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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194.7 74.6 16 it is the complementary color RGB 60.3 180.4 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194.7 74.6 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194.7 74.6 16 shade: RGB 199.7 74.6 11, RGB 216.7 92.6 30, RGB 233.7 110.6 49, RGB 250.7 128.6 68 and RGB 255 146.6 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194.7 74.6 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194.7 74.6 16 shade: RGB 194.7 74.6 16, RGB 177.7 56.6 0, RGB 160.7 38.6 0, RGB 143.7 20.6 0 and RGB 126.7 2.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194.7 74.6 16 shade: RGB 193 74 16, RGB 193 26 16 and RGB 193 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194.7 74.6 16 shade: RGB 193 74 16, RGB 193 122 16, RGB 193 170 16, RGB 169 193 16 and RGB 121 193 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194.7 74.6 16 shade matches the following richer shades: RGB 193 74 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194.7 74.6 16 shade: RGB 193 74 16, RGB 177 80 33, RGB 160 86 50, RGB 143 91 66 and RGB 126 97 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194.7 74.6 16 shade: RGB 193 16 54, RGB 193 25 16, RGB 193 72 16, RGB 193 119 16 and RGB 193 167 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194.7 74.6 16 shade: RGB 117 45 9, RGB 155 59 13, RGB 193 74 16, RGB 232 89 19 and RGB 239 114 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194.7 74.6 16 shade: RGB 194.7 74.6 16, RGB 102 193 16 and RGB 16 30 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194.7 74.6 16 shade: RGB 194.7 74.6 16, RGB 16 193 72 and RGB 72 16 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194.7 74.6 16 shade: RGB 194.7 74.6 16, RGB 102 193 16, RGB 16 137 193 and RGB 108 16 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194.7 74.6 16 shade: RGB 194.7 74.6 16, RGB 48 193 16, RGB 16 137 193 and RGB 161 16 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 92 / 24

HEX #C24A10

RGB 194.7 74.6 16

HSL 19.68, 0.85%, 0.41%

LAB 47.72, 45.74, 54.01

 

Complementary color

CMYK 75 / 25 / 0 / 6

HEX #3CB4EF

RGB 60.3 180.4 239

HSL 199.68, 0.85%, 0.59%

LAB 69.47, -13.96, -38.64

 

CMYK 0 / 63 / 94 / 22

HEX #C74A0B

RGB 199.7 74.6 11

HSL 20.22, 0.9%, 0.41%

LAB 48.56, 47.49, 56.36

 

CMYK 0 / 57 / 86 / 15

HEX #D85C1E

RGB 216.7 92.6 30

HSL 20.12, 0.76%, 0.48%

LAB 54.61, 45.77, 56.04

 

CMYK 0 / 53 / 79 / 8

HEX #E96E31

RGB 233.7 110.6 49

HSL 20.01, 0.81%, 0.55%

LAB 60.73, 44.04, 54.61

 

CMYK 0 / 49 / 73 / 2

HEX #FA8044

RGB 250.7 128.6 68

HSL 19.9, 0.96%, 0.62%

LAB 66.87, 42.38, 52.8

 

CMYK 0 / 43 / 66 / 0

HEX #FF9257

RGB 255 146.6 87

HSL 21.29, 1%, 0.67%

LAB 71.34, 35.91, 48.59

 

CMYK 0 / 62 / 92 / 24

HEX #C24A10

RGB 194.7 74.6 16

HSL 19.68, 0.85%, 0.41%

LAB 47.72, 45.74, 54.01

 

CMYK 0 / 68 / 100 / 30

HEX #B13800

RGB 177.7 56.6 0

HSL 19.11, 1%, 0.35%

LAB 41.71, 47.3, 53.37

 

CMYK 0 / 76 / 100 / 37

HEX #A02600

RGB 160.7 38.6 0

HSL 14.41, 1%, 0.32%

LAB 35.93, 48.46, 48.75

 

CMYK 0 / 86 / 100 / 44

HEX #8F1400

RGB 143.7 20.6 0

HSL 8.6, 1%, 0.28%

LAB 30.46, 48.55, 43.61

 

CMYK 0 / 98 / 100 / 50

HEX #7E0200

RGB 126.7 2.6 0

HSL 1.23, 1%, 0.25%

LAB 25.4, 47.2, 37.83

 

CMYK 0 / 62 / 92 / 24

HEX #C14A10

RGB 193 74 16

HSL 19.66, 0.85%, 0.41%

LAB 47.33, 45.39, 53.6

 

CMYK 0 / 87 / 92 / 24

HEX #C11A10

RGB 193 26 16

HSL 3.39, 0.85%, 0.41%

LAB 41.4, 61.7, 49.52

 

CMYK 0 / 92 / 92 / 24

HEX #C11010

RGB 193 16 16

HSL 0, 0.85%, 0.41%

LAB 40.81, 63.39, 49.13

 

CMYK 0 / 62 / 92 / 24

HEX #C14A10

RGB 193 74 16

HSL 19.66, 0.85%, 0.41%

LAB 47.33, 45.39, 53.6

 

CMYK 0 / 37 / 92 / 24

HEX #C17A10

RGB 193 122 16

HSL 35.93, 0.85%, 0.41%

LAB 57.36, 20.57, 60.89

 

CMYK 0 / 12 / 92 / 24

HEX #C1AA10

RGB 193 170 16

HSL 52.2, 0.85%, 0.41%

LAB 69.56, -5.48, 70.1

 

CMYK 12 / 0 / 92 / 24

HEX #A9C110

RGB 169 193 16

HSL 68.14, 0.85%, 0.41%

LAB 73.94, -27.51, 72.67

 

CMYK 37 / 0 / 92 / 24

HEX #79C110

RGB 121 193 16

HSL 84.41, 0.85%, 0.41%

LAB 71.04, -46.28, 69.12

 

CMYK 0 / 62 / 92 / 24

HEX #C14A10

RGB 193 74 16

HSL 19.66, 0.85%, 0.41%

LAB 47.33, 45.39, 53.6

 

CMYK 0 / 62 / 92 / 24

HEX #C14A10

RGB 193 74 16

HSL 19.66, 0.85%, 0.41%

LAB 47.33, 45.39, 53.6

 

CMYK 0 / 55 / 81 / 31

HEX #B15021

RGB 177 80 33

HSL 19.58, 0.69%, 0.41%

LAB 45.9, 36.78, 44.68

 

CMYK 0 / 46 / 69 / 37

HEX #A05632

RGB 160 86 50

HSL 19.64, 0.52%, 0.41%

LAB 44.74, 27.42, 33.98

 

CMYK 0 / 36 / 54 / 44

HEX #8F5B42

RGB 143 91 66

HSL 19.48, 0.37%, 0.41%

LAB 43.82, 18.52, 23.19

 

CMYK 0 / 23 / 34 / 51

HEX #7E6153

RGB 126 97 83

HSL 19.53, 0.21%, 0.41%

LAB 43.67, 9.61, 12.49

 

CMYK 0 / 92 / 72 / 24

HEX #C11036

RGB 193 16 54

HSL 347.12, 0.85%, 0.41%

LAB 41.18, 64.42, 28.94

 

CMYK 0 / 87 / 92 / 24

HEX #C11910

RGB 193 25 16

HSL 3.05, 0.85%, 0.41%

LAB 41.33, 61.9, 49.47

 

CMYK 0 / 63 / 92 / 24

HEX #C14810

RGB 193 72 16

HSL 18.98, 0.85%, 0.41%

LAB 46.99, 46.29, 53.36

 

CMYK 0 / 38 / 92 / 24

HEX #C17710

RGB 193 119 16

HSL 34.92, 0.85%, 0.41%

LAB 56.65, 22.22, 60.36

 

CMYK 0 / 13 / 92 / 24

HEX #C1A710

RGB 193 167 16

HSL 51.19, 0.85%, 0.41%

LAB 68.76, -3.9, 69.49

 

CMYK 0 / 62 / 92 / 54

HEX #752D09

RGB 117 45 9

HSL 20, 0.86%, 0.25%

LAB 28.59, 29.86, 36.19

 

CMYK 0 / 62 / 92 / 39

HEX #9B3B0D

RGB 155 59 13

HSL 19.44, 0.85%, 0.33%

LAB 38.07, 38.08, 44.89

 

CMYK 0 / 62 / 92 / 24

HEX #C14A10

RGB 193 74 16

HSL 19.66, 0.85%, 0.41%

LAB 47.33, 45.39, 53.6

 

CMYK 0 / 62 / 92 / 9

HEX #E85913

RGB 232 89 19

HSL 19.72, 0.85%, 0.49%

LAB 56.43, 52.76, 62.11

 

CMYK 0 / 52 / 78 / 6

HEX #EF7235

RGB 239 114 53

HSL 19.68, 0.85%, 0.57%

LAB 62.2, 44.52, 54.5

 

CMYK 0 / 62 / 92 / 24

HEX #C24A10

RGB 194.7 74.6 16

HSL 19.68, 0.85%, 0.41%

LAB 47.72, 45.74, 54.01

 

CMYK 47 / 0 / 92 / 24

HEX #66C110

RGB 102 193 16

HSL 90.85, 0.85%, 0.41%

LAB 70.18, -52.63, 68.06

 

CMYK 92 / 84 / 0 / 24

HEX #101EC1

RGB 16 30 193

HSL 235.25, 0.85%, 0.41%

LAB 26.42, 55.58, -82.04

 

CMYK 0 / 62 / 92 / 24

HEX #C24A10

RGB 194.7 74.6 16

HSL 19.68, 0.85%, 0.41%

LAB 47.72, 45.74, 54.01

 

CMYK 92 / 0 / 63 / 24

HEX #10C148

RGB 16 193 72

HSL 138.98, 0.85%, 0.41%

LAB 68.55, -64.8, 48.5

 

CMYK 63 / 92 / 0 / 24

HEX #4810C1

RGB 72 16 193

HSL 258.98, 0.85%, 0.41%

LAB 28.38, 62.88, -78.68

 

CMYK 0 / 62 / 92 / 24

HEX #C24A10

RGB 194.7 74.6 16

HSL 19.68, 0.85%, 0.41%

LAB 47.72, 45.74, 54.01

 

CMYK 47 / 0 / 92 / 24

HEX #66C110

RGB 102 193 16

HSL 90.85, 0.85%, 0.41%

LAB 70.18, -52.63, 68.06

 

CMYK 92 / 29 / 0 / 24

HEX #1089C1

RGB 16 137 193

HSL 198.98, 0.85%, 0.41%

LAB 53.87, -9.91, -37.53

 

CMYK 44 / 92 / 0 / 24

HEX #6C10C1

RGB 108 16 193

HSL 271.19, 0.85%, 0.41%

LAB 32.72, 66.05, -71.36

 

CMYK 0 / 62 / 92 / 24

HEX #C24A10

RGB 194.7 74.6 16

HSL 19.68, 0.85%, 0.41%

LAB 47.72, 45.74, 54.01

 

CMYK 75 / 0 / 92 / 24

HEX #30C110

RGB 48 193 16

HSL 109.15, 0.85%, 0.41%

LAB 68.61, -65.42, 66.12

 

CMYK 92 / 29 / 0 / 24

HEX #1089C1

RGB 16 137 193

HSL 198.98, 0.85%, 0.41%

LAB 53.87, -9.91, -37.53

 

CMYK 17 / 92 / 0 / 24

HEX #A110C1

RGB 161 16 193

HSL 289.15, 0.85%, 0.41%

LAB 40.89, 73.02, -57.67

 

Description

Color code: RGB 194.7 74.6 16 | qconv.com Color code: RGB 194.7 74.6 16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194.7 red, 74.6 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194.7 74.6 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 92 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 92% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HEX to HKS®

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HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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convert from HKS®-number (HKS 00) to RGB red green blue

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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