 0

HEX #EBF3FE

RGB 235 243 254

HSL 214.74, 0.9%, 0.96%

LAB 95.55, -0.6, -6.2

 

CMYK 23 / 14 / 0 / 1

HEX #C2DAFD

RGB 194.9 218.2 253

HSL 215.94, 0.94%, 0.88%

LAB 86.47, -0.41, -19.53

 

CMYK 5 / 23 / 0 / 1

HEX #F0C3FD

RGB 240 195 253

HSL 286.55, 0.94%, 0.88%

LAB 84.3, 25.93, -22.47

 

CMYK 4 / 0 / 23 / 1

HEX #F2FDC3

RGB 242 253 195

HSL 71.38, 0.94%, 0.88%

LAB 97.26, -12.97, 26.61

 

CMYK 23 / 14 / 0 / 1

HEX #C2DAFD

RGB 194.9 218.2 253

HSL 215.94, 0.94%, 0.88%

LAB 86.47, -0.41, -19.53

 

CMYK 0 / 23 / 13 / 1

HEX #FDC3DB

RGB 253 195 219

HSL 335.17, 0.94%, 0.88%

LAB 84.5, 24.31, -3.93

 

CMYK 13 / 0 / 23 / 1

HEX #DBFDC3

RGB 219 253 195

HSL 95.17, 0.94%, 0.88%

LAB 95.69, -21.03, 24.2

 

CMYK 23 / 14 / 0 / 1

HEX #C2DAFD

RGB 194.9 218.2 253

HSL 215.94, 0.94%, 0.88%

LAB 86.47, -0.41, -19.53

 

CMYK 5 / 23 / 0 / 1

HEX #F0C3FD

RGB 240 195 253

HSL 286.55, 0.94%, 0.88%

LAB 84.3, 25.93, -22.47

 

CMYK 0 / 9 / 23 / 1

HEX #FDE5C3

RGB 253 229 195

HSL 35.17, 0.94%, 0.88%

LAB 92.07, 3.05, 19.58

 

CMYK 18 / 0 / 23 / 1

HEX #D0FDC3

RGB 208 253 195

HSL 106.55, 0.94%, 0.88%

LAB 94.99, -24.77, 23.14

 

CMYK 23 / 14 / 0 / 1

HEX #C2DAFD

RGB 194.9 218.2 253

HSL 215.94, 0.94%, 0.88%

LAB 86.47, -0.41, -19.53

 

CMYK 0 / 23 / 2 / 1

HEX #FDC3F8

RGB 253 195 248

HSL 305.17, 0.94%, 0.88%

LAB 85.35, 29.2, -18.12

 

CMYK 0 / 9 / 23 / 1

HEX #FDE5C3

RGB 253 229 195

HSL 35.17, 0.94%, 0.88%

LAB 92.07, 3.05, 19.58

 

CMYK 23 / 0 / 21 / 1

HEX #C3FDC8

RGB 195 253 200

HSL 125.17, 0.94%, 0.88%

LAB 94.32, -28.21, 19.54

 

Description

Color code: RGB 194.9 218.2 253 | qconv.com Color code: RGB 194.9 218.2 253 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194.9 red, 218.2 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194.9 218.2 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 14 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 14% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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