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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 67 80 it is the complementary color RGB 62 188 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 67 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 67 80 shade: RGB 198 67 75, RGB 215 85 94, RGB 232 103 113, RGB 249 121 132 and RGB 255 139 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 67 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 67 80 shade: RGB 193 67 80, RGB 176 49 61, RGB 159 31 42, RGB 142 13 23 and RGB 125 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 67 80 shade: RGB 193 68 80 and RGB 193 68 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 67 80 shade: RGB 193 68 80, RGB 193 68 114, RGB 193 68 148, RGB 193 68 182 and RGB 170 68 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 67 80 shade matches the following richer shades: RGB 193 68 80, RGB 213 47 64, RGB 233 27 48 and RGB 253 7 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 67 80 shade: RGB 193 68 80, RGB 172 88 97, RGB 152 108 113, RGB 132 128 129 and RGB 112 148 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 67 80 shade: RGB 193 68 149, RGB 193 68 115, RGB 193 68 82, RGB 193 86 68 and RGB 193 120 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 67 80 shade: RGB 133 44 54, RGB 164 55 66, RGB 193 68 80, RGB 203 99 109 and RGB 213 129 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 67 80 shade: RGB 193 67 80, RGB 182 193 68 and RGB 68 132 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 67 80 shade: RGB 193 67 80, RGB 82 193 68 and RGB 68 82 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 67 80 shade: RGB 193 67 80, RGB 182 193 68, RGB 68 193 178 and RGB 78 68 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 67 80 shade: RGB 193 67 80, RGB 145 193 68, RGB 68 193 178 and RGB 115 68 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 59 / 24

HEX #C14350

RGB 193 67 80

HSL 353.81, 0.5%, 0.51%

LAB 46.88, 51.21, 20.27

 

Complementary color

CMYK 67 / 0 / 7 / 26

HEX #3EBCAF

RGB 62 188 175

HSL 173.81, 0.5%, 0.49%

LAB 69.53, -37.14, -3.51

 

CMYK 0 / 66 / 62 / 22

HEX #C6434B

RGB 198 67 75

HSL 356.34, 0.53%, 0.52%

LAB 47.66, 52.52, 24.46

 

CMYK 0 / 60 / 56 / 16

HEX #D7555E

RGB 215 85 94

HSL 355.85, 0.62%, 0.59%

LAB 53.76, 51.76, 21.71

 

CMYK 0 / 56 / 51 / 9

HEX #E86771

RGB 232 103 113

HSL 355.35, 0.74%, 0.66%

LAB 59.93, 50.83, 19.41

 

CMYK 0 / 51 / 47 / 2

HEX #F97984

RGB 249 121 132

HSL 354.84, 0.91%, 0.73%

LAB 66.12, 49.84, 17.45

 

CMYK 0 / 45 / 41 / 0

HEX #FF8B97

RGB 255 139 151

HSL 353.79, 1%, 0.77%

LAB 70.84, 44.99, 13.48

 

CMYK 0 / 65 / 59 / 24

HEX #C14350

RGB 193 67 80

HSL 353.81, 0.5%, 0.51%

LAB 46.88, 51.21, 20.27

 

CMYK 0 / 72 / 65 / 31

HEX #B0313D

RGB 176 49 61

HSL 354.33, 0.56%, 0.44%

LAB 40.84, 51.63, 23.44

 

CMYK 0 / 81 / 74 / 38

HEX #9F1F2A

RGB 159 31 42

HSL 354.84, 0.67%, 0.37%

LAB 35.04, 51.44, 27.37

 

CMYK 0 / 91 / 84 / 44

HEX #8E0D17

RGB 142 13 23

HSL 355.35, 0.83%, 0.3%

LAB 29.66, 50.14, 32.05

 

CMYK 0 / 100 / 97 / 51

HEX #7D0004

RGB 125 0 4

HSL 358.08, 1%, 0.25%

LAB 24.85, 47.32, 35.54

 

CMYK 0 / 65 / 59 / 24

HEX #C14450

RGB 193 68 80

HSL 354.24, 0.5%, 0.51%

LAB 47.04, 50.78, 20.48

 

CMYK 0 / 65 / 65 / 24

HEX #C14444

RGB 193 68 68

HSL 0, 0.5%, 0.51%

LAB 46.83, 49.98, 27.4

 

CMYK 0 / 65 / 59 / 24

HEX #C14450

RGB 193 68 80

HSL 354.24, 0.5%, 0.51%

LAB 47.04, 50.78, 20.48

 

CMYK 0 / 65 / 41 / 24

HEX #C14472

RGB 193 68 114

HSL 337.92, 0.5%, 0.51%

LAB 47.86, 53.81, 0.93

 

CMYK 0 / 65 / 23 / 24

HEX #C14494

RGB 193 68 148

HSL 321.6, 0.5%, 0.51%

LAB 49.02, 57.91, -17.85

 

CMYK 0 / 65 / 6 / 24

HEX #C144B6

RGB 193 68 182

HSL 305.28, 0.5%, 0.51%

LAB 50.51, 62.97, -35.59

 

CMYK 12 / 65 / 0 / 24

HEX #AA44C1

RGB 170 68 193

HSL 288.96, 0.5%, 0.51%

LAB 47.66, 59.35, -46.72

 

CMYK 0 / 65 / 59 / 24

HEX #C14450

RGB 193 68 80

HSL 354.24, 0.5%, 0.51%

LAB 47.04, 50.78, 20.48

 

CMYK 0 / 78 / 70 / 16

HEX #D52F40

RGB 213 47 64

HSL 353.86, 0.66%, 0.51%

LAB 47.69, 63.57, 31.66

 

CMYK 0 / 88 / 79 / 9

HEX #E91B30

RGB 233 27 48

HSL 353.88, 0.82%, 0.51%

LAB 49.88, 72.79, 44.38

 

CMYK 0 / 97 / 87 / 1

HEX #FD0720

RGB 253 7 32

HSL 353.9, 0.98%, 0.51%

LAB 53.1, 79.46, 56.82

 

CMYK 0 / 65 / 59 / 24

HEX #C14450

RGB 193 68 80

HSL 354.24, 0.5%, 0.51%

LAB 47.04, 50.78, 20.48

 

CMYK 0 / 49 / 44 / 33

HEX #AC5861

RGB 172 88 97

HSL 353.57, 0.34%, 0.51%

LAB 47.77, 35.17, 10.66

 

CMYK 0 / 29 / 26 / 40

HEX #986C71

RGB 152 108 113

HSL 353.18, 0.18%, 0.51%

LAB 50.21, 18.29, 4.2

 

CMYK 0 / 3 / 2 / 48

HEX #848081

RGB 132 128 129

HSL 345, 0.02%, 0.51%

LAB 53.95, 1.7, -0.01

 

CMYK 24 / 0 / 2 / 42

HEX #709491

RGB 112 148 145

HSL 175, 0.14%, 0.51%

LAB 58.67, -13.07, -2.49

 

CMYK 0 / 65 / 23 / 24

HEX #C14495

RGB 193 68 149

HSL 321.12, 0.5%, 0.51%

LAB 49.06, 58.05, -18.38

 

CMYK 0 / 65 / 40 / 24

HEX #C14473

RGB 193 68 115

HSL 337.44, 0.5%, 0.51%

LAB 47.89, 53.91, 0.36

 

CMYK 0 / 65 / 58 / 24

HEX #C14452

RGB 193 68 82

HSL 353.28, 0.5%, 0.51%

LAB 47.08, 50.93, 19.32

 

CMYK 0 / 55 / 65 / 24

HEX #C15644

RGB 193 86 68

HSL 8.64, 0.5%, 0.51%

LAB 49.99, 41.64, 31.31

 

CMYK 0 / 38 / 65 / 24

HEX #C17844

RGB 193 120 68

HSL 24.96, 0.5%, 0.51%

LAB 57.26, 23.73, 39.96

 

CMYK 0 / 67 / 59 / 48

HEX #852C36

RGB 133 44 54

HSL 353.26, 0.5%, 0.35%

LAB 31.93, 38.82, 14.75

 

CMYK 0 / 66 / 60 / 36

HEX #A43742

RGB 164 55 66

HSL 353.94, 0.5%, 0.43%

LAB 39.61, 45.61, 18.32

 

CMYK 0 / 65 / 59 / 24

HEX #C14450

RGB 193 68 80

HSL 354.24, 0.5%, 0.51%

LAB 47.04, 50.78, 20.48

 

CMYK 0 / 51 / 46 / 20

HEX #CB636D

RGB 203 99 109

HSL 354.23, 0.5%, 0.59%

LAB 54.79, 42.18, 13.98

 

CMYK 0 / 39 / 35 / 16

HEX #D5818A

RGB 213 129 138

HSL 353.57, 0.5%, 0.67%

LAB 63.08, 33.46, 9.07

 

CMYK 0 / 65 / 59 / 24

HEX #C14350

RGB 193 67 80

HSL 353.81, 0.5%, 0.51%

LAB 46.88, 51.21, 20.27

 

CMYK 6 / 0 / 65 / 24

HEX #B6C144

RGB 182 193 68

HSL 65.28, 0.5%, 0.51%

LAB 75.14, -20.02, 59.28

 

CMYK 65 / 32 / 0 / 24

HEX #4484C1

RGB 68 132 193

HSL 209.28, 0.5%, 0.51%

LAB 53.58, -1.23, -37.9

 

CMYK 0 / 65 / 59 / 24

HEX #C14350

RGB 193 67 80

HSL 353.81, 0.5%, 0.51%

LAB 46.88, 51.21, 20.27

 

CMYK 58 / 0 / 65 / 24

HEX #52C144

RGB 82 193 68

HSL 113.28, 0.5%, 0.51%

LAB 69.72, -55.24, 51.86

 

CMYK 65 / 58 / 0 / 24

HEX #4452C1

RGB 68 82 193

HSL 233.28, 0.5%, 0.51%

LAB 39.77, 29.97, -59.98

 

CMYK 0 / 65 / 59 / 24

HEX #C14350

RGB 193 67 80

HSL 353.81, 0.5%, 0.51%

LAB 46.88, 51.21, 20.27

 

CMYK 6 / 0 / 65 / 24

HEX #B6C144

RGB 182 193 68

HSL 65.28, 0.5%, 0.51%

LAB 75.14, -20.02, 59.28

 

CMYK 65 / 0 / 8 / 24

HEX #44C1B2

RGB 68 193 178

HSL 172.8, 0.5%, 0.51%

LAB 71.27, -37.68, -2.57

 

CMYK 60 / 65 / 0 / 24

HEX #4E44C1

RGB 78 68 193

HSL 244.8, 0.5%, 0.51%

LAB 37.12, 40.23, -64.26

 

CMYK 0 / 65 / 59 / 24

HEX #C14350

RGB 193 67 80

HSL 353.81, 0.5%, 0.51%

LAB 46.88, 51.21, 20.27

 

CMYK 25 / 0 / 65 / 24

HEX #91C144

RGB 145 193 68

HSL 83.04, 0.5%, 0.51%

LAB 72.61, -34.88, 55.84

 

CMYK 65 / 0 / 8 / 24

HEX #44C1B2

RGB 68 193 178

HSL 172.8, 0.5%, 0.51%

LAB 71.27, -37.68, -2.57

 

CMYK 40 / 65 / 0 / 24

HEX #7344C1

RGB 115 68 193

HSL 262.56, 0.5%, 0.51%

LAB 40.62, 47.08, -58.42

 

Description

Color code: RGB 193 67 80 | qconv.com Color code: RGB 193 67 80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 67 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 67 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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