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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 207 213 it is the complementary color RGB 63 48 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 207 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 207 213 shade: RGB 197 207 208, RGB 214 225 227, RGB 231 243 246 and RGB 248 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 207 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 207 213 shade: RGB 192 207 213, RGB 175 189 194, RGB 158 171 175, RGB 141 153 156 and RGB 124 135 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 207 213 shade: RGB 190 206 212, RGB 190 200 212, RGB 190 194 212, RGB 192 190 212 and RGB 198 190 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 207 213 shade: RGB 190 206 212, RGB 190 200 212, RGB 190 194 212 and RGB 190 190 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 207 213 shade matches the following richer shades: RGB 190 206 212, RGB 182 209 220, RGB 173 213 229, RGB 164 217 238 and RGB 156 220 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 207 213 shade: RGB 190 206 212, RGB 199 202 203, RGB 208 198 194, RGB 216 194 186 and RGB 225 191 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 207 213 shade: RGB 190 212 206, RGB 190 211 212, RGB 190 206 212, RGB 190 200 212 and RGB 190 194 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 207 213 shade: RGB 141 168 179, RGB 165 187 195, RGB 190 206 212, RGB 215 224 228 and RGB 240 243 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 207 213 shade: RGB 192 207 213, RGB 201 190 212 and RGB 212 209 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 207 213 shade: RGB 192 207 213, RGB 212 190 206 and RGB 206 212 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 207 213 shade: RGB 192 207 213, RGB 201 190 212, RGB 212 196 190 and RGB 201 212 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 207 213 shade: RGB 192 207 213, RGB 207 190 212, RGB 212 196 190 and RGB 195 212 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 3 / 0 / 16

HEX #C0CFD5

RGB 192 207 213

HSL 197.14, 0.2%, 0.79%

LAB 82.18, -3.88, -4.72

 

Complementary color

CMYK 0 / 24 / 33 / 75

HEX #3F302A

RGB 63 48 42

HSL 17.14, 0.2%, 0.21%

LAB 21.35, 5.75, 6.44

 

CMYK 5 / 0 / 0 / 18

HEX #C5CFD0

RGB 197 207 208

HSL 185.45, 0.1%, 0.79%

LAB 82.41, -3.2, -1.68

 

CMYK 6 / 1 / 0 / 11

HEX #D6E1E3

RGB 214 225 227

HSL 189.23, 0.19%, 0.86%

LAB 88.78, -3.29, -2.26

 

CMYK 6 / 1 / 0 / 4

HEX #E7F3F6

RGB 231 243 246

HSL 192, 0.45%, 0.94%

LAB 95.05, -3.39, -2.82

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 10 / 3 / 0 / 16

HEX #C0CFD5

RGB 192 207 213

HSL 197.14, 0.2%, 0.79%

LAB 82.18, -3.88, -4.72

 

CMYK 10 / 3 / 0 / 24

HEX #AFBDC2

RGB 175 189 194

HSL 195.79, 0.13%, 0.72%

LAB 75.7, -3.8, -4.18

 

CMYK 10 / 2 / 0 / 31

HEX #9EABAF

RGB 158 171 175

HSL 194.12, 0.1%, 0.65%

LAB 69.1, -3.73, -3.62

 

CMYK 10 / 2 / 0 / 39

HEX #8D999C

RGB 141 153 156

HSL 192, 0.07%, 0.58%

LAB 62.38, -3.65, -3.05

 

CMYK 9 / 1 / 0 / 46

HEX #7C8789

RGB 124 135 137

HSL 189.23, 0.05%, 0.51%

LAB 55.5, -3.58, -2.46

 

CMYK 10 / 3 / 0 / 17

HEX #BECED4

RGB 190 206 212

HSL 196.36, 0.2%, 0.79%

LAB 81.75, -4.21, -4.84

 

CMYK 10 / 6 / 0 / 17

HEX #BEC8D4

RGB 190 200 212

HSL 212.73, 0.2%, 0.79%

LAB 80.18, -1.05, -7.15

 

CMYK 10 / 8 / 0 / 17

HEX #BEC2D4

RGB 190 194 212

HSL 229.09, 0.2%, 0.79%

LAB 78.63, 2.14, -9.47

 

CMYK 9 / 10 / 0 / 17

HEX #C0BED4

RGB 192 190 212

HSL 245.45, 0.2%, 0.79%

LAB 77.75, 4.94, -10.76

 

CMYK 7 / 10 / 0 / 17

HEX #C6BED4

RGB 198 190 212

HSL 261.82, 0.2%, 0.79%

LAB 78.22, 6.93, -10.01

 

CMYK 10 / 3 / 0 / 17

HEX #BECED4

RGB 190 206 212

HSL 196.36, 0.2%, 0.79%

LAB 81.75, -4.21, -4.84

 

CMYK 10 / 6 / 0 / 17

HEX #BEC8D4

RGB 190 200 212

HSL 212.73, 0.2%, 0.79%

LAB 80.18, -1.05, -7.15

 

CMYK 10 / 8 / 0 / 17

HEX #BEC2D4

RGB 190 194 212

HSL 229.09, 0.2%, 0.79%

LAB 78.63, 2.14, -9.47

 

CMYK 10 / 10 / 0 / 17

HEX #BEBED4

RGB 190 190 212

HSL 240, 0.2%, 0.79%

LAB 77.6, 4.28, -11

 

CMYK 10 / 3 / 0 / 17

HEX #BECED4

RGB 190 206 212

HSL 196.36, 0.2%, 0.79%

LAB 81.75, -4.21, -4.84

 

CMYK 17 / 5 / 0 / 14

HEX #B6D1DC

RGB 182 209 220

HSL 197.37, 0.35%, 0.79%

LAB 82.22, -6.7, -8.47

 

CMYK 24 / 7 / 0 / 10

HEX #ADD5E5

RGB 173 213 229

HSL 197.14, 0.52%, 0.79%

LAB 82.98, -9.56, -12.2

 

CMYK 31 / 9 / 0 / 7

HEX #A4D9EE

RGB 164 217 238

HSL 197.03, 0.69%, 0.79%

LAB 83.8, -12.14, -15.8

 

CMYK 37 / 11 / 0 / 4

HEX #9CDCF6

RGB 156 220 246

HSL 197.33, 0.83%, 0.79%

LAB 84.44, -13.9, -19.12

 

CMYK 10 / 3 / 0 / 17

HEX #BECED4

RGB 190 206 212

HSL 196.36, 0.2%, 0.79%

LAB 81.75, -4.21, -4.84

 

CMYK 2 / 0 / 0 / 20

HEX #C7CACB

RGB 199 202 203

HSL 195, 0.04%, 0.79%

LAB 81.12, -0.84, -0.87

 

CMYK 0 / 5 / 7 / 18

HEX #D0C6C2

RGB 208 198 194

HSL 17.14, 0.13%, 0.79%

LAB 80.57, 2.79, 3.24

 

CMYK 0 / 10 / 14 / 15

HEX #D8C2BA

RGB 216 194 186

HSL 16, 0.28%, 0.79%

LAB 80.03, 6.44, 6.84

 

CMYK 0 / 15 / 21 / 12

HEX #E1BFB1

RGB 225 191 177

HSL 17.5, 0.44%, 0.79%

LAB 79.87, 9.95, 11.55

 

CMYK 10 / 0 / 3 / 17

HEX #BED4CE

RGB 190 212 206

HSL 163.64, 0.2%, 0.79%

LAB 83.17, -8.51, 0.45

 

CMYK 10 / 0 / 0 / 17

HEX #BED3D4

RGB 190 211 212

HSL 182.73, 0.2%, 0.79%

LAB 83.07, -6.82, -2.9

 

CMYK 10 / 3 / 0 / 17

HEX #BECED4

RGB 190 206 212

HSL 196.36, 0.2%, 0.79%

LAB 81.75, -4.21, -4.84

 

CMYK 10 / 6 / 0 / 17

HEX #BEC8D4

RGB 190 200 212

HSL 212.73, 0.2%, 0.79%

LAB 80.18, -1.05, -7.15

 

CMYK 10 / 8 / 0 / 17

HEX #BEC2D4

RGB 190 194 212

HSL 229.09, 0.2%, 0.79%

LAB 78.63, 2.14, -9.47

 

CMYK 21 / 6 / 0 / 30

HEX #8DA8B3

RGB 141 168 179

HSL 197.37, 0.2%, 0.63%

LAB 67.22, -6.84, -8.76

 

CMYK 15 / 4 / 0 / 24

HEX #A5BBC3

RGB 165 187 195

HSL 196, 0.2%, 0.71%

LAB 74.5, -5.82, -6.58

 

CMYK 10 / 3 / 0 / 17

HEX #BECED4

RGB 190 206 212

HSL 196.36, 0.2%, 0.79%

LAB 81.75, -4.21, -4.84

 

CMYK 6 / 2 / 0 / 11

HEX #D7E0E4

RGB 215 224 228

HSL 198.46, 0.19%, 0.87%

LAB 88.62, -2.26, -3.01

 

CMYK 2 / 1 / 0 / 4

HEX #F0F3F5

RGB 240 243 245

HSL 204, 0.2%, 0.95%

LAB 95.67, -0.63, -1.32

 

CMYK 10 / 3 / 0 / 16

HEX #C0CFD5

RGB 192 207 213

HSL 197.14, 0.2%, 0.79%

LAB 82.18, -3.88, -4.72

 

CMYK 5 / 10 / 0 / 17

HEX #C9BED4

RGB 201 190 212

HSL 270, 0.2%, 0.79%

LAB 78.46, 7.94, -9.62

 

CMYK 0 / 1 / 10 / 17

HEX #D4D1BE

RGB 212 209 190

HSL 51.82, 0.2%, 0.79%

LAB 83.61, -2.23, 9.79

 

CMYK 10 / 3 / 0 / 16

HEX #C0CFD5

RGB 192 207 213

HSL 197.14, 0.2%, 0.79%

LAB 82.18, -3.88, -4.72

 

CMYK 0 / 10 / 3 / 17

HEX #D4BECE

RGB 212 190 206

HSL 316.36, 0.2%, 0.79%

LAB 79.2, 10.56, -5.18

 

CMYK 3 / 0 / 10 / 17

HEX #CED4BE

RGB 206 212 190

HSL 76.36, 0.2%, 0.79%

LAB 83.93, -5.91, 10.18

 

CMYK 10 / 3 / 0 / 16

HEX #C0CFD5

RGB 192 207 213

HSL 197.14, 0.2%, 0.79%

LAB 82.18, -3.88, -4.72

 

CMYK 5 / 10 / 0 / 17

HEX #C9BED4

RGB 201 190 212

HSL 270, 0.2%, 0.79%

LAB 78.46, 7.94, -9.62

 

CMYK 0 / 8 / 10 / 17

HEX #D4C4BE

RGB 212 196 190

HSL 16.36, 0.2%, 0.79%

LAB 80.29, 4.59, 5.02

 

CMYK 5 / 0 / 10 / 17

HEX #C9D4BE

RGB 201 212 190

HSL 90, 0.2%, 0.79%

LAB 83.56, -7.67, 9.6

 

CMYK 10 / 3 / 0 / 16

HEX #C0CFD5

RGB 192 207 213

HSL 197.14, 0.2%, 0.79%

LAB 82.18, -3.88, -4.72

 

CMYK 2 / 10 / 0 / 17

HEX #CFBED4

RGB 207 190 212

HSL 286.36, 0.2%, 0.79%

LAB 78.95, 9.96, -8.84

 

CMYK 0 / 8 / 10 / 17

HEX #D4C4BE

RGB 212 196 190

HSL 16.36, 0.2%, 0.79%

LAB 80.29, 4.59, 5.02

 

CMYK 8 / 0 / 10 / 17

HEX #C3D4BE

RGB 195 212 190

HSL 106.36, 0.2%, 0.79%

LAB 83.13, -9.76, 8.93

 

Description

Color code: RGB 192 207 213 | qconv.com Color code: RGB 192 207 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 207 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 207 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 3 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 3% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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