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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19.9 128.2 172 it is the complementary color RGB 235.1 126.8 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19.9 128.2 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19.9 128.2 172 shade: RGB 24.9 128.2 167, RGB 41.9 146.2 186, RGB 58.9 164.2 205, RGB 75.9 182.2 224 and RGB 92.9 200.2 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19.9 128.2 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19.9 128.2 172 shade: RGB 19.9 128.2 172, RGB 2.9 110.2 153, RGB 0 92.2 134, RGB 0 74.2 115 and RGB 0 56.2 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19.9 128.2 172 shade: RGB 20 129 173, RGB 20 88 173, RGB 20 46 173, RGB 35 20 173 and RGB 76 20 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19.9 128.2 172 shade: RGB 20 129 173, RGB 20 88 173, RGB 20 46 173 and RGB 20 20 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19.9 128.2 172 shade matches the following richer shades: RGB 20 129 173 and RGB 4 136 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19.9 128.2 172 shade: RGB 20 129 173, RGB 36 122 157, RGB 51 116 142, RGB 67 109 126 and RGB 83 102 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19.9 128.2 172 shade: RGB 20 173 135, RGB 20 170 173, RGB 20 130 173, RGB 20 89 173 and RGB 20 48 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19.9 128.2 172 shade: RGB 11 74 99, RGB 16 101 136, RGB 20 129 173, RGB 24 156 210 and RGB 45 177 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19.9 128.2 172 shade: RGB 19.9 128.2 172, RGB 94 20 173 and RGB 173 155 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19.9 128.2 172 shade: RGB 19.9 128.2 172, RGB 173 20 130 and RGB 130 173 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19.9 128.2 172 shade: RGB 19.9 128.2 172, RGB 94 20 173, RGB 173 63 20 and RGB 99 173 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19.9 128.2 172 shade: RGB 19.9 128.2 172, RGB 140 20 173, RGB 173 63 20 and RGB 53 173 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 25 / 0 / 33

HEX #1380AC

RGB 19.9 128.2 172

HSL 197.28, 0.79%, 0.38%

LAB 50.24, -12.46, -31.17

 

Complementary color

CMYK 0 / 46 / 65 / 8

HEX #EB7E53

RGB 235.1 126.8 83

HSL 17.28, 0.79%, 0.62%

LAB 64.51, 38.06, 42

 

CMYK 85 / 23 / 0 / 35

HEX #1880A7

RGB 24.9 128.2 167

HSL 196.38, 0.74%, 0.38%

LAB 50.08, -13.92, -28.5

 

CMYK 77 / 21 / 0 / 27

HEX #2992BA

RGB 41.9 146.2 186

HSL 196.57, 0.63%, 0.45%

LAB 56.74, -15.52, -29.05

 

CMYK 71 / 20 / 0 / 20

HEX #3AA4CD

RGB 58.9 164.2 205

HSL 196.76, 0.59%, 0.52%

LAB 63.31, -16.73, -29.52

 

CMYK 66 / 19 / 0 / 12

HEX #4BB6E0

RGB 75.9 182.2 224

HSL 196.93, 0.7%, 0.59%

LAB 69.79, -17.67, -29.95

 

CMYK 62 / 18 / 0 / 5

HEX #5CC8F3

RGB 92.9 200.2 243

HSL 197.11, 0.86%, 0.66%

LAB 76.19, -18.4, -30.34

 

CMYK 88 / 25 / 0 / 33

HEX #1380AC

RGB 19.9 128.2 172

HSL 197.28, 0.79%, 0.38%

LAB 50.24, -12.46, -31.17

 

CMYK 98 / 28 / 0 / 40

HEX #026E99

RGB 2.9 110.2 153

HSL 197.11, 0.96%, 0.31%

LAB 43.53, -10.12, -30.54

 

CMYK 100 / 31 / 0 / 47

HEX #005C86

RGB 0 92.2 134

HSL 198.72, 1%, 0.26%

LAB 36.76, -6.96, -29.74

 

CMYK 100 / 35 / 0 / 55

HEX #004A73

RGB 0 74.2 115

HSL 201.29, 1%, 0.23%

LAB 29.82, -3.43, -28.94

 

CMYK 100 / 41 / 0 / 62

HEX #003860

RGB 0 56.2 96

HSL 204.88, 1%, 0.19%

LAB 22.63, 0.41, -28.19

 

CMYK 88 / 25 / 0 / 32

HEX #1481AD

RGB 20 129 173

HSL 197.25, 0.79%, 0.38%

LAB 50.53, -12.54, -31.28

 

CMYK 88 / 49 / 0 / 32

HEX #1458AD

RGB 20 88 173

HSL 213.33, 0.79%, 0.38%

LAB 38.1, 12.81, -51.02

 

CMYK 88 / 73 / 0 / 32

HEX #142EAD

RGB 20 46 173

HSL 229.8, 0.79%, 0.38%

LAB 27.07, 40.61, -69.05

 

CMYK 80 / 88 / 0 / 32

HEX #2314AD

RGB 35 20 173

HSL 245.88, 0.79%, 0.38%

LAB 23.25, 54.28, -75.37

 

CMYK 56 / 88 / 0 / 32

HEX #4C14AD

RGB 76 20 173

HSL 261.96, 0.79%, 0.38%

LAB 26.89, 57.12, -69.23

 

CMYK 88 / 25 / 0 / 32

HEX #1481AD

RGB 20 129 173

HSL 197.25, 0.79%, 0.38%

LAB 50.53, -12.54, -31.28

 

CMYK 88 / 49 / 0 / 32

HEX #1458AD

RGB 20 88 173

HSL 213.33, 0.79%, 0.38%

LAB 38.1, 12.81, -51.02

 

CMYK 88 / 73 / 0 / 32

HEX #142EAD

RGB 20 46 173

HSL 229.8, 0.79%, 0.38%

LAB 27.07, 40.61, -69.05

 

CMYK 88 / 88 / 0 / 32

HEX #1414AD

RGB 20 20 173

HSL 240, 0.79%, 0.38%

LAB 22.54, 53.76, -76.58

 

CMYK 88 / 25 / 0 / 32

HEX #1481AD

RGB 20 129 173

HSL 197.25, 0.79%, 0.38%

LAB 50.53, -12.54, -31.28

 

CMYK 98 / 28 / 0 / 26

HEX #0488BD

RGB 4 136 189

HSL 197.19, 0.96%, 0.38%

LAB 53.29, -11.3, -36.18

 

CMYK 88 / 25 / 0 / 32

HEX #1481AD

RGB 20 129 173

HSL 197.25, 0.79%, 0.38%

LAB 50.53, -12.54, -31.28

 

CMYK 77 / 22 / 0 / 38

HEX #247A9D

RGB 36 122 157

HSL 197.36, 0.63%, 0.38%

LAB 47.92, -12.88, -26.02

 

CMYK 64 / 18 / 0 / 44

HEX #33748E

RGB 51 116 142

HSL 197.14, 0.47%, 0.38%

LAB 45.84, -12.31, -20.35

 

CMYK 47 / 13 / 0 / 51

HEX #436D7E

RGB 67 109 126

HSL 197.29, 0.31%, 0.38%

LAB 43.71, -9.71, -13.99

 

CMYK 25 / 7 / 0 / 57

HEX #53666E

RGB 83 102 110

HSL 197.78, 0.14%, 0.38%

LAB 41.95, -5.14, -6.87

 

CMYK 88 / 0 / 22 / 32

HEX #14AD87

RGB 20 173 135

HSL 165.1, 0.79%, 0.38%

LAB 63.16, -45.8, 9.27

 

CMYK 88 / 2 / 0 / 32

HEX #14AAAD

RGB 20 170 173

HSL 181.18, 0.79%, 0.38%

LAB 63.27, -33.74, -11.77

 

CMYK 88 / 25 / 0 / 32

HEX #1482AD

RGB 20 130 173

HSL 196.86, 0.79%, 0.38%

LAB 50.84, -13.1, -30.8

 

CMYK 88 / 49 / 0 / 32

HEX #1459AD

RGB 20 89 173

HSL 212.94, 0.79%, 0.38%

LAB 38.39, 12.15, -50.55

 

CMYK 88 / 72 / 0 / 32

HEX #1430AD

RGB 20 48 173

HSL 229.02, 0.79%, 0.38%

LAB 27.52, 39.37, -68.31

 

CMYK 89 / 25 / 0 / 61

HEX #0B4A63

RGB 11 74 99

HSL 197.05, 0.8%, 0.22%

LAB 29.08, -9, -19.95

 

CMYK 88 / 26 / 0 / 47

HEX #106588

RGB 16 101 136

HSL 197.5, 0.79%, 0.3%

LAB 39.91, -10.48, -26.02

 

CMYK 88 / 25 / 0 / 32

HEX #1481AD

RGB 20 129 173

HSL 197.25, 0.79%, 0.38%

LAB 50.53, -12.54, -31.28

 

CMYK 89 / 26 / 0 / 18

HEX #189CD2

RGB 24 156 210

HSL 197.42, 0.79%, 0.46%

LAB 60.45, -13.94, -36.8

 

CMYK 80 / 23 / 0 / 10

HEX #2DB1E6

RGB 45 177 230

HSL 197.19, 0.79%, 0.54%

LAB 67.81, -16.75, -36.35

 

CMYK 88 / 25 / 0 / 33

HEX #1380AC

RGB 19.9 128.2 172

HSL 197.28, 0.79%, 0.38%

LAB 50.24, -12.46, -31.17

 

CMYK 46 / 88 / 0 / 32

HEX #5E14AD

RGB 94 20 173

HSL 269.02, 0.79%, 0.38%

LAB 29.15, 59.03, -65.42

 

CMYK 0 / 10 / 88 / 32

HEX #AD9B14

RGB 173 155 20

HSL 52.94, 0.79%, 0.38%

LAB 63.65, -6.41, 63.95

 

CMYK 88 / 25 / 0 / 33

HEX #1380AC

RGB 19.9 128.2 172

HSL 197.28, 0.79%, 0.38%

LAB 50.24, -12.46, -31.17

 

CMYK 0 / 88 / 25 / 32

HEX #AD1482

RGB 173 20 130

HSL 316.86, 0.79%, 0.38%

LAB 39.57, 65.17, -21.73

 

CMYK 25 / 0 / 88 / 32

HEX #82AD14

RGB 130 173 20

HSL 76.86, 0.79%, 0.38%

LAB 65.5, -34.06, 64.09

 

CMYK 88 / 25 / 0 / 33

HEX #1380AC

RGB 19.9 128.2 172

HSL 197.28, 0.79%, 0.38%

LAB 50.24, -12.46, -31.17

 

CMYK 46 / 88 / 0 / 32

HEX #5E14AD

RGB 94 20 173

HSL 269.02, 0.79%, 0.38%

LAB 29.15, 59.03, -65.42

 

CMYK 0 / 64 / 88 / 32

HEX #AD3F14

RGB 173 63 20

HSL 16.86, 0.79%, 0.38%

LAB 41.98, 43.12, 46.65

 

CMYK 43 / 0 / 88 / 32

HEX #63AD14

RGB 99 173 20

HSL 89.02, 0.79%, 0.38%

LAB 63.83, -45.63, 62.01

 

CMYK 88 / 25 / 0 / 33

HEX #1380AC

RGB 19.9 128.2 172

HSL 197.28, 0.79%, 0.38%

LAB 50.24, -12.46, -31.17

 

CMYK 19 / 88 / 0 / 32

HEX #8C14AD

RGB 140 20 173

HSL 287.06, 0.79%, 0.38%

LAB 36.16, 65.49, -53.67

 

CMYK 0 / 64 / 88 / 32

HEX #AD3F14

RGB 173 63 20

HSL 16.86, 0.79%, 0.38%

LAB 41.98, 43.12, 46.65

 

CMYK 69 / 0 / 88 / 32

HEX #35AD14

RGB 53 173 20

HSL 107.06, 0.79%, 0.38%

LAB 62.25, -58.14, 60.03

 

Description

Color code: RGB 19.9 128.2 172 | qconv.com Color code: RGB 19.9 128.2 172 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19.9 red, 128.2 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19.9 128.2 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 25 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 25% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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