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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 53 16 it is the complementary color RGB 65 202 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 53 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 53 16 shade: RGB 195 53 11, RGB 212 71 30, RGB 229 89 49, RGB 246 107 68 and RGB 255 125 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 53 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 53 16 shade: RGB 190 53 16, RGB 173 35 0, RGB 156 17 0, RGB 139 0 0 and RGB 122 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 53 16 shade: RGB 188 53 16 and RGB 188 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 53 16 shade: RGB 188 53 16, RGB 188 99 16, RGB 188 145 16, RGB 184 188 16 and RGB 138 188 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 53 16 shade matches the following richer shades: RGB 188 53 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 53 16 shade: RGB 188 53 16, RGB 171 62 33, RGB 155 72 49, RGB 138 81 66 and RGB 122 91 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 53 16 shade: RGB 188 16 73, RGB 188 16 28, RGB 188 51 16, RGB 188 96 16 and RGB 188 142 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 53 16 shade: RGB 112 31 10, RGB 150 42 13, RGB 188 53 16, RGB 226 63 20 and RGB 237 89 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 53 16 shade: RGB 190 53 16, RGB 119 188 16 and RGB 16 51 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 53 16 shade: RGB 190 53 16, RGB 16 188 51 and RGB 51 16 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 53 16 shade: RGB 190 53 16, RGB 119 188 16, RGB 16 153 188 and RGB 85 16 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 53 16 shade: RGB 190 53 16, RGB 68 188 16, RGB 16 153 188 and RGB 136 16 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 92 / 25

HEX #BE3510

RGB 190 53 16

HSL 12.76, 0.84%, 0.4%

LAB 43.55, 53.08, 50.7

 

Complementary color

CMYK 73 / 15 / 0 / 6

HEX #41CAEF

RGB 65 202 239

HSL 192.76, 0.84%, 0.6%

LAB 75.82, -24.62, -28.82

 

CMYK 0 / 73 / 94 / 24

HEX #C3350B

RGB 195 53 11

HSL 13.7, 0.89%, 0.4%

LAB 44.48, 54.64, 53.37

 

CMYK 0 / 67 / 86 / 17

HEX #D4471E

RGB 212 71 30

HSL 13.52, 0.75%, 0.47%

LAB 50.21, 53.66, 52.08

 

CMYK 0 / 61 / 79 / 10

HEX #E55931

RGB 229 89 49

HSL 13.33, 0.78%, 0.55%

LAB 56.11, 52.4, 49.86

 

CMYK 0 / 57 / 72 / 4

HEX #F66B44

RGB 246 107 68

HSL 13.15, 0.91%, 0.62%

LAB 62.11, 51.03, 47.46

 

CMYK 0 / 51 / 66 / 0

HEX #FF7D57

RGB 255 125 87

HSL 13.57, 1%, 0.67%

LAB 66.99, 46.71, 43.52

 

CMYK 0 / 72 / 92 / 25

HEX #BE3510

RGB 190 53 16

HSL 12.76, 0.84%, 0.4%

LAB 43.55, 53.08, 50.7

 

CMYK 0 / 80 / 100 / 32

HEX #AD2300

RGB 173 35 0

HSL 12.14, 1%, 0.34%

LAB 38, 53.5, 51.12

 

CMYK 0 / 89 / 100 / 39

HEX #9C1100

RGB 156 17 0

HSL 6.54, 1%, 0.31%

LAB 32.85, 52.93, 46.51

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 72 / 91 / 26

HEX #BC3510

RGB 188 53 16

HSL 12.91, 0.84%, 0.4%

LAB 43.17, 52.42, 50.26

 

CMYK 0 / 91 / 91 / 26

HEX #BC1010

RGB 188 16 16

HSL 0, 0.84%, 0.4%

LAB 39.75, 62.07, 47.91

 

CMYK 0 / 72 / 91 / 26

HEX #BC3510

RGB 188 53 16

HSL 12.91, 0.84%, 0.4%

LAB 43.17, 52.42, 50.26

 

CMYK 0 / 47 / 91 / 26

HEX #BC6310

RGB 188 99 16

HSL 28.95, 0.84%, 0.4%

LAB 51.44, 30.91, 56.21

 

CMYK 0 / 23 / 91 / 26

HEX #BC9110

RGB 188 145 16

HSL 45, 0.84%, 0.4%

LAB 62.49, 5.7, 64.49

 

CMYK 2 / 0 / 91 / 26

HEX #B8BC10

RGB 184 188 16

HSL 61.4, 0.84%, 0.4%

LAB 73.67, -18.68, 72.94

 

CMYK 27 / 0 / 91 / 26

HEX #8ABC10

RGB 138 188 16

HSL 77.44, 0.84%, 0.4%

LAB 70.46, -37.79, 69.04

 

CMYK 0 / 72 / 91 / 26

HEX #BC3510

RGB 188 53 16

HSL 12.91, 0.84%, 0.4%

LAB 43.17, 52.42, 50.26

 

CMYK 0 / 72 / 91 / 26

HEX #BC3510

RGB 188 53 16

HSL 12.91, 0.84%, 0.4%

LAB 43.17, 52.42, 50.26

 

CMYK 0 / 64 / 81 / 33

HEX #AB3E21

RGB 171 62 33

HSL 12.61, 0.68%, 0.4%

LAB 41.55, 43.21, 40.16

 

CMYK 0 / 54 / 68 / 39

HEX #9B4831

RGB 155 72 49

HSL 13.02, 0.52%, 0.4%

LAB 40.94, 32.88, 29.93

 

CMYK 0 / 41 / 52 / 46

HEX #8A5142

RGB 138 81 66

HSL 12.5, 0.35%, 0.4%

LAB 40.71, 22.17, 19.01

 

CMYK 0 / 25 / 33 / 52

HEX #7A5B52

RGB 122 91 82

HSL 13.5, 0.2%, 0.4%

LAB 41.58, 11.34, 10.12

 

CMYK 0 / 91 / 61 / 26

HEX #BC1049

RGB 188 16 73

HSL 340.12, 0.84%, 0.4%

LAB 40.48, 64.13, 15.89

 

CMYK 0 / 91 / 85 / 26

HEX #BC101C

RGB 188 16 28

HSL 355.81, 0.84%, 0.4%

LAB 39.82, 62.29, 42.31

 

CMYK 0 / 73 / 91 / 26

HEX #BC3310

RGB 188 51 16

HSL 12.21, 0.84%, 0.4%

LAB 42.91, 53.16, 50.08

 

CMYK 0 / 49 / 91 / 26

HEX #BC6010

RGB 188 96 16

HSL 27.91, 0.84%, 0.4%

LAB 50.8, 32.5, 55.73

 

CMYK 0 / 24 / 91 / 26

HEX #BC8E10

RGB 188 142 16

HSL 43.95, 0.84%, 0.4%

LAB 61.72, 7.34, 63.9

 

CMYK 0 / 72 / 91 / 56

HEX #701F0A

RGB 112 31 10

HSL 12.35, 0.84%, 0.24%

LAB 25.1, 34.68, 32.33

 

CMYK 0 / 72 / 91 / 41

HEX #962A0D

RGB 150 42 13

HSL 12.7, 0.84%, 0.32%

LAB 34.33, 43.79, 41.7

 

CMYK 0 / 72 / 91 / 26

HEX #BC3510

RGB 188 53 16

HSL 12.91, 0.84%, 0.4%

LAB 43.17, 52.42, 50.26

 

CMYK 0 / 72 / 91 / 11

HEX #E23F14

RGB 226 63 20

HSL 12.52, 0.84%, 0.48%

LAB 51.58, 61.07, 58.02

 

CMYK 0 / 62 / 79 / 7

HEX #ED5931

RGB 237 89 49

HSL 12.77, 0.84%, 0.56%

LAB 57.44, 55.18, 51.6

 

CMYK 0 / 72 / 92 / 25

HEX #BE3510

RGB 190 53 16

HSL 12.76, 0.84%, 0.4%

LAB 43.55, 53.08, 50.7

 

CMYK 37 / 0 / 91 / 26

HEX #77BC10

RGB 119 188 16

HSL 84.07, 0.84%, 0.4%

LAB 69.42, -44.92, 67.75

 

CMYK 91 / 73 / 0 / 26

HEX #1033BC

RGB 16 51 188

HSL 227.79, 0.84%, 0.4%

LAB 29.68, 42.8, -73.66

 

CMYK 0 / 72 / 92 / 25

HEX #BE3510

RGB 190 53 16

HSL 12.76, 0.84%, 0.4%

LAB 43.55, 53.08, 50.7

 

CMYK 91 / 0 / 73 / 26

HEX #10BC33

RGB 16 188 51

HSL 132.21, 0.84%, 0.4%

LAB 66.76, -65.43, 55.08

 

CMYK 73 / 91 / 0 / 26

HEX #3310BC

RGB 51 16 188

HSL 252.21, 0.84%, 0.4%

LAB 25.88, 60.37, -79.93

 

CMYK 0 / 72 / 92 / 25

HEX #BE3510

RGB 190 53 16

HSL 12.76, 0.84%, 0.4%

LAB 43.55, 53.08, 50.7

 

CMYK 37 / 0 / 91 / 26

HEX #77BC10

RGB 119 188 16

HSL 84.07, 0.84%, 0.4%

LAB 69.42, -44.92, 67.75

 

CMYK 91 / 19 / 0 / 26

HEX #1099BC

RGB 16 153 188

HSL 192.21, 0.84%, 0.4%

LAB 58.53, -20.51, -27.43

 

CMYK 55 / 91 / 0 / 26

HEX #5510BC

RGB 85 16 188

HSL 264.07, 0.84%, 0.4%

LAB 29.24, 62.66, -74.25

 

CMYK 0 / 72 / 92 / 25

HEX #BE3510

RGB 190 53 16

HSL 12.76, 0.84%, 0.4%

LAB 43.55, 53.08, 50.7

 

CMYK 64 / 0 / 91 / 26

HEX #44BC10

RGB 68 188 16

HSL 101.86, 0.84%, 0.4%

LAB 67.45, -60.04, 65.32

 

CMYK 91 / 19 / 0 / 26

HEX #1099BC

RGB 16 153 188

HSL 192.21, 0.84%, 0.4%

LAB 58.53, -20.51, -27.43

 

CMYK 28 / 91 / 0 / 26

HEX #8810BC

RGB 136 16 188

HSL 281.86, 0.84%, 0.4%

LAB 36.43, 68.46, -62.17

 

Description

Color code: RGB 190 53 16 | qconv.com Color code: RGB 190 53 16 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 53 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 53 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 92 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 92% 25% C M Y K

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Provide designers and agencies with accurate color values.

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CMYK to HKS®

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CMYK to PANTONE®

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HEX to RAL®

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HEX to HKS®

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HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

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RAL® to HEX

convert from RAL®-number (RAL 0000) to #RRGGBB

RAL® to HKS®

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RAL® to PANTONE®

convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)

RAL® to Sherwin Williams®

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RAL® to NCS®

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HKS® to RGB

convert from HKS®-number (HKS 00) to RGB red green blue

HKS® to RGBA

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HKS® to CMYK

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HKS® to HEX

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HKS® to PANTONE®

convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)

HKS® to Sherwin Williams®

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HKS® to NCS®

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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