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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 159 23 it is the complementary color RGB 65 96 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 159 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 159 23 shade: RGB 195 159 18, RGB 212 177 37, RGB 229 195 56, RGB 246 213 75 and RGB 255 231 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 159 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 173 141 4, RGB 156 123 0, RGB 139 105 0 and RGB 122 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 190 114 23, RGB 190 69 23, RGB 190 24 23 and RGB 190 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 176 190 23, RGB 131 190 23, RGB 86 190 23 and RGB 41 190 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 159 23 shade matches the following richer shades: RGB 190 159 23 and RGB 207 170 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 173 148 40, RGB 155 137 58, RGB 138 126 75 and RGB 121 116 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 159 23 shade: RGB 190 68 23, RGB 190 112 23, RGB 190 157 23, RGB 179 190 23 and RGB 134 190 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 159 23 shade: RGB 117 98 14, RGB 153 128 19, RGB 190 159 23, RGB 227 190 28 and RGB 231 200 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 23 190 23 and RGB 90 23 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 23 190 157 and RGB 157 23 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 23 190 23, RGB 23 56 190 and RGB 190 23 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 159 23 shade: RGB 190 159 23, RGB 23 190 73, RGB 23 56 190 and RGB 190 23 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

Complementary color

CMYK 72 / 59 / 0 / 9

HEX #4160E8

RGB 65 96 232

HSL 228.86, 0.78%, 0.58%

LAB 46.06, 34.41, -72.1

 

CMYK 0 / 18 / 91 / 24

HEX #C39F12

RGB 195 159 18

HSL 47.8, 0.83%, 0.42%

LAB 66.86, 1.29, 67.77

 

CMYK 0 / 17 / 83 / 17

HEX #D4B125

RGB 212 177 37

HSL 48, 0.7%, 0.49%

LAB 73.27, -0.33, 69.21

 

CMYK 0 / 15 / 76 / 10

HEX #E5C338

RGB 229 195 56

HSL 48.21, 0.77%, 0.56%

LAB 79.6, -1.71, 69.54

 

CMYK 0 / 13 / 70 / 4

HEX #F6D54B

RGB 246 213 75

HSL 48.42, 0.9%, 0.63%

LAB 85.85, -2.9, 69.2

 

CMYK 0 / 9 / 63 / 0

HEX #FFE75E

RGB 255 231 94

HSL 51.06, 1%, 0.68%

LAB 91.33, -7.2, 67.53

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 0 / 18 / 98 / 32

HEX #AD8D04

RGB 173 141 4

HSL 48.64, 0.95%, 0.35%

LAB 59.84, 0.91, 63.73

 

CMYK 0 / 21 / 100 / 39

HEX #9C7B00

RGB 156 123 0

HSL 47.31, 1%, 0.31%

LAB 53.2, 2.98, 58.89

 

CMYK 0 / 24 / 100 / 45

HEX #8B6900

RGB 139 105 0

HSL 45.32, 1%, 0.27%

LAB 46.43, 5.22, 53.32

 

CMYK 0 / 29 / 100 / 52

HEX #7A5700

RGB 122 87 0

HSL 42.79, 1%, 0.24%

LAB 39.5, 7.59, 47.63

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 0 / 40 / 88 / 25

HEX #BE7217

RGB 190 114 23

HSL 32.69, 0.78%, 0.42%

LAB 55.12, 23.79, 57.18

 

CMYK 0 / 64 / 88 / 25

HEX #BE4517

RGB 190 69 23

HSL 16.53, 0.78%, 0.42%

LAB 46, 46.68, 49.91

 

CMYK 0 / 87 / 88 / 25

HEX #BE1817

RGB 190 24 23

HSL 0.36, 0.78%, 0.42%

LAB 40.67, 61.39, 45.68

 

CMYK 0 / 88 / 88 / 25

HEX #BE1717

RGB 190 23 23

HSL 0, 0.78%, 0.42%

LAB 40.61, 61.57, 45.63

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 7 / 0 / 88 / 25

HEX #B0BE17

RGB 176 190 23

HSL 65.03, 0.78%, 0.42%

LAB 73.62, -22.96, 71.49

 

CMYK 31 / 0 / 88 / 25

HEX #83BE17

RGB 131 190 23

HSL 81.2, 0.78%, 0.42%

LAB 70.67, -41.18, 67.85

 

CMYK 55 / 0 / 88 / 25

HEX #56BE17

RGB 86 190 23

HSL 97.37, 0.78%, 0.42%

LAB 68.65, -56.02, 65.34

 

CMYK 78 / 0 / 88 / 25

HEX #29BE17

RGB 41 190 23

HSL 113.53, 0.78%, 0.42%

LAB 67.55, -65.31, 63.94

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 0 / 18 / 97 / 19

HEX #CFAA06

RGB 207 170 6

HSL 48.96, 0.94%, 0.42%

LAB 70.89, 0.6, 73

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 0 / 14 / 77 / 32

HEX #AD9428

RGB 173 148 40

HSL 48.72, 0.62%, 0.42%

LAB 61.84, -2.01, 56.64

 

CMYK 0 / 12 / 63 / 39

HEX #9B893A

RGB 155 137 58

HSL 48.87, 0.46%, 0.42%

LAB 57.24, -3.07, 43.79

 

CMYK 0 / 9 / 46 / 46

HEX #8A7E4B

RGB 138 126 75

HSL 48.57, 0.3%, 0.42%

LAB 52.77, -2.97, 29.35

 

CMYK 0 / 4 / 24 / 53

HEX #79745C

RGB 121 116 92

HSL 49.66, 0.14%, 0.42%

LAB 48.67, -2.32, 13.98

 

CMYK 0 / 64 / 88 / 25

HEX #BE4417

RGB 190 68 23

HSL 16.17, 0.78%, 0.42%

LAB 45.83, 47.12, 49.78

 

CMYK 0 / 41 / 88 / 25

HEX #BE7017

RGB 190 112 23

HSL 31.98, 0.78%, 0.42%

LAB 54.66, 24.88, 56.81

 

CMYK 0 / 17 / 88 / 25

HEX #BE9D17

RGB 190 157 23

HSL 48.14, 0.78%, 0.42%

LAB 65.84, 0.22, 65.74

 

CMYK 6 / 0 / 88 / 25

HEX #B3BE17

RGB 179 190 23

HSL 63.95, 0.78%, 0.42%

LAB 73.85, -21.69, 71.77

 

CMYK 29 / 0 / 88 / 25

HEX #86BE17

RGB 134 190 23

HSL 80.12, 0.78%, 0.42%

LAB 70.84, -40.05, 68.06

 

CMYK 0 / 16 / 88 / 54

HEX #75620E

RGB 117 98 14

HSL 48.93, 0.79%, 0.26%

LAB 42.08, -1.01, 45.52

 

CMYK 0 / 16 / 88 / 40

HEX #998013

RGB 153 128 19

HSL 48.81, 0.78%, 0.34%

LAB 54.3, -0.87, 55.81

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 0 / 16 / 88 / 11

HEX #E3BE1C

RGB 227 190 28

HSL 48.84, 0.78%, 0.5%

LAB 78.02, -0.81, 75.88

 

CMYK 0 / 13 / 72 / 9

HEX #E7C841

RGB 231 200 65

HSL 48.8, 0.78%, 0.58%

LAB 81.11, -3.05, 67.83

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 88 / 0 / 88 / 25

HEX #17BE17

RGB 23 190 23

HSL 120, 0.78%, 0.42%

LAB 67.33, -67.23, 63.67

 

CMYK 53 / 88 / 0 / 25

HEX #5A17BE

RGB 90 23 190

HSL 264.07, 0.78%, 0.42%

LAB 30.65, 61.82, -73.09

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 88 / 0 / 17 / 25

HEX #17BE9D

RGB 23 190 157

HSL 168.14, 0.78%, 0.42%

LAB 69.07, -46.96, 5.61

 

CMYK 17 / 88 / 0 / 25

HEX #9D17BE

RGB 157 23 190

HSL 288.14, 0.78%, 0.42%

LAB 40.41, 70.71, -56.73

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 88 / 0 / 88 / 25

HEX #17BE17

RGB 23 190 23

HSL 120, 0.78%, 0.42%

LAB 67.33, -67.23, 63.67

 

CMYK 88 / 71 / 0 / 25

HEX #1738BE

RGB 23 56 190

HSL 228.14, 0.78%, 0.42%

LAB 31.18, 40.76, -72.37

 

CMYK 0 / 88 / 0 / 25

HEX #BE17BE

RGB 190 23 190

HSL 300, 0.78%, 0.42%

LAB 46.01, 76.27, -47.42

 

CMYK 0 / 16 / 88 / 25

HEX #BE9F17

RGB 190 159 23

HSL 48.86, 0.78%, 0.42%

LAB 66.37, -0.85, 66.16

 

CMYK 88 / 0 / 62 / 25

HEX #17BE49

RGB 23 190 73

HSL 137.96, 0.78%, 0.42%

LAB 67.64, -63.29, 47.04

 

CMYK 88 / 71 / 0 / 25

HEX #1738BE

RGB 23 56 190

HSL 228.14, 0.78%, 0.42%

LAB 31.18, 40.76, -72.37

 

CMYK 0 / 88 / 26 / 25

HEX #BE178C

RGB 190 23 140

HSL 317.96, 0.78%, 0.42%

LAB 43.44, 69.52, -21.64

 

Description

Color code: RGB 190 159 23 | qconv.com Color code: RGB 190 159 23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 159 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 159 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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