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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 85 151 it is the complementary color RGB 237 170 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 85 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 18 85 151: RGB 23 85 146, RGB 40 103 165, RGB 57 121 184, RGB 74 139 203 and RGB 91 157 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 85 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 18 85 151: RGB 18 85 151, RGB 1 67 132, RGB 0 49 113, RGB 0 31 94 and RGB 0 13 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

Complementary color

CMYK 0 / 28 / 56 / 7

HEX #EDAA68

RGB 237 170 104

HSL 29.77, 0.79%, 0.67%

LAB 74.67, 17.59, 43.43

 

CMYK 84 / 42 / 0 / 43

HEX #175592

RGB 23 85 146

HSL 209.76, 0.73%, 0.33%

LAB 35.51, 4.1, -39.01

 

CMYK 76 / 38 / 0 / 35

HEX #2867A5

RGB 40 103 165

HSL 209.76, 0.61%, 0.4%

LAB 42.56, 1.95, -39.12

 

CMYK 69 / 34 / 0 / 28

HEX #3979B8

RGB 57 121 184

HSL 209.76, 0.53%, 0.47%

LAB 49.5, 0.35, -39.19

 

CMYK 64 / 32 / 0 / 20

HEX #4A8BCB

RGB 74 139 203

HSL 209.77, 0.55%, 0.54%

LAB 56.32, -0.89, -39.25

 

CMYK 59 / 29 / 0 / 13

HEX #5B9DDE

RGB 91 157 222

HSL 209.77, 0.66%, 0.61%

LAB 63.02, -1.86, -39.32

 

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

CMYK 99 / 49 / 0 / 48

HEX #014384

RGB 1 67 132

HSL 209.77, 0.98%, 0.26%

LAB 28.61, 8.83, -41.51

 

CMYK 100 / 57 / 0 / 56

HEX #003171

RGB 0 49 113

HSL 213.98, 1%, 0.22%

LAB 21.54, 13.25, -40.95

 

CMYK 100 / 67 / 0 / 63

HEX #001F5E

RGB 0 31 94

HSL 220.21, 1%, 0.18%

LAB 14.33, 18.15, -40.29

 

CMYK 100 / 83 / 0 / 71

HEX #000D4B

RGB 0 13 75

HSL 229.6, 1%, 0.15%

LAB 7.19, 23.02, -39.12

 

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

CMYK 89 / 57 / 0 / 41

HEX #114096

RGB 17 64 150

HSL 218.8, 0.8%, 0.33%

LAB 29.38, 19.51, -51.33

 

CMYK 89 / 72 / 0 / 41

HEX #112A96

RGB 17 42 150

HSL 228.72, 0.8%, 0.33%

LAB 23.6, 34.47, -60.82

 

CMYK 89 / 87 / 0 / 41

HEX #111396

RGB 17 19 150

HSL 239.1, 0.8%, 0.33%

LAB 19.17, 47.15, -68.16

 

CMYK 75 / 89 / 0 / 41

HEX #251196

RGB 37 17 150

HSL 249.02, 0.8%, 0.33%

LAB 20.03, 48.84, -66.7

 

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

CMYK 88 / 44 / 0 / 21

HEX #1872CA

RGB 24 114 202

HSL 209.66, 0.79%, 0.44%

LAB 47.61, 7.81, -52.6

 

CMYK 88 / 44 / 0 / 1

HEX #1E8EFD

RGB 30 142 253

HSL 209.87, 0.98%, 0.55%

LAB 58.71, 10.43, -63.38

 

CMYK 88 / 43 / 0 / 81

HEX #061C31

RGB 6 28 49

HSL 209.3, 0.78%, 0.11%

LAB 9.73, 0.28, -16.46

 

CMYK 88 / 44 / 0 / 61

HEX #0C3864

RGB 12 56 100

HSL 210, 0.79%, 0.22%

LAB 23.09, 3.46, -30.04

 

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

CMYK 28 / 89 / 0 / 41

HEX #6C1196

RGB 108 17 150

HSL 281.05, 0.8%, 0.33%

LAB 28.88, 56.62, -51.81

 

CMYK 7 / 0 / 89 / 41

HEX #8B9611

RGB 139 150 17

HSL 64.96, 0.8%, 0.33%

LAB 59.29, -19.14, 59.82

 

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

CMYK 0 / 89 / 43 / 41

HEX #961156

RGB 150 17 86

HSL 328.87, 0.8%, 0.33%

LAB 33.04, 55.52, -4.15

 

CMYK 43 / 0 / 89 / 41

HEX #569611

RGB 86 150 17

HSL 88.87, 0.8%, 0.33%

LAB 55.92, -40.73, 55.64

 

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

CMYK 28 / 89 / 0 / 41

HEX #6C1196

RGB 108 17 150

HSL 281.05, 0.8%, 0.33%

LAB 28.88, 56.62, -51.81

 

CMYK 0 / 46 / 89 / 41

HEX #965111

RGB 150 81 17

HSL 28.87, 0.8%, 0.33%

LAB 41.86, 24.49, 46.1

 

CMYK 61 / 0 / 89 / 41

HEX #3B9611

RGB 59 150 17

HSL 101.05, 0.8%, 0.33%

LAB 54.85, -49.02, 54.29

 

CMYK 88 / 44 / 0 / 41

HEX #125597

RGB 18 85 151

HSL 209.77, 0.79%, 0.33%

LAB 35.71, 5.7, -41.71

 

CMYK 1 / 89 / 0 / 41

HEX #941196

RGB 148 17 150

HSL 299.1, 0.8%, 0.33%

LAB 35.79, 63.47, -40.31

 

CMYK 0 / 46 / 89 / 41

HEX #965111

RGB 150 81 17

HSL 28.87, 0.8%, 0.33%

LAB 41.86, 24.49, 46.1

 

CMYK 87 / 0 / 89 / 41

HEX #139611

RGB 19 150 17

HSL 119.1, 0.8%, 0.33%

LAB 54.02, -56.12, 53.25

 

Description

Color code: RGB 18 85 151 | qconv.com Color code: RGB 18 85 151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 85 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 85 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 44 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 44% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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