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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 200.2 241 it is the complementary color RGB 63 54.8 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 200.2 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 200.2 241 shade: RGB 197 200.2 236, RGB 214 218.2 255, RGB 231 236.2 255, RGB 248 254.2 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 200.2 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 200.2 241 shade: RGB 192 200.2 241, RGB 175 182.2 222, RGB 158 164.2 203, RGB 141 146.2 184 and RGB 124 128.2 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 200.2 241 shade: RGB 192 200 241, RGB 197 192 241, RGB 210 192 241, RGB 224 192 241 and RGB 237 192 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 200.2 241 shade: RGB 192 200 241 and RGB 192 192 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 200.2 241 shade matches the following richer shades: RGB 192 200 241, RGB 186 196 247 and RGB 180 192 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 200.2 241 shade: RGB 192 200 241, RGB 198 205 235, RGB 205 209 229, RGB 211 213 223 and RGB 217 217 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 200.2 241 shade: RGB 192 227 241, RGB 192 214 241, RGB 192 201 241, RGB 196 192 241 and RGB 209 192 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 200.2 241 shade: RGB 125 142 226, RGB 158 171 234, RGB 192 200 241, RGB 226 230 249 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 200.2 241 shade: RGB 192 200.2 241, RGB 241 192 240 and RGB 221 241 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 200.2 241 shade: RGB 192 200.2 241, RGB 241 192 201 and RGB 201 241 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 200.2 241 shade: RGB 192 200.2 241, RGB 241 192 240, RGB 241 232 192 and RGB 192 241 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 200.2 241 shade: RGB 192 200.2 241, RGB 241 192 226, RGB 241 232 192 and RGB 192 241 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200.2 241

HSL 229.96, 0.64%, 0.85%

LAB 81.27, 5.6, -21.05

 

Complementary color

CMYK 0 / 13 / 78 / 75

HEX #3F360E

RGB 63 54.8 14

HSL 49.96, 0.64%, 0.15%

LAB 23.01, -2, 25.85

 

CMYK 17 / 15 / 0 / 7

HEX #C5C8EC

RGB 197 200.2 236

HSL 235.08, 0.51%, 0.85%

LAB 81.47, 6.07, -18.03

 

CMYK 16 / 14 / 0 / 0

HEX #D6DAFF

RGB 214 218.2 255

HSL 233.85, 1%, 0.92%

LAB 87.85, 5.82, -18.36

 

CMYK 9 / 7 / 0 / 0

HEX #E7ECFF

RGB 231 236.2 255

HSL 227, 1%, 0.95%

LAB 93.59, 1.8, -9.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FEFF

RGB 248 254.2 255

HSL 186.86, 1%, 0.99%

LAB 99.29, -1.88, -1.1

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200.2 241

HSL 229.96, 0.64%, 0.85%

LAB 81.27, 5.6, -21.05

 

CMYK 21 / 18 / 0 / 13

HEX #AFB6DE

RGB 175 182.2 222

HSL 230.81, 0.42%, 0.78%

LAB 74.78, 5.87, -20.78

 

CMYK 22 / 19 / 0 / 20

HEX #9EA4CB

RGB 158 164.2 203

HSL 231.73, 0.3%, 0.71%

LAB 68.17, 6.16, -20.53

 

CMYK 23 / 21 / 0 / 28

HEX #8D92B8

RGB 141 146.2 184

HSL 232.74, 0.23%, 0.64%

LAB 61.43, 6.47, -20.29

 

CMYK 25 / 22 / 0 / 35

HEX #7C80A5

RGB 124 128.2 165

HSL 233.85, 0.19%, 0.57%

LAB 54.55, 6.82, -20.08

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200 241

HSL 230.2, 0.64%, 0.85%

LAB 81.22, 5.71, -21.12

 

CMYK 18 / 20 / 0 / 5

HEX #C5C0F1

RGB 197 192 241

HSL 246.12, 0.64%, 0.85%

LAB 79.57, 11.56, -23.59

 

CMYK 13 / 20 / 0 / 5

HEX #D2C0F1

RGB 210 192 241

HSL 262.04, 0.64%, 0.85%

LAB 80.6, 15.62, -21.93

 

CMYK 7 / 20 / 0 / 5

HEX #E0C0F1

RGB 224 192 241

HSL 279.18, 0.64%, 0.85%

LAB 81.78, 20.09, -20.03

 

CMYK 2 / 20 / 0 / 5

HEX #EDC0F1

RGB 237 192 241

HSL 295.1, 0.64%, 0.85%

LAB 82.94, 24.31, -18.16

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200 241

HSL 230.2, 0.64%, 0.85%

LAB 81.22, 5.71, -21.12

 

CMYK 20 / 20 / 0 / 5

HEX #C0C0F1

RGB 192 192 241

HSL 240, 0.64%, 0.85%

LAB 79.19, 10.03, -24.21

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200 241

HSL 230.2, 0.64%, 0.85%

LAB 81.22, 5.71, -21.12

 

CMYK 25 / 21 / 0 / 3

HEX #BAC4F7

RGB 186 196 247

HSL 230.16, 0.79%, 0.85%

LAB 79.97, 7.42, -26.26

 

CMYK 29 / 24 / 0 / 0

HEX #B4C0FE

RGB 180 192 254

HSL 230.27, 0.97%, 0.85%

LAB 78.79, 9.51, -31.86

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200 241

HSL 230.2, 0.64%, 0.85%

LAB 81.22, 5.71, -21.12

 

CMYK 16 / 13 / 0 / 8

HEX #C6CDEB

RGB 198 205 235

HSL 228.65, 0.48%, 0.85%

LAB 82.74, 3.61, -15.59

 

CMYK 10 / 9 / 0 / 10

HEX #CDD1E5

RGB 205 209 229

HSL 230, 0.32%, 0.85%

LAB 84.09, 2.49, -10.32

 

CMYK 5 / 4 / 0 / 13

HEX #D3D5DF

RGB 211 213 223

HSL 230, 0.16%, 0.85%

LAB 85.39, 1.19, -5.16

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D8

RGB 217 217 216

HSL 60, 0.01%, 0.85%

LAB 86.67, -0.18, 0.48

 

CMYK 20 / 6 / 0 / 5

HEX #C0E3F1

RGB 192 227 241

HSL 197.14, 0.64%, 0.85%

LAB 88.21, -8.46, -10.62

 

CMYK 20 / 11 / 0 / 5

HEX #C0D6F1

RGB 192 214 241

HSL 213.06, 0.64%, 0.85%

LAB 84.82, -1.72, -15.69

 

CMYK 20 / 17 / 0 / 5

HEX #C0C9F1

RGB 192 201 241

HSL 228.98, 0.64%, 0.85%

LAB 81.47, 5.18, -20.74

 

CMYK 19 / 20 / 0 / 5

HEX #C4C0F1

RGB 196 192 241

HSL 244.9, 0.64%, 0.85%

LAB 79.49, 11.25, -23.72

 

CMYK 13 / 20 / 0 / 5

HEX #D1C0F1

RGB 209 192 241

HSL 260.82, 0.64%, 0.85%

LAB 80.52, 15.31, -22.06

 

CMYK 45 / 37 / 0 / 11

HEX #7D8EE2

RGB 125 142 226

HSL 229.9, 0.64%, 0.69%

LAB 60.96, 15.62, -44.66

 

CMYK 32 / 27 / 0 / 8

HEX #9EABEA

RGB 158 171 234

HSL 229.74, 0.64%, 0.77%

LAB 71.1, 9.92, -33.05

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200 241

HSL 230.2, 0.64%, 0.85%

LAB 81.22, 5.71, -21.12

 

CMYK 9 / 8 / 0 / 2

HEX #E2E6F9

RGB 226 230 249

HSL 229.57, 0.66%, 0.93%

LAB 91.51, 2.24, -9.66

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200.2 241

HSL 229.96, 0.64%, 0.85%

LAB 81.27, 5.6, -21.05

 

CMYK 0 / 20 / 0 / 5

HEX #F1C0F0

RGB 241 192 240

HSL 301.22, 0.64%, 0.85%

LAB 83.28, 25.43, -17.08

 

CMYK 8 / 0 / 20 / 5

HEX #DDF1C0

RGB 221 241 192

HSL 84.49, 0.64%, 0.85%

LAB 92.61, -14.94, 21.51

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200.2 241

HSL 229.96, 0.64%, 0.85%

LAB 81.27, 5.6, -21.05

 

CMYK 0 / 20 / 17 / 5

HEX #F1C0C9

RGB 241 192 201

HSL 348.98, 0.64%, 0.85%

LAB 82.17, 18.86, 2.17

 

CMYK 17 / 0 / 20 / 5

HEX #C9F1C0

RGB 201 241 192

HSL 108.98, 0.64%, 0.85%

LAB 91.29, -21.83, 19.48

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200.2 241

HSL 229.96, 0.64%, 0.85%

LAB 81.27, 5.6, -21.05

 

CMYK 0 / 20 / 0 / 5

HEX #F1C0F0

RGB 241 192 240

HSL 301.22, 0.64%, 0.85%

LAB 83.28, 25.43, -17.08

 

CMYK 0 / 4 / 20 / 5

HEX #F1E8C0

RGB 241 232 192

HSL 48.98, 0.64%, 0.85%

LAB 91.78, -3.27, 20.58

 

CMYK 20 / 0 / 20 / 5

HEX #C0F1C1

RGB 192 241 193

HSL 121.22, 0.64%, 0.85%

LAB 90.76, -24.66, 18.14

 

CMYK 20 / 17 / 0 / 5

HEX #C0C8F1

RGB 192 200.2 241

HSL 229.96, 0.64%, 0.85%

LAB 81.27, 5.6, -21.05

 

CMYK 0 / 20 / 6 / 5

HEX #F1C0E2

RGB 241 192 226

HSL 318.37, 0.64%, 0.85%

LAB 82.86, 22.95, -10.23

 

CMYK 0 / 4 / 20 / 5

HEX #F1E8C0

RGB 241 232 192

HSL 48.98, 0.64%, 0.85%

LAB 91.78, -3.27, 20.58

 

CMYK 20 / 0 / 14 / 5

HEX #C0F1D0

RGB 192 241 208

HSL 139.59, 0.64%, 0.85%

LAB 91.09, -22.01, 10.83

 

Description

Color code: RGB 192 200.2 241 | qconv.com Color code: RGB 192 200.2 241 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 200.2 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 200.2 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 17 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 17% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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