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Color name
RGB 192 32 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 32 172 it is the complementary color RGB 63 223 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 32 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 32 172 shade: RGB 197 32 167, RGB 214 50 186, RGB 231 68 205, RGB 248 86 224 and RGB 255 104 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 32 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 32 172 shade: RGB 192 32 172, RGB 175 14 153, RGB 158 0 134, RGB 141 0 115 and RGB 124 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 32 172 shade: RGB 192 33 172, RGB 192 33 129, RGB 192 33 86, RGB 192 33 43 and RGB 192 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 32 172 shade: RGB 192 33 172, RGB 169 33 192, RGB 126 33 192, RGB 83 33 192 and RGB 40 33 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 32 172 shade matches the following richer shades: RGB 192 33 172 and RGB 210 14 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 32 172 shade: RGB 192 33 172, RGB 174 51 158, RGB 156 69 145, RGB 137 87 131 and RGB 119 105 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 32 172 shade: RGB 125 33 192, RGB 168 33 192, RGB 192 33 173, RGB 192 33 131 and RGB 192 33 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 32 172 shade: RGB 121 21 109, RGB 157 27 140, RGB 192 33 172, RGB 220 46 198 and RGB 226 81 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 32 172 shade: RGB 192 32 172, RGB 192 83 33 and RGB 33 192 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 32 172 shade: RGB 192 32 172, RGB 173 192 33 and RGB 33 173 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 32 172 shade: RGB 192 32 172, RGB 192 83 33, RGB 33 192 51 and RGB 33 141 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 32 172 shade: RGB 192 32 172, RGB 192 131 33, RGB 33 192 51 and RGB 33 94 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 10 / 25

HEX #C020AC

RGB 192 32 172

HSL 307.5, 0.71%, 0.44%

LAB 45.93, 72.35, -36.94

 

Complementary color

CMYK 72 / 0 / 63 / 13

HEX #3FDF53

RGB 63 223 83

HSL 127.5, 0.71%, 0.56%

LAB 78.73, -67.88, 55.39

 

CMYK 0 / 84 / 15 / 23

HEX #C520A7

RGB 197 32 167

HSL 310.91, 0.72%, 0.45%

LAB 46.57, 72.68, -32.91

 

CMYK 0 / 77 / 13 / 16

HEX #D632BA

RGB 214 50 186

HSL 310.24, 0.67%, 0.52%

LAB 51.98, 74.49, -35.38

 

CMYK 0 / 71 / 11 / 9

HEX #E744CD

RGB 231 68 205

HSL 309.57, 0.77%, 0.59%

LAB 57.59, 75.49, -37.33

 

CMYK 0 / 65 / 10 / 3

HEX #F856E0

RGB 248 86 224

HSL 308.89, 0.92%, 0.65%

LAB 63.34, 75.93, -38.87

 

CMYK 0 / 59 / 5 / 0

HEX #FF68F3

RGB 255 104 243

HSL 304.77, 1%, 0.7%

LAB 67.75, 73.5, -42.44

 

CMYK 0 / 83 / 10 / 25

HEX #C020AC

RGB 192 32 172

HSL 307.5, 0.71%, 0.44%

LAB 45.93, 72.35, -36.94

 

CMYK 0 / 92 / 13 / 31

HEX #AF0E99

RGB 175 14 153

HSL 308.2, 0.85%, 0.37%

LAB 40.78, 69.46, -33.9

 

CMYK 0 / 100 / 15 / 38

HEX #9E0086

RGB 158 0 134

HSL 309.11, 1%, 0.31%

LAB 35.97, 65.27, -30.06

 

CMYK 0 / 100 / 18 / 45

HEX #8D0073

RGB 141 0 115

HSL 311.06, 1%, 0.28%

LAB 31.58, 59.47, -25.26

 

CMYK 0 / 100 / 23 / 51

HEX #7C0060

RGB 124 0 96

HSL 313.55, 1%, 0.24%

LAB 27.1, 53.55, -20.25

 

CMYK 0 / 83 / 10 / 25

HEX #C021AC

RGB 192 33 172

HSL 307.55, 0.71%, 0.44%

LAB 46.01, 72.14, -36.82

 

CMYK 0 / 83 / 33 / 25

HEX #C02181

RGB 192 33 129

HSL 323.77, 0.71%, 0.44%

LAB 44.06, 66.71, -13.92

 

CMYK 0 / 83 / 55 / 25

HEX #C02156

RGB 192 33 86

HSL 340, 0.71%, 0.44%

LAB 42.71, 62.79, 10.86

 

CMYK 0 / 83 / 78 / 25

HEX #C0212B

RGB 192 33 43

HSL 356.23, 0.71%, 0.44%

LAB 41.95, 60.51, 36.36

 

CMYK 0 / 83 / 83 / 25

HEX #C02121

RGB 192 33 33

HSL 0, 0.71%, 0.44%

LAB 41.85, 60.2, 41.83

 

CMYK 0 / 83 / 10 / 25

HEX #C021AC

RGB 192 33 172

HSL 307.55, 0.71%, 0.44%

LAB 46.01, 72.14, -36.82

 

CMYK 12 / 83 / 0 / 25

HEX #A921C0

RGB 169 33 192

HSL 291.32, 0.71%, 0.44%

LAB 43.25, 70.91, -53.21

 

CMYK 34 / 83 / 0 / 25

HEX #7E21C0

RGB 126 33 192

HSL 275.09, 0.71%, 0.44%

LAB 36.61, 63.84, -64.3

 

CMYK 57 / 83 / 0 / 25

HEX #5321C0

RGB 83 33 192

HSL 258.87, 0.71%, 0.44%

LAB 31.19, 58.28, -73.4

 

CMYK 79 / 83 / 0 / 25

HEX #2821C0

RGB 40 33 192

HSL 242.64, 0.71%, 0.44%

LAB 27.69, 54.83, -79.3

 

CMYK 0 / 83 / 10 / 25

HEX #C021AC

RGB 192 33 172

HSL 307.55, 0.71%, 0.44%

LAB 46.01, 72.14, -36.82

 

CMYK 0 / 93 / 11 / 18

HEX #D20EBA

RGB 210 14 186

HSL 307.35, 0.88%, 0.44%

LAB 48.96, 80.42, -40.18

 

CMYK 0 / 83 / 10 / 25

HEX #C021AC

RGB 192 33 172

HSL 307.55, 0.71%, 0.44%

LAB 46.01, 72.14, -36.82

 

CMYK 0 / 71 / 9 / 32

HEX #AE339E

RGB 174 51 158

HSL 307.8, 0.55%, 0.44%

LAB 44, 60.95, -31.86

 

CMYK 0 / 56 / 7 / 39

HEX #9C4591

RGB 156 69 145

HSL 307.59, 0.39%, 0.44%

LAB 43.31, 46.37, -25.32

 

CMYK 0 / 36 / 4 / 46

HEX #895783

RGB 137 87 131

HSL 307.2, 0.22%, 0.44%

LAB 43.91, 27.96, -16.16

 

CMYK 0 / 12 / 2 / 53

HEX #776975

RGB 119 105 117

HSL 308.57, 0.06%, 0.44%

LAB 46.06, 7.85, -4.67

 

CMYK 35 / 83 / 0 / 25

HEX #7D21C0

RGB 125 33 192

HSL 274.72, 0.71%, 0.44%

LAB 36.47, 63.69, -64.53

 

CMYK 13 / 83 / 0 / 25

HEX #A821C0

RGB 168 33 192

HSL 290.94, 0.71%, 0.44%

LAB 43.09, 70.73, -53.48

 

CMYK 0 / 83 / 10 / 25

HEX #C021AD

RGB 192 33 173

HSL 307.17, 0.71%, 0.44%

LAB 46.06, 72.28, -37.33

 

CMYK 0 / 83 / 32 / 25

HEX #C02183

RGB 192 33 131

HSL 323.02, 0.71%, 0.44%

LAB 44.14, 66.93, -15.03

 

CMYK 0 / 83 / 54 / 25

HEX #C02158

RGB 192 33 88

HSL 339.25, 0.71%, 0.44%

LAB 42.76, 62.94, 9.67

 

CMYK 0 / 83 / 10 / 53

HEX #79156D

RGB 121 21 109

HSL 307.2, 0.7%, 0.28%

LAB 28.66, 50.54, -26.29

 

CMYK 0 / 83 / 11 / 38

HEX #9D1B8C

RGB 157 27 140

HSL 307.85, 0.71%, 0.36%

LAB 37.56, 61.63, -31.26

 

CMYK 0 / 83 / 10 / 25

HEX #C021AC

RGB 192 33 172

HSL 307.55, 0.71%, 0.44%

LAB 46.01, 72.14, -36.82

 

CMYK 0 / 79 / 10 / 14

HEX #DC2EC6

RGB 220 46 198

HSL 307.59, 0.71%, 0.52%

LAB 53.22, 78.47, -40.31

 

CMYK 0 / 64 / 8 / 11

HEX #E251D0

RGB 226 81 208

HSL 307.45, 0.71%, 0.6%

LAB 58.61, 70.09, -37.49

 

CMYK 0 / 83 / 10 / 25

HEX #C020AC

RGB 192 32 172

HSL 307.5, 0.71%, 0.44%

LAB 45.93, 72.35, -36.94

 

CMYK 0 / 57 / 83 / 25

HEX #C05321

RGB 192 83 33

HSL 18.87, 0.71%, 0.44%

LAB 48.89, 41.12, 48.32

 

CMYK 83 / 0 / 23 / 25

HEX #21C093

RGB 33 192 147

HSL 163.02, 0.71%, 0.44%

LAB 69.56, -49.54, 11.77

 

CMYK 0 / 83 / 10 / 25

HEX #C020AC

RGB 192 32 172

HSL 307.5, 0.71%, 0.44%

LAB 45.93, 72.35, -36.94

 

CMYK 10 / 0 / 83 / 25

HEX #ADC021

RGB 173 192 33

HSL 67.17, 0.71%, 0.44%

LAB 73.99, -24.94, 69.57

 

CMYK 83 / 10 / 0 / 25

HEX #21ADC0

RGB 33 173 192

HSL 187.17, 0.71%, 0.44%

LAB 64.98, -28.31, -19.78

 

CMYK 0 / 83 / 10 / 25

HEX #C020AC

RGB 192 32 172

HSL 307.5, 0.71%, 0.44%

LAB 45.93, 72.35, -36.94

 

CMYK 0 / 57 / 83 / 25

HEX #C05321

RGB 192 83 33

HSL 18.87, 0.71%, 0.44%

LAB 48.89, 41.12, 48.32

 

CMYK 83 / 0 / 73 / 25

HEX #21C033

RGB 33 192 51

HSL 126.79, 0.71%, 0.44%

LAB 68.21, -65.22, 56.62

 

CMYK 83 / 27 / 0 / 25

HEX #218DC0

RGB 33 141 192

HSL 199.25, 0.71%, 0.44%

LAB 55.26, -11.41, -34.77

 

CMYK 0 / 83 / 10 / 25

HEX #C020AC

RGB 192 32 172

HSL 307.5, 0.71%, 0.44%

LAB 45.93, 72.35, -36.94

 

CMYK 0 / 32 / 83 / 25

HEX #C08321

RGB 192 131 33

HSL 36.98, 0.71%, 0.44%

LAB 59.48, 15.58, 57.72

 

CMYK 83 / 0 / 73 / 25

HEX #21C033

RGB 33 192 51

HSL 126.79, 0.71%, 0.44%

LAB 68.21, -65.22, 56.62

 

CMYK 83 / 51 / 0 / 25

HEX #215EC0

RGB 33 94 192

HSL 216.98, 0.71%, 0.44%

LAB 41.43, 17.42, -56.78

 

Description

Color code: RGB 192 32 172 | qconv.com Color code: RGB 192 32 172 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 32 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 32 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 10 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 10% 25% C M Y K

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Provide designers and agencies with accurate color values.

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