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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 251 202 it is the complementary color RGB 64 4 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 251 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 191 251 202: RGB 196 251 197, RGB 213 255 216, RGB 230 255 235, RGB 247 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 251 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 191 251 202: RGB 191 251 202, RGB 174 233 183, RGB 157 215 164, RGB 140 197 145 and RGB 123 179 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

Complementary color

CMYK 0 / 94 / 17 / 75

HEX #400435

RGB 64 4 53

HSL 311, 0.88%, 0.13%

LAB 12.18, 32.96, -14.99

 

CMYK 22 / 0 / 22 / 2

HEX #C4FBC5

RGB 196 251 197

HSL 121.09, 0.87%, 0.88%

LAB 93.78, -27.45, 20.33

 

CMYK 16 / 0 / 15 / 0

HEX #D5FFD8

RGB 213 255 216

HSL 124.29, 1%, 0.92%

LAB 96.26, -20.6, 14.23

 

CMYK 10 / 0 / 8 / 0

HEX #E6FFEB

RGB 230 255 235

HSL 132, 1%, 0.95%

LAB 97.77, -11.73, 6.79

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFE

RGB 247 255 254

HSL 172.5, 1%, 0.98%

LAB 99.4, -2.79, -0.45

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

CMYK 25 / 0 / 21 / 9

HEX #AEE9B7

RGB 174 233 183

HSL 129.15, 0.57%, 0.8%

LAB 87.34, -28.4, 18.37

 

CMYK 27 / 0 / 24 / 16

HEX #9DD7A4

RGB 157 215 164

HSL 127.24, 0.42%, 0.73%

LAB 80.99, -28.63, 19.32

 

CMYK 29 / 0 / 26 / 23

HEX #8CC591

RGB 140 197 145

HSL 125.26, 0.33%, 0.66%

LAB 74.54, -28.86, 20.32

 

CMYK 31 / 0 / 30 / 30

HEX #7BB37E

RGB 123 179 126

HSL 123.21, 0.27%, 0.59%

LAB 67.99, -29.11, 21.39

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

CMYK 24 / 0 / 15 / 2

HEX #C0FBD5

RGB 192 251 213

HSL 141.36, 0.88%, 0.87%

LAB 93.89, -25.91, 12.23

 

CMYK 24 / 0 / 12 / 2

HEX #C0FBDE

RGB 192 251 222

HSL 150.51, 0.88%, 0.87%

LAB 94.09, -24.23, 7.88

 

CMYK 24 / 0 / 8 / 2

HEX #C0FBE8

RGB 192 251 232

HSL 160.68, 0.88%, 0.87%

LAB 94.32, -22.29, 3.06

 

CMYK 24 / 0 / 4 / 2

HEX #C0FBF2

RGB 192 251 242

HSL 170.85, 0.88%, 0.87%

LAB 94.57, -20.26, -1.74

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

CMYK 23 / 0 / 19 / 82

HEX #242F26

RGB 36 47 38

HSL 130.91, 0.13%, 0.16%

LAB 18.13, -6.96, 4.25

 

CMYK 23 / 0 / 19 / 62

HEX #4B624F

RGB 75 98 79

HSL 130.43, 0.13%, 0.34%

LAB 39.23, -12.91, 8.03

 

CMYK 24 / 0 / 19 / 42

HEX #719578

RGB 113 149 120

HSL 131.67, 0.15%, 0.51%

LAB 58.38, -18.58, 11.32

 

CMYK 24 / 0 / 20 / 22

HEX #98C8A1

RGB 152 200 161

HSL 131.25, 0.3%, 0.69%

LAB 76.41, -23.51, 14.47

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

CMYK 24 / 9 / 0 / 2

HEX #C0E4FB

RGB 192 228 251

HSL 203.39, 0.88%, 0.87%

LAB 88.76, -6.8, -15.05

 

CMYK 0 / 24 / 18 / 2

HEX #FBC0CD

RGB 251 192 205

HSL 346.78, 0.88%, 0.87%

LAB 83.24, 23.03, 1.69

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

CMYK 19 / 24 / 0 / 2

HEX #CBC0FB

RGB 203 192 251

HSL 251.19, 0.88%, 0.87%

LAB 80.38, 15.59, -27.66

 

CMYK 0 / 19 / 24 / 2

HEX #FBCBC0

RGB 251 203 192

HSL 11.19, 0.88%, 0.87%

LAB 85.52, 15.36, 11.9

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

CMYK 24 / 9 / 0 / 2

HEX #C0E4FB

RGB 192 228 251

HSL 203.39, 0.88%, 0.87%

LAB 88.76, -6.8, -15.05

 

CMYK 0 / 24 / 4 / 2

HEX #FBC0F0

RGB 251 192 240

HSL 311.19, 0.88%, 0.87%

LAB 84.23, 28.72, -15.57

 

CMYK 0 / 14 / 24 / 2

HEX #FBD7C0

RGB 251 215 192

HSL 23.39, 0.88%, 0.87%

LAB 88.41, 9.11, 15.99

 

CMYK 24 / 0 / 20 / 2

HEX #BFFBCA

RGB 191 251 202

HSL 131, 0.88%, 0.87%

LAB 93.6, -28.2, 17.47

 

CMYK 24 / 16 / 0 / 2

HEX #C0D3FB

RGB 192 211 251

HSL 220.68, 0.88%, 0.87%

LAB 84.36, 2.08, -21.68

 

CMYK 0 / 24 / 4 / 2

HEX #FBC0F0

RGB 251 192 240

HSL 311.19, 0.88%, 0.87%

LAB 84.23, 28.72, -15.57

 

CMYK 0 / 8 / 24 / 2

HEX #FBE8C0

RGB 251 232 192

HSL 40.68, 0.88%, 0.87%

LAB 92.59, 0.38, 21.82

 

Description

Color code: RGB 191 251 202 | qconv.com Color code: RGB 191 251 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 251 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 251 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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