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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 7 59 it is the complementary color RGB 65 248 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 7 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 7 59 shade: RGB 195 7 54, RGB 212 25 73, RGB 229 43 92, RGB 246 61 111 and RGB 255 79 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 7 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 7 59 shade: RGB 190 7 59, RGB 173 0 40, RGB 156 0 21, RGB 139 0 2 and RGB 122 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 7 59 shade: RGB 192 7 60, RGB 192 7 10 and RGB 192 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 7 59 shade: RGB 192 7 60, RGB 192 7 109, RGB 192 7 159, RGB 175 7 192 and RGB 125 7 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 7 59 shade matches the following richer shades: RGB 192 7 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 7 59 shade: RGB 192 7 60, RGB 176 23 66, RGB 160 39 73, RGB 144 55 80 and RGB 128 71 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 7 59 shade: RGB 192 7 161, RGB 192 7 112, RGB 192 7 62, RGB 192 7 13 and RGB 192 50 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 7 59 shade: RGB 112 4 35, RGB 152 6 47, RGB 192 7 60, RGB 232 8 72 and RGB 247 34 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 7 59 shade: RGB 190 7 59, RGB 192 173 7 and RGB 7 136 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 7 59 shade: RGB 190 7 59, RGB 62 192 7 and RGB 7 62 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 7 59 shade: RGB 190 7 59, RGB 192 173 7, RGB 7 192 136 and RGB 7 25 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 7 59 shade: RGB 190 7 59, RGB 155 192 7, RGB 7 192 136 and RGB 44 7 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 69 / 25

HEX #BE073B

RGB 190 7 59

HSL 342.95, 0.93%, 0.39%

LAB 40.27, 64.92, 24.57

 

Complementary color

CMYK 74 / 0 / 21 / 3

HEX #41F8C4

RGB 65 248 196

HSL 162.95, 0.93%, 0.61%

LAB 88.09, -56.91, 12.13

 

CMYK 0 / 96 / 72 / 24

HEX #C30736

RGB 195 7 54

HSL 345, 0.93%, 0.4%

LAB 41.25, 65.93, 29.12

 

CMYK 0 / 88 / 66 / 17

HEX #D41949

RGB 212 25 73

HSL 344.6, 0.79%, 0.46%

LAB 45.87, 68.76, 23.9

 

CMYK 0 / 81 / 60 / 10

HEX #E52B5C

RGB 229 43 92

HSL 344.19, 0.78%, 0.53%

LAB 50.87, 70.51, 19.48

 

CMYK 0 / 75 / 55 / 4

HEX #F63D6F

RGB 246 61 111

HSL 343.78, 0.91%, 0.6%

LAB 56.17, 71.42, 15.8

 

CMYK 0 / 69 / 49 / 0

HEX #FF4F82

RGB 255 79 130

HSL 342.61, 1%, 0.65%

LAB 60.31, 69.45, 10.61

 

CMYK 0 / 96 / 69 / 25

HEX #BE073B

RGB 190 7 59

HSL 342.95, 0.93%, 0.39%

LAB 40.27, 64.92, 24.57

 

CMYK 0 / 100 / 77 / 32

HEX #AD0028

RGB 173 0 40

HSL 346.13, 1%, 0.34%

LAB 36.06, 60.7, 30.56

 

CMYK 0 / 100 / 87 / 39

HEX #9C0015

RGB 156 0 21

HSL 351.92, 1%, 0.31%

LAB 32.08, 55.83, 36.56

 

CMYK 0 / 100 / 99 / 45

HEX #8B0002

RGB 139 0 2

HSL 359.14, 1%, 0.27%

LAB 28.1, 51.04, 40.49

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 96 / 69 / 25

HEX #C0073C

RGB 192 7 60

HSL 342.81, 0.93%, 0.39%

LAB 40.71, 65.46, 24.58

 

CMYK 0 / 96 / 95 / 25

HEX #C0070A

RGB 192 7 10

HSL 359.03, 0.93%, 0.39%

LAB 40.21, 64.08, 50.85

 

CMYK 0 / 96 / 96 / 25

HEX #C00707

RGB 192 7 7

HSL 0, 0.93%, 0.39%

LAB 40.2, 64.05, 51.85

 

CMYK 0 / 96 / 69 / 25

HEX #C0073C

RGB 192 7 60

HSL 342.81, 0.93%, 0.39%

LAB 40.71, 65.46, 24.58

 

CMYK 0 / 96 / 43 / 25

HEX #C0076D

RGB 192 7 109

HSL 326.92, 0.93%, 0.39%

LAB 41.94, 68.78, -4.7

 

CMYK 0 / 96 / 17 / 25

HEX #C0079F

RGB 192 7 159

HSL 310.7, 0.93%, 0.39%

LAB 44.03, 74.21, -32.18

 

CMYK 9 / 96 / 0 / 25

HEX #AF07C0

RGB 175 7 192

HSL 294.49, 0.93%, 0.39%

LAB 42.87, 76.02, -53.77

 

CMYK 35 / 96 / 0 / 25

HEX #7D07C0

RGB 125 7 192

HSL 278.27, 0.93%, 0.39%

LAB 34.64, 69.13, -67.53

 

CMYK 0 / 96 / 69 / 25

HEX #C0073C

RGB 192 7 60

HSL 342.81, 0.93%, 0.39%

LAB 40.71, 65.46, 24.58

 

CMYK 0 / 96 / 69 / 25

HEX #C0073C

RGB 192 7 60

HSL 342.81, 0.93%, 0.39%

LAB 40.71, 65.46, 24.58

 

CMYK 0 / 87 / 63 / 31

HEX #B01742

RGB 176 23 66

HSL 343.14, 0.77%, 0.39%

LAB 38.26, 59.45, 16.95

 

CMYK 0 / 76 / 54 / 37

HEX #A02749

RGB 160 39 73

HSL 343.14, 0.61%, 0.39%

LAB 36.75, 51.11, 9.88

 

CMYK 0 / 62 / 44 / 44

HEX #903750

RGB 144 55 80

HSL 343.15, 0.45%, 0.39%

LAB 36.44, 39.98, 4.55

 

CMYK 0 / 45 / 32 / 50

HEX #804757

RGB 128 71 87

HSL 343.16, 0.29%, 0.39%

LAB 37.45, 26.4, 1.25

 

CMYK 0 / 96 / 16 / 25

HEX #C007A1

RGB 192 7 161

HSL 310.05, 0.93%, 0.39%

LAB 44.13, 74.47, -33.22

 

CMYK 0 / 96 / 42 / 25

HEX #C00770

RGB 192 7 112

HSL 325.95, 0.93%, 0.39%

LAB 42.04, 69.05, -6.43

 

CMYK 0 / 96 / 68 / 25

HEX #C0073E

RGB 192 7 62

HSL 342.16, 0.93%, 0.39%

LAB 40.75, 65.55, 23.37

 

CMYK 0 / 96 / 93 / 25

HEX #C0070D

RGB 192 7 13

HSL 358.05, 0.93%, 0.39%

LAB 40.23, 64.12, 49.81

 

CMYK 0 / 74 / 96 / 25

HEX #C03207

RGB 192 50 7

HSL 13.95, 0.93%, 0.39%

LAB 43.51, 54.69, 53.62

 

CMYK 0 / 96 / 69 / 56

HEX #700423

RGB 112 4 35

HSL 342.78, 0.93%, 0.23%

LAB 22.49, 43.97, 14.26

 

CMYK 0 / 96 / 69 / 40

HEX #98062F

RGB 152 6 47

HSL 343.15, 0.92%, 0.31%

LAB 31.83, 54.88, 19.93

 

CMYK 0 / 96 / 69 / 25

HEX #C0073C

RGB 192 7 60

HSL 342.81, 0.93%, 0.39%

LAB 40.71, 65.46, 24.58

 

CMYK 0 / 97 / 69 / 9

HEX #E80848

RGB 232 8 72

HSL 342.86, 0.93%, 0.47%

LAB 49.25, 75.54, 29.63

 

CMYK 0 / 86 / 62 / 3

HEX #F7225F

RGB 247 34 95

HSL 342.82, 0.93%, 0.55%

LAB 53.75, 77.11, 22.13

 

CMYK 0 / 96 / 69 / 25

HEX #BE073B

RGB 190 7 59

HSL 342.95, 0.93%, 0.39%

LAB 40.27, 64.92, 24.57

 

CMYK 0 / 10 / 96 / 25

HEX #C0AD07

RGB 192 173 7

HSL 53.84, 0.93%, 0.39%

LAB 70.25, -7.62, 71.76

 

CMYK 96 / 29 / 0 / 25

HEX #0788C0

RGB 7 136 192

HSL 198.16, 0.93%, 0.39%

LAB 53.45, -10.07, -37.63

 

CMYK 0 / 96 / 69 / 25

HEX #BE073B

RGB 190 7 59

HSL 342.95, 0.93%, 0.39%

LAB 40.27, 64.92, 24.57

 

CMYK 68 / 0 / 96 / 25

HEX #3EC007

RGB 62 192 7

HSL 102.16, 0.93%, 0.39%

LAB 68.56, -62.82, 67.32

 

CMYK 96 / 68 / 0 / 25

HEX #073EC0

RGB 7 62 192

HSL 222.16, 0.93%, 0.39%

LAB 32.47, 37.11, -71.42

 

CMYK 0 / 96 / 69 / 25

HEX #BE073B

RGB 190 7 59

HSL 342.95, 0.93%, 0.39%

LAB 40.27, 64.92, 24.57

 

CMYK 0 / 10 / 96 / 25

HEX #C0AD07

RGB 192 173 7

HSL 53.84, 0.93%, 0.39%

LAB 70.25, -7.62, 71.76

 

CMYK 96 / 0 / 29 / 25

HEX #07C088

RGB 7 192 136

HSL 161.84, 0.93%, 0.39%

LAB 69.13, -53.64, 17.08

 

CMYK 96 / 87 / 0 / 25

HEX #0719C0

RGB 7 25 192

HSL 234.16, 0.93%, 0.39%

LAB 25.4, 57.19, -83.15

 

CMYK 0 / 96 / 69 / 25

HEX #BE073B

RGB 190 7 59

HSL 342.95, 0.93%, 0.39%

LAB 40.27, 64.92, 24.57

 

CMYK 19 / 0 / 96 / 25

HEX #9BC007

RGB 155 192 7

HSL 72, 0.93%, 0.39%

LAB 72.68, -32.95, 72.33

 

CMYK 96 / 0 / 29 / 25

HEX #07C088

RGB 7 192 136

HSL 161.84, 0.93%, 0.39%

LAB 69.13, -53.64, 17.08

 

CMYK 77 / 96 / 0 / 25

HEX #2C07C0

RGB 44 7 192

HSL 252, 0.93%, 0.39%

LAB 25.24, 63.14, -83.38

 

Description

Color code: RGB 190 7 59 | qconv.com Color code: RGB 190 7 59 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 7 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 7 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 69 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 69% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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