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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194.5 165 120 it is the complementary color RGB 60.5 90 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194.5 165 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194.5 165 120 shade: RGB 199.5 165 115, RGB 216.5 183 134, RGB 233.5 201 153, RGB 250.5 219 172 and RGB 255 237 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194.5 165 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194.5 165 120 shade: RGB 194.5 165 120, RGB 177.5 147 101, RGB 160.5 129 82, RGB 143.5 111 63 and RGB 126.5 93 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194.5 165 120 shade: RGB 195 166 121, RGB 195 146 121, RGB 195 126 121 and RGB 195 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194.5 165 120 shade: RGB 195 166 121, RGB 195 186 121, RGB 184 195 121, RGB 165 195 121 and RGB 145 195 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194.5 165 120 shade matches the following richer shades: RGB 195 166 121, RGB 211 169 106, RGB 226 172 90 and RGB 242 176 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194.5 165 120 shade: RGB 195 166 121, RGB 179 162 137, RGB 164 159 153, RGB 148 156 168 and RGB 132 153 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194.5 165 120 shade: RGB 195 126 121, RGB 195 146 121, RGB 195 165 121, RGB 195 185 121 and RGB 185 195 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194.5 165 120 shade: RGB 161 126 72, RGB 182 147 93, RGB 195 166 121, RGB 208 185 150 and RGB 221 204 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194.5 165 120 shade: RGB 194.5 165 120, RGB 136 195 121 and RGB 136 121 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194.5 165 120 shade: RGB 194.5 165 120, RGB 121 195 165 and RGB 165 121 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194.5 165 120 shade: RGB 194.5 165 120, RGB 136 195 121, RGB 121 151 195 and RGB 180 121 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194.5 165 120 shade: RGB 194.5 165 120, RGB 121 195 129, RGB 121 151 195 and RGB 195 121 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 38 / 24

HEX #C2A578

RGB 194.5 165 120

HSL 36.24, 0.38%, 0.62%

LAB 69.33, 4.46, 27.35

 

Complementary color

CMYK 55 / 33 / 0 / 47

HEX #3C5A87

RGB 60.5 90 135

HSL 216.24, 0.38%, 0.38%

LAB 37.91, 3.06, -28.43

 

CMYK 0 / 17 / 42 / 22

HEX #C7A573

RGB 199.5 165 115

HSL 35.5, 0.43%, 0.62%

LAB 69.72, 5.93, 30.64

 

CMYK 0 / 15 / 38 / 15

HEX #D8B786

RGB 216.5 183 134

HSL 35.64, 0.52%, 0.69%

LAB 76.23, 5.28, 29.4

 

CMYK 0 / 14 / 34 / 8

HEX #E9C999

RGB 233.5 201 153

HSL 35.78, 0.65%, 0.76%

LAB 82.64, 4.72, 28.25

 

CMYK 0 / 13 / 31 / 2

HEX #FADBAC

RGB 250.5 219 172

HSL 35.92, 0.9%, 0.83%

LAB 88.95, 4.23, 27.15

 

CMYK 0 / 7 / 25 / 0

HEX #FFEDBF

RGB 255 237 191

HSL 43.13, 1%, 0.87%

LAB 94.14, -0.82, 24.53

 

CMYK 0 / 15 / 38 / 24

HEX #C2A578

RGB 194.5 165 120

HSL 36.24, 0.38%, 0.62%

LAB 69.33, 4.46, 27.35

 

CMYK 0 / 17 / 43 / 30

HEX #B19365

RGB 177.5 147 101

HSL 36.08, 0.33%, 0.55%

LAB 62.69, 5.11, 28.61

 

CMYK 0 / 20 / 49 / 37

HEX #A08152

RGB 160.5 129 82

HSL 35.92, 0.32%, 0.48%

LAB 55.92, 5.89, 29.96

 

CMYK 0 / 23 / 56 / 44

HEX #8F6F3F

RGB 143.5 111 63

HSL 35.78, 0.39%, 0.4%

LAB 49.02, 6.84, 31.41

 

CMYK 0 / 26 / 65 / 50

HEX #7E5D2C

RGB 126.5 93 44

HSL 35.64, 0.48%, 0.33%

LAB 41.98, 8.03, 32.9

 

CMYK 0 / 15 / 38 / 24

HEX #C3A679

RGB 195 166 121

HSL 36.49, 0.38%, 0.62%

LAB 69.65, 4.24, 27.24

 

CMYK 0 / 25 / 38 / 24

HEX #C39279

RGB 195 146 121

HSL 20.27, 0.38%, 0.62%

LAB 64.6, 15.15, 20.45

 

CMYK 0 / 35 / 38 / 24

HEX #C37E79

RGB 195 126 121

HSL 4.05, 0.38%, 0.62%

LAB 59.8, 26.16, 13.85

 

CMYK 0 / 38 / 38 / 24

HEX #C37979

RGB 195 121 121

HSL 0, 0.38%, 0.62%

LAB 58.66, 28.9, 12.24

 

CMYK 0 / 15 / 38 / 24

HEX #C3A679

RGB 195 166 121

HSL 36.49, 0.38%, 0.62%

LAB 69.65, 4.24, 27.24

 

CMYK 0 / 5 / 38 / 24

HEX #C3BA79

RGB 195 186 121

HSL 52.7, 0.38%, 0.62%

LAB 74.89, -6.39, 34.11

 

CMYK 6 / 0 / 38 / 24

HEX #B8C379

RGB 184 195 121

HSL 68.92, 0.38%, 0.62%

LAB 76.44, -15.39, 35.93

 

CMYK 15 / 0 / 38 / 24

HEX #A5C379

RGB 165 195 121

HSL 84.32, 0.38%, 0.62%

LAB 75.08, -22.7, 33.91

 

CMYK 26 / 0 / 38 / 24

HEX #91C379

RGB 145 195 121

HSL 100.54, 0.38%, 0.62%

LAB 73.82, -30.01, 32.03

 

CMYK 0 / 15 / 38 / 24

HEX #C3A679

RGB 195 166 121

HSL 36.49, 0.38%, 0.62%

LAB 69.65, 4.24, 27.24

 

CMYK 0 / 20 / 50 / 17

HEX #D3A96A

RGB 211 169 106

HSL 36, 0.54%, 0.62%

LAB 71.73, 7.6, 38.18

 

CMYK 0 / 24 / 60 / 11

HEX #E2AC5A

RGB 226 172 90

HSL 36.18, 0.7%, 0.62%

LAB 73.81, 10.95, 49.08

 

CMYK 0 / 27 / 69 / 5

HEX #F2B04A

RGB 242 176 74

HSL 36.43, 0.87%, 0.62%

LAB 76.33, 14.56, 59.71

 

CMYK 0 / 15 / 38 / 24

HEX #C3A679

RGB 195 166 121

HSL 36.49, 0.38%, 0.62%

LAB 69.65, 4.24, 27.24

 

CMYK 0 / 9 / 23 / 30

HEX #B3A289

RGB 179 162 137

HSL 35.71, 0.22%, 0.62%

LAB 67.45, 2.15, 15.27

 

CMYK 0 / 3 / 7 / 36

HEX #A49F99

RGB 164 159 153

HSL 32.73, 0.06%, 0.62%

LAB 65.74, 0.71, 3.76

 

CMYK 12 / 7 / 0 / 34

HEX #949CA8

RGB 148 156 168

HSL 216, 0.1%, 0.62%

LAB 64.08, -0.37, -7.23

 

CMYK 28 / 17 / 0 / 28

HEX #8499B8

RGB 132 153 184

HSL 215.77, 0.27%, 0.62%

LAB 62.63, -0.18, -18.52

 

CMYK 0 / 35 / 38 / 24

HEX #C37E79

RGB 195 126 121

HSL 4.05, 0.38%, 0.62%

LAB 59.8, 26.16, 13.85

 

CMYK 0 / 25 / 38 / 24

HEX #C39279

RGB 195 146 121

HSL 20.27, 0.38%, 0.62%

LAB 64.6, 15.15, 20.45

 

CMYK 0 / 15 / 38 / 24

HEX #C3A579

RGB 195 165 121

HSL 35.68, 0.38%, 0.62%

LAB 69.39, 4.78, 26.9

 

CMYK 0 / 5 / 38 / 24

HEX #C3B979

RGB 195 185 121

HSL 51.89, 0.38%, 0.62%

LAB 74.62, -5.87, 33.76

 

CMYK 5 / 0 / 38 / 24

HEX #B9C379

RGB 185 195 121

HSL 68.11, 0.38%, 0.62%

LAB 76.51, -15, 36.04

 

CMYK 0 / 22 / 55 / 37

HEX #A17E48

RGB 161 126 72

HSL 36.4, 0.38%, 0.46%

LAB 55.04, 6.86, 34.29

 

CMYK 0 / 19 / 49 / 29

HEX #B6935D

RGB 182 147 93

HSL 36.4, 0.38%, 0.54%

LAB 63.01, 6.17, 33.43

 

CMYK 0 / 15 / 38 / 24

HEX #C3A679

RGB 195 166 121

HSL 36.49, 0.38%, 0.62%

LAB 69.65, 4.24, 27.24

 

CMYK 0 / 11 / 28 / 18

HEX #D0B996

RGB 208 185 150

HSL 36.21, 0.38%, 0.7%

LAB 76.26, 2.89, 20.78

 

CMYK 0 / 8 / 19 / 13

HEX #DDCCB2

RGB 221 204 178

HSL 36.28, 0.39%, 0.78%

LAB 82.79, 1.77, 15.1

 

CMYK 0 / 15 / 38 / 24

HEX #C2A578

RGB 194.5 165 120

HSL 36.24, 0.38%, 0.62%

LAB 69.33, 4.46, 27.35

 

CMYK 30 / 0 / 38 / 24

HEX #88C379

RGB 136 195 121

HSL 107.84, 0.38%, 0.62%

LAB 73.31, -33.13, 31.27

 

CMYK 30 / 38 / 0 / 24

HEX #8879C3

RGB 136 121 195

HSL 252.16, 0.38%, 0.62%

LAB 54.92, 22.36, -36.65

 

CMYK 0 / 15 / 38 / 24

HEX #C2A578

RGB 194.5 165 120

HSL 36.24, 0.38%, 0.62%

LAB 69.33, 4.46, 27.35

 

CMYK 38 / 0 / 15 / 24

HEX #79C3A5

RGB 121 195 165

HSL 155.68, 0.38%, 0.62%

LAB 73.42, -29.84, 7.86

 

CMYK 15 / 38 / 0 / 24

HEX #A579C3

RGB 165 121 195

HSL 275.68, 0.38%, 0.62%

LAB 57.67, 31.04, -32.15

 

CMYK 0 / 15 / 38 / 24

HEX #C2A578

RGB 194.5 165 120

HSL 36.24, 0.38%, 0.62%

LAB 69.33, 4.46, 27.35

 

CMYK 30 / 0 / 38 / 24

HEX #88C379

RGB 136 195 121

HSL 107.84, 0.38%, 0.62%

LAB 73.31, -33.13, 31.27

 

CMYK 38 / 23 / 0 / 24

HEX #7997C3

RGB 121 151 195

HSL 215.68, 0.38%, 0.62%

LAB 61.77, 0.61, -26.08

 

CMYK 8 / 38 / 0 / 24

HEX #B479C3

RGB 180 121 195

HSL 287.84, 0.38%, 0.62%

LAB 59.27, 35.69, -29.54

 

CMYK 0 / 15 / 38 / 24

HEX #C2A578

RGB 194.5 165 120

HSL 36.24, 0.38%, 0.62%

LAB 69.33, 4.46, 27.35

 

CMYK 38 / 0 / 34 / 24

HEX #79C381

RGB 121 195 129

HSL 126.49, 0.38%, 0.62%

LAB 72.68, -36.73, 26.11

 

CMYK 38 / 23 / 0 / 24

HEX #7997C3

RGB 121 151 195

HSL 215.68, 0.38%, 0.62%

LAB 61.77, 0.61, -26.08

 

CMYK 0 / 38 / 4 / 24

HEX #C379BC

RGB 195 121 188

HSL 305.68, 0.38%, 0.62%

LAB 60.7, 39.09, -23.21

 

Description

Color code: RGB 194.5 165 120 | qconv.com Color code: RGB 194.5 165 120 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194.5 red, 165 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194.5 165 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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