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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193.3 72.4 21 it is the complementary color RGB 61.7 182.6 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193.3 72.4 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193.3 72.4 21 shade: RGB 198.3 72.4 16, RGB 215.3 90.4 35, RGB 232.3 108.4 54, RGB 249.3 126.4 73 and RGB 255 144.4 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193.3 72.4 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193.3 72.4 21 shade: RGB 193.3 72.4 21, RGB 176.3 54.4 2, RGB 159.3 36.4 0, RGB 142.3 18.4 0 and RGB 125.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193.3 72.4 21 shade: RGB 193 73 21, RGB 193 26 21 and RGB 193 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193.3 72.4 21 shade: RGB 193 73 21, RGB 193 119 21, RGB 193 165 21, RGB 174 193 21 and RGB 128 193 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193.3 72.4 21 shade matches the following richer shades: RGB 193 73 21 and RGB 210 66 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193.3 72.4 21 shade: RGB 193 73 21, RGB 175 80 39, RGB 158 87 56, RGB 141 94 73 and RGB 123 100 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193.3 72.4 21 shade: RGB 193 21 64, RGB 193 24 21, RGB 193 70 21, RGB 193 116 21 and RGB 193 161 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193.3 72.4 21 shade: RGB 119 45 13, RGB 156 59 17, RGB 193 73 21, RGB 230 87 26 and RGB 234 114 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193.3 72.4 21 shade: RGB 193.3 72.4 21, RGB 110 193 21 and RGB 21 41 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193.3 72.4 21 shade: RGB 193.3 72.4 21, RGB 21 193 70 and RGB 70 21 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193.3 72.4 21 shade: RGB 193.3 72.4 21, RGB 110 193 21, RGB 21 144 193 and RGB 104 21 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193.3 72.4 21 shade: RGB 193.3 72.4 21, RGB 59 193 21, RGB 21 144 193 and RGB 156 21 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 89 / 24

HEX #C14815

RGB 193.3 72.4 21

HSL 17.9, 0.8%, 0.42%

LAB 47.13, 46.31, 51.8

 

Complementary color

CMYK 74 / 22 / 0 / 8

HEX #3DB6EA

RGB 61.7 182.6 234

HSL 197.9, 0.8%, 0.58%

LAB 69.94, -16.62, -35.2

 

CMYK 0 / 63 / 92 / 22

HEX #C64810

RGB 198.3 72.4 16

HSL 18.56, 0.85%, 0.42%

LAB 47.97, 48.03, 54.47

 

CMYK 0 / 58 / 84 / 16

HEX #D75A23

RGB 215.3 90.4 35

HSL 18.44, 0.72%, 0.49%

LAB 54.02, 46.41, 53.46

 

CMYK 0 / 53 / 77 / 9

HEX #E86C36

RGB 232.3 108.4 54

HSL 18.31, 0.8%, 0.56%

LAB 60.14, 44.76, 51.66

 

CMYK 0 / 49 / 71 / 2

HEX #F97E49

RGB 249.3 126.4 73

HSL 18.17, 0.94%, 0.63%

LAB 66.29, 43.16, 49.67

 

CMYK 0 / 43 / 64 / 0

HEX #FF905C

RGB 255 144.4 92

HSL 19.29, 1%, 0.68%

LAB 70.94, 37.33, 45.59

 

CMYK 0 / 63 / 89 / 24

HEX #C14815

RGB 193.3 72.4 21

HSL 17.9, 0.8%, 0.42%

LAB 47.13, 46.31, 51.8

 

CMYK 0 / 69 / 99 / 31

HEX #B03602

RGB 176.3 54.4 2

HSL 18.04, 0.98%, 0.35%

LAB 41.13, 47.75, 52.27

 

CMYK 0 / 77 / 100 / 38

HEX #9F2400

RGB 159.3 36.4 0

HSL 13.71, 1%, 0.31%

LAB 35.38, 48.76, 48.32

 

CMYK 0 / 87 / 100 / 44

HEX #8E1200

RGB 142.3 18.4 0

HSL 7.76, 1%, 0.28%

LAB 29.97, 48.66, 43.11

 

CMYK 0 / 100 / 100 / 51

HEX #7D0000

RGB 125.3 0.40000000000001 0

HSL 0.19, 1%, 0.25%

LAB 24.92, 47.24, 37.26

 

CMYK 0 / 62 / 89 / 24

HEX #C14915

RGB 193 73 21

HSL 18.14, 0.8%, 0.42%

LAB 47.18, 45.93, 51.81

 

CMYK 0 / 87 / 89 / 24

HEX #C11A15

RGB 193 26 21

HSL 1.74, 0.8%, 0.42%

LAB 41.42, 61.78, 47.45

 

CMYK 0 / 89 / 89 / 24

HEX #C11515

RGB 193 21 21

HSL 0, 0.8%, 0.42%

LAB 41.1, 62.7, 47.21

 

CMYK 0 / 62 / 89 / 24

HEX #C14915

RGB 193 73 21

HSL 18.14, 0.8%, 0.42%

LAB 47.18, 45.93, 51.81

 

CMYK 0 / 38 / 89 / 24

HEX #C17715

RGB 193 119 21

HSL 34.19, 0.8%, 0.42%

LAB 56.67, 22.31, 59.13

 

CMYK 0 / 15 / 89 / 24

HEX #C1A515

RGB 193 165 21

HSL 50.23, 0.8%, 0.42%

LAB 68.24, -2.75, 68.19

 

CMYK 10 / 0 / 89 / 24

HEX #AEC115

RGB 174 193 21

HSL 66.63, 0.8%, 0.42%

LAB 74.31, -25.32, 72.34

 

CMYK 34 / 0 / 89 / 24

HEX #80C115

RGB 128 193 21

HSL 82.67, 0.8%, 0.42%

LAB 71.41, -43.64, 68.77

 

CMYK 0 / 62 / 89 / 24

HEX #C14915

RGB 193 73 21

HSL 18.14, 0.8%, 0.42%

LAB 47.18, 45.93, 51.81

 

CMYK 0 / 69 / 98 / 18

HEX #D24204

RGB 210 66 4

HSL 18.06, 0.96%, 0.42%

LAB 49.02, 54.61, 59.25

 

CMYK 0 / 62 / 89 / 24

HEX #C14915

RGB 193 73 21

HSL 18.14, 0.8%, 0.42%

LAB 47.18, 45.93, 51.81

 

CMYK 0 / 54 / 78 / 31

HEX #AF5027

RGB 175 80 39

HSL 18.09, 0.64%, 0.42%

LAB 45.63, 36.21, 41.41

 

CMYK 0 / 45 / 65 / 38

HEX #9E5738

RGB 158 87 56

HSL 18.24, 0.48%, 0.42%

LAB 44.76, 26.41, 30.58

 

CMYK 0 / 33 / 48 / 45

HEX #8D5E49

RGB 141 94 73

HSL 18.53, 0.32%, 0.42%

LAB 44.45, 16.62, 19.82

 

CMYK 0 / 19 / 26 / 52

HEX #7B645B

RGB 123 100 91

HSL 16.88, 0.15%, 0.42%

LAB 44.35, 7.74, 8.57

 

CMYK 0 / 89 / 67 / 24

HEX #C11540

RGB 193 21 64

HSL 345, 0.8%, 0.42%

LAB 41.6, 64.13, 23.24

 

CMYK 0 / 88 / 89 / 24

HEX #C11815

RGB 193 24 21

HSL 1.05, 0.8%, 0.42%

LAB 41.29, 62.17, 47.35

 

CMYK 0 / 64 / 89 / 24

HEX #C14615

RGB 193 70 21

HSL 17.09, 0.8%, 0.42%

LAB 46.67, 47.27, 51.43

 

CMYK 0 / 40 / 89 / 24

HEX #C17415

RGB 193 116 21

HSL 33.14, 0.8%, 0.42%

LAB 55.97, 23.95, 58.59

 

CMYK 0 / 17 / 89 / 24

HEX #C1A115

RGB 193 161 21

HSL 48.84, 0.8%, 0.42%

LAB 67.19, -0.62, 67.36

 

CMYK 0 / 62 / 89 / 53

HEX #772D0D

RGB 119 45 13

HSL 18.11, 0.8%, 0.26%

LAB 28.97, 30.78, 34.95

 

CMYK 0 / 62 / 89 / 39

HEX #9C3B11

RGB 156 59 17

HSL 18.13, 0.8%, 0.34%

LAB 38.26, 38.54, 43.61

 

CMYK 0 / 62 / 89 / 24

HEX #C14915

RGB 193 73 21

HSL 18.14, 0.8%, 0.42%

LAB 47.18, 45.93, 51.81

 

CMYK 0 / 62 / 89 / 10

HEX #E6571A

RGB 230 87 26

HSL 17.94, 0.8%, 0.5%

LAB 55.8, 53.04, 59.34

 

CMYK 0 / 51 / 73 / 8

HEX #EA723F

RGB 234 114 63

HSL 17.89, 0.8%, 0.58%

LAB 61.56, 43.03, 48.85

 

CMYK 0 / 63 / 89 / 24

HEX #C14815

RGB 193.3 72.4 21

HSL 17.9, 0.8%, 0.42%

LAB 47.13, 46.31, 51.8

 

CMYK 43 / 0 / 89 / 24

HEX #6EC115

RGB 110 193 21

HSL 88.95, 0.8%, 0.42%

LAB 70.53, -49.93, 67.68

 

CMYK 89 / 79 / 0 / 24

HEX #1529C1

RGB 21 41 193

HSL 233.02, 0.8%, 0.42%

LAB 28.37, 50.39, -78.79

 

CMYK 0 / 63 / 89 / 24

HEX #C14815

RGB 193.3 72.4 21

HSL 17.9, 0.8%, 0.42%

LAB 47.13, 46.31, 51.8

 

CMYK 89 / 0 / 64 / 24

HEX #15C146

RGB 21 193 70

HSL 137.09, 0.8%, 0.42%

LAB 68.56, -64.72, 49.4

 

CMYK 64 / 89 / 0 / 24

HEX #4615C1

RGB 70 21 193

HSL 257.09, 0.8%, 0.42%

LAB 28.61, 61.43, -78.3

 

CMYK 0 / 63 / 89 / 24

HEX #C14815

RGB 193.3 72.4 21

HSL 17.9, 0.8%, 0.42%

LAB 47.13, 46.31, 51.8

 

CMYK 43 / 0 / 89 / 24

HEX #6EC115

RGB 110 193 21

HSL 88.95, 0.8%, 0.42%

LAB 70.53, -49.93, 67.68

 

CMYK 89 / 25 / 0 / 24

HEX #1590C1

RGB 21 144 193

HSL 197.09, 0.8%, 0.42%

LAB 56.04, -13.59, -34.12

 

CMYK 46 / 89 / 0 / 24

HEX #6815C1

RGB 104 21 193

HSL 268.95, 0.8%, 0.42%

LAB 32.55, 64.52, -71.67

 

CMYK 0 / 63 / 89 / 24

HEX #C14815

RGB 193.3 72.4 21

HSL 17.9, 0.8%, 0.42%

LAB 47.13, 46.31, 51.8

 

CMYK 69 / 0 / 89 / 24

HEX #3BC115

RGB 59 193 21

HSL 106.74, 0.8%, 0.42%

LAB 68.84, -63.38, 65.57

 

CMYK 89 / 25 / 0 / 24

HEX #1590C1

RGB 21 144 193

HSL 197.09, 0.8%, 0.42%

LAB 56.04, -13.59, -34.12

 

CMYK 19 / 89 / 0 / 24

HEX #9C15C1

RGB 156 21 193

HSL 287.09, 0.8%, 0.42%

LAB 40.34, 71.46, -58.62

 

Description

Color code: RGB 193.3 72.4 21 | qconv.com Color code: RGB 193.3 72.4 21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193.3 red, 72.4 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193.3 72.4 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 89 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 89% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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