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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194.1 72.8 81 it is the complementary color RGB 60.9 182.2 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194.1 72.8 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194.1 72.8 81 shade: RGB 199.1 72.8 76, RGB 216.1 90.8 95, RGB 233.1 108.8 114, RGB 250.1 126.8 133 and RGB 255 144.8 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194.1 72.8 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194.1 72.8 81 shade: RGB 194.1 72.8 81, RGB 177.1 54.8 62, RGB 160.1 36.8 43, RGB 143.1 18.8 24 and RGB 126.1 0.8 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194.1 72.8 81 shade: RGB 194 71 80 and RGB 194 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194.1 72.8 81 shade: RGB 194 71 80, RGB 194 71 113, RGB 194 71 146, RGB 194 71 179 and RGB 176 71 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194.1 72.8 81 shade matches the following richer shades: RGB 194 71 80, RGB 214 52 63, RGB 233 32 45 and RGB 253 12 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194.1 72.8 81 shade: RGB 194 71 80, RGB 174 91 97, RGB 154 111 114, RGB 134 131 131 and RGB 115 151 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194.1 72.8 81 shade: RGB 194 71 147, RGB 194 71 114, RGB 194 71 82, RGB 194 94 71 and RGB 194 126 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194.1 72.8 81 shade: RGB 137 46 52, RGB 168 56 64, RGB 194 71 80, RGB 204 102 109 and RGB 214 133 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194.1 72.8 81 shade: RGB 194.1 72.8 81, RGB 180 194 71 and RGB 71 131 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194.1 72.8 81 shade: RGB 194.1 72.8 81, RGB 82 194 71 and RGB 71 82 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194.1 72.8 81 shade: RGB 194.1 72.8 81, RGB 180 194 71, RGB 71 194 184 and RGB 86 71 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194.1 72.8 81 shade: RGB 194.1 72.8 81, RGB 143 194 71, RGB 71 194 184 and RGB 122 71 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 58 / 24

HEX #C24851

RGB 194.1 72.8 81

HSL 355.94, 0.5%, 0.52%

LAB 48.03, 49.13, 21.21

 

Complementary color

CMYK 67 / 0 / 5 / 29

HEX #3CB6AE

RGB 60.9 182.2 174

HSL 175.94, 0.5%, 0.48%

LAB 67.71, -34.9, -5.64

 

CMYK 0 / 63 / 62 / 22

HEX #C7484C

RGB 199.1 72.8 76

HSL 358.48, 0.53%, 0.53%

LAB 48.78, 50.48, 25.34

 

CMYK 0 / 58 / 56 / 15

HEX #D85A5F

RGB 216.1 90.8 95

HSL 357.99, 0.62%, 0.6%

LAB 54.96, 49.57, 22.75

 

CMYK 0 / 53 / 51 / 9

HEX #E96C72

RGB 233.1 108.8 114

HSL 357.49, 0.74%, 0.67%

LAB 61.18, 48.55, 20.55

 

CMYK 0 / 49 / 47 / 2

HEX #FA7E85

RGB 250.1 126.8 133

HSL 356.98, 0.93%, 0.74%

LAB 67.4, 47.5, 18.67

 

CMYK 0 / 43 / 40 / 0

HEX #FF9098

RGB 255 144.8 152

HSL 356.08, 1%, 0.78%

LAB 72.04, 42.18, 14.61

 

CMYK 0 / 62 / 58 / 24

HEX #C24851

RGB 194.1 72.8 81

HSL 355.94, 0.5%, 0.52%

LAB 48.03, 49.13, 21.21

 

CMYK 0 / 69 / 65 / 31

HEX #B1363E

RGB 177.1 54.8 62

HSL 356.47, 0.53%, 0.45%

LAB 41.88, 49.8, 24.19

 

CMYK 0 / 77 / 73 / 37

HEX #A0242B

RGB 160.1 36.8 43

HSL 356.98, 0.63%, 0.39%

LAB 35.92, 49.99, 27.84

 

CMYK 0 / 87 / 83 / 44

HEX #8F1218

RGB 143.1 18.8 24

HSL 357.49, 0.77%, 0.32%

LAB 30.34, 49.28, 32.21

 

CMYK 0 / 99 / 96 / 51

HEX #7E0005

RGB 126.1 0.8 5

HSL 357.99, 0.99%, 0.25%

LAB 25.17, 47.48, 35.53

 

CMYK 0 / 63 / 59 / 24

HEX #C24750

RGB 194 71 80

HSL 355.61, 0.5%, 0.52%

LAB 47.69, 49.82, 21.37

 

CMYK 0 / 63 / 63 / 24

HEX #C24747

RGB 194 71 71

HSL 0, 0.5%, 0.52%

LAB 47.53, 49.21, 26.55

 

CMYK 0 / 63 / 59 / 24

HEX #C24750

RGB 194 71 80

HSL 355.61, 0.5%, 0.52%

LAB 47.69, 49.82, 21.37

 

CMYK 0 / 63 / 42 / 24

HEX #C24771

RGB 194 71 113

HSL 339.51, 0.5%, 0.52%

LAB 48.47, 52.74, 2.44

 

CMYK 0 / 63 / 25 / 24

HEX #C24792

RGB 194 71 146

HSL 323.41, 0.5%, 0.52%

LAB 49.56, 56.68, -15.82

 

CMYK 0 / 63 / 8 / 24

HEX #C247B3

RGB 194 71 179

HSL 307.32, 0.5%, 0.52%

LAB 50.96, 61.53, -33.14

 

CMYK 9 / 63 / 0 / 24

HEX #B047C2

RGB 176 71 194

HSL 291.22, 0.5%, 0.52%

LAB 49.05, 59.66, -45.05

 

CMYK 0 / 63 / 59 / 24

HEX #C24750

RGB 194 71 80

HSL 355.61, 0.5%, 0.52%

LAB 47.69, 49.82, 21.37

 

CMYK 0 / 76 / 71 / 16

HEX #D6343F

RGB 214 52 63

HSL 355.93, 0.66%, 0.52%

LAB 48.4, 62.31, 33.14

 

CMYK 0 / 86 / 81 / 9

HEX #E9202D

RGB 233 32 45

HSL 356.12, 0.82%, 0.52%

LAB 50.15, 71.86, 46.27

 

CMYK 0 / 95 / 89 / 1

HEX #FD0C1C

RGB 253 12 28

HSL 356.02, 0.98%, 0.52%

LAB 53.2, 79.05, 58.61

 

CMYK 0 / 63 / 59 / 24

HEX #C24750

RGB 194 71 80

HSL 355.61, 0.5%, 0.52%

LAB 47.69, 49.82, 21.37

 

CMYK 0 / 48 / 44 / 32

HEX #AE5B61

RGB 174 91 97

HSL 355.66, 0.34%, 0.52%

LAB 48.69, 34.33, 11.99

 

CMYK 0 / 28 / 26 / 40

HEX #9A6F72

RGB 154 111 114

HSL 355.81, 0.18%, 0.52%

LAB 51.21, 17.5, 5.09

 

CMYK 0 / 2 / 2 / 47

HEX #868383

RGB 134 131 131

HSL 0, 0.01%, 0.52%

LAB 55.01, 1.12, 0.39

 

CMYK 24 / 0 / 2 / 41

HEX #739794

RGB 115 151 148

HSL 175, 0.15%, 0.52%

LAB 59.81, -13.04, -2.49

 

CMYK 0 / 63 / 24 / 24

HEX #C24793

RGB 194 71 147

HSL 322.93, 0.5%, 0.52%

LAB 49.6, 56.81, -16.36

 

CMYK 0 / 63 / 41 / 24

HEX #C24772

RGB 194 71 114

HSL 339.02, 0.5%, 0.52%

LAB 48.5, 52.84, 1.88

 

CMYK 0 / 63 / 58 / 24

HEX #C24752

RGB 194 71 82

HSL 354.63, 0.5%, 0.52%

LAB 47.73, 49.97, 20.22

 

CMYK 0 / 52 / 63 / 24

HEX #C25E47

RGB 194 94 71

HSL 11.22, 0.5%, 0.52%

LAB 51.76, 38.19, 31.8

 

CMYK 0 / 35 / 63 / 24

HEX #C27E47

RGB 194 126 71

HSL 26.83, 0.5%, 0.52%

LAB 58.83, 21.05, 40.26

 

CMYK 0 / 66 / 62 / 46

HEX #892E34

RGB 137 46 52

HSL 356.04, 0.5%, 0.36%

LAB 32.96, 39.18, 17.53

 

CMYK 0 / 67 / 62 / 34

HEX #A83840

RGB 168 56 64

HSL 355.71, 0.5%, 0.44%

LAB 40.45, 46.39, 20.8

 

CMYK 0 / 63 / 59 / 24

HEX #C24750

RGB 194 71 80

HSL 355.61, 0.5%, 0.52%

LAB 47.69, 49.82, 21.37

 

CMYK 0 / 50 / 47 / 20

HEX #CC666D

RGB 204 102 109

HSL 355.88, 0.5%, 0.6%

LAB 55.53, 41.02, 15.03

 

CMYK 0 / 38 / 35 / 16

HEX #D6858B

RGB 214 133 139

HSL 355.56, 0.5%, 0.68%

LAB 64.11, 31.82, 9.98

 

CMYK 0 / 62 / 58 / 24

HEX #C24851

RGB 194.1 72.8 81

HSL 355.94, 0.5%, 0.52%

LAB 48.03, 49.13, 21.21

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 63 / 32 / 0 / 24

HEX #4783C2

RGB 71 131 194

HSL 210.73, 0.5%, 0.52%

LAB 53.46, 0.24, -38.66

 

CMYK 0 / 62 / 58 / 24

HEX #C24851

RGB 194.1 72.8 81

HSL 355.94, 0.5%, 0.52%

LAB 48.03, 49.13, 21.21

 

CMYK 58 / 0 / 63 / 24

HEX #52C247

RGB 82 194 71

HSL 114.63, 0.5%, 0.52%

LAB 70.06, -55.31, 50.96

 

CMYK 63 / 58 / 0 / 24

HEX #4752C2

RGB 71 82 194

HSL 234.63, 0.5%, 0.52%

LAB 40.03, 30.8, -60.13

 

CMYK 0 / 62 / 58 / 24

HEX #C24851

RGB 194.1 72.8 81

HSL 355.94, 0.5%, 0.52%

LAB 48.03, 49.13, 21.21

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 63 / 0 / 5 / 24

HEX #47C2B8

RGB 71 194 184

HSL 175.12, 0.5%, 0.52%

LAB 71.81, -36.04, -5.04

 

CMYK 56 / 63 / 0 / 24

HEX #5647C2

RGB 86 71 194

HSL 247.32, 0.5%, 0.52%

LAB 38.52, 40.11, -62.55

 

CMYK 0 / 62 / 58 / 24

HEX #C24851

RGB 194.1 72.8 81

HSL 355.94, 0.5%, 0.52%

LAB 48.03, 49.13, 21.21

 

CMYK 26 / 0 / 63 / 24

HEX #8FC247

RGB 143 194 71

HSL 84.88, 0.5%, 0.52%

LAB 72.81, -35.86, 54.77

 

CMYK 63 / 0 / 5 / 24

HEX #47C2B8

RGB 71 194 184

HSL 175.12, 0.5%, 0.52%

LAB 71.81, -36.04, -5.04

 

CMYK 37 / 63 / 0 / 24

HEX #7A47C2

RGB 122 71 194

HSL 264.88, 0.5%, 0.52%

LAB 42.06, 47.22, -56.63

 

Description

Color code: RGB 194.1 72.8 81 | qconv.com Color code: RGB 194.1 72.8 81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194.1 red, 72.8 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194.1 72.8 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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